Synchronization multi camera using points, but no point

Similar Questions

• Multi camera using an existing sequence already synchronized with the eyes of the plural

  Hi all

  I just tackle multi cam in first pro 2015 (fully updated)

  I watched an excellent tutorial from Colin Smith using the step by step instructions, but he began by selecting a number of clips in the tray. I managed to create a multi cam

  by using this method.

  BUT

  I already have a sequence that has been synchronized with the eyes of the plural. What I would do is multi cam this sequence, do not need to synchronize again.

  If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

  but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

  So, my question is how to create a sequence of cam ready multi for editing an existing synchronized sequence?

  Thanks a lot for your help

  Chris Anderson

  If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

  but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

  You are on the right track: right click on your original sequence. Select new sequence of the clip. Open in the timeline panel. Right-click on the video track. Select 'Activate blocking->' and then change the programe in blocking monitor view. Read the sequence and you click with your mouse on the angle desired in the program monitor should turn red. It work?

• Synchronization of four cameras with gaps in the timeline for multi cameras sequence

  I use Premiere Pro Trial CC to edit a multi camera concert. (The trial is just to see if the multi-came thing will work better than CS5) Since there is a limit of 30 minutes on four of my SLR, I have gaps in each of my deadlines of four cameras. All of these tracks were synchronized manually upward with a master audio track.

  In order to create a multi-cam sequence, I need to synchronize the video tracks 1-4, but so far have not been able to do. I tried to clips from each camera of nesting (so video 1-4 are all separate nested clips.)   I turn on the targeting of track for four channels of video and an audio track. Then I press 'I' to select a Point for the selected tracks. Not sure if this is how it works - just guess here.

  I then tries to 'Create Source Multi camera sequences' and tracks synchronization to aid 'In Points' on the nested five (4 video and 1 audio).   When I double click on the sequence of Source Multi camera to preview, I get four video windows appear, but the timing isn't right. It's as if they all were associated with at the beginning of the clip, not the markers that I put in front.

  So that's my problem. I can't synchronize these titles before creating a sequence of Source Multi cameras. I tried the synchronization of audio track, but it fails - too gaps to make it work, I think. I have no timecode. The only way I can think to do is to clip markers. Are some of these features disabled in the trial version?   Thanks for any help on this!

  MacBook Pro

  10.10.5

  Intel Core i7 2.8 GHz

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GT 750M 2048 MB

  All of these tracks were synchronized manually upward with a master audio track.

  Then, with all your video tracks manually synchronize would with your audio master, you are ready. It would be a sequence with audio and 4 video layers. Now that nest, activate multi-cameras and turn on the multiple camera monitor in the program monitor and start your editing.

  --------------------------

  and if you want to try the other route-

  as for the creation of sequence of Source Multi cameras with points, place your points on your clips 4 source using the source monitor, you will only be able to get one on your audio files. That you establish for the created Premiere Pro sequence camera multiple source.

• Synchronization of a display multi-cam with no common point of sync (several clips that start before and after others)

  Hi all

  I recently recorded a production of theatre and because of some limitations of record on some camera, I've seen camera that is non-stop, and three others who cut inside and out for the big musical numbers or great moments, etc. Is it possible to create a view of multi-camera with multiple views, I, because none of them share a common point of synchronization? Is it possible to set multiple synchronization points and label all so that they can synchronize correctly? I'm sorry if it's very confusing! Thank you very much.

  Kyle

  multicamera Create Sequence of Source, with Sync Point, choose Audio

• I was using wireless, but now I can't point sayon top he worked the network unsecured fine thank you with an exclamati

  I WAS USING WIRELESS, BUT NOW I CAN'T TELL A UNSECURED NETWORK WITH A POINT OF EXCLAMATION ON IT AND SHE SAID THAT I'M CONNECTED TO THE NETWORK. BUT HE WON'T LET ME GET ON IT. IS IT SOMETHING I'VE DONE. Thank you.

  Hello

  I suggest you try to update the latest drivers for the network adapter and check if it helps:

  http://Windows.Microsoft.com/en-us/Windows-Vista/update-a-driver-for-hardware-that-isn ' t-work correctly

  For more information, see this link:
  http://Windows.Microsoft.com/en-us/Windows/help/network-connection-problems-in-Windows?T1=Tab03

  It will be useful.

• Display the text and the image on the camera's point of view using blackberry OS 5

  Hello

  I'm creating an application, which contains the label and the image on the camera's point of view. When I start the camera, that time itself the label should display on the top and the image should appear on background. I tried. but I got only for OS 7.

  http://docs.BlackBerry.com/en/developers/deliverables/36449/Display_text_on_live_camera_feed_LabelFi...

  But I need the OS 5. Is this possible in OS 5? Please give me an idea.

  Thanks in advance.

  That is right. Drawing on the display window is only available from 7 OS.

• Adobe Illustrator uses points as their SVG user unit?

  I've been looking for a while now, but I can't find anything. I noticed that if I save one 10x10mm box created in Illustrator in an SVG, that it has a size of 28x28 user units in the svg. W3C Standard recommends a 35x35 Although the box.

  If I do exactly the same in Inkscape, I get a 35x35 box in SVG.

  After searching for a bit, I discovered that Illustrator works with dots in the background that it converts 1mm to 2.8346dt . (which incidentally is around 3.5433px , as in the W3C Standard).

  So my question is: is Adobe Illustrator use points as their SVG user unit?

  Basic unit of Illustrator is the point (1/72nd of an inch). It is also the actual measure that illustrator arbitrarily suppose pixels (whereas Inkscape takes 90 pixels per inch by default, but provides the user setting in preferences).

  10 mm is 28,347 pt. If you draw a square of 10mm in Illustrator and save it as an SVG, it's why you see 28.347 in the resulting SVG code (which, of course, turns to 28 pixels).

  So while you work in Illustrator to SVG, create your rules of Points (or "Pixels" If you must; it's the same thing in Illustrator) and size the objects according to the desired pixels you want to practice the SVG.

  If you want to work with the value leaders milimeters when drawing in Illustrator and want to have a measure of outcome of 10 mm in 35 pixels when recording as SVG, then before you save the SVG, scale everything to 123.47 percent.

  JET

• Can I use points rather than inches * definitely * when you use the menu box "cloak"?

  Can I use points rather than inches when the dressing specification in menu box "cloak"? In other words, can I use points and there is no change to inches as soon as I'm done?

  Thanks for responding!

  You can always insert any available unit, just add the unit if it is not the norm. For example write 5pt if you wand 5pt, even if the field displays mm or inches.

  Changing permanently would be possible through preferences, but not only for the single string.

• workflow multi-cam

  I've recently upgraded from Avid and I am used to putting all my images in the source window and drop the clips in a timeline. in the first 6, I created a sequence multi-cameras with my audio devices and 2, I went through this sequence and created markers so I can easily find bites interview I want to use. My problem is this, when I put this in the source window multi-cam sequence, mark my in / out and drop it into my new timeline, I lose the mulit-cam property.

  I'm basically looking for a solid workflow that allows me to sync, mulit-cam sequences in a source window, which I can then pull clips from and insert into a timeline. If this is not possible, I'd love to hear how people work with sequences multi-cames that are just pieces of what will eventually become a larger edition.

  Thank you very much!

  Hey James. I'm not quite sure I understand what you're saying, but I think the essential and I think I have dealt with similar frustrations. That's exactly how I work with multicams in FCP 7 and Avid (i.e. sync audio and video tracks creating a multiclip, then load them in the source monitor, do the points of e/s and then only take pieces for the timeline) and me could not operate as well in PrPro.

  I know that there are two ways to make multiple elements in PrPro, the "old way" and how to CS6. This tutorial details how CS6.

  http://Provideocoalition.com/ssimmons/story/working_with_multicam_in_adobe_premiere_pro_cs 6.

  Have you used this method? If so, then I don't know what is wrong because it should work.

  But if you have used the 'old way' (synchronization of the elements in a sequence and then dragging this sequence in the timeline as a nested sequence (and not actually create a ' sequence camera multiple source "as explained in the tutorial)) so I wonder if you missed the last step. After you drag the sunc/nessted sequence in your timeline, you will have to then right-click on it and select "Enable multiclip."  No matter what chance you skipped this step, and you're not actually 'lose' the property of multi-came, you're just not him?

  I highly recommend the CS6 way, but because it's more like Avid and FCP 7 in that it creates a "multiclip" that opens in the Source you can then change down and use pieces. It was * almost * as good as Avid and FCP (even if I still of the oxen with how PrPro manages the audio multiclip, but that's another post for another day).

• How to activate the option 'create the source multi-cam sequence?

  I am trying to create a sequence multi-cam in an interview. I have an audio file (.wav) and two different camera angles (.mov). I point out all three and make a right click, but the option 'Create Source multi-Cam sequences' is disabled. I tried to switch to the Clip in the menu as well. No luck. How to activate it so I can create a multi-cam sequence?

  If you are in the first version of CS6, disable audio and synchronize your video with in or out points, cue or clip. I assume that you are earlier version CC as I believe audio disable "create the multicam source sequence. CC versions and beyond have the ability to sync with audio, so not sure as to why your option is grayed out.

• Multi-cam quirk in CS4

  I noticed something weird when using the window multi-came in CS4.2. I cut 2 tracks of 50i HDV footage.  Everything fine until I want to make a change and redo a section that I have already edited.  In CS3 it seemed would never be a problem.  I got back just before timeline indicator section I want to change, click space to start the timeline.  The active camera is yellow and if I click in the frame, it turns red, and I can continue to re - editing, writing about old cuts.

  In CS4, I do exactly as above, but the monitor keeps after old cuts, even if the framework is framed in red.  I can add cut all I want by clicking on the images, but when the timeline meets a cutting point existing, it follows the old information.

  I am aware of a new trick to be used, or is this a bug?

  Its a bug.

  You can click on junkies to re-do the cuts and it will work.  But it displays badly.

• First film edited with Premiere - proxy, audio questions and multi-cames

  I have several questions that I have not found in the videos and forums, at least not for my situation. I'm finishing the revision of sequences now adding comments in prelude and will begin soon to change it. Please excuse the long post.

  Background:

  I'm working on my first film, a documentary. Most of my work is 10-11 interviews, about an hour each. The majority is 4K Panasonic GH4, but some of the images is an Olympus MDGS EM5 II 1080.

  I recorded the sound using a LAV and a shotgun microphone, each goes in its own channel in a Tascam DR - 70 d, an external audio recorder, with a line going into the camera for reference. Audio and video files (at least one, since GH4 brings several) will have a slate tone to the head, created by the audio recorder. The recorder has captured the audio 24-bit, 16-bit audio captured camera. The recorder fooled also two other channels to lower 12db audio in the case of audio peaks.

  I will be changing on Mac laptop - 2013 MacBook Pro, OS 10.11.5, 2.9 Ghz Intel Core i7 memory of 16GB 1600 MHz DDR3, NVIDIA GeForce GT 650 M 1024 MB graphics card. I think I need to create my images 4 K proxies.

  All images is storage on my external drive of G. The interviews are separated and are located in the folders of each interviewee.

  The final project will be 1080, not 4K.

  Questions:

  Naming - being a hybrid, the GH4 breaks an interview of an hour in several separate files. Should I change the names of all files, or keep them in folders named in Premiere Pro? If I should change them, should I do it before swallowing?

  First synchronize audio and video, but since I have an audio file and several video files, I synchronize each video file individually or assemble them somehow, then synchronize? If each of these excerpts from the interview is sewn together, wouldn't that make editing more easy?

  When you create proxy for video files, also create proxy for audio files separate? Once synchronized, will be presented first the Hi output version of the resolution of the video and audio?

  Multicamera - in one case, I have an interview with two 1080 cameras. But for the rest, I've shot with a camera in 4K, so I intend to use a section cropped interview (zoom) when an important statement is mentioned, simulating a two cameras set up. Given that I have to create a sequence of multi camera after I ingest proxy files, first will be a problem activating/deactivating files proxy for the salvation of the res files?

  B - roll is added later, once the interviews are published about. It will be a few (not 4K) images and photos. Make the proxies of these too or first care to have all files proxy or a mixture?

  Finally, I have never edited a video which has been more than 10 minutes. This film could be of 40 minutes or up to 90. Everything I need to know to make the editing more smooth? I am a beginner!

  Thank you for bearing with me and thank you in advance for any idea!

  -SK

  1. allow only file names.  Make your organization with records (hard drive) and ferries (project).

  2. Manual of multi-camera method

  3. the audio files are small and will not need of proxies.  Export will always use the original media.

  4. possibly.  My first attempt was a disaster that froze the machine so badly, I had to do a hard reset.  However, you need not go back to the original of the sequence to make your cut-ins.  Proxy media will do fine work.  Simply place a copy of the plans at the 50% level in V1 and a second copy on the scale of 100% in V2 when creating the source multicam sequence...  Will allow you to see the full versions and then cropped the multicam editing.

  5. the photos no need of proxies.  If the B-roll change, make proxies for those.  PP not care a spirit to keep all the images the same.

  6. $ 2,000 custom PC vs $ 4,000 Mac Pro - YouTube

• problem with multi-cam and camera angles

  Hello

  I used 3 cameras for a project with free run time code,

  I imported the files of each camera, and I have them renamed with a suffix like cam1 and cam2 cam3

  in first pro, I put a different color of the label of each camera to have an own chronology

  and when I create a multi-cam with time code sequence, I have thousands of tracks (his pro as Prime Minister understand that each item I have a different cam)

  I tried a lot of things, but I can't find a way to group each cam on a track :/

  someone has an idea for me please?

  Thank you

  Premiere Pro treats each element as from a separate camera.  No way around that.

  When you photograph of muticam, do not start and stop the cameras.  Leave them running for the complete event.  Floors and ceilings are better than trying to synchronize dozens of clips.

• 3D Camera Tracker works, but only in 'camera 3D Tracker' no mode not "Camera Active" mode?

  Here's the preview of this weird problem. (BTW, I use after effects CC 2014 on Mac OS 10.9.5.)

  Step 1: Download this clip stock in the new model.

  Step 2: Time reverse the clip, since that's the shot I'm looking for.

  Step 3: Apply '3D Camera Tracker' and wait for analysis and camera to solve.

  Step 4: Confirm a good track and choose an area target between 3 points

  Step5: right click and select 'create text and Camera '.

  -SO FAR SO GOOD, BUT THEN... -

  Text element appears in a bad position (elsewhere in the model, many pixels away) and is not properly locked to background images, but rather floats above him like a normal 2D layer. However, if I change my display in the window of the model of "Caméra Active" now available "3D Tracker camera" view, everything looks good. I can then add other elements (text, sound, models 3D using the plugin video clip of the first officer, etc.) and they work all as expected- but only when you view the view model 'camera Tracker 3D. " Of course, if I try to, it makes on what sees the camera activates, which seems wrong.

  This is the strange thing. Analysis, camera fix, etc. all seem to work well. But if I can only display it correctly in the view 'camera 3D Tracker' and not 'Active camera', then I am not able to make out successfully. I tried different tutorials on the subject and able to successfully replicate for example this one, without running into the weirdness of the Active camera. On my computer, it's a different story. Thanks for your suggestions.

  Thanks again, Todd.  I have found a workaround and Walter Soyka simultaneously ID had the problem - set up, they seem to be a bug in AE when followed 3D clips time-reversed.  Easy enough to fix once identified and hopefully fixable in future app updates.  Details here:

  3D Camera Tracker works, but only in 'view camera 3D Tracker' not 'view Active': Adobe After Effects

  Thank you.

• Sequence of multi cameras went black (mostly)

  So, I edited three sequences of separate camera multi... They all was beautiful and I exported through media encoder. When I went to look at my files, one of the three was a really small size, and I noticed he was all black.

  I returned to premeir pro cc and of course this multi cam seqence was all black as well (except about 3 seconds of images in the middle of two different cameras). Now when I go back to the original (except the nested multi cam) sequence that is fine so I know that the clips are always linked in PP. Also, I can make a new cam multi of the original sequence and that is very good.

  I think that PP just F'd up... and unless someone can tell me how to go back in the file record history or something I'm flowing because first auto saved when I closed it last.  I'm seriously unprofitable as to why this has happened as it was fine when I went to export it... or at least almost immediately before.  Why are there 3 seconds of footage in the middle of all the sequences of black 47 min? and 3 seconds is from within a sequence of 10 minutes on the original UN nested sequence is not as if a single video file showing upwards.

  OK, so more about what happened that I want to spend my life with. Any way to copy edit them the points on a new multi cam sequence?  Does anyone have ideas, what's happened I can cancel?

  Thank you

  OK, so it's weird... so, the original UN nested sequence was 01:30 hours with 45 minutes of audio at the beginning unused. When I did my nested for multi cam editing sequence I selected the last 45 minutes and nested that.  Everything worked very well, but somehow during export it took my multi cam sequence and added within 45 minutes of audio virgins... so when I extended the sequence of cam multi at 01:30 there was all my videos... but my changes were all conducted on the top of the audio. Seriously stupid and certainly a bug!

  Is there an any file record history that I can come back?

  This looks like a bug in 7.0 that has been fixed in 7.0.1.  I recommend that you update to 7.1. In many if not most cases, the patch has corrected the problem in existing projects.

  This is the main thread about the bug: http://forums.adobe.com/message/5823746#5823746#5823746.