Sending Mono channels to stereo Bus with Pan

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  First only is currently not supported that and is an open feature request.

• Receiver 2 mono channels L and R arises - how to export in stereo?

  I get a lot of video files with 2 or 8 channels audio - all mono stems.

  I usually find myself export audio 6 channel 5.1 as an individual mono stems and that's fine, but most of the time customers want both L and R channels exported as a single stereo audio track.

  Whenever I export a timeline with the L and R audio channels individual, whatsoever, WAV, AIFF, or video w / audio attached, it comes in a dual mono channel. I select stereo in export settings, but it does not matter.

  Y at - there a trick to getting this working properly? I got many complaints from customers about the mono audio delivery and I don't know how to get around it using first CC.

  Thanks for the tips!

  Excellent. I missed aspect - sorry.

  As you have imported your discrete elements of (1 channel) Mono in your project, drag them to separate Audio tracks.

  Then go to control panel Audio Mixer and Pan a left and a right.

  If your master is set to stereo (2 channel), you should get the mixer who, then export.

  Hope I'm not missing something else, but he's going to apologize in advance if I am.

  Good luck

  Hunt

• How to DIVIDE a TRACK STEREO L & R CHANNELS INTO TWO MONO CHANNELS

  Does anyone know if this is possible: how to DIVIDE a TRACK STEREO L & R CHANNELS INTO TWO MONO CHANNELS?  There must be a way, but I can't find how.

  I recorded a podcast - me and a guest, with each microphone goes to its own mono channel. When I opened it in hearing he mixes in a stereo channel.

  Thanks in advance for any help.

  Best,

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  Once you have opened the file in the waveform editing view go to menu Edit "excerpt from the channels to mono files.

• play several stereo channels on a single mono channel tia sal22

  Hello all

  I have a vi that creates multiple stereo audio signals
  in labview 8.6.1 and I would play all stereo channels on a single Mono channel
  is this possible?  I tried setting all the device ID's for the same thing, but a lot of clicks and POPs has occurred.  Basically, I'm playing and mix all the signals on a single mono channel at the same time.

  Please note that I would have each created signal played on
  the mono channel at the same time.

  TIA sal22

  sal22 wrote:

  Thanks, but what options allows me to do this

  TIA sal22

  Just add the berries if they have the same length. Use the standard add function (as in 2 + 2 = 4). The tables are then added to each index is added

• Send the track to the bus but keep safe on this track

  There is one thing I do not understand how to do it at the hearing.

  I have a voiceover on a track in the multitrack.

  I want to send this track to the bus and add some special vst on this bus route.

  But always when I do this the runway I send to the bus stop with sound and the only sound comes from the way of bus.

  On the main track of voiceover, I have the main sound but on the bus, I like to have effect special liike waves Doubler and play it then togheter and the control in the view mix how sound can be heard on the bus lane.

  Can I really not have the sound on the main runway of voiceover AND also appear on the bus lane?

  The main track never work when I send to bus lane.

  I used Reaper before and then I'm busing track main voice over all the time to another track and the track I'm busing works yet, and if I don't want it to work I just cut it.

  I can't believe this is not possible in the hearing, that's why I'm asking here.

  It's pretty basic, and Yes, you can do it easily.

  First create a bus and then open mixer. On the band of the channel to use, S1 indicates where the section 'send '. You have to spin it down to see all the controls. Turn on the switch and make sure that the shipment is pre-fade (the button next to the power button should be black and not red - click to change this). Turn the level up to 0dB control and then select the bus that you created in the destination under pan control section.

  You will find now that when you play your file, it will be available on the fader, as well as on the bus fader.

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  I have a multitrack project that was exported from Premiere Pro that contains the rough changes to the audio studio raw.

  Many of the clips are mono, having been captured by the microphones of LAV. What I have to do is to convert these clips in place in stereo before finalizing the mix.

  While I can easily convert any clip stereo Waveform Editor, the clip in multitrack session does not change. Even if the clip is on a stereo track, the clip still mono. By dragging the clip to a new stereo track does not work either. The clip still mono.

  If I drag the same item in the files Panel to the timeline, it will be stereo, but then it's not in the right position and (due to the second 1 "margins") not easy to align with the original mono clip. It can be done, but there are many single elements to do.

  What I want is a way to convert a stereo mono clip since breast of the multitrack session, or a way to "recharge" a clip in the same position in a multitrack session, resulting in the stereo clip.

  If there is no way to do it, what should be done?

  Thanks for any help!

  I want back to the basics and ask why you think you need to convert a track mono mic in stereo?  By definition, all the MICS are mono (still called microphones stereo ones just several mono grouped).

  Convert a mono track to stereo waveform can give you a 'stereo' file, but, in reality, there is nothing more than two identical pieces of mono.  Everything you do is double the disk space you need and adding to your load on the processor.

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• Send transcoded clip in Premiere Pro with audio Mono

  Hello

  I noticed that others have asked this question around August 2013 but haven't seen the progress made on this issue, which is that we prefer to edit in Premiere pro with mono audio tracks, but we are unable to transcoded material to come with audio mono prelude.

  We need to have total control over our audio tracks and for us in an environment News/FRA, which also means the production of early recovery.  So we want to choose the part of the clip XDCAM what we want as a prelude, send it to Premiere Pro and laid the grabbing of the interview (for example) on track 1 of the timeline with only talent audio mike (which has been recorded on the channel of the camera 1) and must not pan it or worry about making big thing to her.  Then, we cut the rest of the overlay with sound effects that are recorded on the channel 2 go directly to the track 2 on the timeline.  When transmit us to Headquarters that we send them two discrete audio channels: talent/VO on channel 1 and channel 2 effects.

  We have only one problem when transcoding is involved.  With the audio preferences in PrPro 'Mono', everything is fine, it's just that when prelude to transcode a video makes the audio a hassle for us, because it can only come to PrPro as a stereo audio track.

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