workflow multi-cam

Similar Questions

• Would this workflow to accelerate the multi cam editing work?

  Hey, I work with a really terrible computer and use a couple of low-definition camcorders for multi-camera filming so far. The computer can do almost in front, and I am patient enough to work with her at the moment. I'm about to upgrade to HD camcorders and probably add a couple of cameras to the next bit of stems. This will certainly cause the multicamera editing grind to a halt, so I was hoping to come up with a bit of a workaround.

  Would the following work:

  1. Convert all HD streams down to low definition (including audio without decommissioning)
  2. Import and align the stream of low-def (sequence1)
  3. Run through shoot and choose the camera angles for the entire sequence (multi-cam)
  4. Replace low-def with original HD images (using the right-click-> "replace sequences... ("in the source window)
  5. export the multi-cam sequence.

  It is not important that the changes between the cameras are on exactly the same frame in two sets of video - just need to they are roughly the same second.

  Try your own workflow suggested for your self.

  It work fine but of course its a lot of time to create the proxy files and can be cumbersome in line with their return.

  Use some kind of TC in your workflow. for example, paste TC to your proxies.

• Multi camera editing workflow

  Hello world

  IM working on my first camera multi edit, after the shooting of a school with 4 cameras and 1 audio recorder concert. I synchronized them using plural eyes.

  I also know how to change in multicam - excellent videos available on the net.

  My question is, as the convert 1 HR 15 minutes, I do not want to run the multi camera monitor and change it to a full 1 hour 15 minutes, I can't do

  errors. Is there a way to do this in steps without having to split the project into a number of sequences?

  I know how manual edit, but obvoiusly it will take time for a 1 h 15 min run.

  Thank you very much

  Chris Anderson

  Hang on, I thought you said that online videos have been excellent!

  Do not change the blocking real-time sequences!  With the multicam sequence and the monitor, both open, you can switch between the two and use the tool rolling Edit (N) in the sequence to change the changes that you want to take sooner or later.

  You can do this as many times as you like until you are happy with it.

• Problem of sequence Source multi camera PLEASE HELP!

  I merged the 3 cameras with sound using the sequence of Source create multiple cameras.  After that I merged it, I don't know why I can not select the "Multi-camera" button (which is gray) so I can choose the shot I want to use. Help, please!

  You can see a good tutorial on the entire process here - http://tv.adobe.com/watch/learn-premiere-pro-cc/multicamera-workflows-with-premiere-pro/

  The help page also step by step - using Adobe Premiere Pro | Multi-cam editing workflow.  I meant step 4. Create a target multiple camera sequence.

• Monitor multi-cam CS5.5

  Hey all,.

  I have change a piece of several camera in my sequence and use the multi-cam monitor to see the other angles. The only thing is that I can't get playback in real time on the preview window and not in the multi-came window, it updates only in the multi-came window once playback is stopped.

  Is it normal or I do something wrong?

  Thanks in advance

  If your multiple camera monitor shows just two screens, I fear that your multicam workflow is a little bad. You probably have not nested sequence with different camera angles in a sequence master muticam and, therefore, can see one angle of the camera as well as the view that result in your sequence 'multicam '...

  In other words, when you have created a sequence of different camera angles, synchronized clips etc etc, you must nest this sequence in another - a master (or target) sequence. See this section helps editing multicamera.

• Audio limitation in CS6 multi-cam?

  I try to use stereo audio of my source files when I create a multi-cam clip (I confirmed that the source files are indeed stereo because there is a different content on the left and right sides and when I put it that in a new sequence on its own the source will use 2 audio tracks).

  However, if I create a multicam video in the media browser and bring in a new sequence, the sound becomes mono and refers only to the left of the source files and pans that Center, which makes the unusable right.

  Is this a bug?

  If the right channel is on the A1, and the left channel is on A2, you must open the camera sequence multiple source in a timeline and select A2.

  Here is the part of the aid, I wanted you to notice:

  By default, Premiere Pro CS6 allows only to audio channel in the source multi-cam sequence. For editing multi-camera workflow, select manually before you change the sequence target of the other audio tracks. To activate the audio tracks to the sequence camera multiple source, follow these steps:

  1. Open the camera sequence multiple source by clicking on the icon to sequence multiple camera source in the project Panel, right-click (Win) or control-click (Mac OS), the icon, and then choose open in the timeline.
  2. Opens in the timeline. Select the audio tracks and then activate the other audio tracks by clicking on the button toggle track output for each audio track that you want to monitor.

  Now that your audio tracks selected are enabled, you can close the sequence.

  You should now be able to monitor the two channels that you cut your source multicamera sequence.

  Let us know if it worked for you.

  Help section: http://helpx.adobe.com/premiere-pro/using/editing-multi-camera-sequences1.html#id_60276

• dynamic links, body cs5-> AE cs5, multi-cam sequence problem

  It's strange. I'm working on an interview with two camera in Production Premium CS5. Does the standard stuff - a sequence source with both cameras, have some sex change here (synchronization of the two cameras, trim clips, etc.). Then nested in the source sequence in a multi-cam edit sequence. The multi-cam monitor allows to switch between cameras, etc.. Everything is good.

  But my publisher wants to make three separate videos of this interview. So the logical thing (so I thought in any case) would be of this nest muiti-cam change when in three distinct target sequences. So I couldn't switch camera made just once and slice-' n - dice all three target sequences to videos - short ' n-sugar that make my happy Editor. For the first target (a single question and answer). The result looks good in the body, and editor-in-Chief approves. All that remains is the addition of the lower thirds.

  Everything is fine until I go to export to AE via dynamic links so that I can add lower thirds and finish. What body sends to AE is not just my target sequence, but it also sends the multi-cam edit and the source sequence as well. But... he knows nothing and don't show me images of CAMA. BCAM appear not at all. Clearly, this does not work. But now I find that I can't even break the links. So I can not yet again. Sigh...

  Two questions: first, how does an export a sequence multi-cam edit via dynamic organization link to AE and do appear in AE-like it does in the body? In other words, what did wrong?

  Secondly, how can I recover it? Should I really delete my sequence target in the body and start over (and by extension, remove the AE project also)? No there is no way to break a dynamic link once it's done?

  --

  Bruce Watson

  Hi Bruce,.

  Jim already did you in the right direction.

  Common to follow way is:

  -You create your legacy third down.

  -you save. Do not export an intermediary (except your animation will not change, so you can export a file using RGB + alpha channel corresponding to your project in Pr or Avid or any editor)

  If you use PR, do not export. No prproject, no middle man, it's just save.

  -First, you choose file > Dynamic Link > import after effects composition.

  Then, in the opened window, you access the AE project where this model is.

  Choose the model, hit very well, use it like any other element of the source, IO in the source monitor or just put on a video track above your video in the timeline, like any other title.

  And don't forget to read the manual of articles about dynamic linking.

  They can give you a great insight to a fast and powerful workflow.

  And I'm pretty sure you can always use this knowledge in CS6.

  Greetings from Vienna,

  Felix

• Multi camera: Z3

  Hello

  I have a compact Z3 and a Compact of Z3 tablet. Both have the multi camera installed function.

  However, when I allow it to touch their back to back, they are trying to connect for a long time, but nothing happens and finally a message to say that they are unable to connect.

  They are obviously grateful each other, but there isn't any multi-camera event.

  I tried three permutations:

  (1) multicamera beginning the Z3 compact and touch to the Table Compact Z3. This results in a long delay, then a pop-up on the Z3 Compact to say "Connecting to the Xperia" and a pop-up on the Tablet Z3 compact saying "collected a new tag: application/onlineremote ' which is repeated on several lines." Finally the Z3 Compact says that it cannot connect.

  (2) in reverse with the Z3 Compact Tablet first. Same again (1), just the opposite.

  (3) start the camera both application and select multicamera on both and then press them back to back. They try to connect and then eventually abandoned.

  Any ideas? I'm not as something exotic. They are the two models Sony Z3 with the default android on them and they have not taken root.

  Thank you

  Joe

  Hello

  So, an important update on that.

  I called Sony and they told me to delete the data files and the cache for the application of the camera on both devices. I did and it made no difference.

  Then they told me to factory reset the devices, how I've had enough of bad mood because I spent long enough to implement and Sony did not have a specific reason why this should solve the problem. I felt that it was somewhat a 'try this because we cannot think of another thing to tell you".

  Anyway, I didn't do that. What I did to, it's get to restart both devices over the next few days.

  Then I tried again, put the two devices in mode multicamera, before I tried to open the connection. And it worked.

  Thus, three options are available:

  • Reset the date/cache for applications.
  • Restart the device.
  • Retry the connection when the two devices are mode multicamera.
  • Or maybe just a combination of those three...?

  I hope this helps someone!

  Joe

• Synchronization multi camera using points, but no point

  Hi all

  The question is quite simple:

  Can I synchronize two clips for multi-cam using the point in but but not starting from the point.

  I thought it should be a basic option, given that many times, I have a point a minute in the video sync, but I still need this minute in the sequence obtained from multi-cam.

  This minute to lose since the multi-cam sequence starts from where was the sync point.

  Any ideas?

  Use markers instead of points.

• Multi-cam editing - switch cameras

  I am currently editing a multiple camera sequence, but a right click and select camera 1, camera 2, picture 3 in the Drop Down

  It takes time to scroll to the bottom of the drop-down list, and pass in the source window slows down the machine a little

  Is there a quicker way to switch?

  Even a keyboard shortcut would be useful...

  Thank you

  There are actually a multi-camera set view. You can add buttons to your monitor, the program for access to these or access the view with Shift + 0. If you click the sign icon at the bottom right of your program monitor, you can add recording and one button directly on his right to switch to the display of MC.

  To turn the cameras with a shortcut, you can press the number keys 1-9, and to cut the cameras during playback you can add Ctrl modifier to these keys. You can go into control panel shortcuts shortcuts keyboard and see what multi-cam already exist, and add your own commands that are not shortcuts already assigned to them.

• How to make a Multi camera track is always visible?

  I'm working on a sequence of Multi cameras.

  Let's say I have 13 titles in there:

  • 12 tracks are actual video clips
  • 1 track made of graphical overlays (as in Formula 1 Racing, with stuff like positions of rank, drivers, lap time, telemetry, etc...). This track is imported from legacy and has in it's alpha channel. This track is at the top of all the other tracks.

  I want the graphic track to be ALWAYS on, regardless of which track I select in blocking.

  This path must be on the INSIDE of the camera multi sequence and I can't get out of multi camera (for reasons of synchronisation).

  No idea how to do it?

  Some screenshots to clarify what I mean.

  Here's my multicamera Setup:

  

  Here is the final result. You can see the graphics overlay on video.

  

  It is not possible.  You need to place the chart outside of the multicam sequence so that it is always visible.

• First film edited with Premiere - proxy, audio questions and multi-cames

  I have several questions that I have not found in the videos and forums, at least not for my situation. I'm finishing the revision of sequences now adding comments in prelude and will begin soon to change it. Please excuse the long post.

  Background:

  I'm working on my first film, a documentary. Most of my work is 10-11 interviews, about an hour each. The majority is 4K Panasonic GH4, but some of the images is an Olympus MDGS EM5 II 1080.

  I recorded the sound using a LAV and a shotgun microphone, each goes in its own channel in a Tascam DR - 70 d, an external audio recorder, with a line going into the camera for reference. Audio and video files (at least one, since GH4 brings several) will have a slate tone to the head, created by the audio recorder. The recorder has captured the audio 24-bit, 16-bit audio captured camera. The recorder fooled also two other channels to lower 12db audio in the case of audio peaks.

  I will be changing on Mac laptop - 2013 MacBook Pro, OS 10.11.5, 2.9 Ghz Intel Core i7 memory of 16GB 1600 MHz DDR3, NVIDIA GeForce GT 650 M 1024 MB graphics card. I think I need to create my images 4 K proxies.

  All images is storage on my external drive of G. The interviews are separated and are located in the folders of each interviewee.

  The final project will be 1080, not 4K.

  Questions:

  Naming - being a hybrid, the GH4 breaks an interview of an hour in several separate files. Should I change the names of all files, or keep them in folders named in Premiere Pro? If I should change them, should I do it before swallowing?

  First synchronize audio and video, but since I have an audio file and several video files, I synchronize each video file individually or assemble them somehow, then synchronize? If each of these excerpts from the interview is sewn together, wouldn't that make editing more easy?

  When you create proxy for video files, also create proxy for audio files separate? Once synchronized, will be presented first the Hi output version of the resolution of the video and audio?

  Multicamera - in one case, I have an interview with two 1080 cameras. But for the rest, I've shot with a camera in 4K, so I intend to use a section cropped interview (zoom) when an important statement is mentioned, simulating a two cameras set up. Given that I have to create a sequence of multi camera after I ingest proxy files, first will be a problem activating/deactivating files proxy for the salvation of the res files?

  B - roll is added later, once the interviews are published about. It will be a few (not 4K) images and photos. Make the proxies of these too or first care to have all files proxy or a mixture?

  Finally, I have never edited a video which has been more than 10 minutes. This film could be of 40 minutes or up to 90. Everything I need to know to make the editing more smooth? I am a beginner!

  Thank you for bearing with me and thank you in advance for any idea!

  -SK

  1. allow only file names.  Make your organization with records (hard drive) and ferries (project).

  2. Manual of multi-camera method

  3. the audio files are small and will not need of proxies.  Export will always use the original media.

  4. possibly.  My first attempt was a disaster that froze the machine so badly, I had to do a hard reset.  However, you need not go back to the original of the sequence to make your cut-ins.  Proxy media will do fine work.  Simply place a copy of the plans at the 50% level in V1 and a second copy on the scale of 100% in V2 when creating the source multicam sequence...  Will allow you to see the full versions and then cropped the multicam editing.

  5. the photos no need of proxies.  If the B-roll change, make proxies for those.  PP not care a spirit to keep all the images the same.

  6. $ 2,000 custom PC vs $ 4,000 Mac Pro - YouTube

• All clips in my sequence of multi camera went black

  After spending a long time, editing a sequence of multi cameras, all the clips have now gone black. The waveform has disappeared, but the audio is not yet. Other clips on the same timeline, including another sequence mulitcam all seem to be good and I can't identify exactly where it happened in what concerns the measures I did.

  The last element in the sequence multicam has diagonal white lines through it. I don't know if this is related? Online forums suggest it's something to do with the insufficient media, but I don't really know what that means. The camera angle ends before the other, it's the only thing I can think of that would cause the white lines.

  I have attached some sceenshots I hope clearly the question - can anyone help? I'm desperate: I lost several hours of work! Thank you!

  I have it solved! (With the help!) It turns out that the original source multicam file has been deleted. I was able to return to a previous AutoSave and import it into the current version of the project and add a link to my sequence for it. So relieved to have solved this problem without having to re - edit. Thanks again for the help!

• I have a sound of HUSH with one of my multi-cam sequence

  Hello, can the French guy with poor English here, you help me?

  

  It's my 'main sequence' (I call it "Montage"), left I got a subsequence multi-cam of an interview, everything good about it but right, I also had a subsequence multi-cam of an interview and the sound is horrible, as you can see.

  Two days before I have had no problem and today when I load the project, I got that.

  To see what I have and I go to the sequence:

  

  No sound problem, not DAVID.

  Of course, I tried to recharge my project, restart the computer, load the project on another computer, but none of it worked.

  I have an old auto-save where I don't have the problem but I did a lot of things since...

  So if anyone has a solution or something I can try please help me .

  Thank you

  Try this:

  1. close the Premiere Pro

  2 delete the Cache files.

  3 Rename the folder containing the media.

  4 put updated to 2015.2

  5 reopen the project and link it to the media.

• Where is the drop-down menu which will distribute choose me multi cam to open different cams in the program monitor?

  I have a project of two cameras that I want to use the multi cam editing option.  Cannot find how to get individual cams open in the program monitor I can start cutting between them.

  The key offers that option as well.