Target Pixel

Similar Questions

• The photos in photo looks blurry, with large pixels. Recorded images were of high resolution, why what is happening?

  I used the migration assistant to transfer all the data from my old macbook pro to my new iMac, now the images in the Photos seem to be blurred, with large pixels. Recorded images were of high resolution, why what is happening? Is it possible to fix it. In the old macbook pro, the image looks ok.

  Migration assistant has a really bad experience with iPhoto and Photos

  If you still your old MB of available space, connect it to your new Mac (network, mode target firewire or use an external to the Mac OS extended (journaled) format hard drive and drag the iPhoto library folder images on the new Mac and heck the iPhoto library to icon in the Dock to migrate Photos)

  I hope this will work better

  LN

• iMac 24 "(2006) begins with Pink/White pixelated screen"

  Hi, my iMac 24 "2006 frozen while watching a YouTube video. Its done but the video froze. Had to force a shutdown. Handed on to a screen to Pink/White pixelated patterns. It starts, Apple logo, spinning wheel, then a blip, but just a pixelated pink and white screen blank. He went 3 - 4 (screen pixelated) Apple hardware test, 4 passes a Memtest, I got in Single User Mode (screen black green pixelated), Verbose Mode (screen pixelated), Disk Mode target (no problems in this mode) and Boot Mode target (no problems in this mode) with an another iMac. Fix problems with the HARD drive and also repaired permissions. All my files are intact and my OS x (Snow Leopard) seems well intact. It won't start any disk inserted in the drive Superdrive. I can eject the disc with a re - start to hold the eject button on the keyboard or the mouse. I get the startup chime, no beeps, no codes and only get the kernel panic when I try to boot from a CD/DVD disc. Do NVRAM/PRAM rested and reset the SMC have swapped the RAM with new RAM without result. It shows a ZERO GPU issues or fail before that. But he began to act more slow when t switched to firefox as my browser. With only 3 GB of Ram, not surprising. Other odd and random questions like losing all my personal settings one night a week earlier, as well as all my applications at rest again. As when I opened iTunes I got the Welcome screen and start again with iTunes. My files were intact, but even some of my emails had to be searched and imported again. Things like this. I thought of something was about to give... and it was probably the case. I'd hoped to Ram instead of the GPU problem. I do not suspect the GPU at the moment, even if many tell me that it's probably the GPU.  The only thing I found was under "Graphics" bad Apple hardware test it reads 'Unknown Video' in the profile section. No other beeps, errors, codes, etc. other than the screen pixelated and don't pretend to begin the OSX. I know it's 10 years old, obsolete, etc... but he has run nearly impeccable and had a very easy life so far.  My next step is to try an external monitor and see what happens. I need to find and get the right adapter for this first. It's a bit frustrating that I read some say HDD, another RAM, many GPU, some the OSX... but it has passed all Tests of material thin Apple. No error codes, beeps, blinking, nothing. Any other ideas? Thank you.

  DWD

  To connect an external monitor to this iMac, you'll need a Mini DVI to... Adapter (DVI, VGA, or HDMI) .

  See > https://www.google.com/search?q=mini+dvi+adapters

• pixel locations

  I am new to LabView and NI Vision. I am currently using NI Vision 8.2 and LabView 8.5. I'm looking for ideas get the locations of pixel where the circles intersect the 8 rows. I need these places to compare their distance from the origin. This is the image that I work with attached. I don't know if any special criteria or another VI would be my best.

  Thank you

  I think that filtering would work very well to find intersections.  The only problem would be that you would have no idea who is who, so you need to come with a sorting algorithm.  If you can find the Center (pretty easy if you find the big black box in the center using thresholding), you can calculate the distance at the Center and at the corner of the Center.  Group by angle, and then sort by distance to get them all in a known order.  Make sure that take you into account the possibility of missing points.

  What you do with the target?  Measure of distortion?  Measure the magnification?  I did some work with side view mirrors long ago (my first vision of the project, believe it or not), so I'm curious.  We measure the vibration characteristics we shook off the mirror.

  Bruce

• Transitions pixelated in HD 1080 p 60 fps export to YouTube

  Hi guys

  I have a preset for YouTube that looks like this:

  H.264

  Progressive 60 fps

  NTSC

  Square pixels

  1920 * 1080

  VBR, 2 pass

  Profile: high

  Level: 4.2

  Target: 32mbps

  Max: 40mbps

  Depth and maximum render quality

  When I made a video, the passage of my Canon graduated 70 images D black + melted in the my opening titles is very pixelated (I'm on a Mac, the visualization in the two VLC and just using Quickview OSX).

  I thought my screening was enough high-spec and I wonder if there is something I can adjust to deal with compression artifacts? Set a keyframe or adjust rates perhaps?

  See you soon

  Lucas

  Export to DNxHD instead, using the preset HQX.

  Surprisingly, YouTube ends, and to my eyes, the final results look a little better.

• I see some pixelation when zooming

  In animate CC, I used vector graphics, but when I published HTML5, I see no pixelation. How can I reduce pixelation while zooming in HTML5 published.

  Yes, they look blurry when zoomed because canvas mode uses a target fixed-resolution. If your course is, say, 300 x 200, you get 300 x 200 pixels, regardless of how much you're zoomed in or out. This may be attenuated (but not completely resolved) in creative at 2 X or more than the resolution of your screen, then reducing the canvas in the browser.

  If you do a keyword search on these forums for "blurry" or "pixelated" you will find several discussions discuss.

• How to draw pixel data in a layer of generator

  Hello

  How can you draw arbitrary RGBA data in a layer?

  Is there an API that do this directly? So I'm guessing not, could go in the target box, by selecting each pixel and then by a fill with the color needed operation - or maybe draw each pixel with the pencil tool, etc. Is there a standard way to do such things? I guess people must have had to do, but I couldn't find any discussion or the code examples.

  If the use case is not clear, I call generator.getPixmap on a layer, then I change the data and want to draw the results in another layer. It is through generator, generator of code or JSX would work (although the API generator would be much easier to work with).

  Thank you!

  Hi, it's weird, it worked, maybe it's because the progress bar, I know that sometimes it crashes Photoshop when you have a palette window... I tested the script with the latest version of the CC on Windows and it worked fine... In any case, you can do this effect desired directly in Photoshop and interactivity as well. I created a screen on how I did it:

  

  This way when you edit the smart object it will automatically update the margins of threshold. All you have to be careful is not having a black with the glow of the 0 in your color. You can have it with a value of 1 instead.

• How to control light intensity with brightness of a composition target?

  Hey there, I am very new to expressions in after effects CC and fight with it.

  I have a feeling it's really simple.

  I use ambient light in a 3D room to simulate a glow of TV on the walls of the room.

  I have already created a mock-up of the target, "TvContent", which represents the video plays on tv. To do this, I used the effect of mosaic on a 1 x 1 .mov file. Thus, every frame of "TvContent" is a solid color different, created from this image of the .mov file. I've matched the color of the ambient light with the color of the 'TvContent' model, but it takes an expression that target the BRIGHTNESS value of 'TvContent' to determine the intensity of ambient light.
  
  Furthermore, I would like to than the intensity value to HALF the brightness value. It's... when "TvContent" brightness is 40%, I would like to the intensity of the light at 20%
  
  I hope I explained that well.
  Any help would be much appreciated.
  Thanks in advance!
  
  -Bryan

  Answer to my own question here, but in the case where someone else needed a helping hand, that's what I was able to find/adapt (.. .five hours later):

  target = thisComp.layer ("TvContent");  TvContent is the layer of film

  SamplePoint = [20,20];  an arbitrary point since my model of the target is the same color

  SampleSize = [1,1];  all pixels are of the same color so I need only a sample of a pixel

  Lum = rgbToHsl (. 5 * target.sampleImage (samplepoint, samplesize)) [2];

  linear (lum, 0, 1, 20, 80)

  Thanks to Kevin and this forum 8 years on CreativeCOW

  -Bryan

• How can I resize in pixels in action

  Hello

  I have a question about the resizing of an image and do it in an action.
  

  For example: I have an image that is the width of 500px and 500px high. Now I place a new image in this picture, but this new image is 700px width and high 746px (I know that the new image is not square, but it doesn't for that matter). I can resize this new 500x500px image by using the TRANSFORM option. No problem.

  But now I want to use it for 100 images. I so want to do this action. The problem is now is when I recorded this action, the action does not transform the newly placed at 500x500px image but he uses a "percentage". Say so I placed (during the recording of this action) a new image 1000 x 1000 px action saves it as to transform the new image to 50%. But when I want to use the action of an image whose size is 700 x 746 px, the result of the action is that the new image is transformed into 350 x 373 px (which is 50%).

  So my question is, how do I create an action that does not use the percentages, but instead uses pixels.

  Thanks in advance for any help.

  This should be centered layer.

  #target photoshop;
  app.bringToFront();
  
  main();
  function main(){
  if(!documents.length) return;
  try{
  var doc = app.activeDocument;
  app.displayDialogs = DialogModes.NO;
  var strtRulerUnits = app.preferences.rulerUnits;
  var strtTypeUnits = app.preferences.typeUnits;
  app.preferences.rulerUnits = Units.PIXELS;
  app.preferences.typeUnits = TypeUnits.PIXELS;
  activeDocument.activeLayer.resize(100 ,100,AnchorPosition.MIDDLECENTER);
  var LB = doc.activeLayer.bounds;
  var LWidth = LB[2].value - LB[0].value;
  var LHeight = LB[3].value - LB[1].value;
  var X = (100 / LWidth) * 500 ;
  var Y = (100 / LHeight) * 500;
  activeDocument.activeLayer.resize(X,Y,AnchorPosition.MIDDLECENTER);
  activeDocument.selection.selectAll();
  align( 'AdCH');
  align('AdCV');
  activeDocument.selection.deselect();
  }catch(e){}
  finally{
  app.preferences.rulerUnits = strtRulerUnits;
  app.preferences.typeUnits = strtTypeUnits;
      };
  };
  function align(method){
     // 'AdCH' - center horizontal
     // 'AdCV' - center vertical
     // 'AdLf' - left
     //  'AdRg' - Right
     // 'AdBt' - bottom
     //  'AdTp' - Top
     var desc = new ActionDescriptor();
             var ref = new ActionReference();
             ref.putEnumerated( charIDToTypeID( "Lyr " ), charIDToTypeID( "Ordn" ), charIDToTypeID( "Trgt" ) );
         desc.putReference( charIDToTypeID( "null" ), ref );
         desc.putEnumerated( charIDToTypeID( "Usng" ), charIDToTypeID( "ADSt" ), charIDToTypeID( method ) );
     executeAction( charIDToTypeID( "Algn" ), desc, DialogModes.NO );
  };
  

• How would you like non-destructive change the color of some pixels depends only on their RGB value?

  How would you like non-destructive change the color of some pixels depends only on their current color?

  Constraints: the goal is to avoid having to select with the lasso tool or any other tool. I'm talking about adjustment layers here, who would not need to select parts of the first image.

  The input image has only a haldful of discrete colors: it is made of, say, about 10 areas with 10 different colors, alias 10 different RGB values.
  

  The goal is to find a way to organize the adjustment layers and only pixels with given RGB value (for example) blue, while some other pixels with another RGB value data become red, etc. ?

  I will then apply these to each image adjustment layers in an animation, to selectively change the colors.

  If I understand you correctly, "Mix" so should work.

  Here, you can target specific values/ranges in each channel, for the underlying layer and current standards.

  

• QuickTime h.264 first CS6 comes out pixelated and low quality

  I'm working on iMac OS X 10.7.5, trying to export to quicktime square pixels video h.264 1080 p 24 fps first CS6, but the video comes out pixelated and of poor quality. Help, please!

  Thank you all so much for your help! I finally managed to get a good export with the following parameters:

  Format: QuickTime

  Screening: Custom, 1920 x 1080, 24 fps, progressive, quality 100, H.264, target 6 Mbit/s, 6 Mbit/s AAC Max, 48 kHz, stereo

  Go to maximum depth, 24-bit

  Advanced settings: key frame all 72 images

  Bitrate settings: Limit date rate to Kbps 6 000

  Use the maximum Render quality

  The only thing that so I was missing before with mediocrity, output was tick the box "key fits all 72 images."

• Export as a png in illustrator - image is pixelated and also has a stroke?

  It is a screenshot of the illustrator file... as you can see there is no line around the yellow footprint

  

  This is a screenshot of the place in a brochure.

  

  This is a screenshot of the png export

  

  When I export the png and place it in illustrator, it's really pixelated.  My problem is that I designed a logo in illustrator, and then another logo should this logo embedded in it.  I guess you can't put a file to have illustrator in another illustrator file.  Is there a work-around.  Images placed in a brochure that are high resolution also are pixelated, see screenshot

  

  Appreciate your advice

  broomeGirl,

  My problem is that I designed a logo in illustrator, and then another logo should this logo embedded in it.  I guess you can't put a file to have illustrator in another illustrator file.

  You can, and you can just copy the (part of the) since the source of the document and paste it into the target document.

• Photoshop opens the dialog box when you try to fill a layer with locked transparent pixels

  This script should set the layer to lock transparent pixels and then fill the layer with a color. She is doing this, except when it is in the filling phase, it opens the dialog box fill, and you have to hit OK.

  If you omit the transparent pixel line, it works as not expected, no dialog boxes.

  Is there a way to remove the box? Or I'm doing something wrong, which is causing the box to open?

  #target photoshop
  app.bringToFront();
  
  doc = app.activeDocument;
  doc.artLayers[0].isBackgroundLayer = false;
  doc.artLayers[0].transparentPixelsLocked = true;
  app.activeDocument.selection.fill(app.foregroundColor); 
  

  Not sure why this is happening.

  But I would recommend blocking the above and using the AM code for a fill that pays tribute to transparency.

  #target photoshop

  app.bringToFront ();

  doc = app.activeDocument;

  doc.artLayers [0] .isBackgroundLayer = false;

  doc.activeLayer = doc.artLayers [0];

  // =======================================================

  idFl var = charIDToTypeID ("Fl");

  var desc18 = new ActionDescriptor();

  var idUsng = charIDToTypeID ("Usng");

  var idFlCn = charIDToTypeID ("FlCn");

  var idFrgC = charIDToTypeID ("FrgC");

  desc18.putEnumerated (idUsng, idFlCn, idFrgC);

  var idOpct = charIDToTypeID ("PCT");

  var idPrc = charIDToTypeID ("#Prc");

  desc18.putUnitDouble (idOpct, idPrc, 100.000000);

  TSM var = charIDToTypeID ("Md");

  var idBlnM = charIDToTypeID ("BlnM");

  var idNrml = charIDToTypeID ("Nrml");

  desc18.putEnumerated (TSM, idBlnM, idNrml);

  var idPrsT = charIDToTypeID ("PrsT");

  desc18.putBoolean (idPrsT, true);

  executeAction (idFl, desc18, DialogModes.NO);

• Size of the target composition change widget

  I started quite recently using Muse CC. I am design site portfolio/gallery of the artist and works on some buttons to the homepage via the widget of Composition. I have five triggers (thumbnail images), and the bearings for each show an image enlarged in a target area stacked on the left (the five targets occupy the same space/placement on the page). My problem is that some of the target size of the object change on me, even if I put the set target size jpg image exactly, as well as the form of target container that contains each jpg (sorry if my terminology is perhaps not entirely accurate, but I hope that makes sense). One or two targets keeps adding a pixel or two for the width, and if I fix it, it just POPs back again after I left the edit function, and thus, in preview mode, you see a single pixel width line added on the right edge of the image in question. Clues on a cause/solution?

  Also, I have a default image of enlargement which occupies the same space as the targets that the user initially sees on the page display. When I smile off each miniature bearing, the default image does not return... on the contrary, the last image upside down mouse remains on the page. Any ideas on a fix for this as well?

  UPDATE: I just found out that two of the target forms had added a fill color. I changed it for nothing, and now the line has disappeared. I can't always force the target shape to stay fit, but at least it causes no visual problems.

  Still to pronounce on the 2nd part of my question about why the default image will not return after the mouse on the images of the trigger.

  Post edited by: dancingeyes

  What configuration do you use for the ToolTip?

  Please try to use the following syntax:

  Position: stacked

  See the target: the turnaround

  Hide the target: in slowing

  In addition, the image you want to be the default after the mouse comes out, you can insert the same image in master and bubble on the page with the above parameters.

  Thank you

  Sanjit

• Brushes bristle pixelated in situs against the importation of "smooth" areas under the objectives of Photoshop

  Sorry about the title of long breath on this point. When I need a contour softened in some parts of an illustration, the gradient mesh option is much too long for me.  No doubt some of you can work the stitch quickly but I think it's a bit of a drag!  When the bristles brushes came, I thought this would be the answer to my problem.  The brushes look great and work just fine.  But when I want to save the file, Adobe advises to rasterize the brushes. Now these areas 'smooth' could have been made in Photoshop and saved out as 'bits' in tif format. Indeed, these special small ares could even be retouched. My client still wants my vector illustrations in the form of PDF files. The funny thing is, if I simply vectorize small parts of my illustration Illustrator, he was still classified as a vector file. If, however, he became an Illustrator file with embedded targets, oddly, looks like 'cheating '.  I'd love to hear your lives on this point, the people.  Thank you in advance.

  I could have created mixtures, but why bother when the blur effect does the job?

  Because often, you really don't want the work to entirely made up of vector traces. In addition, because you have more control over the shape of highlighting / shading and possibility of edit, refine, reshape when you want without restarting and without loss of quality.

  This is where it becomes a question of jurisdiction. For example: while programs like Illustrator has started playing with on-the-fly generated pixelation effects - and even more before long of gradient mesh - Corel Draw (version 8, I think that it is) a photo-realistic vector near Judy Garland of drawing on the cover of his book featured. (It was actually a winner in a contest of Corel). You will find countless examples of this kind of thing that goes back decades and containing nothing else than traces (using graduates and mixes for shading).

  For example, these are completely degraded to focused on the mixture of vector employing no pixelation (effects in live or not) at all:

  

  

  Because these things are applied programmatically, they are build-once /-unlimited use.

  These two images are an example of the variety of raster/vector 'hybrid' (rasterize live effects applied to tracks). They are actually two instances of the drawing "even". The first was done as an experimental demonstration in answer to a question in this forum to draw clouds. The second was a modification of the same file in response to a thread later on drawing of lightning.

  

  

  I didn't not redraw the clouds in the second example. I just modified the. In other words, even if the final result depends on the pixelation effects (blur), these effects are applied, removed and re - apply automatically on-the-fly that I change the underlying traces. I can scale, reorganize, re - stack, recolor, duplicate, reshape these clouds * objects *- and even change the settings of pixelation - without degradation of re-rasterization of the final output.

  This example is the same kind of effects at the level of the raster object to a little bit of the extreme:

  
  The truck was designed entirely as traces in Xara Xtreme (now called Xara Designer Pro). But the vast majority of the thousands of individual paths also have dynamic to the level of objects and rasterized transparency blur (what Xara interface labels feather) applied. It's primary application-to-watchmaking of Xara. Many cases of effects of rasterization in a single Illustrator file would stifle the performance. But I can edit this drawing in real-time in Xara, almost imperceptible performance promptly.

  So in this example, I have the advantages of both worlds: the versatility, scalability, control form and editability traces - and easy quick access to apply graduated frame of transparency (as opposed to mixtures, even if the design has a lot of mixes, too, and even some mixtures in flag).

  JET