Sequence with Transition Layer

Similar Questions

• Forms associated with a layer

  Can a group of shapes be transferred to a specific layer?

  I want a sequence of keys but1. 001, but1. 002, but1disponibles.003... to be associated with one layer other than the default.

  In this way I can show/hide all buttons and other items with a click.

  If the shapes to a layer is not possible how can I hide the Group of forms with a single click.

  Thank you.

  If you say you want to set up a button to toggle the visibility of a group of fields, you could change the code to:

  var f = getField ("but1");

  f.Display = f.getArray () [0] .display = display.hidden? Display.visible: display.hidden;

• Generate a binary sequence with the NI USB-6008

  Hi all

  I'm new to LabView and I am trying to generate a binary sequence with a box NI USB-6008. The sequence, I'm currently generate is a counter of 5 bits, i.e. 00000 00001 00010, 00011... 11110, 11111 placing each bit in a different digital IO of the of the 6008 NOR, so that I can use the County as the bits of selection in a decoder/demux.

  I managed to simulate the binary sequence and produce a graphical interface, but I have not found how to generate the sequence of bits with the NI 6008.

  Totally, I'd appreciate any help you could provide. Thank you very much.

  Hi JosephM,

  Good Afternooon and I hope your well today.

  I just tested the code on a 6008 and also released the above code is very complex - I was for some reason any fixed on using Boolean tables.

  Please see the attached code, in LabVIEW 8.6.

  Mind you, I have configured the task as a channel for all lines. i.e. digital single I spent, is the task value should apply to all channels selected in the entry. So if you select only port0/Dev8/$line0 for example, the DAQmx driver will examine the LSB of the digital and work so $line0 must be true from the false. It will NOT update all other channels. So when I select line0:4 - it will update the first 5 lines (bits) in digital. As the code generates a number from 0-32 he emotional generates 00000 to 11111.

  

  I hope this finds you well and sorry for the first post!

• I'm trying to generate an arithmetic and geometric series/sequence with JavaScript.

  I try to generate an average arithmetic and geometric
  series/sequence with JavaScript. The thing that makes this challenge is that
  I use user input to determine the parts of the formula that I use for
  generate each sequence. I tried running the formulas, but I learned that I was
  channels running through them and not numbers. How to generate my
  sequences/series and always use user input? PS, here's my formulas: (a1-East
  first term, d and r are difference/ratio, and n is the n-th term)
  

  1.) a1 + d * n  

  2.)a1 * r^n

  Entry user of a form is always a string. There are several ways to convert a string to a number in JavaScript:

  • Pass it as an argument to Number()
  • Pass it as an argument to parseInt() (for an integer)
  • Pass it as an argument to parseFloat() (for a floating-point number)

• Sequence with several increments

  In our database we have a sequence that is used by different applications 2.
  
  The application queries A * 1000 * ID, it will use.
  Requests for application B * 100 * ID.
  
  A possible solution might be the following:
  
  The sequence is created with increment * 1 *.
  The applicant seeks the nextval.
  The application removes the sequence.
  The app recreates the sequence with the value he got + 100/1000.
  
  The problem here is that these applications consist of multiple threads. When thread 1 is the sequence and 2 request the nextval thread, the application will fail.
  
  Another solution might be the following:
  
  The sequence is created with increment * 1 *.
  The applicant seeks the nextval.
  The application increments the sequence with 100/1000.
  
  Here, I am a little worried about the thread 2 asking the nextval after Threading 1 asked the nextval but before Threading 1 incremented sequence.
  Maybe if run as 1 transaction, this problem does not occur?
  
  I would really like to know your opinion on this.
  

• Export the sequence with zeros

  Is there a way to persuade LR to export a start of sequence with name - 01.jpg instead of name - 1.jpg so that images sort correctly?

  Have you tried to do this?

  

  You are not limited for example file name configurations. You can use the "filename template editor" to build one to your own specifications using the presented options (these "tokens" are replaced by the relevant details of each exported image) everything else (standard text, dashes, spaces, etc.) that you care to put in the template.

  RP

• Two sequences with different parameters?

  In the first Pro CS6, is it possible to use two sequences with different parameters?

  Yes, no problem.

  You can make as many sequences with different settings as you want.

• no option to create a sequence with uncompressed video playback

  
  Hi all!

  I can't find the option in the new CC Pro first "create a sequence with uncompressed video playback.

  The reference (p. 176) of the Adobe website manual reads:

  "...

  1. Choose file > new > sequence.

  2. in the dialog box new sequence, click the general tab.

  3. in the Edit Mode menu, choose the desktop.

  4. in the time menu, choose the desired rate, such as the 24, 25 or 29.97 frames/second.

  5. in the video section, choose the settings you want for the size of the image, the pixel format, fields and display Format. For example, 1920 x 1080,

  Square pixels (1.0), no fields (progressive scan) and offset 30 fps timecode.

  ..."

  I can't find any tab general and according to the editing mode in the dialog box new sequence at all!

  There are only three tabs:

  Sequence of Presets, parameters, tracks

  What I am doing wrong?

  Hello

  You will find what you are looking for on the settings tab.

  1. file > new > sequence

  2. in the dialog box new sequence, click on the settings tab (do not use CS6 or 5.5 in front of me but I think it's an old copy).

  3. in the Edit Mode menu, choose custom

  4. in the preview File Format, click Quicktime

  5. in the Codec menu, choose your /As option

  Screenshot see annex for reference.

  Peter Garaway

  Adobe

  Premiere Pro

• Creation of customized with ECAP layer flow

  Hello! I want my ECAP stores in a model for each hidden layer and I only understand how to add and edit workflows with effects. What is the right way to create additional streams hidden in a layer using a CEAP? Also is it possible outside of a workflow hidden to add flags to layers?

  Any help is greatly appreciated.

  Petter

  Well, you can add a layer of data flow, but here are a few very specific flows.

  This group of water courses is called dynamic flow.

  features paint tool and text animators are these flows.

  I think you can do hidden, but I doubt that these will solve your problem to associate data with a layer.

  arbitrary data can be added to a layer.

  You can put an effect on the layer and keep your data there, write your data in text form in the comments of layer or... write you data in a layer comments marker... or... I have no more ideas how to keep the data with the layer.

  Alternatively, you can keep the data for all layers elsewhere, as with the CEAP himself.

  in general, there are two ways to analyze this problem.

  1. the data must remain between sessions.

  2. the data are temporary and can be regenerated if necessary.

  case 1 is problematic.

  Look at this thread:

  http://forums.Adobe.com/message/2837630#2837630

  He talks about how to save the data of the layer no effect with the project.

  in case 2, I would go to keeping the data with the CEAP.

  Just keep each layer id and id element of his computer, if you could indicate the data of each layer.

• Problems with adjustment layer masks

  I have serious problems with adjustment layer masks. I have converted a photo black and white usiing one adjustment layer and trying to return to colored eyes. My form tool is selected, the color black is my first plan and target my layer mask. Coloring on the contour of the eyes a brownish/sepia-like color is revealed instead of blue (the color of the eyes). When I on the skin a reddish colour. In this case on THREE platforms... PSE6 CS3 AND CS5.5.

  I have reset my tools. Close the program. Uninstalled and reinstalled twice (PSE6 and CS3). And you have installed a trial version and reset preferences in CS5.5 (just to see if I could overcome my problem). I also reset the default preferences in CS5.5.

  Recently, I uninstalled a trial version of PSE10 (a week ago give or take and I think that I have chosen to remove preferences... do not know well).

  OS: Vista

  Browser: Chrome

  Thanks in advance for your help.

  Katherine

  Yes, I figured that the surrounding grayish area would give the impression that the color of the skin is too orange/high heat, and without external tone, the eye color looks different.

  Katherine, take a piece of paper, make a big hole like brush strokes and place it on the corrected image. This is not the colors are the same as on the image corrected, now? (Well, there should be a gray piece of paper to get exactly the same result)

  It's an optical illusion, like this: http://capslove.wordpress.com/2009/11/20/optical-illusion/ where the eyes of the same color green or cyan according to its surrounding areas. Your mind compensates for the colors and the tricks you into believing that they are different in picture one / two, skin color lighter and less saturated than in your second picture image.

  Knowing this, you can use another adjustment layer, to drive the color where you want (to the soft blue brighter, more saturated) or skin made down the color that appears too bright.

  If the other members of the forum are not paid in graphic design and the influence of surrounding the optical tricks colors/classic, it doesn't surprise me that they are consistent with the description you give, especially if you do ask them 'the skin looks too orange.

  This is why it is recommended to have a photo studio (or the room in what you use Photoshop) with gray walls, why Photoshop interface is neutral blue-grey and not bright pink, etc.

  (If you work on a Pc, select a black theme without transparency for Vista/7, or on a mac, select the choice of interface of graphite, as it could also mislead you.)

  Some use a grey full desktop picture.

  Thanks for the props, guys!

• First bug Pro: cannot apply default transition during the sequence with keyboard navigation

  Hey everybody, it seems that I stumbled upon a very strange bug/problem in first Pro CC 2015.0.2 on OS X 10.10.5.

  Please check the 2 screenshots below and then please read my description of this problem down below the screenshots.

  

  

  In TWO screenshots, my head is in the EXACT SAME PLACE on the timeline of the sequence.

  But the 1st screenshot, I am UNABLE TO SELECT "apply video Transition ' or 'Apply Audio Transition', I am able to use their keyboard shortcuts. This is the bug/problem. I expected to be able to select the items and I expected to be able to use their keyboard shortcuts. But as you can see, they are completely gray.

  In the 2nd screenshot, everything works normally... everything as it should. The "apply video Transition ' AND 'Apply Audio Transition' are available to me, just like usual.

  So, what is the difference between the 2 screenshots?

  Screenshot #1, I started to play the sequence by pressing the space bar, I went through the edit point, and then I stopped the sequence by pressing the space bar again. Then, I pressed up arrow on my keyboard to replace the playhead in the edit point that I was coming. But when I use the keyboard to navigate in the sequence of this way, 2 menu options "apply video Transition ' and 'Apply Audio Transition' are not available! For some reason when you use your keyboard to navigate in your sequence in this way, it doesn't allow you to apply default video or audio default transitions (from the menu or their keyboard shortcuts). First Pro NEED that MANUALLY drag you these transitions of the Panel "Effects".

  Capture screen #2, all I did to fix this was CLICK ONCE with my my mouse ANYWHERE IN THE SEQUENCE itself. By clicking in the sequence, suddenly these 2 menu options becomes available to me. All we needed was a little tiny mouse click to fix this bug/problem. But of course, it is the problem... I'm sailing in Adobe Premiere Pro with my keyboard instead of my mouse, so it defeats the purpose of navigate the application with the keyboard if I constantly have to click in order for every single edit point.

  PLEASE NOTE that my sequence was ALWAYS 'the active Committee', you can tell by the blue outline around the sequence itself. If this problem is not caused by the sequence is not not the 'active' Panel before attempting to apply these default transitions.

  Any thoughts on this topic?

  Thank you

  Scott

  Hi Scott,.

  Hey everybody, it seems that I stumbled upon a very strange bug/problem in first Pro CC 2015.0.2 on OS X 10.10.5.

  Please check the 2 screenshots below and then please read my description of this problem down below the screenshots.

  Any thoughts on this topic?

  There are some overall unexpected behavior going on here, but I also see some of the things in OS X 10.10.5. Please file bugs here. He does not behave reliably if editing is enabled, however.

  One thing you might try puts in place a shortcut to "select the closest point edition like Roll. This should you configured to add a default transition with the keyboard.

  However, I found that on Mac OS X, I have to press the command twice to

  1. Place the head of the edition and
  2. to select the edition

  This also seems to be a bug. It should move both the playback head and select the edit at the same time. At least it's what I expected. I'm going to give this one as well.

  Sorry for all the trouble.

  Kevin

• Rough Cut created as a prelude with transitions, sent to first Pro works then, using 'replace with After Effects comp', loses the transitions. Why?

  With the help of Creative Cloud 2015 apps exclusively on a 64-bit win 8.1 Pro Gigabyte MB 8 core AMD pcu with 16 GB of ram and nVidia GeForce 8800 GTX graphics card. I deleted all the cache and restarted.

  Created a simple Rough Cut in prelude routinely using H.264 in mp4 video and still photos from format of (via Media Encoder) components ingested in prelude ~

  Rough Cut, composed of a sequence of 1 always followed by 4 x 3 second mp4 followed by another still followed by 4 more 3 second MP4, total length of 30 seconds.

  Together, then the default prelude "Cross dissolve" transition between each item in the first edit.

  Successfully sent this first edit in Premiere Pro using the menu option integrated prelude - send to first.

  Works like a charm in Premiere Pro, including cross-fade transitions.

  HOWEVER, now, in Premiere Pro, have not been able to use then 'Replace with After Effects' option under ' Dynamic Link ~ option is grayed out, regardless of how I select the element/sequence to replace. "

  The only way I have found to use all the options 'Replace with After Effects' is the one that appears when you right-click on a sequence in the timeline window, but when open in After Effects, crossfade effect has disappeared; Only the elements of the scene still show when parsing through the sequence in the timeline.

  After investigation, it turns out that the order of the individual elements that contribute, in the after effects project Panel, has been auto-réarrangés as assets to dissolve cross is now distributed among the other elements of the sequence and therefore cannot perform the intended function. It also destroys the fade in Premiere Pro effect that worked very well before attempting this 'Replace with After Effects' option.

  I need to find a way to keep this intact sequence in Premiere Pro and after Effecys and be able to use After Effects to add additional effects to this rough cut sequence...

  I have run the available tutorials in Adobe and Lynda.com and searched the forum for an explanation, but so far, nothing, I found has solved this problem. :

  1. How can I get the Adobe Dynamic Link to function when it is grayed out in the choice of Menu file?
  2. How to make the right click option 'replace with After Effects' to send the sequence in After Effects without changing its infrastructure, as described above?

  I await with confidence to find someone here who knows what I'm doing well wrung out! and who can show me the error of my ways. TIA. /PSB

  First transitions don't come in After Effects. They never have. Your workflow is not compatible with dynamic link. You should use AE to create shots and then change these shots in Premiere Pro. Trying to bring in a sequence which was finalized with effects and transitions is a losing proposition and not recommended.

• If I replace my TIFF sequence with a model of EI, the TIFF plays too fast in AE?

  In my first pro project, I have a layer with a TIFF sequence on it. The cuts in the TIFF are in correct synchronization with the music track I. If I take an article of TIFF and replace it with an AE Comp, TIFF plays too fast inside AE, and obviously because of the music track. A that someone already had this problem? There is no change in speed for the original TIFF within the first that would cause the problem.

  If someone sees this, my problem was that AE interpreted the images to the wrong frame rate. I had to right click on the computer inside the AE and interpret the images at the right pace.

• Dream sequence wavy transition

  I would like to use one of these old dream wavey sequence transitions in first Pro CS5 (5.5 not) but I can't find one.

  Does anyone have any ideas where I could get a (preferably free) or how to create one?

  How about playing with the progressive wave in AE? I'm not sure what exactly you're after, but you can do almost anything with AE

• Passing a reference to queue as a sequence with LabVIew API parameter

  Hello

  I'm running a sequence of Labview with the entryPoint.Run method.

  Now, I want to pass a reference to queue to TS for use as the parameter for a stage of the action (the action must information sent through this queue). I tried to move the queue as a parameter for the valVariant parameter of the object of Subproperty seuqence.

  LabVIEW throughs 1 error when I try to setValVariant.

  The reason why I want to do it is because I want to integrate the execution of the sequence in my draft framework for an actor.

  Is it better to move the refs to the queue as a reference to be able to send data to an application running?

  Thanks in advance

  Michael

  Hi Michael,

  It is not possible to use references of LabVIEW in TestStand queue, since they do not share the same instance of the application. You can pass a reference to queue as an integer (U32 or I32), but you can not use in TestStand.

  I found 2 ways for you to use:

  You can use the Action engines in LabVIEW to encapsulate the queue. There is some information about this option in this thread:

  Solved: queues of LabVIEW and TestStand - Forums of Discussion - National Instruments
  http://forums.NI.com/T5/LabVIEW/LabVIEW-queues-and-TestStand/TD-p/2554231

  However, with this option, you must make sure that the motor Action shift register leaves no memory

  .

  The recommended practice is to create the queue in TestStand using Synchronization Manager and then open this queue in LabVIEW. An example is available for this option:

  Using queues in LabVIEW - National Instruments TestStand
  http://www.NI.com/example/30108/en/

  I hope this information is useful for you!

  Alex