Where the of can see the in and out point time?
I'm combining a lot of extracts from different movies into one and because sound levels are different in each clip, I extracted the audio clips, mp3gain applied to them and them inserted in the calendar below the corresponding video clip. Of course, I would first of all the points of entry and these audio clips on the same values as the video, but I don't know an easy way to see the in and out point time.
If I double click on the video (i.e. open it int the preview window) I can scrub the timeline and see where the point is in, but is not very accurate, and I wish that were true.
As well, any of this just ask: how to find exactly in/point of a clip in the timeline to exit?
For what you are wanting to do, I highly recommend using Audio Mixer. This is great to do exactly what you want and will be 'automate' changes via track keyframes.
I do this as on the process of the latest in my editing, because I want to make sure I have all my game cuts. In fact, any Audio work is at the end of my workflow. Once my changes are visually where and how I want them, I launch Audio Mixer. If I have several tracks Audio, such as Narration and soundtrack, I cut these and start "riding gain", or "soil" that I play the movie and listen very carefully with good headphones. As the movie plays, I adjust the Gain to exactly what I want for this entire Audio track. Because PE sets keyframes on the Audio track, you can go back and basically re-save your changes in a particular area. It is much simpler in PE, as Audio Mixer of PrPro, while the latter allows more "power". When I finished my Track dialogue, I leave on as reference and then reactivate my storytelling, adapting it properly. Finally, I will leave these two and address the same way soundtrack. Once this is done, you can then play with the Audio Mixer Panel open all and look at the 'pot' for Gain moves automatically in each Audio track.
The main reason for doing this the last stage of the workflow of editing is because key frames are on the Audio track (s) and NOT on Clips. If you go to edit the Clips, changing their duration, etc., you need to delete your key frames of the track and start over, or adjustments will be more correct.
It's basically how it's done in Hollywood.
Good luck and don't forget a good pair of headphones to really listen carefully. I do not work with a large number of meter settings, other than look for cutting, but rather listen to the piece and my changes.
Hunt
Tags: Premiere
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