Some parts of a video of color correction

Similar Questions

• Removal of the dominant color and color correction to match the reference documents? the tutorial/guides/videos

  I searched some tutorials showing how to use SpeedGrade. I'm now comfortable with the UI enough to use after seeing these: http://www.youtube.com/user/AdobeTV/videos?query=speedgrade

  I am looking for tutorials that explain how to do a couple of things, first of all, I want to be able to remove color casts. In photoshop to do this you can use a curves layer and the use of the whole white point color chart and click somplace that is supposed to be white. and to the Prime Minister, you could do something similar with the color correcting fast. So basically that I'm looking for a way to target an area within a framework that should generally be grays, in the Anime, the eyes always be shades of gray, is as well as what I would target usually when you work with anime in photoshop first. If anyone knows a tutorial that shows how to do this type of color cast removal color correction in SpeedGrade could you please share a link.

  Some of anime the older 80 and 90 on the film, the film has aged and that's where the color cast came. There is also a loss of color information in all areas. For example in the image below. Heaven is supposed to be blue instead of green teal/sea.

  Another thing is back in the 80s and 90s many anime worked limited color palletes; something like maybe 16 colors in total, so many colors are used repeatedly. Thus, even with only a limited amount of reference material, I'd be able to get the corrections close. (I have no clips of reference for every single episode, only a handful of scenes from a handful of episodes).

  I have a few reference documents showing approximately what should be the color. So, my next question is if anyone knows of any tutorials/guides/videos showing how to use SpeedGrade to color correct a clip so that the colors match the colors used in a reference element

  I was also wondering on automatic correction based on an element of reference, although I'm guessing that this isn't always possible.

  When I looked at the websiminar: http://seminars.adobeconnect.com/_a227210/p738pxm9zs0/ about 43 minutes into it, a feature is shown that automatically adjust the color with a clip that contains a colorchart.

  I was wondering if a tool like that could analyze a start to clip at the end, to create a palette of colors used, and then compare that to the colors used in another clip and correct them. (a feature like this would be probably more useful/precise in anime that it would be long, but who knows.)

  Another question related to the user interface:

  I had a question, the only place where I see to access the colorwheels is in appearance, my video tab, I'm trying, just manages to adapt to 100% in the monitor.

  So I prefer to hide or reduce the different looks (maybe even with a keyboard shortcut) so that I can access the color tools it covers, I've attached a picture of what I'm talking about. I know pressing 'P' cache at the bottom and thought that maybe it already is a way to hide/minimize/reduce the aspect presets to access the tools behind them without narrowing down the size of the preview screen.

  

  It's a hard thing to do. SpeedGrade has an estimator of the matrix which aims to draw a camera shot in reference, but it only works if there is a graph of Macbeth in the framework - and you of course that.

  Short of writing a custom plugin, you will have to do it by hand - if there is a true 'gray' in the framework then the pickers for the 3WCC/FCC in first allows you to get the right temperature, and black/white levels can be removed to the limit with their pickers (assuming that something on one of the frames is supposed actually to be black or white). Fix nonlinear cast where the RGB layers are each affected by different curves is a much more complex process, and not automatable in everything I know. However, once the white point Beach and brightness are attached, you can still make some visual adjustments of the balance on a range of colors with secondary correction tools in the 3WCC.

  If you use the first and you want more help with these tools, please ask in the Premiere Pro forum.

• Help! How do I color correct an area of a video?

  Hey
  IM new to after effects cs4. I did a video time of heaven. However, heaven is high, and you don't really see very well clouds. I would like to change the 'levels' of the sky but not the buildings at the bottom of the video. While half of the video will be on the subject color correction. How can I do this? Thank you!

  The key is simple:

  • Create an adjustment layer.
  • Draw a mask on the adjustment layer.
  • Apply the effect of the correction of the colors for the adjustment layer.

  The devil is in the details. For example, if you need animate the mask, you'll have to do some Rotoscoping.

  Here's a video that shows how to do that in a case where the element as corrected color is moving:

  http://www.Peachpit.com/podcasts/episode.aspx?e=8822f9a1-93c5-4a00-8697-a54b653c7aaf

  It's actually a matter of very basic composition, so I highly recommend that you start at the beginning and work your way through the didactic start-up.

• Why whenever I have color correction or something that has to do with it, the lines appear on my videos and change color several times.

  Hi, so the problem I m having is that everytime I want to color correction my videos go crazy, the lines start appearing, video start changing color and I have already download the software again, but still it happens.

  Hi Cv19g,

  Sorry for this disorder, but it could be a problem with the graphic video card drivers.

  What graphics card you have on this machine?

  Check if you have provision for video drivers.

  If possible, please attach a screenshot for "lines."

  Also, try the following steps:

  Open your project, click file > project settings > General and change of video rendering "Software Only Mode" and delete previews

  Thank you

  Ilyes Singh

• Hi, I would like to add an image in my video for 2 seconds, then only within a framework of the video running (to cover some part of the picture in video for 2 seconds. Is it possible to do?

  I would like to add a photo in my video for 2 seconds, then only within a framework of the video running (to cover some part of the picture in video for 2 seconds. Is it possible to do?

  Just add your photo on a higher video track, it will cover up to a below. You can use the effects of movement to move and scale the image.

  

• Video stuttering after Color Correction has been added

  I imported my images and he plays well in my calendar until I have add the color correction, and then he begins to stutter.  I have 3 different color correction filters to get the look I want, but I want to know how to stop stuttering.  Any help is very appreciated!

  Hi jeffrey,.

  We noted a BUG with cards not providing R9 not previews when Lumetri is applied and is. Try to upgrade to version 9.0.1 update released today and check if it works.

  Also, if not then change the reading Mercury "Software only in mode" which can work in some cases.

  Vinay

• I need to start using the color correction. Should I start by Lumetri, or go directly to SpeedGrade and save time?

  I need to start using the color correction. Should I start by Lumetri, or go directly to SpeedGrade and save time?

  Lumetri Panel/workspace in PrPro is designed as a quick Fixer & able to mainly simple elements you may need to. And it has some limitations so built-in types experienced low editor/colorist can't screw up at all times of their videos. If this tool has everything you need, so it is very convenient. You do not need to learn a lot of ranking 'thought process', just look at your scopes & your program monitor.

  If, however, you'll need to tell secondaries 'Key' on some shades at certain levels of brightness/saturation to change just THE color, hue, brightness, saturation data, or a number of other things more important to the image, then SpeedGrade would be necessary. For me, I use the Lumetri Panel on the simple things, but... as Jim pointed out, if I want to hit secondary or make major changes, I'm more the Sg. Because after I learned that the app rather... unique... minimalist... UI, I'm actually able to move quicker on things over there than in the Lumetri Panel.

  SpeedGrade is not the same as applications other colorist/ranking, didn't say the vast-toolset of determination... but link Direct saves a TON to prepare sequences & projects on XML/EDL out and return & tel. If you go to work with her, I suggest strongly to e-book by Alexis Van Hurkman "Adobe SpeedGrade."... Getting started» It is still CS6... BUT... It covers quickly and directly how SpeedGrade works and how to do things you want to do, better than anything else I've seen. The big change is in the CC versions using the Direct link that you don't have any EDL input/output, and as all the scenario changes you make through PrPro, both the chronology controllling/replacement parts of Sg is grayed out in a project of direct link (directly using a project file PrPro). The interface... different color... is almost identical to the versions CS6.

  In addition, there are some good programs on service tutorial lynda-dot-com, and some that are quite useful on SpeedGrade in AdobeTV that will give you the look more recent Sg and Di-link process. Maybe you spend a few hours in watching & playing around, but once you get this thing is pretty easy to use.

  I do not recommend having a ramp... a block of neutral gray tones will generally from left to right black (0) to white (100) that you can put on a timeline, see to the Sg, and then look at what is happening where when you change what... so that you get a feel for say overall "initial" three color wheels/luma sliders , which left elevator control, controls gain way Gamma and right hand do... and you need to see that the elevator is * not * the shadows... and then, when you change moves on the shadows, mediums and highlights and always looking three combos of luma/color controls, now what region they change? What control on how these controls affect the image data pivot controls provide?

  It sounds more complicated than it needs to use, really... you just can't guess what they are doing and being puzzled at the first/frustrated when things do not respond as you expect. A few graphics and several simple explanations & examples... and you'll be off and running.

  Neil

• Lumetri slows down the encoding of color correction more "obsolete."

  Based on my own informal tests, I notice that Lumetri effects on an element in a sequence slows down the process of encoding significantly compared to the same general objective realized with effects of correction of the so-called color "obsolete". Other messages on the forum seem to confirm this.

  I guess the older "out-of-date" color correction effects are far from obsolete. Looks more Adobe innovates and push this crowd of material premium to their last, Lumetri, but that the older effects are more obsolete than obsolete, probably to be there for a long time... iow, use them as you wish for you will hit all compat issues in the foreseeable future.

  Is that what that sounds right?

  My goal by asking is to better align myself as a user of first... my tendency is to take the final product as user recommendations, but that can be a trap when it is really a big innovative push who sometimes material/performance hits that make it unrealistic for all users.

  I have a portable old 5 year, the Sony Vaio VPCF215FX w/6 GB RAM, NVIDIA GeForce GT 540 M, 1 TB SSD.  I am able to do, but I really need to think intelligently avoiding external USB drives, using smart rendering, etc. When I tried an experiment with older color effects, I saw a significant reduction in the encoding time (General of my test described below). For this reason, I'm stepping back and thinking that the push 'use Lumetri' everything is beautiful for those who really need, want, and also have the material that can reasonably be taken in charge, but maybe not for someone like me, at least if I can avoid using older effects and with all the same. I just can't justify Lumetri in some cases where it slows down encoding medium.

  It is not that my hw is unable to use it but when I can use older effects and get a nice discount time coding for my not pro use, seems useful to avoid the Lumetri currently, until the upgrade hw or something. I wanted to just check-in here on the forum because everything above is me in a vacuum, I felt ready to hear some voices from the community on my point of view.

  Oh, my test...

  Create two sequences, each with the same single element from the same ~ 60 second clip of Canon EOS 70 d (ALL-I, 1920 x 1080, 23.976 FPS, MPEG-4 AVC / H.264, VBR in.) Container MOV), where each sequence has the following effects of color...

  Seq1-UsingLumetri uses the following color effects:

  • Lumetri #1 (primary): globally adjust contrast/tone/WB Correction of basic and secondary HSL to affect parts of the installation image.
  • Lumetri #2 (secondary): none other than the Secondary to affect an object moving on tracks with a circular mask.

  Seq2-NonLumetri uses the following color effects:

  • The fast color corrector: adjust overall contrast/tone/WB (identical to what Lumetri No. 1 above is without its Secondary).
  • #1 RGB color corrector: Color Correction secondary only to affect certain parts of the image (the highest Lumetri #1 only secondary HSL what).
  • #2 RGB color corrector: secondary color Correction only affect an object moving on tracks with a circular mask (what does the #2 above Lumetri).

  I coded then everyone if above with such parameters as input media, none made smart (because I want to see encoding time with effects) and out of type, etc. The result was that Seq1-Lumetri took about 225 seconds, while Seq2-NonLumetri took about 150 seconds, about 50% more time when using Lumetri on the same ~ 60 second clip entry.

  Note, part of the reason why I'm here is to ask my question above one, sort of general/summary, but it is also based on my not not having seen a single Lumetri color correction tutorial that describes these nuances... check in shades that seem to be essential for efficient use of the product by someone like me. I want to know about Lumetri, that's fine, but I also really want to know how to use the product together more effectively... to do this, seems to me, should not take account of the effects of color more older 'obsolete '. I want to at least know if there is agreement, or if I could be missing something here.

  Thank you!

  "Legacy" color tools more elderly are simpler "peripheral" in the code if I understand and don't work... especially... but as has been clearly established by colorists, especially if you do anything with the "" range"in the young or 3-way controls, you can get weird and very... results not correct not...

  That said, if you stick to their tools without using the modifiers of the range and not to push things too far, they work for the most part, kind of like what you would expect.

  Thus, on this laptop old of yours, stick to the Legacy tools is probably a good thing. And works very well for you. If you move up to a more recent material, you probably want to look more like the Lumetri Panel.

  Currently, I am working with the help of a mixture of Lumetri for the 'main' ranking, but using 3-way & RGB secondary additional & such.

  Neil

• Cannot make the fx color correction without getting the image of strobe

  Cannot make the fx color correction or blur fx with masks without getting the image to strobe. Do not return in the sequence, or export without the video strobe effect. It is clearly a problem since at least 2011 because I saw some forum posts dating back that far. Don't know how or why it is always a question 5 years later. I have the correction color fx on an adjustment layer that makes very well. Leave color and blur fx on a couple of individual clips is whats creating the problem. Does anyone have a solution? It does not appear that I can wait for Adobe.

  At this point, I would create a sequence for each clip (in the garbage, make a right click, create sequence and apply the FX it) then replace the clips in the mixture with the sequences.  -Test this point by one before they go crazy.

  OR, using the idea of sequence preceding above, return on a new clip with holiday color applied to replace as new originals in the mixture.

  Third idea: replace the clips with linked AE comp and try the color of leave which are.

  In short, do what you can to take the color of leave out of the final equation.

• How the color correction?

  I have the official training book, but it's not much help with this.  All I want to do is correct color my sequence.  I selected all the clips because they are of the same lighting and camera set up.  I want to correct the colors them all at once.  So I go to effects and select "fast color corrector" and dragged to my sequence.  After doing all the clips have tab a little "FX" on them.  Then I go to the source monitor Panel and click on the control of the effects, and I see the color wheel and the controls for "fast color corrector.  But the right hand side that I see mentions the still image that was left in the source monitor before get me to that effect.  So I can color correct this alone, but the settings that I realize only applies to the still this picture.  How can I ask the fast color corrector to a sequence in the timeline?

  to apply a color correction to the entire clips or multiple clips at once, you can use an adjustment layer. How to use setting in Premiere Pro - YouTube layers so all the clips are basically the same, so you can color correct the and apply a 'look' to this adjustment layer. If some of the clips need to work extra, separated from the rest, you can always apply a color correction effect directly to this clip to adjust it.

  There are a lot of video on youtube for first, many on the color correction. first pro - YouTube color correction

• Color correction more of images exposed due to the light of the Sun

  

  Hi guys,.

  I was wondering if anyone can help me with this. I turn a video and I'm in post-production right now and the lack of good spots (I could pull in that were not flooded with sunlight) I now some lighting issues I would like to be supported by Premiere Pro. I'm not that experienced with color correction (or what is the most suitable for this kind of thing). The example above left shows how I planned the coup to look like. The right one is as you see is way overexposed. Can someone tell me how I can change this so that it looks like the picture on the left?

  Any help is greatly appreciated! :-)

  See you soon,.

  Mascha

  That's what I was referring to... I don't think that there is no data there in some of those blanks to make anything of. They are not "recoverable". He just there's nothing there but (in terms of 8 bits) 255-255-255. You can tell a tool of gain to translate the up to 235-235-235, but as it is not all the details make the difference, you'll just a solid block of... tone flat.

  Neil

• Color correction and film film appearance

  Hello world

  Rookie question I guess on the coloring. Since I started to edit this area of production immediately caught my interest. My first films, I started to add the film an eye like showed on many tutorials to youtube of tweaking with the color corrector 3-way and the ProcAmp. During all this time, I thought it was 'color correction '. So, I found some tutorials by Jeff Sengstack on the color correction which seemed quite a bit more professional, using all scopes and waveforms etc. I was real pleased with myself and made the entire video in this way only to find out that I thought that it looked less "professional" than with the filmlook tutorials simple. So... here's my question:

  Do you look motion picture (if desired) after you do the overall color correction or color correction is not necessary when you want to apply a film appearance?

  Second question: everyone recommends the use of Magic Bullet software vs using the tools of coloring in Premiere Pro?

  Thank you for any help or advice.

  Sébastien

  CFG is true - you ask something that is a very broad topic - something that people spend their life, learning and development.  And the second the answer correct you firstly your picture - balance of whites, levels, etc, and then apply any kind of look you are going for.  In fact, many correction colors and the ranking of the programs use different "rooms" for this primary - process to correct your image, secondary affect certain elements within the image and then a Master to dial at a glance.

  My sugesstion is that if you do not want to spend the time and energy to learn the process, you can use something like Magic Bullet Looks that will give you options and the cinematographic images with a single click. (Within reason and depending on your source of the layer film)   If you want to take it a bit further, you can use something like Colorista to do manually and with a lot more power.

• Color correction/effects when working with long clips

  Hello

  First time poster!

  I am a beginner with Adobe Premiere Pro 5.5. I use it now to make a color correction on DVD badly produced in my movie collection! I was wondering if it is possible by effects of correction of color on a clip if you apply different effects to different parts of a clip. For example - at the beginning of a clip, the scene is really promising, but some 30 minutes later, the clip is really dark. Is it possible to darken the beginning and lighten the end? How you people would have a situation like this? You edit the movie down to the smaller pieces? If so, how would you use for that?

  Thanks for the help!

  Howard

  Howard,

  Welcome to the forum.

  As well as the suggestion of Jon-M-Spear (the one I use most often too), many effects can be touch-ups, so that they change over time. However, it takes some time and may require a lot of violin.

  If you have a long Clip and know that you will later add the same set of effects, but just with different attributes, you can do two things, and rely on Jon - M method:

  • You can create a preset effect and apply to all of your Cup, let's call them "subclips," Although this term has other meanings, so be careful when using it. Then apply this preset to all subclips. Then, tweak each application of the Preset, as is necessary for the individual subclip.
  • Similarly, you can apply all the necessary effects to the first of your subclips, tweak for her, as is necessary, then Rt-click on it, choosing copy. Now select the rest of the subclips, you want to apply this set of effects, Rt-click on it, select the attributes of the dough and then adjust, as necessary.
  • A variation on the above would be to apply effects to the origianal Clip and THEN make cuts. Go back and modify each individual subclip.

  Good luck

  Hunt

• Your comments on the color correction

  When editing my most recent film, I had the idea of using Color Finesse 3 for colorizing images and makes it more enjoyable to watch. I ask you to watch the vlog and after this judge only on these images, if this video is bearable to watch. Does seem good (colors), high enough quality?

  [embedded miniature video removed by the host of the forum]

  After seeing this, would you be interested to watch more things than this guy?

  Thank you for answering my questions! I really appreciate the constructive comments.

  ckFTW

  I removed the embedded video because the content is not appropriate for this forum.

  But commenting only on the color correction:

  The bright colors in the face were very bright; I would like to shoot those down a little, probably using the curves effect.

  The colors Sparkle from one moment to the other. I couldn't tell if it was because of changing in camera exposure or some retouching color correction settings.

• Project seems OK to iMove, using the part of the video is damaged.

  I created a project in iMovie. 10.1.1. everything looks and plays OK.

  It contains only clips and transitions, video camcorder and original sounds.

  It plays OK in iMovie.

  Using the shared file... translates into a corrupted mp4 file.

  I tried various resolutions, always the same result.

  Here is a screenshot of part of the video, which does not play, some static, some jerky movements.

  Thank you.

  

  Hello Tokyo,

  Thanks for the screen shot showing the corruption of the shared iMovie project. It is encouraging that the project plays well in iMovie, but we need to isolate what can happen here.

  Before you begin, it is always good to have up-to-date backups.

  OS X El Capitan: of alternatives for the backup of your Mac

  You have tested with different resolutions.  It also happens with different Compression and quality settings?

  If it works, it can get you an export but we should always isolate why these exports did not work.

  This happens with other projects?  If this isn't the case, then there is a problem with this project specifically.

  If you do not currently have another project to test with you can create a new little project for the test.

  iMovie (2013): create a new movie

  You can use the construction in camera to create new content, fees for the test.

  If the problem is with just the initial project, you can duplicate to troubleshoot a copy.  Duplicate project by clicking on it in the Finder and choose duplicate.

  That your project contains only clips and transitions, first to see if it is a question of transition by removing the (or half of them) and to share to see if it works now.  If it works, one of the deleted transitions is the question and you can begin to add to that their return to isolate.

  If it is not yet implemented with no transition, then it can be a problem of clip. As with transitions, take half and test.

  iMovie (2013): organize your events and projects

  Continue to isolate to refine the offending clip.  Then re - import fresh clip and test.

  Note to check 'the other half' if necessary, it may be easier to delete this test project and to reproduce the original again to continue his tests.

  If the problem occurs with all projects and then see if there is a problem with your user account settings by testing with another user account.

  How to test a question in another account on your Mac - Apple Support

  Test with a new project and see if it works with this new account.  If so, then there is a problem with your user account, and we need to clean up.

  1 open the ~/Library folder in your user account

  2. move anything in the files Caches and preferences that starts with com.apple.imovie on the desktop

  including the iMovie user specific files:

  iMove 2013:

  ~/Library/containers/com. Apple.iMovie.app

  ~/Library/caches/iMovie/

  3. search for and move plugins QuickTime of third party on the desktop:

  / Library/QuickTime /.

  Here's the Apple Codecs that do not need to be removed:

  /Library/QuickTime/AppleIntermediateCodec.component

  /Library/QuickTime/AppleMPEG2Codec.component

  4 restart the computer and test. If it works, you can remove the files from.  If no change, you can put the removed preferences by replacing the newly created files.

  If the problem occurs with the new user iMovie itself may need to be reinstalled.

  OS X Yosemite: install, update and uninstall applications

  This may seem long, but the goal is to isolate which raises the question so we can fix it.

  Please let us know how it goes.