Seamless pattern - using the images inlaid with clipping masks

Similar Questions

• How to align the elements (groupItem) with clipping masks?

  I have a script which aligns a groupItemToBeAligned on a layer to an another referenceGroupItem on another layer, well. Problem comes when the groupItemToBeAligned consists of elements that have a clipping, masks just to help

  groupItemToBeAligned.position = referenceGroupItem.position;
  
  

  Does not work, he takes the position of all, what is the best method to align what is actually visible? I tried to use:

  var vBounds = referenceGroupItem.visibleBounds;
  x1 = vBounds[0];
  y1 = vBounds[1];
  x2 = vBounds[2];
  y2 = vBounds[3];
  groupItemToBeAligned.position = [x1, y1];
  
  

  Produces the same results unfortunately.

  Huzzah, once again! I can't express how much it helps to have the file you are editing. This version is perfectly aligned all work plans. I would like to know if you have any other questions. =)

  function align(){
      var myDoc = app.activeDocument;
      var aB = myDoc.artboards;
      var layers = myDoc.layers;
  
      for(var a=0;a0){
                      for(var b=0;b topMost.top){
                          topMost = masks[b];
                      }
                  }
                  return topMost.top;
              }
  
              //searches masks array for clipping mask with farthest left value
              function findLeft(masks){
                  var leftMost;
                  for(var b=0;b		   

• When I use my clipping on an image mask, fills the form I use the whole layer instead of just being a small shape Panel and then I put my picture on the shape layer, a clipping mask, but the form becomes clear with just a slight edge. The photo behind

  When I use my clipping on an image mask, fills the form I use the whole layer instead of just being a small shape Panel and then I put my picture on the shape layer, a clipping mask, but the form becomes clear with just a slight edge. The photo behind it does not move. I did this project of class before and it worked fine so I'm not sure if I have something started or... Any thoughts?

  I thought about it. That's all just stupid on my part and a bit of frustration because photoshop is my sworn enemy of then adobe added in. Thanks tho!

• I recently updated the Canon mark II to the mark iii, and the images taken of the mark iii will not make previews in bridge. Bridge will show previews for the images taken with the mark ii, but not the mark iii. I have adobe cc and use

  recently updated the Canon mark II, mark iii, and the images taken of the mark iii will not make previews in bridge. Bridge will show previews for the images taken with the mark ii, but not the mark iii. I have adobe cc and am using camera raw 9.2. I checked the updates and it is said that there is not. I also tried to purge the cache several times and that didn't work either. Any help with this would be so appreciated its driving me crazy!

  Take a look at this: generic icons | Files camera raw | Adobe Bridge

• image sizes for the photo and moodboards clipping masks

  Hello

  I place images/photos to the web and Pinterest on my plans to work in Illustrator for both mood/inspiration cards as well to use with clipping masks.

  Should I adjust the size of the image files in photoshop before placing them so that my illustrator file does not become too large?

  Or can I use object > rasterize > and choose the resolution/ppi to do the same thing?

  Thank you

  LM

  elizabethm56272654 wrote:

  Should I adjust the size of the image files in photoshop before placing them so that my illustrator file does not become too large?

  Of course, you must define your own strategies for these questions according to your needs. Sure raster image data, excess will swell your files unnecessarily, but according to the availability of extra storage space in your computing environment and your ultimate output intent, may not be worth the extra time and effort for the goal-size things in Photoshop before placement. Only you can decide that priority. If the images are 'of the web and Pinterest', chances are, they are already low-resolution, and you would not shave number of bytes out of them anyway.

  Or can I use object > rasterize > and choose the resolution/ppi to do the same thing?

  N ° which is designed for elements vector rasterize at your chosen resolution. It will not change the resolution to something that is already rasterized.

• The image quality with the Canon 5Dmark 2 vs... The 5Dmark3?

  I use Leica lenses on a canon with an adapter body.  Is the image quality with the Canon 5Dmark 2 vs.the 5Dmark3 similar?  A reason to get one against the other?  I like the idea that I can change the viewfinder on the Mk 2 screens. Any overwhelming improvement in the 5Dmark 3 that would justify the review?  Thanks to those who have used the two boxes.

  The main advantage of a Mk3 on the Mk2 is the AF.  Most points and it can focus with f/8.   If your Leica lens is manual focus, then you would not care to this topic.  3 5 has a bit of an advantage in the ISO but not a huge factor.  Another one, I'd say that IQ is the same.

• I tried to write a script, the user can use. This return number file *.tiff associations back using the image viewer is caused each month.

  Original title: automation of file tiff without elevated rights association

  I tried to write a script, the user can use. This return number file *.tiff associations back using the image viewer is caused each month.

  Hi, Unclemarcus2002,

  You would be wiser to post on the Forum TechNet where there is COMPUTER experts.

  http://social.technet.Microsoft.com/forums/en-us/newThread

  Maybe using the ASSOC and FTYPE command in a script will do what you want? I think that these orders would also apply the association throughout the world, rather than on a per-user basis.

  ASSOC: http:

  FTPYE: http:

  Here is an example, that you can try.

  Let's say you have a text file called "foo.bar" and you want the extension .bar always open with Notepad. There is an association for text files, so get him by typing "Ftype | more' at the command prompt (it will make a major announcement). Finally, you'll see the line "txtfile". On mine, it's "txtfile=%systemroot%\system32\notepad.exe %1" without the quotes.

  First create your association: assoc .bar = FooBarText

  Now to assign your request to your file type association: ftype FooBarText=%systemroot%\system32\notepad.exe %1

  You should now be able to double-click the foo.bar file and it will automatically open in Notepad.

  If you already have a Microsoft Office Document Imaging association, I think that it should be relatively simple type of substitution. Use ftype /? for a little more help.

  http://community.Spiceworks.com/topic/119639-Windows-7-automate-file-assocations

• Where can I use the Images I buy?

  I've been a customer of the Club Photo Dollar up to what Adobe bought them.

  I am now an Adobe customer with a ton of CPD credits.

  Can I use the images I buy:

  1. in my blog?

  2. in my LinkedIn messages?

  3. in my newsletter (3000 recipients)?

  I can't find the info anywhere use. Thanks - Rich

  Hi rich,

  I recommend you go through the purchase of licenses Adobe Stock conditions carefully.

  Please find the link below:

  Legal terms of use | Adobe

  Also look at the common FAQ frequently asked Questions, Adobe Stock

  In general, if you have the intention of any monetary gain you should go for the extended licenses.

  Please let me know if you need more information.

  Kind regards

  Gerard

• Can I use the images I have licensed work for cd and cd packages, which will be sold commercially?

  Also, what is the purpose of 'License Again' one image that I already have a license?

  You should be able to use for a CD cover, as long as the distribution does not exceed 500 000. Good idea to add a photo with all other credit and credit. You could always get the extended license for $79 and be safe.

  The license is once again because the image is only allowed by the customer. For example if I was a web designer and I used a licensed image for a website customer and then wanted to use the image in another project for another customer should be a new license for this customer.

• Distorted image when you use the images of Sony RX100M3 DNG Converter?

  My PSE11 can't import my RAW images from my Sony RX100M3.

  Instead of upgrading to PSE13, I converted an image using the DNG Converter.

  I then compared the image converted with the original ARW file in ACDSee Mac Pro and they appeared in fact differently, it seems that the DNG file contains a larger visible area than the ARW file and when switching between the two, the picture changes in proportions seems distorted.

  Really weird!

  When discussed briefly with MichelBParis in another discussion, he thought that "the reason is probably how the converter takes into account the profile of your target when the correction of distortion barrel or pad.

  Anyone who knows why this is happening and what can be done to correct, if it is not? If ACDSee Pro Mac picture shows ARW incorrectly?

  I will continue using the converter to change my images in PSE11 or will I go to PSE13 or the result will be the same in PSE13?

  Grateful for any input.

  The Sony RX100M3 has integrated lens corrections that should use photoshop elements 11.

  Have you tried to open the dng file in PES 11 Editor to see what it looks like in camera raw?

• What should I do to be able to use the Kodak filters with PSE V13?

  With PSE Version 10 (and PSE Versions older than V10), I have to be able to use the Kodak filters (e.g. the Kodak 'Digital Roc Professional V2.1.0,' the KODAK "Digital GEM Professional V2.1.0",...), I had to (one time) the following when you run PES Editor:

  • Preferences-> Plug-Ins
  • Check the box "Plug-in additional files" and then "select" files C\Program (X 86) \Kodak folder that contains the files with the Kodak flters
    
    

  Once I did that (after stopping and restarting of the PES editor), I could use the KODAK filters with full Editor from PSE via the Menu-> filters.

  With PSE V13, it does not. In the V13 PES Editor, Menu-> filters don't show me any KODAK filter.

  Because the V13 PES editor not showing me filters KODAK via the Menu-> filters: I tried the following: I copied the folder that contains the KODAK filters in the V13 PES editor plug-in folder. It worked too much

  I'd appreciate your help / feedback, because I need KODAK filters for retouching of tousands of scanned old slides (among others for the removal of color in all cases casts where using the PES editor alone is not enough to eliminate the strong color casts in old slides)

  Thanks in advance

  You use windows? Remember that PSE 13 is 64-bit, unless you have a 32-bit system (indicating the path of file in your post is not the case) and plugins should be as well. Many existing plugins will not work unless there is a updated version. If these are the image enhancement plug-ins, note the tecniques:

  V

  2.1: Compatible with WINDOWS 7, XP and Vista for ADOBE PHOTOSHOP CS5/CS6 (32-bit ONLY) and CS5 MAC/INTEL (32-bit ONLY).

• Don't want new tiff files saved in my catalog if I'm only using the image of a composite.

  During the edition of Photoshop CS4 of LR3, the new fit will not appear in the catalog unless I have save in PS. In the LR4, it saves a new tiff in my catalog without worrying if I save the image edited in PS or not. I have a library of clouds, I use often and don't want new files saved in my LR catalog if I'm only using the image open for compositing. Can someone help me understand how to change the workflow to resemble LR3?

  The behavior of LR, create and save a TIFF file is automatically used when LR and ACR do not run a version of equal. In order for Lightroom to be able to place an image without creating a TIFF file saved the LR and ACR version must match. This will be possible until CS6 and cab 7 fate PS. Then when LR RTAs versions and match, Lightroom image from Camera Raw to make in Photoshop using a thing called 'bridge Scriot"LR tracks to open the file in Photoshop. If you don't save it, LR knows and no file is added to the catlog. If you save or you save as in Photoshop, Lightroom knows and adds this file that you saved, regardless of where it was saved.

  So, again, there are two fundamental behaviours of Lightroom. If LR and ACR match, LR titles the image where (if) you save. If LR and ACR are out of phase of pf, Lightroom renders a file TIFF is saved before sending it to Photoshop. And no, ACR 6.7 does not count as in sync with LR4... 6.7 the cab is a stop gap measure to allow users of LR4 open images with parameters of PV 2012... It will not be until you get 7 ACR in CS6 you will get optimal integration between LR, ACR and Photoshop.

  BTW, this behavior is consistent across all versions of LR/ACR for LR2.

• How to use the ESD document with structured templates

  Hello

  I started to learn working with SEDD. I have an existing ESD, now I'm suppose to use it to create documents. I created a new book and imported this ESD file to it. I can see all the items in the catalog of the element. But when I start to add items to the book and add a new document, the elements are turning to red. Referring to the User Guide, it is said EDD cannot be used directly and must be used with structured patterns. But I do not have these models structured with me. Can someone please tell me how to create these structured templates and how to use the ESD file with these models, and out of this problem.

  Thanks in advance.

  Although ESD exist in the form of a separate document, the only way that it can be used is when it is part of the model. As a model of structured FrameMaker, a structured model contains master pages, pages reference, character formats, paragraph formats, etc. IN ADDITION, a structured model contains a DSP. To add the EDD to your template file, or any document FrameMaker who will use it, open the template file and the file of ESD. Click anywhere in the template file, and then select file > import > element definitions. In the dialog box, select the EDD file as source and click Import. Then save the template file.

  To use the template file, open it and save it as a FrameMaker document, giving it the name you want. You can now create your structure.

  If you use a book, all documents in the book must use the same ESD. Open the template file. In the book file, select all the documents in the book. Then select file > import > element definitions. In the dialog box, select the template file and click Import. Once completed, all documents in the book have the same ESD. In addition, ESD is copied into the file of the book itself.

  You say:

  But when I start to add items to the book and add a new document, the elements are turning to red.

  It is is not clear to me what you do. While it is true that SOME elements of a book are in the book file, you cannot add a book of items in the folder (at least not as far as I know). In general, the book file, it encapsulates elements around the documents root elements in the book. You may need to update the book to get a part of the Red disappear lines. You may need to rearrange items in the structure of the book to remove the red lines.

  Hope this helps,

  Van

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  Is it possible to use the Remote app with the Apple TV connected via ethernet and iPhone via WiFi? When I try this Apple TV does not appear in the list of devices on my iPhone.

  Yes, I'm doing exactly this with the same put in place.

  If the problem persists the next relative to the following articles might help you.

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• When I use the mail merge with excel file, after I press ok the progress bar indicates "NaN", mail project window crashes. My record is nice little CVS n

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  I am attaching the screenshot

  I solved the problem
  has been st@pid excel

  I created a CSV file in openoffice calculator and everything went smoothly