Queues OMF export multiple sequences?

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• Export multiple sequences at the same time?

  Hello

  I am currently using Adobe first Pro CS5.5 to edit videos in about 1400 short .avi format (10 seconds for each).

  I have to reduce the speed of each video to 75%, then export each again. I was able to import and to slow down all the videos at the time, but now I can't find a way to export all fast enough. When I import the unique clips at the same time, they are all placed in a sequence in a single project.

  I can access only 'Export-> media' if I have one of these videos at the same time export. If I chose more than one video export, I can only access export via AAF or Final Cut Pro.

  Like Premiere Pro does not .avi formats, I want to make videos in Quick time (.mov) format.

  I found a way to put them in the Adobe Media Encoder CS5.5, so I can let the encoder run export (so I don't have to wait around 1400 videos finish). The problem is that I have to export all the videos on his own in the encoder as well. It takes a lot of time, so I hope someone can help me. Is it possible to export several clips at once (or more of Premiere Pro and Media Encoder)?

  Thank you very much!

  I don't know a simple or automated way...

  Ooh, ooh! Yes!

  Of course, this assumes that you have something that you didn't mention it, but I will operate on the assumption that you do: After Effects. Note that I can fully test this on CS5.5, as I did not then, but it * mostly * works in CS5. I know CS5.5, however, it should work even better in many ways. Are you ready? Here goes...

  1. Assuming that you have all of your clips in first, and that you have already performed at the desired rate (I guess this is how you've changed their speed massively), select all the clips in the sandbox and copy them.
  2. Launch After Effects, create a new project and paste all clips in AE. all clips will be added to the project using the first interpretation. Technically, you could start at this stage by the importation of all your videos in AE and make the interpretation here; options, options.
  3. With all the clips selected in AE, drag them to the new Comp button at the bottom of the project Panel. This will open a dialog box asking if you want to create a unique model with all clips, or multiple compositions. Choose the option of several Compositions and click OK. Wait... You will have now a lot of comps, each containing a clip, with the correct interpretation and change of speed... and they will also have the name of your source element.
  4. Launch the SOUL. Go in Edition > Preferences > General and check the "specify destination output file:" box. Choose the location where you want all of your code to disembark; the reason why you need to do is that the SOUL allows you to change the format and preset for several items in line waiting, but foolishly, you cannot change the location of several items. This step will save you a lot of headaches x 1400
  5. Back to AE - and this is a new device fees - select your compositions and drag - move in the queue of the SOUL. You can now change the format and preset for all your items in line waiting at a time, and you'll see they're all down to the location that you chose in the preferences. A final bit that has changed in CS5.5 is this sequence of body multiple queued or AE comps use this title sequence or a model - NOT the title of the project - when you add several items to the queue. This was an error extremely annoying in CS5 (and frankly, would have made your process pretty much a nightmare), which has fortunately been corrected in CS5.5.

  Now, of course, the time typed this up (which I'll leave so you can see how ridiculously easy the following process is), I found a better solution.

  1. Drag your clips in the SOUL.
  2. Select all clips in the SOUL.
  3. Click with the right button on an item in the queue or go to file > interpret footage. Set the desired cadence. Click OK.
  4. Set your format, the preset and click the Start button. You always want to set the preference of location as above in #4.

  I'll let you decide which is easier

• HOW to export multiple INDIVIDUAL Clips clip sequence

  Ok

  There is a very good reason for this request... I DO and use it in FCP all the time... Why?  I shoot a LOT of stock natural history and then take a full hardware spool in the timeline panel and do my corrections of colors as well as in and out points and any other position working... I THEN export the sequence as well as a folder that lands the individual clips of color / edited "new" at it like the INDIVIDUAL sequences...

  In FCP I take my first reel & leave it alone; I make a new folder called Clips export... then I select all the clips on the timeline - the clips edited; drag them to my REPORT CLIPS folder; then cntrl clico paper Clips export and choose EXPORT ORDERS - on settings window that appears, I set the destination for the pliers and then make sure you check USE ITEM in/out...

  Now: How can I do the same thing on the Prime Minister?  Is this possible?

  Thanks for the help

  Here's what I'd do:

  Implement all my clips in sequence a timeline with color correction on each. Right-click on each element of the sequence of Assembly, then choose the nest. 50 clips could take two minutes to do. Organization of close and open SOUL. Click on the button '+' and go to your project. Now select all 50 nested sequences, and click OK. In SOUL, select all sequences and then configure your desired export regime and output folder and click to start the export.

  It takes no more time than does your FCP workflow. It's just different. Embrace change and go with the flow, like a twig on the shoulders of a powerful jet.

• First Pro/SOUL fails to export the sequence containing the reverse clip

  When I try to export a sequence that contains an element for which I reversed the speed, sequence are not exported. (I had a similar problem with just coating the sequence, but if I turn the GPU acceleration in the project settings and use "software only" it will make.) This happens with files of GH4 and Phantom 3 Pro (the cameras only I currently use). I can watch the progress of the export, and it always chokes on the clip in the position reversed. If I have "non-reversed" clips and play normally, everything works fine.

  The clips are 4K in a calendar of 1080 p. Nesting does not help.

  I export using the 1080 p YouTube preset.

  Under first Pro CC 2015.2 Windows 10 Pro with a GeForce GTX 970.

  Any thoughts on how I can actually reverse an element and be able to use it in the sequence? It's really frustrating, and I continue to meet him on multiple projects.

  Thank you

  Right-click on the suspicious item on the timeline and in the menu drop-down, choose replace and made...

  try again your export.

  MtD

• is it possible to export several sequences from one day to the next?

  I edited a 6 hour conference, I did that 4 different sequences throughout an hour and a half each.

  I want to export them throughout the night, because they take 2 hours for export and they are keeping my day.

  is it possible to queue upwards of some sequences for export, similar to the way you would in the queue of AfterEffects rendering?  and if yes, how do I do that?

  There is an option to queue in the bottom right of the export dialog box. He sends the export to the queue in the Media Encoder.

• Need help! Re: Sequence Presets understanding & settings + using multiple sequences!

  Hi, I'm newer to Premiere Pro (using the new version of Pro obtained in March 2010 on a PC) and watched all the tutorials (lots of video) and read a LOT about the subject! And I have answered several questions about mine. But there is one main thing (that I'll probably have to divide it into 2 or more questions) that I just got a complete knowledge & really your expert need help on!

  Thank you very, VERY MUCH! Really...

  I have designed/product audio (music) for a while now and when you start a new session just, you select your sample rate & are locked in for the most part therefore... Pretty simple... Now with Pro, when you start your new session, you choose your Preset sequence. Now for this first project, a video clip (3 minutes), the audio is done (as I said) and for the clip, we use images from several sources including: maybe 55% compared with a mini-camera DV, 40% of the .vob files right & the remaining 5% of some mpeg files + a few YouTube videos (we only have it our preserved images of front on YouTube) + some JPEGs (still images). And we plan to export the final video on YouTube and the internet. And we want also ready to be broadcast on both television (MTV, some media, shows, etc.). And Yes, we will also use it on cell phones (even if it is the least important right now). So 3 main exports (which I believe are all made at the end through media encoder).

  • But to choose the right Preset sequence at the beginning, I am confused, unfortunately.   I

  Believe you choose the one that best fits to of your assets sizes & frame rate [in this case, which is a camera film regular DV; & mediainfo said the .vob file = 720 x 480 (4:3) to 29.970 fps MPEG video (NTSC), one of the shots (of our) YouTube = 480 x 270 (16:9) at 29.970 fps STROKE, a MPEG = 352 x 288 (4:3) at 25.000 fps and 2 examples of jpeg = 300 x 400 (size = 57 KB)] and another = 720 x 450 (size = 100 KB)]. So if I am wrong in my assumption on the choice of a pre-defined sequence just on the best corresponds to the your assets rates & sizes, I would choose (I think): DV-NTSC Standard 48 kHz (the 48 just to 41 over our audio sampling frequency). 

  And if all goes well, it is excellent for our export needs YouTube at the end of the process the video & tv as well!

  .. . Is this correct?

  Can I choose the predefined sequence that best matches most of the sizes/frame rate of your assets?

  * And ESPECIALLY... is CE Preset of the sequence is the BEST for this current music video (based on the sources of our assets & where it will be considered when it is finished - mainly of YouTube, & also some TV [for media and broadcasting] - probably on a DVD, I guess)?

  Or I'm wrong, & it (your Preset Sequence) depends on your final product & the output?

  My friend (who admits that he is no expert in some way) explained that I would probably go with HDV 1080 p 30 as this will give a much better value for my release. But after he saw the results in Pro with this setting for my property, he agrees with MY above conclusion instead. 

  When you use the DV - NTSC Standard 48 kHz preset, I saw the asset in the Source monitor Panel (& then dragged the clips to the timeline) & seen in the finale of "Project Monitor" (I think it is called). And they looked decent in this final screen (where I'll crop & use some shared screens sometimes). 

  And when I used his suggestion of 1080 p HDV 30, assets looked ok in the Source monitor Panel (I think), but very little in the final project monitor. 

  • And led me to another big question - when you use the jpeg format which is 1280 x 960 e.g. (largest

  as the previous ones) in the Standard DV NTSC 48 kHz preset, happening in the Source monitor. But when you drag it down to the timeline and view it in the program monitor, the head was cut off, etc. and of course, when you use instead the HDV 1080 p 30 preset, as larger jpeg even adapt very well in the in the program monitor. Now, I understand that this is because the size of the frame (dimensions) close match those of the HDV preset. I get it. What none of us got was however WHY in the DV - NTSC Standard 48 kHz preset, he looks very well in the Source monitor Panel (but not in the program monitor)? (The two were simply put to 'Fit'). We thought he not would not have looked at well & fit fine and complete source of follow-up at first - but that's the difference between this largest jpeg display when it is displayed in two different monitors that really confused us!

  • And the final main confusion on this topic lies in something, that a technician in Adobe, tell us, informing that

  We can create multiple sequences. Now, I saw How to do this in the project Panel, but it's really the full understanding of the workings that we don't get. The tech said: "each sequence MUST have the good frame rates, sizes of images." Ok, you understand - understood. And he said: we can be: convert the size of the image (of this large jpeg example, say reducing) to match the predefined video frame size. But in this way, we would lose the quality (jpeg - assets). And he says: - or - you CAN use multiple sequences for different sources & when everything is completed (the whole video), I just export it them all as a single project! And I have that a sequence may be getting the DV preset (with the heights of these assets corresponding closely to this preset) and another sequence (in the same project) can be the HDV preset (with the heights of remaining assets corresponds closely to the preset instead). , But he couldn't explain was: how you can view your entire music video (3 minutes) in its entirety in Pro. It seems that when you choose a 2^nd sequence, it obviously creates on the timeline, and assets that you put in the 1^st (DV) timeline is completely separate from the 2^nd (HDV) timeline. And you get no display either at the same time (because they are distinct sequences). 

  So... is this true?

  Are we supposed to use multiple sequences within our project to clip one of the assets with a higher (or other) image size/rate?

  And you export sequences as a final clip?

  And if so, HOW the world watch you your video chats (in the monitor of the project with all of your changes - as you change) when you use more than one sequence?

  Sorry, it seems quite stretched out, but I want to answer your questions you can in turn have for me & be clear so I can finally receive clarity on this topic!

  I know it's much, but if you could address all of the above questions (more background or discussion - is but a handful of issues in there), you have my gratitude... we were afraid to start the part of the video of this project is NOT know what sequence preset start with (as "we don't want to be locked into the wrong choice & waste weeks of editing), let alone a good understanding of the 'why' or the ramifications!

  Thank you so very, very well... You have no idea how...

  Rendering is done on a basis as needed. If we do a complex animation with keyframes, or if they have odd source files, they could do. For keyframe animations, I could make this section of the timeline of a dozen or more times. Otherwise, maybe not.

  Rendering is the production of AV files, just for reading. They take a lot of space and will take a while. It's one of the reasons that a Publisher must familiarize themselves with the WAB (work area bar), so that they do things like rendering for all what they might need. Tip: remember to put this back to the full timeline.

  Good luck

  Hunt

• export multiple charts for excel

  Hi guys,.

  I am trying to export multiple charts to an excel file but do not know how... I wanted it to appear on a file excel unique... and graphics export to a different sheet... can someone please tell me how to do?

  Kind regards

  Hello Gonçalo,

  Are you familiar with the report generation tool?

  http://zone.NI.com/DevZone/CDA/tut/p/ID/3178

• If I started a project in first Cs5 and want to finish it in first Pro CC it causes problems exporting my sequence and get into the new software?

  If I started a project in first Cs5 and want to finish it in first Pro CC it causes problems exporting my sequence and get into the new software?

  Better is to import the cs5 project in the new project of CC.

  And Yes this could have problems, he could not.

  I would have ended up in CS5. Export to the lossless format and encode with SOUL CC until the final destination.

• Need help, export a sequence from Premiere Pro to import into Encore...

  I read that the first Pro CC does not offer the possibility to send an edited still sequence through the Adobe Dynamic Link, so I think that my only option then is to export the sequence in the form of audio and video media files and then import those in yet.  Could someone provide some guidance as to what the best settings are to export a sequence of PP to make a DVD?  I am new to the game and export first opens a window with terms largely unknown to me, if no offer of suggestion and/or clarity of these terms would be quite awesome!  Thanks for the patience.

  DVD I have are DVD + R 4.7 GB / 120 min.

  When you source is interlaced together HD mpeg2-dvd preset to higher areas.

  After export, you will have two files, an audio and a video.

  That are still important, do menu and burn.

• How to search multiple sequences markers

  I am trying to find a way to search the keywords marker of multiple sequences in a single PrProj file. I have several sequences imported in a single project file, and each sequence of several markers with keywords. Is there a way to search all markers for footage without having to select each individual sequence and search for each of them?

  Marks item or sequence markers?

  As the clip markers stored in the file on the disk (or a sidecar), they should find when you copy clips between the sequences. In fact, clip markers should remain with the clip of all projects.

  The only way I know to get marks of sequence in another sequence is to nest the whole source sequence in the target sequence. At this point, marks the source sequence actually become trademarks of element in the target, which means that they appear on the element of the track, not on the time of the timeline bar.

  In regards to the addition of the ability to search across multiple sequences markers, do not hesitate to submit a feature request: Adobe - feature request/Bug Report Form

• Crash when export - I tried to export my sequence first and SOUL and it crashes - Pls help.

  Crashing during export - I tried to export my sequence containing several first clips and SOUL and it crashes - Pls help.

  Need someone to help... more information please click below and provide the requested information

  -Premiere Pro video Editing information FAQ http://forums.adobe.com/message/4200840

• "Export as sequence" - unfortunately give me individual pictures

  Hello

  I tried to export a sequence, like *. TIFF and have *. PNG with "Export as sequence" checked.

  Exports have resulted in 210 individual images.

  What can I do to get a good TIFF - or PNG sequence?

  Best regards and tia

  Ben

  Exports have resulted in 210 individual images.

  It's normal.  There is no way out "image sequence" in a single file.

• Beach of the exporting parameter (minvalue ~ maxvalue) messed up when exporting a sequence twice

  Hello

  I do an exporter plugin using SDK 5.5 organization.

  I noticed that the range of values of a parameter turned bad if I export a sequence twice.  For example, if I register "MyAwesomeParam" with the value 10 min and max value 20, the first export if I enter 0, it climbs to 10 because the value is less than the min value. But in the second export, if I enter 0, it remains 0.

  Please encounterer this problem? Is there a solution for this? Please tell me if you know something about it, given that the guide SDK and the sample offered very little help.

  Thank you

  It is because the SOUL puts in cache settings of previous jobs. I noticed this also. It does not exSDKGenerateDefaultParams(), only exSDKPostProcessParams(). Thus, you never had the code executed that put the min, max, etc.

  In exSDKPostProcessParams you must read each parameter and the difficulty in all areas - the only thing you can trust is .value, all others like. maxrange.value. minrange.value .hidden, .in, etc. are potentially corrupt to fix them and write them back (ChangeParam())

  for example: this is my code from cadence in exSDKPostProcessParams. I have set up the labels of the chain, but more important still, I read, difficulty and write the structure frameRateValues.

  // --------------------------
  "Frame rate (fps)" [TEXT]: [BOX]
  copyConvertStringLiteralIntoUTF16 (STR_FRAME_RATE, tempString);
  lRec-> exportParamSuite-> SetParamName (postProcessParamsRecP-> exporterPluginID,
  0,
  ADBEVideoFPS,
  tempString);
  Get the preset
  lRec-> exportParamSuite-> GetParamValue (postProcessParamsRecP-> exporterPluginID,
  0,
  ADBEVideoFPS,
  (& lRec-> frameRateValues);
  Update local storage
  lRec-> frameRate = lRec-> frameRateValues.value.timeValue;
  lRec-> frameFPS = (float) ticksPerSecond / (float) lRec-> frameRate.
  Difficulty fields broken ('intValue' confidence only)
  lRec-> frameRateValues.structVersion = 1;
  lRec-> frameRateValues.rangeMin.timeValue = 1;
  lRec-> timeSuite-> GetTicksPerSecond (& lRec-> frameRateValues.rangeMax.timeValue);
  lRec-> frameRateValues.disabled = kPrFalse;
  lRec-> frameRateValues.hidden = kPrFalse;
  lRec-> frameRateValues.optionalParamEnabled = kPrFalse;
  Rewrite in SOUL preset storage
  lRec-> exportParamSuite-> ChangeParam (postProcessParamsRecP-> exporterPluginID,
  0,
  ADBEVideoFPS,
  (& lRec-> frameRateValues);

  FRAMES PER SECOND VALUES DROP ZONE
  lRec-> exportParamSuite-> ClearConstrainedValues (postProcessParamsRecP-> exporterPluginID,
  0,
  ADBEVideoFPS);
  for (int i = 0; i)< sizeof(framerates)="" sizeof="" (prtime);="">
  {
  tempValue.timeValue = display rate [i];
  copyConvertStringLiteralIntoUTF16 ((wchar_t *) frameRateStrings [i], tempString);
  lRec-> exportParamSuite-> AddConstrainedValuePair (postProcessParamsRecP-> exporterPluginID,
  0,
  ADBEVideoFPS,
  & tempValue,
  tempString);
  }

• Export a sequence work?

  What path leads to better results of export:

  1. I make a full inside Premiere Pro sequence. After this final rendering I export the sequence directly or through SOUL.

  2. I do not do anything, no audio or video (and I don't care about red lines). I export the unreturned movie directly or through SOUL.

  All the best and thank you very much for your comments.

  Interested in these red lines...

  In general you define the "rendered Preview Files" to something not so ideal for Mastering (made for faster previews)

  If when you return you wil certainly want NO body to use those (if it is less) perceived to be part of the final result...

  For example... You can do your final rendering in ProRes 422... But you set yout preview files in H264 or iframes.

  Those who are already highly compressed and you do not want to recompress those... Remove all THE files preview before you make your master in this way you ensure that

  first use the original source media. May take a little longer but it's the way course!

  After that, I would open the Media dialog box export, make settings, and hit 'Tail', which will open the SOUL, and while that renders, you can continue to work inside the BODY!

• Export DPX sequence: incorrect cadence in the exported file

  Hello everyone, I'm new here.  I would really appreciate help with this question.  My sequence and the source files, I work with are 2048 x 1240, (1,0), 23.976 fps.  I export a sequence of DPX files with parameters.

  The problem is, when I import the new sequence of DPX files back into my creation project, or AE project with the same settings, the new DPX file has a frame rate of 29.97 FPS.

  I tried many times and checked all my settings.  I can't understand why the new DPX sequence is not 23.976 fps.  Any ideas what I'm doing wrong here?

  Here is my export settings, exit note and source have corresponding frame rates:

  

  and here is a screenshot showing the properties of the file of my new sequence exported DPX, after imported in first Pro CS5, with a rate of 29.97 FPS.

  

  Any help will be greatly appreciated!

  Thank you

  Jeremy

  Creation is his best estimate of the expected rate of image sequences.

  'Interpret the film' to specify what it should be.

  Change the clip properties with interpret footage