synchronize the screen/printer colors

Hey!  I'm trying to get my Acer monitor and Brother printer to print of the same colour.  I understand that they are not the same but when I got another printer the monitor was identical to what has been printed.

See this article--> http://www.techrepublic.com/article/solutionbase-manage-color-on-windows-xp-with-the-color-control-panel-applet/5965505

You can get the applet of the control panel of color here--> http://www.microsoft.com/download/en/details.aspx?id=12714

And you can do some reading here--> http://lmgtfy.com/?q=match+monitor+color+to+printer

Tags: Windows

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    .. .the instructions ask that «label own PMS colours...» I don't know what that means...

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    ... I googled and it seems to have something to do with the Pantone colours, but I couldn't find how do...

    In most screen printing, your concern is to use spot colors in your design rather than process colors. PANTONE product specifications of colors for fairer inks spot. It produces references to the four-color, metallic inks and even fluorescent inks and inks. Different Pantone standards are represented in Illustrator as 'Libraries of nuances', which are accessible via the drop down Swatch palette menu.

    You can set any Color Swatch you use Illustrator as a spot color. When you do so, all this means is that, when the file is printed as color separations, each spot color is printed on its own plate of separation. "Plate" is a throwback term that refers to the plate on which are the images for individual inks in commercial offset printing. Silkscreen, a separate screen is built to carry the image for each ink used in the design.

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    For example: you can define a Spot color swatch in Illustrator. It can be set to display any color you want. You don't want to, of course, but in the interest of explanation, assume that you set the Spot color swatch to display in Illustrator as a green color. Then, you name than Swatch "Pantone 185", which is actually a red. If you now print the file as color separations to a PostScript printer (or "print" to PDF separate colors), everything to which you applied the named Swatch "Pantone 185" will be printed on a single sheet (or page PDF).» This sheet contains a picture in black and will be titled "Pantone 185.

    Actually, when you work with a local display store, I usually create tones color chart, and references to name them not according to Pantone (or other), but in the name of the actual brand of screen inks that will use the screen shop.

    So, really, your screen printer is just requiring you to build your design using a limited number of color swatches, with each defined as a spot color. He's still implying that you must name your swatches Spot according to the numbers of colors in the Pantone Matching System, simply because it is the library for the most familiar to designers color naming.

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    In addition, it requires separate Illustrator files.

    Once again, unclear. There is no such thing as a "separate Illustrator file." Any Illustrator file can be printed (or saved as PDF) as a color-separations. Once again, that the printer must be clear here, it is that you build your Illustrator file so that it can be printed as separations, with each split corresponding to an ink that is responsible in his silkscreens. In practice, this means just be sure to use only the color tones in your work.

    Yet once, this illustrates the fact that a technician working in a particular printing environment can be 'expert' in his shop, is not because he know didly on the software and the workflow used on the design front.

    For stores of the most banal local screen, the safest way to prepare an Illustrator file, which leaves nothing to question is:

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    2 build your design using nothing but the Spot color swatches and a Swatch for each ink. Do not use any process of nuances. In fact, recommended is to remove all the nuances that are not actually used in your design.

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    This will result in a PDF file that contains a separate page for each ink. The image on each page will be black. That's exactly what the screen printing needs to print to 'positive film' (which nowadays are often translucent paper, not film) which it will use as masks then "burn" his screens.

    ... I know this means separate into layers, but I did not design it in layers...

    Do not confuse with layers color separation. They are totally independent functions. Layers is just a way to organize objects that you create in your file. Color separation is a print function. It occurs when you print to a device which includes the separation of colors (e.g.: a PostScript device) or when you export to a PDF of the color separation, as described above.

    It is a common misconception (miss-hypothesis) among beginners. Programs such as Illustrator may help you design with every object that is colored with ink of separation including residence in a layer that is dedicated to this particular ink, it would be absurd debilitating. Again, the layers is just a "fork" of the stack of objects in your file. These objects can be in any order on any number of layers and stacking. This has nothing to do with printing on color separations. (Stacking order comes into play when overprinting is involved, but even this does not yet require layers correspond to the inks of separation.)

    If I submit to the eps format does it matter that it's all in a single layer?

    EPS does not help. Think EPS is nothing but a file format that puts the contents of your Illustrator file in a 'black box' so that it can be "passed through" to the printer by programs that do not understand PostScript. If the content of your Illustrator file is built to target printing method, it will be the content of the EPS. Today, the PDF is more flexible and easier to work with than BPA anyway.

    JET

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