Washed color rendering...

Similar Questions

• Poor color rendering of certain images

  I am a mediocre of certain images, when color rendering using Firefox on Ubuntu 11.04. These images will display correctly using chrome and when using Firefox on Mac OS X.

  example:
  http://www.Facebook.com/photo.php?fBid=154259027952458 & Set = have. 141949225850105 & type = 1 & Theater

  This image has a color profile embedded (sRGB IEC61966-2-1 black scale), so that it can cause.

  Which may be caused by a problem with the profile for your monitor screen colors or color profiles embedded in images.
  
  You can disable color management to test this.
  
  You can set the pref to 0 on the subject gfx.color_management.mode: configuration page to disable color management.
  
  You have to close and restart Firefox for the changes to take effect.

  See:

  • http://KB.mozillazine.org/GFX.color_management.mode

• Highlight the colors rendered incorrectly

  I just notice that my menu highlight colors are rendered differently on my disc they appear in still in my last version.  It will be difficult to pass by taking a picture, but here are a few references.

  It's the menu in Encore-

  

  The select text is set to be similar to the color of the title, so it's a mossy green.

  This is how the menu text appears on a disc-

  

  The first item in the menu corresponds to my gaze again, but the second menu item has a sickly yellow hue and a pea pattern that runs through the text to highlight.

  Yet these highlight layers are both tag my 3rd color of highlight in photoshop (= 3) and I don't see any difference between them.  My menu is not set to "Export highlights in rich colors", I use a still custom palette that carries through all my functions in the menu.

  

  I have several submenus and all have this problem, but my main menu that uses this same color palette has all it's highlight text correctly.

  Transition to "export highlights in rich colors" solved the problem!

• Bad color rendering

  I took a peek and saw several discussions on the bad made colors, but none of the solutions seem to solve my problem. I posted my pictures after the installation of PS to a site "Photo Zen" and a "Coppermine". Here is an example of the problem on a Coppermine site. The initial image is far away, but if you click on the picture and enlarge, you'll see that it renders correctly. Any help would be appreciated:

  http://www.dfwtower.com/Coppermine/displayImage.php?album=lastup & cat = 0 & POS = 0

  OK, problem solved.

  Before editing in Photoshop, I used a small piece of pre-treatment in Lightroom. Lightroom has a selection of color profile that is not sRGB. Thus, when in LR I right click on my image and select Edit with PS. The LR color profile that is NOT sRGB postponed to PS. PS has selected sRGB color profile of LR transported all the way through the exception.

  When I put the color in sRGB LR and continued as I had in the past with my PS changes, Zen Photo and Coppermine colors were right then.

  So, the bottom line, I don't know there is a problem, but for me it was, and I suspect that others have the same problems...

  Thanks to the community for answers.

• Help! After Effects CS6 'Background color' rendering problem!

  In all my years of using Adobe After Effects, I never had this problem before. First of all, what it looks like when I'm normally edition in my composition is.

  Click on the image to display in a higher resolution.
  

  

  When I add this composition for rendering, with all my loan of tweaks, I hit the rendering.

  But while it renders, I just get a red screen.

  
  

  In case you're wondering, here is my basic rendering settings.

  

  Here is the my output module settings.

  

  And here is the my composition settings.

  

  After Effects CS6: Version 11.0.0.378

  Windows 7 Edition Home Premium 64-bit

  RAM: 6.00 GB

  Processor: AMD A6 - 3600 APU with graphics HD Radeon (TM) 2.10 GHz
  

  QuickTime installed: Yes

  
  

  Your film is a guide layer, it is not rendered for final output. Disable this feature.

  Mylenium

• Open an image exported from flash to illustrator, washed color?

  Hello

  I ran into a bit of a situation. I take screenshots for a printed brochure, that I'm working on. I open the screens in Flash and use the "Trace Bitmap" function. When I finished, I export the screen to a file .ai for use with my original work. I opened the screenshot exported in Illustrator, and the color seems to be rinsed. I guess that's because in Flash, the image is RGB in Illustrator, it opens in CMYK mode. Is there a a way to open these files exported in Illustrator, while maintaining the integrity of the color?

  Thanks in advance for any input.

  Is there a a way to open these files exported in Illustrator, while maintaining the integrity of the color?

  Probably not. Like the others already mentioned, there is no way to print in CMYK colors. You could improve results by manually adjusting the mix ink of each sample for example remove cyan red pieces and yellows which often introduces automatic conversion, but finally there are colors that you can't reproduce. Those who will be printed as of tones. Even with the twisted colours, the possibility to print correctly will require you to work with a proper calibration...

  Mylenium

• Rendering problems Photoshop CC - distorted color and the missing Pixels

  I recently started having significant rendering problems, manifesting themselves in several ways:
  (1) some images show noise and color rendering problems, which are constantly changing as a layer is activated (see example).
  (2) this same noise made its appearance in the images I cut and paste into files, where is appears that the pixels are simply missing. For example, if I try to copy an image approximately half of the pixels are simply missing.

  (3) if I opened, even a simple picture it seems as if some or all of the pixels are simply absent. The missing pixels change every time I try and open it - (see example).
  (4) if I crop a picture, most of the pixels go away.

  I'm currently under Photoshop CC 2015 on a MacbookPro v10.10.3. All of these same images air outside of Photoshop, so there seems to be a problem specific to Photoshop. The problem seems to be the same on my big screen and Macbook Pro screen. Any help is very appreciated, because this does not work.

  

  
  

  Thank you very much, the updated Mac system seems to have cleared up the question, to my relief.

• Dull display colors ThinkPad W520

  Hi all!

  I recently bought my pad think and its great outside color. Initially, the colors were very dull and washed out. Then I used the spyder3 calibration tool and color have become much better almost that it should look like, but when I compare my laptop to other views, I can see the color difference. The thinkpad when even a little less saturated than all the other screens I have at home and at my office. Also when I used external screen I get new option in nvidia graphics settings. This option is called digital vibrance, but it is only available for the external monitor. I think that this feature could solve my problems because he tunes the saturation. My question is how to find this feature for thinkpad w 520 or how to make the colors more saturated? I also tried to set the parameters of the integrated graphics card, but when I do, the calibration disappears and I washed colors.

  Various panels have different ranges.

  The HD Panel + has a range of 65% NTSC. The Panel FHD is a wide range of monitor and there 95% NTSC range.

  Ice monitors also happens to be more "sharp" or "saturated" without being "better".

• Display the ToolTip on the list of colors

  Is it possible to display a ToolTip to display the name of the color?

  http://S10.postimg.org/94rd93scp/Z034.PNG

  Here is my code for the ComboBox color rendering

  import javafx.application.Application;
  import javafx.collections.FXCollections;
  import javafx.collections.ObservableList;
  import javafx.scene.Scene;
  import javafx.scene.control.ComboBox;
  import javafx.scene.control.ContentDisplay;
  import javafx.scene.control.ListCell;
  import javafx.scene.control.ListView;
  import javafx.scene.layout.StackPane;
  import javafx.scene.paint.Color;
  import javafx.scene.shape.Rectangle;
  import javafx.stage.Stage;
  import javafx.util.Callback;
  
  
  public class ProvaComboRendering extends Application {
     
      @Override
      public void start(Stage primaryStage) {
         
         
          StackPane root = new StackPane();
          ComboBox<String> cb = new ComboBox<String>();
         
          cb.setPrefSize(150, 20);
          root.getChildren().add(cb);
         
         
          Scene scene = new Scene(root, 300, 250);
         
          primaryStage.setScene(scene);
          primaryStage.show();
  
      ObservableList<String> data = FXCollections.observableArrayList(
              "chocolate", "salmon", "gold", "coral", "darkorchid",
              "darkgoldenrod", "lightsalmon", "black", "rosybrown", "blue",
              "blueviolet", "brown");
       
        cb.setItems(data);
       
        Callback<ListView<String>, ListCell<String>> factory = new Callback<ListView<String>, ListCell<String>>(){
            @Override
            public ListCell<String> call(ListView<String> list){
                return new ColorRectCell();
            }
        };
       
        cb.setCellFactory(factory);
        cb.setButtonCell(factory.call(null));
       
      }
        static class ColorRectCell extends ListCell<String>{
            @Override
            public void updateItem(String item, boolean empty){
                super.updateItem(item, empty);
                Rectangle rect = new Rectangle(120,13);
                rect.setStroke(Color.BLACK);
                if(item != null){
                    rect.setFill(Color.web(item));
                    setGraphic(rect);
            }
          }
        }  
  
      public static void main(String[] args) {
          launch(args);
      }        
  }
  
  

  Just add

  setTooltip (new Tooltip (item));

  in your updateItem method (...).

• Color wrong made in Lightroom

  I take a JPEG image in Canon EOS 5 d set to the color space sRGB. This is a JPEG, not a RAW image. I have a Dell PC under Windows XP SP3 download. When I view the image utility using ZoomBrowser EX Canon made faithful colors. When I open the image with MS Picture Manager color yet once rendered faithful; By this, I mean that no color adjustment would be necessary before the "publication" - print, web, or whatever. So far so good.

  However, when I import the image in Lightroom 3, the image is displayed with a muddy brown tint. Not very good! Without having to edit the image in some way in Lightroom, I re-export the image in JPEG format. When I open this file with MS Picture Manager color is again rendered perfectly.

  This sounds all OK except that in Lightroom the color rendering is so bad that one is tempted to try to adjust the balance of colors or anything else, then in reality that no adjustment is required for this image "perfect".

  Why is that bad rendering of colors of sRGB JPEG images in Lightroom?

  In the case of my supposedly "perfect" image, it's okay as long as no adjustment wasnecessary, but less than perfect image, it would be impossible to adjust the color because Lightroom is so unrealistic.

  Moreover, the image acquires the same muddy brown tint when opened in Photoshop Elements 10, it seems like a compatible Adobe flaw.

  Is so Lightroom (and Photoshop Elements) is only suitable for processin RAW images? Or I have to define the color space within the camera to Adobe RGB if I intend to use Adobe products?

  If I select color Adobe RGB in camera space, the images will appear precisely in non-Adobe applications or printers?

  Strangely, I don't remember which is a problem when I started using Lightroom. In case you're wondering, all the images have been copied on the same monitor.

  Thank you!

  You have a broken screen profile. A bad profile may affect different applications differently; and some applications are not color any and do not use the profile.

  Recalibrate to make a new profile, or if you have a calibrator using sRGB, until you get a. Go to control panel > color management > devices:

  

  Relaunch Lightroom so that he can pick up the new profile at startup.

• Color with ACR 8.1 Fujifilm X100S

  I just download the beta version of Lightroom 5 (ACR 8.1) and here are my impressions/comments on the color rendering when working with the Fujifilm X100S (firmware 1.03) RAW files.

  There is an orange cast for RAW images (especially evident in the skin tones). This can be a little corrected with the Red sliders, 'Hue' and 'Saturation', under 'caméra Calibration' (I always start by definition Saturation at + 25 here), but I hope it's something that Adobe is addressed in a next Adobe Camera RAW update for this device so that the images will receive the best treatment of the reds (once again (, especially in skin tones).

  Other developers such as Apple RAW Digital Camera RAW (compatibility update 4.05) or developer Iridient treats the reds similar to each other - and much more naturally than what makes 5 Lightroom (with cab 8.1). When you perform a comparison of the RAW even in these softwares, you can see it looks like Lightroom has saturated out of skin tones, which makes them loose red fines and wealth and are left with a version out saturated, flat and orange that offer packages non Adobe.

  I know it's a question widely discussed throughout Internet forums and I know that a lot of people will be very happy, including me of course, if this could get addressed by the excellent team of RTAs.

  Issue for Adobe Camera RAW team members: Don't you think that it is something that you will be able to study?

  Please let me know if you would like to give me some examples.

  Kind regards

  Fredrik

  This isn't a problem with the (Lightroom Beta 5 or ACR 8.1) RAW converter.  Adobe has a profile of the camera for this unit (Adobe Standard) and it gives different results than the profile of the camera used by the Apple software.  Adobe provides the corresponding profiles of camera for Nikon, Canon and a few other cameras, but not for this device.  You can change the Adobe Standard camera profile using the DNG Profile Editor free software, but it will be very difficult to generate a camera profile that matches what you get using the Apple software.

  I use a Nikon and Adobe Standard camera, Standard camera, camera neutral, Portrait of camera, camera landscape, camera Vivid, camera D2X Mode 1, D2X Mode 2 camera and camera D2X Mode 3 camera profiles are available for RAW conversion.  Profiles of camera with camera xxxxx names are profiles that match profiles Nikon.

• LR4 and CS4 color mismatch

  I'm working on a print image and I had to take the image of the LR4 for CS4 to edit more vast, that I couldn't do in LR (using the clone brush major - pain in the neck to do in LR). I did a lot of research and made the suggestion given to cases similar (but different) with nothing doesn't. Here is the results of my experiments:

  • LR4 open files in CS4 via LR loses a lot of orange hues, loses contrast and just generally look washed out and anemic. File opened using LR copy by applying adjustments.
  • Exports LR4 (JPEG, TIFF, PSD) looks ok in Preview/Finder of Mac as they are in the LR4.
  • LR4 exports seem to always anemic when opened manually separately in CS4.
  • I imported the export files to LR4 and they look very well (not washed out as in CS4).
  • I did anyway the clone brush in CS4, saved the file under a different name, they look washed out in CS4, but take a good look when open in the Mac preview AND when they are imported into LR4.

  I tried to change the settings of export in LR and PS color workspace both match each other (sRGB, AdobeRGB and ProPhoto RGB) and the difference in color is still visible. I use a start 13 "2011 Macbook Pro with the native of the calibrated screen only, using Spyder3 Elite. Assesment Spyder 3's nearest to AdobeRGB with more than yellow/orange cover AdobeRGB color space of the monitor.

  OpenGL checked or unchecked box also made no difference.

  Can someone help me please? At this point, I'm ignoring the washed color in CS4 and just using LR4 as my reference.

  Hi, I did not read the other thread, but I would like to

  Download a copy of the .jpg ProPhotoRGB PDI marked here

  www.gballard.net/Photoshop/pdi_download/

  then open it in Lr and Ps (using the embedded profile, do no conversion)

  which is off?

  If Photoshop is badly displayed, you are probably being hit with the scene referred, OpenGL, or profile version 4 bugs

  information on the profiles of bad and bugs here

  www.gballard.net/PSD/colorlooksbad.html

• How to print the pantone colors

  I have a CS3 with a 10.5.8, operating system and I want to print a file that I did with the Pantone color chart.

  My printer is a Canon Pixma iP 4000.

  I tried to use photoshop manages colors in handling, with cmyk-US web coated printer profile, with relative colorimetric intent color rendering.

  Black point compensation?

  Please tell us what settings should I use to get the colors pantone correctly under color management

  Thank you

  Finnegan56

  Oh dear... you can't!

  You will need xxxx PANTONE ink... ie: its for offset printing, printing etc. of screen not for desktop printers

  G

• HELP - color problem with LR3.5

  Hello

  Sorry for my bad English,

  I have Lightroom for a few days, and I discovered that the image file displayed in Lightroom has a yellow color rendering.

  Only a screenshot I did yesterday.

  

  The displayed original file on the same screen on the windows file preview is OK as you can see below.

  

  This file has been generated, it is not an image, it goes from black to white with gray 20 level.

  I reinstall LR, I check the preset when loading the file, I have reset the preset in the part of development, it's always be displayed with this warm tone.

  Does anyone have any idea?

  I thank you very much in advance,

  Vincent

  Vincent,

  This looks like a problem with the monitor profile. To check as the root cause, you can assign a sRGB profile to your monitor and see if the color cast disappears.

  In Windows XP, follow these steps:

  • Click somewhere on your desktop, select "Properties".
  • Select the "Settings" tab and click "Advanced."
  • Select the tab "color management".
  • Click 'Add '.
  • Select the "sRGB Color Space Profile.icm" file in the file list, which should show the directory 'C:\Windows\system32\spool\drivers\color '.
  • Press OK as many times as necessary to close the display properties

  This assigns the sRGB profile to your monitor, and you can check if the color cast is gone. This isn't a permanent solution, however, you will need to calibrate your monitor using a hardware calibration device.

  Beat

• messy color management issues

  I created a few illustrations of hundreds of Quilt to CMYK. The colors in the illustrations are approximate and there is no way around that. Illustration files have been created well before I knew that I have to do the color management.

  My office is as neutral as I can get it, which shouldn't be too hard.   And it will have the desired ambient light. The book goes 4 x color press. The office of printing service provided me with the ICC profile for their press.

  This is the first piece of the puzzle: the quilt is in Wisconsin, and I am in South Carolina. Thus, specific colors are a problem. I sent the author a book of fan of Pantone Coated 4 color Process and asked to match the colors of cloth with Pantone colors as much as she can then send me the CMYK values. The book will be printed on coated text papter. It seems logical that if I am using profiles right and using its CMYK values, we should get a reasonable color rendering. (Note that I didn't say "exact").

  So the question #1: as a starting point, this approach has a sense for you?

  Next piece of the puzzle: I will soon receive a photograph of the quilt in RGB (obviously). The photographer takes snapshots in Adobe RGB. This photo will be the only source of color information, I have, except a few samples of tissue from the quilt.

  So question #2: if I convert to CMYK photo so it has the same color profile that the illustrations, if a color of the carpet seems like a match reasonalbe with the corresponding color in the illustration, can I rely on this information?

  Regarding correction of color between red and green, ago more red and reddish brown than green, so the intention of encouraging the reds in the profile.

  I'm probably too simplify these problems. But I'm in the ballpark?

  Thanks in advance.

  Toni

  Toni,

  Sorry for the delay: the ragworts kept luring me further and further away (others may have other excuses, or maybe wait silently, relying on my ansering as soon as I'm back in the cool of the farm, I hope not just waiting to go for we two).

  I created a few illustrations of hundreds of Quilt to CMYK. The colors in the illustrations are approximate and there is no way around that. Illustration files have been created well before I knew that I have to do the color management. I assume you used a limited number of colors, matching fabrics, so you can change shades or use Select > same > fill color, no?

  My office is as neutral as I can get it, which shouldn't be too hard.   And it will have the desired ambient light. The book goes 4 x color press. The office of printing service provided me with the ICC profile for their press.

  This is the first piece of the puzzle: the quilt is in Wisconsin, and I am in South Carolina. Thus, specific colors are a problem. I sent the author a book of fan of Pantone Coated 4 color Process and asked to match the colors of cloth with Pantone colors as much as she can then send me the CMYK values. The book will be printed on coated text papter. It seems logical that if I am using profiles right and using its CMYK values, we should get a reasonable color rendering. (Note that I didn't say "exact").

  So the question #1: as a starting point, this approach has a sense for you? It does: it's perhaps the best way, assuming that the book is based on the same standards of color than the ink used by the printer (the book in front of me is Euroscale). This means that the author is rather deeply involved in the management of the color, which can be a good thing (she knows more or less what is possible and what she gets).

  Next piece of the puzzle: I will soon receive a photograph of the quilt in RGB (obviously). The photographer takes snapshots in Adobe RGB. This photo will be the only source of color information, I have, except a few samples of tissue from the quilt.

  So question #2: if I convert to CMYK photo so it has the same color profile that the illustrations, if a color of the carpet seems like a match reasonalbe with the corresponding color in the illustration, can I rely on this information? I doubt: depends on the correctness of the colors in the picture (only the author can say, perhaps), and it's two-step, fabric > RGB > CMYK. You can use it as an additional reference.

  Regarding correction of color between red and green, ago more red and reddish brown than green, so the intention of encouraging the reds in the profile. I think you should go for a good game in the Greens (and other colors), to have balanced and enjoyable work.