With the help of Canon 70 d ALL I have images directly, or DNxHD encoding to intermediary?

I was reading about smart rendering, and that led me to DNxHD in an intermediate format. I developed the prospect that DNxHD is a ProRes format - as Windows users can use with first to an intermediate format. Although without loss, DNxHD is apparently also resistant against the re-encoding of quality such as ProRes or close enough to be considered quite good. For my personal projects not pro, DNxHD looked a lot.

I then looked deeper into what my Canon product with ALL - a light bulb and I finally exploded when you read something ALL-I, where it seems that Canon is ALL I have is trying to help its users to avoid the loss of all intermediate formats by providing a format, all THE-I, which is apparently ready to go for editing... that is what ALL I have is apparently intended for.

This led me to want to compare the time coding sequences created with ALL I have versus DNxHD clips. I took a second ~ 60 ALL-I file .mov, transcoded to DNxHD, then used two clips, original ALL-I, as well as the new DNxHD based on EVERYTHING-I, compare the time encoding of each with or without use of preview (with or without smart rendering) files and move both h.264/MP4 and DNxHD...

Test #.
Sequence source
Target of encoded file
Use the Previews?
Encoding time

Test 1:All THE Canon I, 23.976 fps, 1920 x 1080, .movH.264, 23.976 fps, 1920 x 1080, VBR, 1 package, .mp4Yes01:54Test 2:DNxHD, 23.976 fps, 1920 x 1080, .mxfH.264, 23.976 fps, 1920 x 1080, VBR, 1 package, .mp4Yes02:02Test 3:All THE Canon I, 23.976 fps, 1920 x 1080, .movDNxHD, 23.976 fps, 1920 x 1080, .mxf (sequence format)Yes00:12Test 4:DNxHD, 23.976 fps, 1920 x 1080, .mxfDNxHD, 23.976 fps, 1920 x 1080, .mxf (sequence format)Yes00:15Test 5:All THE Canon I, 23.976 fps, 1920 x 1080, .movH.264, 23.976 fps, 1920 x 1080, VBR, 1 package, .mp4NO.03:53Test 6:DNxHD, 23.976 fps, 1920 x 1080, .mxfH.264, 23.976 fps, 1920 x 1080, VBR, 1 package, .mp4NO.03:56Test 7:All THE Canon I, 23.976 fps, 1920 x 1080, .movDNxHD, 23.976 fps, 1920 x 1080, .mxf (sequence format)NO.03:17Test 8:DNxHD, 23.976 fps, 1920 x 1080, .mxfDNxHD, 23.976 fps, 1920 x 1080, .mxf (sequence format)NO.03:31

Of the above, I don't see an advantage in avoiding cannon is - I because it seems to work as well as an intermediary DNxHD when comparing time coding of a format to DNxHD.

One advantage I've seen with DNxHD, is that, when it is used as edition/intermediate format, first washing seems to work more easily when you go forward / backward... If I slide the rear transport, many more images are instantly displayed for the sequence based on the DNxHD, while the ALL-I sequence a lag/delays while rubbing not as smooth everything by rubbing back / comes in timeline/monitor. Someone wrote about this new benefit in a post somewhere, saying it's all what they considered an advantage to an intermediate file DNxHD... and I saw first hand with the above tests.

This leads me to believe walk away from Canon of ALL - I in another intermediate format has no apparent performance to benefit while encoding, at least in my tests.

Am I missing something here or is it just?

I'm trying to establish a decent efficient workflow for use on a laptop old to 5 years, that's why I am asking this. Thank you.

One advantage I've seen with DNxHD, is that, when it is used as edition/intermediate format, first washing seems to work more easily when you go forward / backward.

It is the main source of motivation for transcoding.  I have change everything as Cineform files for just this service.  (He breeds again once you start to apply some effects.)

Tags: Premiere

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