Using vector masks to mix the layers

Similar Questions

• Vector mask thumbnails in the layers panel

  In Photoshop CC, vector mask photos see room for files and raster layers, but they don't show up for layers of fill (i.e. layers of form). How can I get a feature similar to Photoshop CS5? There is a sort of thumbnail of the shape layer, but the square icon covers 1/4 tile that makes partially useless.

  Choice you seems to be staying with an older version of dead of Photoshop or to adapt your workflow to the modified form of the Photoshop UI.

  You can simulate a shape layer to some extent to get the vector mask thumbnail. However, you would not have layers of Photpshop shape and features.

  

• Using a mask to avoid the user to use spaces?

  Hello

  I want to avoid that the user use spaces in the name of vApp, presented in the web portal.

  Is it possible that I can do this using VSM? I found the ability to use masks, but I'm afraid I can't exclude the spaces from the name. I want to allow the user to use numbers and letters of the alphabet and ban areas.

  Any ideas?

  Thank you

  As Lina said, v9.1 FP4 included improved functionality of mask.

  Since this update of the package, you should be able to specify field filter to allow only alphanumeric applying the filter «*» I checked in our v.9.1.7, symbol of space will be not be allowed using this mask.

• How to mix the layers in different proportions?

  I want to merge two layers together in a 2:1 ratio. that is the final result consists of a 66.66% and 33%. There are real black in the image. Should what settings I set to achieve this merger? I tried a lot of parameters, but impossible to get blacks unless I use levels as well.

  A test image, that I'm trying to mix can be downloaded here: http://www.mediafire.com/download/b38myfw3ly5daah/Test_Blend.tif

  Thank you

  Try this technique of the brand pile

  

• How to apply a vector mask to the background

  In my tutorial, I was told to choose a flower with the pen tool and magnetic box checked.  Then, hold down the command key, then press the vector mask button in the layers panel, with the path of the chosen flower.  In the tutorial, the flower is left and the background has disappeared.  But when I did, the flower has disappeared and the bottom remained.  How can I remove the background?

  

  I guess you checked the shape before subtracting, select combine forms instead.

  Then apply the vector mask.

  Fenja

• Remove the vector mask in Photoshop CC fill layer

  I use Photoshop CC and I can not remove, disable or rasterize a vector mask that is applied to a layer of fill or gradient.

  Am I missing something?

  Delete the vector mask is to press the keys Alt + Ctrl (Option + Cmd) and

  slide the bottom of the icon/pattern/gradient fill layer in the layers panel to the trash can at the bottom of the layers panel.

  You can disable the "vector mask" Shift clicking the path icon in the properties panel.

  A way to replicate the pixelation is a vector mask Ctrl (Cmd) click on the shape layer icon in the Panel layers, add a

  layer mask and then delete the vector mask as described above.

• Need quick help with a vector mask

  Hey, I'm going crazy with this seemingly simple task and cannot find the answer on Google. Thanks in advance.

  I have a red circle with a white arrow inside/on it. I want to create a vector mask that makes the whole image transparent where the arrow is, as if the red circle is a wall and the white arrow is a window. The rest should just be a red circle with an arrow inside hole. How can I do that using my existing forms?

  

  Hello

  It's pretty easy

  merge the two layers

  Select the white arrow in the Quick Selection tool and remove this part.

  Now, you'll get what you ask.

  You can create a copy of both layers first to test this.

  ~ Jitendra

• Vector mask is Grayed Out?

  Hello:                                                                              cs6 windows 7

  I read on the vector mask here: http://helpx.adobe.com/photoshop/using/masking-layers-vector-masks.htmlhttp ://

  but I still have trouble getting things to work... I get what I'm still having w / the concept of disorder, but at least I'm not giving up... right?

  so I have a BG layer > new layer on which I drew a circle and apply Layer Styles

  Then, I would like to apply a vector mask and then duplicate the layer and select the vector mask thumb nails in the double layer so that I can use the pen tool value box shape intersect so that I can draw a shape w / Pen that will create a "Glossy effect.

  That's what I try to follow to learn more about the vector mask: http://http :// www.mintyferret.com/photoshop/photoshop-rss-icon-tutorial/1/

  This is the section where I'm stuck due to lack of complete instructions and my knowledge/understanding

  See how the lesson shows a vector mask on a shape layer 1 and layer/duplicate? Well, no matter what I try I can't get a vector mask applied in the same way.

  When I go to layer > vector mask it is gray. ??

  Since I posted this I read some more articles on how to use/do a vector mask but nothing I've read has worked. Please help me I'm so frustrated

  I read on another website w/info on vector mask that if it is grayed out I just need to duplicate the layer but when I do that it is not yet available.

  I tried to use a layer mask to nothing does not

  what Miss me? How to make the available vector mask?

  Your time and your efforts are greatly appreciated. Thank you!!

  OK, maybe this video will help you.

  http://www.silkrooster.com/Adobe-forums/shapes-and-paths.MP4

  The video is 4 MB. No sound.

• Vector mask making in front of what it should

  I'm editing a brochure template and I have dynamic objects with vector masks for photos. The problem is when I insert a photo into the layer below the layer containing the vector mask, part of the photo to be displayed (the path of the form) does not, while the cutting bit above the form is displayed.

  Is there an easy fix for this? All the sources I consulted has another solution.

  In FW I combine forms and click on 'create a mask' and be done in 2 seconds...

  Select your vector mask and use the path Selection tool to select the path in your mask. Go to the menu bar and make sure to combine forms is selected. If she is still reversed, select subtract from shape.

  

• Question about the functionality of vector mask

  Hello everyone, I'm fairly new to Photoshop CS 5 so I apologize if I'm asking the wrong type of questions, here goes:

  When you work with vector masks you can:

  (1) "the link" or a vector mask with the other images? ' sharing ' a picture (for example) if I did 'A Building' then duplicated, but wanted to change what build a looked like, I have to only change the mask of the source, then the copies would be updated.

  (2) move the independent image of the vector mask (it seems that I can only move the vector mask, not the image itself). Or in other words: I can move the image and have the mask to follow, instead of being only able to move the vector mask within the limits of the image?

  My application of the question:

  I do a top-down 2D layout of a zone of type "Paste". I did to fill the buildings, building A, B, C, etc. and use multiple copies of each building. Ideally, I would like to be able to 'link' or share say building has a vector mask with all other instances of building A (so that when I change the master, they all change to the new form of mask). The second behavior I have trying to find is the ability to move without moving layer where the vector mask is on this layer (since it seems that you can only move where the mask is, which means that even if I could share masks, they all finish by in the same sense of place I have to re - position each hand again.)

  Any ideas are appreciated, thank you for reading.

  When you work with vector masks you can:

  (1) "the link" or a vector mask with the other images? ' sharing ' a picture (for example) if I did 'A Building' then duplicated, but wanted to change what build a looked like, I have to only change the mask of the source, then the copies would be updated.

  Yes, it's possible, but not with the classic system layer vector mask in Photoshop. Layer masks are part of a layer and not the layers themselves, so that they can be converted into a reusable object.

  The solution is to avoid vector layer masks and use a clipping/layer instead mask. A clipping/layer mask CAN be converted into a smart object that is reusable, and when you change one, all the other instances are also changing.

  The second part of the solution is to convert the layers contained both the clipping/layer to a smart object mask. Then the batch group. By the way, if your buildings are made up of several elements simply to include these additional elements in the clipping group. Another advantage is that each of the elements may still have its own normal layer mask. Win win situation. And layer effects can be applied to layers/clipping masks, once again what is impossible for layer masks. It also opens the doors to a much less destructive workflow.

  (2) move the independent image of the vector mask (it seems that I can only move the vector mask, not the image itself). Or in other words: I can move the image and have the mask to follow, instead of being only able to move the vector mask within the limits of the image?

  This is also solved with the use of layers/clipping masks - the content and the mask can be moved independently in regular layers. Another advantage is that the two can also be transformed individually.

  My application of the question:

  I do a top-down 2D layout of a zone of type "Paste". I did to fill the buildings, building A, B, C, etc. and use multiple copies of each building. Ideally, I would like to be able to 'link' or share say building has a vector mask with all other instances of building A (so that when I change the master, they all change to the new form of mask). The second behavior I have trying to find is the ability to move without moving layer where the vector mask is on this layer (since it seems that you can only move where the mask is, which means that even if I could share masks, they all finish by in the same sense of place I have to re - position each hand again.)

  Any ideas are appreciated, thank you for reading.

  So here's my solution. I made a sample with two buildings, the view from above which could be reused as desired:

  (1) first of all create groups for each building and place the content to those. Then trace layer vector shapes on the content. Set the transparency for layers of mask to a reasonable of opacity for masking easier.

  

  (2) put the vector shape under the layer of content for each building. Then, for (1) and (2), , click on the border between the content and the shape layer. (for Mac), this will hide the enrichment of the content. (3) remember to layer for shape layers opacity to 100%!

  

  (3) then we will turn this building into recyclable items. Convert each content and layer to a smart object clipping mask. Then rename these layers of dynamic object into something sensible (honestly, I forgot to label the layers well earlier, but you catch my meaning here ;-)

  

  Fact! To clone each building, duplicate layer groups. For each instance that you can move the content (which is handy if you share multiple charts of building in the same bitmap or illustrator file), or you can decide to move the mask in place. Or both. It is the same for the transformation. Your choice. To move or transform a building, select the layer group.

  To change or modify the masks or the contents, double-click the smart object of your choice and make a few changes.

  Also, remember that you can insert additional elements in a clipping group by placing it over the first layer and then clipped by clicking again on the border between them. So, in theory, you could start building different looking buildings by adding other dynamic objects in clipping groups. The sky is the limit! In this way, you can create several building blocks to build various buildings with different looks. And still limit the number of blocks - and any update-able.

  Unfortunately, that's when the workflow breaks down a bit: due to the implementation of the object dynamic in Photoshop, you can't change the mask or the contents of the building in context - instead, it opens in its own window of file. This can be somewhat mitigated by placing the two windows side by side (window-> fix--> double vertical installation).

  This brings us to the second caveat: when you make a change, the changes are not updated in real time in the master document. You must first save it. Still a bit of a flow of work, but when same breaker... At least you now have a workflow not destructive instantiated.

  The content of the dynamic object can be replaced easily with a right-click of the mouse on the smart object layer itself. Or use a dynamic object referenced externally instead if you prefer to generate your buildings in an external application.

  BTW, the layer of Photoline system is much more logical and easier to use for this type of work. Layer masks behave like regular diapers. Layers, groups, masks, layers of external file and so forth can be practically cloned and instantiated as smart objects, but the main object is editable in the context, and all the other instances updated in real time. So, it is more convenient. At least this is my experience.

  I hope this has been helpful! Now go build your cities. :-)

  PS: I thought: isn't Illustrator or InDesign is a much more logical choice for this type of work where you need access to reusable blocks of content? It would also be a more efficient workflow and faster - Photoshop is not really designed for this type of work. Illustrator and InDesign provide potentially out of better quality. You can also divide your work into the pages and so on. Here again, you would probably lose the flexibility of smart objects.

• The use of masks to cut a hole in a layer

  Can someone help me please.

  As soon as I thought that I had the idea of the use of masks to cut a hole in a picture of a book on Photoshop CS6 I tried my own exercise to see that I couldn't have my idea to work: -.

  (1) Firstly, I chose an image of clear blue sky as a background image.

  (2) second, I chose an image of a duck set amoungst it's own background.

  I proceeded as follows: -.

  (1) I open both images in Adobe bridge.

  (2) then, I made a selection of the duck using the Selection fast and saves the selection as a selection tool.

  (3) I renamed the layer of duck, just duck.

  (4) then, I opened the picture of the blue sky and named the sky of the layer.

  (5) then I went to windows, arrange, 2 vertical space to get two images on the screen.

  (6) using the move tool and I spend clicking to align the image of duck in the center of the image of the sky.

  (7) next I layer sky move towards the top of the layers stack.

  (8) then I loaded my selection of the duck.

  (9) next I clicked on add a layer at the bottom of the Panel.

  (10) I then painted with a black brush to reveal the duck under sky.

  Everything seems to work well, but rather than get a picture showing just theduct across the sky, it appeared that the selection has been

  no work and he selected the entire image with duck and its background.

  Can you plase advice why and how can I fix my proceadure to get the correct result?

  I have one of my exercises of the trial correct or I am just barking the wrong tree and missunderstood how masks!

  Any help would be most appreciated.

  Concerning

  Mark

  You have a lot of steps here: some useless, some confused. I suggest you just starting from scratch.

  Bring up the image of the sky. Evoke the image of a duck and drag on the image of the sky as shown below.

  Select the duck and with the mobile dotted lines showing, click on the symbol of the mask at the bottom of the layers panel.

  Finish

  

• Change the path inside and outside areas in the vector mask

  Hey all lovers of the PS/CS,.

  This is probably an easy, yet, being pretty new to this, I have to ask.

  I have so this vector mask on a layer, and singing along to the Beatles I'm changing tracks on this subject. Well, what it is is a rectangle to crop a photo, nothing crazy. This rectangle is too big for my taste - so I just draw another, smaller on the inside and plan on deleting one.

  But! The second, smaller rectangle is considered to be a delicacy to take away the first (so its interior is considered to be 'black' mask-wise, that is cut out, and its outer part is 'white', which is kept in). Thus, when you remove that first, largest, the entire image will appear, except for the part that I want in the Middle, which is cut! Yes - it's the opposite of what I want.

  Now, I tried to use the path selection tool and change the fill color of the rectangle, but you can not... So, how you reverse both inside and outside of a closed path? Thanks in advance!

  Charles

  So, how you reverse both inside and outside of a closed path?

  Select the path with the tool Selection of track and in the Options bar change the path of the operations.

  

• Layer masks, and vector masks on the same layer

  Hello guys,.

  It's maybe a stupid question, but I'm unable to understand this one...

  If you make a selection on a layer and click on the button of the mask, you create a mask...

  But if you press the button mask once more, Photoshop puts a vector mask to this layer,

  right next to the layer mask.

  To be honest I couldn't do much thing with this vector mask, I've experimented with it, but I just

  cannot know, how it interacts with the layer next to her mask (if there is interaction that is).

  Can someone help me understand please?

  What is the ease of use to have a vector mask next to a layer mask on the same layer?

  An explanation with a paradigm would be nice!

  Thanks in advance.

  Hello

  They both hide the image. One will be based pixel, other vector editable. Here's and example of round soft mask on Mona combined with a mask vector hard sharp (on top a still life by Frida!)

  How you can use it, it's you.

  

• Create vector masks (with the pen tool)

  I used Photoshop to make masks to cover things which I then import in first to use during the video.

  To do this I have been using a still of the video, then using the pen to select the part of the image I want to use as a camouflage. Once I described in section, usually I right-click to make a vector mask.

  Today, instead of make a mask out of the content inside the tool path pen, he made a mask of the content in reverse. In other words, what I don't want. I don't know what I did to the Photoshop of anger, I haven't changed any settings (as I know). How can I fix it?

  Hello

  What version of photoshop are you using?

  I would check operations of path and you want to probably she set to add or combine.

  Photoshop cs6

  

  Photoshop cs5 and more

  

• How to view the alpha channel of the layer mask in the layers palette?

  Help out me people CIHI...
  CS5 using - in the past, when I added a layer to a layer mask, it would appear in the palette as the alpha channel, which was very convenient. Now, when I add a layer mask, it appears only as the icon of mask; that is, square gray with a white circle in the middle. I have no idea what I did to go from one to the other, but I'd like to return the alpha representation!

  TIA,

  Toby

  Looks like you have set the layers panel to "no thumbnails. Right-click on a layer thumbnail (not a mask thumbnail) other than the bottom to see the thumbnails options.