Problems with speed reading (too fast) in Premiere Pro (files imported from Nikon D4S and D810)

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  To Render & replace, select an Audio Clip and choose (Toolbar) Clip > Audio Options > Render and replace. A new Audio Clip will be created and will replace the Audio Clip selected in the timeline panel.

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• I just copy a file by ctrl + c then I'll stick with ctrl + v, that after I copy the file (b) by ctrl + c and paste ctrl + v and once again if I need to paste everything first: to leave what shortcut I use

  I just copy a file by ctrl + c then I'll stick with ctrl + v, that after I copy the file (b) by ctrl + c and paste ctrl + v and still, if I need to paste everything first: to leave what short cut I have we

  On Mon, 24 Sep 2012 15:49:08 + 0000, ajay8055 wrote:

  I just copy a file by ctrl + c then I'll stick with ctrl + v, that after I copy the file (b) by ctrl + c and paste ctrl + v and still, if I need to paste everything first: to leave what short cut I have we

  You can't do it without third-party software. Just go back and
  Copy the file (a).
  Ken Blake, Microsoft MVP

• Reading too fast: Please help!

  Hi all

  I used Adobe Audition 1.5 for many years (I have also tried with version 3, but my computer is too slow to run it well) and has recently purchased a new computer and thought I would update to CS5.5.  I recently recorded a session with an ensemble of 8 musicians and I have a major problem that I can not understand!  I recorded the sessions and while listening to them on that day, I recorded, all sounded very good.  The next day when I opened the sessions all of them played back too fast.  The music is a semitone too high in height.  I'm completely baffled as to why it happened, but I'm guessing it has something to do with the sampling rate.

  I'm on a PC running Windows 7 Ultimate (64 bit).  I use a Presonus Firepod as my audio interface that I set to 48 kHz.  My Adobe Audition sessions can also be programmed to 48 kHz.  I did something unusual that set again the paths of files of sessions in a more coherent system of record.  It opens everythihng always fine, but sessions are replaying at too high a pitch.  If someone could help me with suggestions, I would be very grateful.  I have a lot of people waiting for mixdowns for this one and I'm in a bit of panic!

  see you soon,

  Adam

  I checked all the samples used in the session already and they are ID'ed as 48 k.  The multitrack session, it also suggests reading is at 48 k.  Do you think I should try to re - sample all the files at 44.1?  I'm afraid to do it, because I tried to do it with a .wav file that does not need, and CS5.5 does not allow me to cancel it!

  You can just stamp the header without resampling.   It will not be reduced the audio because it does not change any of the headers.   Take one of the files and use the change > interpret Sample Rate order on this subject:

  

  However, you can actually set this operation on all files by saving a favorite.

  If all the clips in the session starts in the same exact spot, you can cheat the session as well be simply change the header in the file SESX (using a text editor).  However, if you already have automation or several clips from different places, it becomes a little more difficult.  But if everything started at the beginning of the session, it should be easy change this attribute in the SESX:

  

  I found another disproportion which may help a solution.  Wave files are 24 bits, but the multitrack session is set to 32-bit mix: would this affect reading?

  No they won't make a difference, and is in fact to design.  Given that you have saved the files directly on the disk in the multitrack, there is no reason to store in a file with a depth of greater than 24 - bit because your sound card is _actually_ be able to produce data at a resolution (in or) more than 24 bits.