What sequence preset to use?

Similar Questions

• What sequence preset is best for me?

  Hey, I don't know what when preset with the best for me is to get the best quality.

  I use "Fraps" to record stuff from my computer.

  I use a LED Tv 42 '' with the resolution: 1920 x 1080.

  Also, I tried to use the DV PAL sequence preset, but then the quality was really bad and it didn't fit in the window of this show the clip you edit it (I don't know the name of the small window)

  I would be really happy if you could help me with this question.

  Best regards Philip

  A preset of 1080 p AVCHD would work fine, depending on the framerate fraps record to 60i/50i (25 or 30 fps).

• My mind is wiped out. I'll put up pages in Photoshop 9.0 to be then placed in InDesign 4.0 for professional printing. Can you help me configure the proper color settings, and what PDF preset to use. And output parameters, etc. Thanx.

  My mind is wiped out. I'll implement the color pages in Photoshop 9.0 to be then placed in InDesign 4.0 for commercial printing in book form. Can you help me with the settings of color in Photoshop, that is to incorporate the color profile; convert in space work, Adobe RGB, etc. and which PDF preset to use, i.e. printing, PDF / X - 1 or 3, etc. Also, what I have to select the output settings such as the conversion of colors with the Destination or the printer deals with that. I know I asked a lot, so thanks in advance for any input or advice.

  Best regards, ScottyB34

  What are the settings of your printer wants? Some may deal with sRGB some want Adobe RGB Ctrl/Cmd-Shift-k in Photoshop, then choose North Amercian prepress 2

  He'll take care of the tags for you, or if sRGB is important, Norh American General Purpose 2.

  Here is a summary of the settings PDF and their meaning:

  When you are ready to create a PDF file from an application such as Illustrator or InDesign Adobe, we give you a list of the predefined PDF settings from which to choose. Well how do you decide which is the right choice? Well, let me explain what they do.

  Let's start with the smallest file size and the name of the type of the story. It is compatible with Acrobat 6, which means that anyone who has Reader or Acrobat 6 or above will be able to open the file. Now it converts everything in sRGB color which is a common space for color monitor.

  All RGB is truncated to sRGB, CMYK and spot colors also. So that means if you have a job to print, you can see some color shifts in this outgoing PDF. You must decide whether it is acceptable. He can't stand live transparency, not flattened. It downsize image content to 100 pixels per inch and this is part of how she made a reduced file size. It also uses aggressive JPEG compression of poor quality on the content of the image. So, you can see some of these rectangular JPEG artifacts.

  But it is how it gives you a reduced file size, and results are appropriate to be posted online or attached to an email.

  High quality printing has compatibility with Acrobat 5 and above. There is no color conversion. RGB RGB stays, rest spot, stays of CMYK CMYK spot and it supports live, not flattened transparency. It does not perform some downsampling to 300 pixels per inch. So, for example, if you placed an image which was 300 ppi and then set to scale up to 50 percent there actually a res then 600 pixels per inch.

  Well, this process would take half out these pixels. Therefore, it can create larger files but that makes it suitable for in the House of printing or sending Let's say a remote office if they want to print we tell cells leaves, or brochures, or something like. It's beautiful out on an internal printer.

  Print quality and high quality printing have similar names, so this may be a bit confusing, but print quality has compatibility with Acrobat 5 or higher. It converts the content of RGB to CMYK destination values according to what you specify as the destination.

  It is usually SWOP, S-W-O-p. It supports live, not flattened transparency. It performs the subsampling bicubic to 300 pixels per inch and because that it keeps at least 300 pixels per inch, which means that it can create some large files, but it is suitable for professional printing.

  Then we start to get into the presets named 'X '. 'X' is now for Exchange. They agree on specifications and the idea is to have a set of specifications if a PDF file is compliant to these specifications, we know it's going to be printable.

  We know that imaging devices are going to treat them properly. So this goes back to 2001, and which can seem a bit old, but bear with me. PDF/X-1 has a compatibility with Acrobat 4. I know, it sounds old. It converts RGB to CMYK content, it keeps the content of good tones. It flattens transparency. Downsize it at 300 pixels per inch. It can large enough crat files if you have large size images in your project and that it is suitable for professional printing.

  The idea behind X-1 is if you send a PDF file to an unknown printer, you do not know what are their capabilities, you send abroad, it will be able to be photographed on any device. No matter the age, it is, they can print. Over the years, the concepts of Exchange became more sophisticated the workflow and devices become more sophisticated.

  SP PDF / X-3: 2002, remains compatible with Acrobat 4 and that means that it flattens transparency, but it does not perform any color conversion.

  This means that it maintains RGB content, place remains in place, rest of CMYK CMYK. He still performed bicubic downsampling at 300 pixels per inch, and therefore, it can create large files. But this is suitable for commercial printing, if the printer signals you that it is present RGB content is correct.

  PDF / X-4: 2008 is compatible with Acrobat 7 and later. See, we're getting more modern. No color conversion. RGB RGB stays, stays CMYK CMYK, spot rest spot and it supports live, not flattened transparency.

  He still performs bicubic downsampling. Therefore, it can create large files because it maintains the pieces of the image to 300 pixels per inch or higher and it is suitable for commercial printing, as long as the printer tells you that RGB content is not serious and dynamic transparency is acceptable. Some older workflow does not support dynamic transparency, or they treat well, and that's why always ask. It is a special case in Illustrator, something called default Illustrator. Its compatibility is Acrobat 6 or higher.

  It does not perform the color conversion, everything continues like this. It supports transparency live, not flattened, and it also contains the original, editable Illustrator file in the PDF file. It preserves layers and it may be return, can be reopened safely in Illustrator and it's really the only PDF format you can do with safely. But it can create larger files, because you sort of two files for the price of one, they sometimes get huge.

  So what predefined PDF is Right For You? Well, if you want to send for printing, the first thing you should do is to ask your printer how they want the created PDF.

  They should be able to give you the plug for the creation of the PDF file. They may be able to give you job options files you can simply import and use as your preset target. But if it's a stranger the printer or the printer for some reason any said, well, I don't know, just make a PDF and this happens, well, choose the lowest common denominator to the PDF/X-1 test. Anyone can image that. If it is a more modern printer and up to date, especially if you send it to someone who uses digital presses, PDF/X-4 should be safe.

  I always go back to point one, ask the printer. If you send it as an attachment or you're going to post online, well, smaller size of file is a pretty clear choice. But remember this, you can start with one of these predefined parameters, and you can always edit it to customize your specific needs. So get to know the presets, understand the destiny of the PDF you create, and then make the best PDF that you can.

• If I use a Canon S110 what sequence preset should I use for best results high def?

  Also if I am downloading these videos on YouTube, should I use preset in the export of the YouTube video? That will make my video look high def as well?

  For editing, the NEW ELEMENT of process will ensure that your sequence of Assembly corresponds to your video file

  CS5-thru-CC body/Encore tutorial list http://forums.adobe.com/thread/1448923 has a link to learn more about the process of a NEW ITEM

  Export to YouTube http://forums.adobe.com/thread/1451877?tstart=0

• Need help! Re: Sequence Presets understanding & settings + using multiple sequences!

  Hi, I'm newer to Premiere Pro (using the new version of Pro obtained in March 2010 on a PC) and watched all the tutorials (lots of video) and read a LOT about the subject! And I have answered several questions about mine. But there is one main thing (that I'll probably have to divide it into 2 or more questions) that I just got a complete knowledge & really your expert need help on!

  Thank you very, VERY MUCH! Really...

  I have designed/product audio (music) for a while now and when you start a new session just, you select your sample rate & are locked in for the most part therefore... Pretty simple... Now with Pro, when you start your new session, you choose your Preset sequence. Now for this first project, a video clip (3 minutes), the audio is done (as I said) and for the clip, we use images from several sources including: maybe 55% compared with a mini-camera DV, 40% of the .vob files right & the remaining 5% of some mpeg files + a few YouTube videos (we only have it our preserved images of front on YouTube) + some JPEGs (still images). And we plan to export the final video on YouTube and the internet. And we want also ready to be broadcast on both television (MTV, some media, shows, etc.). And Yes, we will also use it on cell phones (even if it is the least important right now). So 3 main exports (which I believe are all made at the end through media encoder).

  • But to choose the right Preset sequence at the beginning, I am confused, unfortunately.   I

  Believe you choose the one that best fits to of your assets sizes & frame rate [in this case, which is a camera film regular DV; & mediainfo said the .vob file = 720 x 480 (4:3) to 29.970 fps MPEG video (NTSC), one of the shots (of our) YouTube = 480 x 270 (16:9) at 29.970 fps STROKE, a MPEG = 352 x 288 (4:3) at 25.000 fps and 2 examples of jpeg = 300 x 400 (size = 57 KB)] and another = 720 x 450 (size = 100 KB)]. So if I am wrong in my assumption on the choice of a pre-defined sequence just on the best corresponds to the your assets rates & sizes, I would choose (I think): DV-NTSC Standard 48 kHz (the 48 just to 41 over our audio sampling frequency). 

  And if all goes well, it is excellent for our export needs YouTube at the end of the process the video & tv as well!

  .. . Is this correct?

  Can I choose the predefined sequence that best matches most of the sizes/frame rate of your assets?

  * And ESPECIALLY... is CE Preset of the sequence is the BEST for this current music video (based on the sources of our assets & where it will be considered when it is finished - mainly of YouTube, & also some TV [for media and broadcasting] - probably on a DVD, I guess)?

  Or I'm wrong, & it (your Preset Sequence) depends on your final product & the output?

  My friend (who admits that he is no expert in some way) explained that I would probably go with HDV 1080 p 30 as this will give a much better value for my release. But after he saw the results in Pro with this setting for my property, he agrees with MY above conclusion instead. 

  When you use the DV - NTSC Standard 48 kHz preset, I saw the asset in the Source monitor Panel (& then dragged the clips to the timeline) & seen in the finale of "Project Monitor" (I think it is called). And they looked decent in this final screen (where I'll crop & use some shared screens sometimes). 

  And when I used his suggestion of 1080 p HDV 30, assets looked ok in the Source monitor Panel (I think), but very little in the final project monitor. 

  • And led me to another big question - when you use the jpeg format which is 1280 x 960 e.g. (largest

  as the previous ones) in the Standard DV NTSC 48 kHz preset, happening in the Source monitor. But when you drag it down to the timeline and view it in the program monitor, the head was cut off, etc. and of course, when you use instead the HDV 1080 p 30 preset, as larger jpeg even adapt very well in the in the program monitor. Now, I understand that this is because the size of the frame (dimensions) close match those of the HDV preset. I get it. What none of us got was however WHY in the DV - NTSC Standard 48 kHz preset, he looks very well in the Source monitor Panel (but not in the program monitor)? (The two were simply put to 'Fit'). We thought he not would not have looked at well & fit fine and complete source of follow-up at first - but that's the difference between this largest jpeg display when it is displayed in two different monitors that really confused us!

  • And the final main confusion on this topic lies in something, that a technician in Adobe, tell us, informing that

  We can create multiple sequences. Now, I saw How to do this in the project Panel, but it's really the full understanding of the workings that we don't get. The tech said: "each sequence MUST have the good frame rates, sizes of images." Ok, you understand - understood. And he said: we can be: convert the size of the image (of this large jpeg example, say reducing) to match the predefined video frame size. But in this way, we would lose the quality (jpeg - assets). And he says: - or - you CAN use multiple sequences for different sources & when everything is completed (the whole video), I just export it them all as a single project! And I have that a sequence may be getting the DV preset (with the heights of these assets corresponding closely to this preset) and another sequence (in the same project) can be the HDV preset (with the heights of remaining assets corresponds closely to the preset instead). , But he couldn't explain was: how you can view your entire music video (3 minutes) in its entirety in Pro. It seems that when you choose a 2^nd sequence, it obviously creates on the timeline, and assets that you put in the 1^st (DV) timeline is completely separate from the 2^nd (HDV) timeline. And you get no display either at the same time (because they are distinct sequences). 

  So... is this true?

  Are we supposed to use multiple sequences within our project to clip one of the assets with a higher (or other) image size/rate?

  And you export sequences as a final clip?

  And if so, HOW the world watch you your video chats (in the monitor of the project with all of your changes - as you change) when you use more than one sequence?

  Sorry, it seems quite stretched out, but I want to answer your questions you can in turn have for me & be clear so I can finally receive clarity on this topic!

  I know it's much, but if you could address all of the above questions (more background or discussion - is but a handful of issues in there), you have my gratitude... we were afraid to start the part of the video of this project is NOT know what sequence preset start with (as "we don't want to be locked into the wrong choice & waste weeks of editing), let alone a good understanding of the 'why' or the ramifications!

  Thank you so very, very well... You have no idea how...

  Rendering is done on a basis as needed. If we do a complex animation with keyframes, or if they have odd source files, they could do. For keyframe animations, I could make this section of the timeline of a dozen or more times. Otherwise, maybe not.

  Rendering is the production of AV files, just for reading. They take a lot of space and will take a while. It's one of the reasons that a Publisher must familiarize themselves with the WAB (work area bar), so that they do things like rendering for all what they might need. Tip: remember to put this back to the full timeline.

  Good luck

  Hunt

• What pre sequence defines to use if the import of Apple Pro Res files

  Hello

  I just shot a clip with the BMCC using the apple ProRes format and want to import them into Adobe first Pro CS 5.5.

  I don't know which sequence pre sets to choose when I'm in box new sequence at the beginning.

  Anyone know what pre sets to choose?

  Thank you.

  Hi domingolamarre,

  Welcome to the forum!

  Here's what I'd do:

  • Click 'Cancel' and do not choose a sequence preset immediately.
  • Premiere Pro opens.
  • Import clips.
  • Drag one of the clips on the button new item at the bottom of the project Panel.
  • A new sequence corresponding to parameters of the element is created.
  • Continue editing in this sequence.

  Hope that helps.

  Thank you

  Kevin

• find what sequences to use a multimedia element

  How can I find the sequences in a project using an audio track?  (Preference it will open the sequence too and show me where in the sequence that is used also).

  Is there a way?

  The project window will show where the clip is used when you click on it.

  Next to the mini monitor.

  Click on those when twirl you them open and you will go to the instance.

• How does Card Crypto knows what ISAKMP policy to use?

   ip access-list extended ACL_SITE1_TO_SITE2 permit ip 10.0.12.0 0.0.0.255 10.0.22.0 0.0.0.255 ! crypto isakmp policy 10 encr aes hash sha256 authentication pre-share group 14 crypto isakmp policy 20 encr aes 256 hash sha512 authentication pre-share group 16 crypto isakmp key cisco123 address 200.0.2.2 ! crypto ipsec transform-set [TRANS_SET]PHASE_2 esp-aes esp-sha256-hmac mode tunnel ! crypto map [CRYPT_MAP]VPN_SITE1_TO_SITE2 11 ipsec-isakmp set peer 200.0.2.2 set transform-set [TRANS_SET]PHASE_2 match address ACL_SITE1_TO_SITE2 ! interface FastEthernet0/0 ip address 200.0.1.1 255.255.255.0 crypto map [CRYPT_MAP]VPN_SITE1_TO_SITE2

  How does Card Crypto knows what ISAKMP policy to use, or use of the ISAKMP policy at all?

  It comes from "ipsec-isakmp?

  I mean... I do not see any "set isakmp policy 10" in the Crypto map

  This is what he chooses just the top-down approach?

  As part of the negotiation of the phase 1 and is a top-down proposal based on the sequence number.  You can get the details in tunnel using configuration:

  Debug crypto ISAKMP

  Cisco IOS has built/strategies default ISAKMP, but the pre 15.x versions were terrible default.  New default values are strong, although I still like to configure them myself.

• Should what predefined order I use when using videos of 1920 x 1080 29.97 fps xperia z5?

  Should what predefined order I use when using videos of 1920 x 1080 29.97 fps xperia z5?

  Someone has an idea?

  Must I provide additional information and if so what?

  Thank you!

  Hi Michel,.

  You may need to check this: FAQ: how to choose the right sequence settings?

  Kind regards

  Navdeep Pandey

• How to match a sequence preset to a project?

  In my project, I created a corresponding sequence parameters of the images by dragging them to the bottom of the sequence to be the new icon of the element and did my job. Unfortunately, due to some problems on my pc, I had to do a clean reinstall of windows. I only saved the project file (which was in 'my documents'). Once windows reinstalled when I installed first pro and tried to open the project, it says ' this project contained a sequence that could not be opened. No preview of the sequence is preset file or codec might be associated with this type of sequence. "Is there a way by which I can access my project now? I tried to create a sequence preset with the same properties of the original film, but it did not work. You will appreciate the guidance!

  Something is missing in the project, including the fonts might be the cause of the accident.  Unfortunately the first isn't like adobe image editing projects, it will load the file in Illustrator or Photoshop, even if the font is missing.  Try to get the fonts that you use because if the program is open and your position to a new project, it is perfect stage the project cannot load the particular sequence because a font is missing.

• Should this preset I use to take a DVD video or a video on my PC to import into a PE10 project

  I'm trying to take the video to a standard def DVD I've already done and put it in another project first elements 10.

  So far, I tried to import the video on the DVD using the hard drive, Flash memory, camera preset (Standard 48 kHz) and import the DVD player.  Imports video, but when I put the clip in the timeline, it is horrible and does not display.  It is in an area within the screen.

  I read in a book Muvipix that's how can I import all the video from a PC drive.  Is there something else that needs to be done?

  The same thing is happening on videos filled that I created and saved in the Video folder in my PC.  When I try to put them in another project of first 10 Elements, the resolution is terrible.  I'm not sure which preset to use.

  Help, please.

  There are two elements here, but it seems to have taken both.

  First, there is the project settings, which should be NTSC (for NTSC-land, or PAL PAL-land), DV or Standard 4:3, widescreen 16:9, according to the DVD-video, you use as source.

  Then there is how get you the media, and since you do this VOB, it will be the camera disk hard-setting it. This will import the MPEG-2 files, wrapped in the VOB container, with the exact order of the fields.

  Don't know why pre is complaining about this project, unless you choose Standard and widescreen, or vice versa.

  Now, you do not really capture, because it is a SD to HDV miniDV cassette, also a bunch of nimiDV, but only one in HD.

  What you do is import the MPEG-2 files. It is the same if we had HD as AVCHD, originally filmed in an SD card or other card Flash Media.

  Good luck

  Hunt

• Sequence presets

  I turned a concert of music with three cameras and one records in full HD (1920 X 1080 50i) AVCHD and the other two cameras identical record HDV (1440 x 1080 50i). I intend to change this using the multicamera feature in CS5.

  Which is the best the sequence settings to use for this purpose, 1080i AVCHD or HDV? The project will be carried out in both HD and SD.

  Thanks for your help.

  It is not really important, given that your time frame/bases rate are the same. HDV is expanded up to 1920 x 1080, because pixels are actually not squares (BY 1.3333). AVCHD is square. You would probably be good to use a preset sequence of 1920 x 1080 square pixels.

• Best of preset to use.

  I have a Samsung HMX-H100N that I shot a video with in 1280 x 720, 60 p.  The camera to an SC card records, records the video file into MPEG-4 format and use a lens wide angle of 37mm.

  My problem seems to be of any preset I use when starting a project.  I have some huge black bars at the top and bottom of the screen and the image seems to be pressed vertically and horizontally stretched.

  What is the best setting to use, or is this first version compatible with this format?

  Good luck with pre 9 and report your success!

  Good luck

  Hunt

• PPro CS5 spleen sequence Presets...?

  Hello

  just installed for CS5 Master trial and I'm pretty impressed

  But I have a problem - when I do a new project in Premiere Pro, I very (!) limited sequence preset options; only DV (PAL and NTSC), DVCPRO and Mobile & device. When I explored the "Adobe first Pro CS5\Settings\SequencePresets" folder, I see many, many presets. XDCAM, DSLR (which are my main interest) and much more.

  I don't know why they are not displayed in the body, but I want to use them - I tried to caopy one of them in another folder (which shows), but it does not work

  Any ideas?

  Concerning

  Trial strikes again.  See the link

  http://forums.Adobe.com/message/2786661#2786661

• what sequence in which check the backup log

  Hello
  in 10g, I have logs archived backups (by RMAN with a repository database). Is it possible to know what sequence is in each?
  Thank you.

  We do not currently use a repository but to check what is available through v$ backup_archivelog_details

  Otherwise the data is always available through the original database view v$ archice_log?

  HTH - Mark D Powell.