The help of mixed frame rates and export

Similar Questions

• Comply, or transcode mixed frame rates?

  Hello

  I did a quick search in the archives, but still not quite get my head around this:

  I recently shot a personal project on a Greek island. I have a lot of beautiful 5 d MKII sequences of the island to 1080/25 p, a few underwater sequences of diving instructors took to 1080/30 p and a ton of GoPro HD helmet cam stuff I've pulled my bike to 720/60 p. I guess I don't think too much about rates of mixed frame during shooting, because I had too much fun. I went to pull the stuff of cam headphones to 60 p, then I could slow down and I have a few nice ride shots - by mingling with my GVs. Now that I'm in front of the editing suite, which is the best way to use all these images? I will use 1080/25 p as the basis of my time because most of the good things came from the 5 d. I heard that using Twixtor consistent images works really well, but I'm still confused about what the 60 p on the chronology of 25 p stuff will look like. He will play slow? Very confused.

  In general, it is 'better' to give up material of frame rates less in sequences with higher rates. The reason is that Premiere Pro will automatically insert menu drop down in the form of images duplicated to maintain the same frame rate. Let's look at some examples using the images you mentioned...

  You have 720/60 p, 1080/25 p and 1080/30 p. Let's ignore the frame sizes and since you're all progressives, we will ignore the field order (since there is no order of field). In short, you've got 25 fps, 30 FPS and 60 fps. The first thing to do is to decide what you will do with the material of 60 frames per second. If you want to slow down, simply interpret it as fps 25 or 30 frames per second; Right click on an item or several clips, then select Edit > interpret footage. Here, you can change the frame rate. This will cause the playback sequence at least 50% of the speed; you would then use it in a sequence with a time corresponding to all base what you interpreted the images (25 p or 30 p). If you want to keep the images to 60 p, so that you could use excerpts of full motion and then have the ability to slow some, you would use a sequence of 60 p; You can then use the speed/duration dialog box to change the speed of the clip. If you want to only 50% of the speed, who drill into the dialog box without any concern for the interpolated images. Premiere Pro will simply double each image giving you nice, smooth idle.

  Now decide on the material 25 fps and 30 frames per second and how to use it. If you use a sequence of 60 fps, you can simply remove these clips as-is; Premiere Pro dupliquera frameworks as required, maintain the same pace, as if you were using the clips in a sequence with a corresponding frame rate. It's very simple, really: no matter if you shoot at 25 fps or 60 fps, a second being always a second. All that is different is the period for which an image is visible. If you have 25 images to fit in the frame of 60 'niche roles' of your sequence, Premiere Pro will be space executives roughly evenly and reproduce each image as long as it is necessary to reconcile the duration of a single frame in a sequence corresponding to the clip frame rate. Visually, there is no difference - this is why it is best to go to a superior that lower rate. If you go lower, Premiere Pro will actually Skip frames because you have more images to adapt to these "slots" in the destination sequence. This will result in a perceived 'jump', where an image is ignored. You can mitigate this, somewhat, by clicking on an element in a sequence and turning on interpolation; This forces Premiere Pro to interpolate between the ribs ignored. OK, it can work for you, or it may seem fuzzy - test is the best way to check.

  Personally, I think I'd go with a sequence of 720/30 p, assuming that all images of 60 p bike will be slowed down. 1080/30 p images must simply be scaled down; the 1080/25 p also has need to be resized, because every fifth frame will be duplicated to match the frame rate of 30 p sequence; and if the 720/60 p is interpreted as 30 p, you will get a nice 50% idle of your sequence, with no scaling required.

  Still confused?

• What is the difference between the two publish to ftp host and export as html in Muse?

  What is the difference between FTP publishing and export as HTML in Muse? When I had some problems with missing assets, I exported as HTML and fixed it, but it didn't update on the layout of the phone or completely on the desk until I published on ftp. Assuming that perhaps export just updates the files on the server? Thank you

  Hi Brian,.

  Site as HTML export will export just your Muse site on your desktop without making any changes to your site online, but when you select Publish to FTP, it publishes the changes you did for your website online.

  Export to HTML format is mainly used when you want to use any external client to load your site on the server.

  Refer to this document to better understand: Adobe Muse Help | Download a Site from Muse Adobe on a third-party hosting service

  Kind regards

  Akshay

• The screen can be cropped in and exported a report width / height custom?

  I think I need a Prime Minister to do something that it simply was not designed to do. Do I have to do is take five or six other screen and audio capture of the same event (a 3D virtual reality teaching session), each representing another person of this event view, assemble in a split screen, synchronize audio Delete, the capture of 'main' designated the other audio tracks and add a title CG labelling each one. The effect is like watching a screen showing six images from security cameras. I know it is possible to do these things first.

  However, I then have to do is to cut back on all extra space on the left and right of this image of the split screen and export the file as a .mov format of image produced by cropping so that videos are as broad as possible and are not deformed resize in order to fit standard proportions. Depending on the size of the screencaps, the .mov that results can have almost a 1:1 ratio. What is essential for this is that the video be as big as possible and the 'black' to be space as small as possible, so that the person who comes in later to analyze these composite videos see just as clearly as possible. I also need to refocus on the fly; because these images are not always captured in the same size, it is impossible to screening a size for the video.

  We used a tool of screenshot to do what works, but a pain; clips can be moved and resized by mouse-dragged, and the software to import and export from its own format owner, which is very slow. However, piece of video editing software 'true' I looked only ever seems to export in formats TV or film. QuickTime Pro looked a bit like the best bet, but it doesn't seem to be able to manage several audio tracks (which are necessary, since I have to synchronize tracks by ear most of the time).

  Is what I'm describing - exporting files .mov while preserving the custom extensions created by cropping when editing - something the Prime Minister can do? If so, it would be something easy enough for beginners to do?

  Stephen_Spider wrote:

  You also say that you don't want no carpet at the top or bottom of the final product. Once again to help monitor HD A as a model, looking something like a pixel of W 214 X 1920Pixel H.

  What is the size of your target display? And do you intend to have all the clips of six aligned horizontally?

  **************************************

  Edit, OK, you gave more information, while I was typing

  Heck, Jive forum also is miserable for not showing the changes.

  If this is the process, which will not work. We will just continue to use our current software. Thank you.

• How to create the ISO image of windows 8 with the help of boot, efi, sources, and support files

  Hello
  I followed folders in my USB key:

  Boot
  EFI
  Sources
  Support,

  and the following files:

  Setup
  Bootmgr.EFI
  Bootmgr

  How can I create an ISO image of windows 8 with the help of these files and folders. I even installed ADK, but I couldn't keep up with it.
  I would be very grateful if someone could help me out here.

  Secondly, I would also like to know how to create a system image of WINDOWS 8, where the hard drive breaks down.

  Concerning
  MAK

  If you have the upgrade key, go here

  http://Windows.Microsoft.com/en-us/Windows-8/create-reset-refresh-media

  You can go for the use of win8 / win7 / vista to match highlights you want - and download the win8 installation and run the installation with your key to download you need to install windows from that.  Will allow you to have an iso bootable.

  Make a picture of the control panel system / Windows 7 file recovery / system Image.  I certainly wouldn't put it on dvd.  It will be too.   Find an old preference portable hard drive and buy a $ 20 usb box, get an external hard drive.

• With the help of & quot; contains & quot; and it does not work for me.

  Hey everybody, thanks for your help. Here's what I'm trying to do:
  
  < cfif #address # contains "Washington" > you can not access this site. < other > access granted. < / cfif >
  
  I want to be able to have my site perform certain actions based on the street, that the person feeds. They enter their address in a form, that information is then verified when they submit. If they enter 1234 Washington Street, I think that the above line would be that Washington contained in this string. I tried several times and have had no luck.
  
  Any suggestions?

  Thanks for the help. I understood where the problem was. This is the problem by trying to fix the bugs of programmers on drugs... lol

  The problem is in the code it says .

  What was going on in this code was just after the definition of the error, the code then was

  Your suggestions help me to find this because I tried both of your suggestions and none worked so I thought, there is something wrong in this code.

  In any case, thanks for you help.

• I need to select all the blocks of text in a document and align text blocks in the back pages left frame margin and the text in the pages front to the right margin.

  Hello

  Am new to Java script.

  Can someone help me out here, I need to select all the blocks of text in a document and align text blocks in the pages back to the left margin frames and text in pages recto at the right margin.

  Thank you
  Harish

  Hi Harish,

  Try this.

  var doc =app.activeDocument,
      _pages = doc.pages;
  doc.viewPreferences.rulerOrigin = RulerOrigin.pageOrigin;
  for(var i =0;i<_pages.length;i++)
  {
          txfms = _pages[i].textFrames.everyItem().getElements();
          for(var j =0;j
  Kind regards
  Cognet
  		   

• The project settings, mixed images downloads and youtube

  I have a project that I shot mostly with a T4i in 60 fps, as well as some footage of a Canon XA10 in 30 p AVCHD.  When I do the first clip, first recognizes the images a bit and apply a preset.  I don't know what project settings to edit in - first call 60 p from my Canon t4i AVCHD 720 p images.  When I go to this download on youtube, my glidecam footage seems ugly, fragile, and it is not.  Images from the XA10 looks pretty good.  I tried a variety of download options, including hd for youtube, flash video and even registered as an mpeg and downloaded directly from youtube.  Same results.  When the project settings have been updated with the Xa10 of images and sequences t4i was made, it seemed horribly pixely.  I need these shots glidecam to air well and I wonder what I have to do.  I don't want to change this thing down and having to do it again.  I can't change the settings of the project once I started.  Any help would be greatly appreciated.  This video will be eventually linked or placed on a Web site.

  Eric

  fishmor

  That's the plan...

  1. open the first Elements 11 in his workspace Expert.

  2. go in the file Menu/new/project and change the settings.

  3. in the box change the settings, change the preset project:

  NTSC

  DIGITAL SLR

  1080 p

  Digital SLR [email protected]

  Before leaving this area, in the new project with your digital SLR camera setting dialog, make sure that you have a checkbox next to

  '' Force selected parameter of the project on this project. '' Close to there.

  4. in a matter of work elements 11 Expert, use Add Media/files and folders / to your 1080 p 30 and then your 720 p 60 in project

  Assets where do you drag the video 1 track.

  What looks like when seen on the content playback timeline in the monitor area to change the rendered content of chronology.

  What it looks like here, make your decision on how quality export plays in your computer drive.

  5. When you get to export...

  Publish + share

  Computer

  AVCHD

  with Presets = MP4 - H.264 1920 x 1080 p 30

  (What is the estimated file size and duration)

  7. download the AVCHD.mp4 file export on YouTube on the web site of YouTube if you have an account there that will allow you the size of the file and the length of the file downloaded.

  Have you done everything above before. It should give you good results.

  Please let us know the result.

  Thank you.

  RTA

• Mix frame rates in CS5.5

  I've been shooting AVCHD 1080/60i and have ordered a second camcorder that records AVCHD 1080/24 p native.

  Adobe says you can mix clips with different rates in the same order, but he will read at regardless of your predefined sequence is.

  I'm a little skeptical. I use Adobe since Adobe first 4 in 1996, but have never mixed rates (impossible to date).

  My question is - what really work or is it better to give to each image note its own sequence?

  Thanks in advance for your comments.

  Yes. It works very well. It takes a power of additional calculation, but first Pro CS5.5 added the possibility for the CUDA processing to accelerate this. See this page for more details.

  In general, you should configure your sequence to match your type of primary sequence or the type of output, and then you can throw other types of media in the sequence without problem.

• With the help of MERGE for update and insert a table

  -Oracle 11 g
  -Windows 2008
  
  I'm working on a script which requires update on insertion according to requirement.
  
  I table_a in the Test database and table_b in a Production environment and want to sync database availability.
  I need help to place the dblink (where to put it etc.).
  Here's what I've got so far:
  
  / * Update the tables for the production of Test environment
  November 28, 2011
  */
  
  FUSION
  in prod.tbl_link P
  using (select * from test.tbl_link) T
  On(prod.tbl_link.link_id = test.tbl_link.link_id.ID)
  When matched then
  Update
  Set P.LINK_ID = T.L_LINK_ID,
  P.L_URL = T.L_URL =,
  P.L_TITLE = T.L_TITLE,
  P.L_DESCRIPTION = T.L_DESCRIPTION,
  P.ISSUE_DATE = T.L_ISSUE_DATE,
  P.PUBLICATION_DATE = T.L_PUBLICATION_DATE,
  P.LAST_MODIFIED_DATE = T.L_LAST_MODIFIED_DATE,
  P.L_ICON_NEW = T.L_ICON_NEW,
  P.L_ICON_RECENT = T.L_ICON_RECENT,
  P.L_ICON_NEW_FROM_DATE = T.L_ICON_NEW_FROM_DATE,
  P.L_ICON_NEW_TO_DATE = T.L_ICON_NEW_TO_DATE,
  P.L_ICON_RECENT_FROM_DATE = T.L_ICON_RECENT_FROM_DATE,
  P.L_ICON_RECENT_TO_DATE = T.L_ICON_RECENT_TO_DATE,
  P.ACTIVE_FLAG = T.ACTIVE_FLAG,
  P.MODIFIED_BY = T.MODIFIED_BY,
  P.MODIFIED_DATE = T.MODIFIED_DATE,
  P.CATEGORY_ID = T.CATEGORY_ID,
  P.SUBCATEGORY_ID = T.SUBCATEGORY_ID,
  P.SUBJECT_ID = T.SUBJECT_ID,
  P.STATUS_ID = T.STATUS_ID
  When not matched then
  Insert (P.LINK_ID,
  P.L_URL,
  P.L_TITLE,
  P.L_DESCRIPTION,
  P.L_ISSUE_DATE,
  P.L_PUBLICATION_DATE,
  P.L_LAST_MODIFIED_DATE,
  P.L_ICON_NEW,
  P.L_ICON_RECENT,
  P.L_ICON_NEW_FROM_DATE,
  P.L_ICON_NEW_TO_DATE,
  P.L_ICON_RECENT_FROM_DATE,
  P.L_ICON_RECENT_TO_DATE,
  P.ACTIVE_FLAG,
  P.MODIFIED_BY,
  P.MODIFIED_DATE,
  P.CATEGORY_ID,
  P.SUBCATEGORY_ID,
  P.SUBJECT_ID,
  P.STATUS_ID)
  values (T.LINK_ID,
  T.L_URL,
  T.L_TITLE,
  T.L_DESCRIPTION,
  T.L_ISSUE_DATE,
  T.L_PUBLICATION_DATE,
  T.L_LAST_MODIFIED_DATE,
  T.L_ICON_NEW,
  T.L_ICON_RECENT,
  T.L_ICON_NEW_FROM_DATE,
  T.L_ICON_NEW_TO_DATE,
  T.L_ICON_RECENT_FROM_DATE,
  T.L_ICON_RECENT_TO_DATE,
  T.ACTIVE_FLAG,
  T.MODIFIED_BY,
  T.MODIFIED_DATE,
  T.CATEGORY_ID,
  T.SUBCATEGORY_ID,
  T.SUBJECT_ID,
  T.STATUS_ID)

  You cannot update the same column that is used in the join.

  The error is been derived from here:
  on (t.status_id = s.status_id)
  

  http://asktom.Oracle.com/pls/Apex/f?p=100:11:0:P11_QUESTION_ID:556373000346392260

• With the help of PHP when SSI and JS are not allowed

  Hello

  I'm new to DW, but I am going through the lessons of the IPC to get up to the level 'standard user '.

  I want to use the Spry menu and other features defined in the IPC, but the hosting service I have used do not have the Server Side Includes or script.  The only authorized script language is PHP 4/5.

  I understand that there may be a way to put the generated Spry JS in a PHP file as part of the Web site.  For the moment, I'm just the lessons of the IPC so I do not have an obligation to use the features of PHP SQL.  Is there some documents/tutorial that I can use to get around this challenge?

  Thank you

  aim9x

  You do something wrong. Your host has no control over any javascript code on the client that you have on your pages side. If this does not work, it is not because of the accommodation. At this point, it might help to provide us with the url so we can see what is exactly the problem.

  And if they do not support SSI (which is hard to believe), then you can still use php include.

• With the help of 11.0 FF and it is not FULL SCREEN

  Until today, using the button on the upper right corner, or F11 full screen would put my browser full-screen. This morning... nada, he just of the pieces to the top of the top tool bar

  My son came up with a solution; He suggested by clicking on an empty part of the screen, then selecting the icon full screen... This worked!

  Don't know why this new 'extra' step is necessary now, but that market.
  Hope this will help others meet this situation.

• Want to 4502eAiO: print SPOOLER STOPPED message. WITH THE HELP OF HP ENVY 4502 AND ACER ICONIA TABLET?

  Have had problem and cannot print. The print spooler if am stopped message. Whenever I look for support with that it seems as if all suggestjons are on Windows or Mac. How do I even stop and restart the print spooler please?

  Hi there Lesyl,

  I see that you cannot print because of an error regarding the print spooler. Have you tried to remove data from the app to the spooler? For that; Settings > Apps > Plugin printing HP Service > clear data.

  Another thing you can try is to start the table in safe mode and see if the print spooler error is always present. How to start your Android phone or tablet in Safe Mode Let me know if you can print in safe mode.

  Don't forget, the laurels is as the version of the Internet to a High Five!

• With the help of ASA 5510 L2L and VPN L2TP

  I would let my remote users access to all resources bhind the ASA and my remote branches.

  Here's my setup.  ASA5510 as a hub to the data center.

  172.21.x.x of internal network directly connected

  DMZ directly connected 172.22.1.x.x

  L2L branch1 VPN 10.47.x.x

  L2L branch2 VPN 10.47.y.x

  172.21.y.x remote users L2TP Windows Client

  I can access my internal resources related to the ASA but not the DMZ or branch offices. I need injection road routing and reverse?

  You also need to configure crossed.  http://goo.GL/vLqAR

• With the help of size/opacity jitter and pen pressure

  I'm relatively new to photoshop. I am currently following a tutorial. He said: ' Set your tool brush (B) in a hard, both round shape size Jitter and Jitter opacity defined on pen pressure mode. " I'm using a wacom tablet. I tried several things and can't seem to understand this. If someone could explain to me how to use and where to find these parameters; I would be extremely grateful!

  Thank you!

  In the window menu, you'll find the brush of the element. This action opens the brush Panel. Here you will find the options you need to change.