Work with layers

Similar Questions

• Can photoshop elements work with layers / on a Mac?

  Hello

  I want to buy photoshop elements 11 if the program allows you to work in layers.  I use to have photoshop 7, but since I changed my computer to a Mac I need a program that is compatible with the Mac.  What photoshop elements compatible 11?  I tried to get this information for a while.  Nobody seems to be able to help me in the stores.  Maybe you can.  Pleaseeeeeeeeee.  Thank you

  Nanette Murray

  Photoshop elements 11 is certainly available for Mac.

  And he certainly has layers.

  If you wish, you can download the trial which is the full version, but works only for 30 days. You can then judge if you like it and then buy it.

  http://www.Adobe.com/cfusion/TDRC/index.cfm?product=photoshop_elements&loc=us

• working with layers of animation in CC open psd file so that the layers appear as frames?

  I recently got Photoshop CC and work on animations with limited success, I'll open a psd file and sometimes it will open with the layers as frames and other times not I can put the layers in the timeline one at a time but it is very time consuming that some files are 100 or more layers I'll open the file and it will take only a layer of the timeline when I convert to video editing I'm going to drag the layers up to the first line, but when I go back to the timeline, all are invisible except for the first image I know that it's probably something obvious, but I can't understand it.

  PSD file have been save with aura image Animations Frames in an animation image in the timeline panel.  PSD have been saved without animation image and aura created video or animation of an image or a video in the timeline palette.

  You can create a picture Animation timeline or video for layers Document has nothing in the editing Palette panel.  If you create an image Photoshop Animation can make frame for all the layers quickly and easily.  Create the Animation of the image by clicking on the animation of the image to create in the palette of the timeline. Which will create a single image in the animation of the image. Use the drop-frame animation Palette, then click on branding point layers. An image for each layer will create it in the document.  If the frames are in the wrong order three is in the same menu drop-down to change their order.   There is also an element that will make any new added layers are visible on all frames.  You can also have Photoshop generate tween two frames with the interpolation point.

  Here is an animation of image that I created with two layers that are visible in all frames.  A layer of layer mask.  I created two frames. The first and last frames where I changed the position of the layers which has the layer mask in both frameworks.  Then I had Photoshop generated all the other frames between the first and the last images.

  

• Why lines appear low when you work with layers?

  I paint using a Cintiq and the use of layers.  When the image is then flattened, the lines become much darker.  I don't want the quality of the line to look different in the case of layers when flattened.  When I work in the Sketchbook Pro, it's exactly the same in layers because when he is flattened or saved in jpeg format, so why Photoshop behave this way?  Is there a way to fix this in Photoshop?  I hope so, because it is a deal breaker real for using Photoshop to draw.

  Here is an attached example to show the difference.  Thank you.

  

  

  A verified gray grid is the default transparency value you have probably changed which although to something else in your preferences.

  

• Working with layers and selections.

  I have 3 layers. The top layer has a choice I want to return, but when I try to reverse all the layers flip, even if only the top layer is slecected. Any help would be grateful.

  You want to invert the selection or just the layer itself?

  Do not use a command like "Rotate" under the icon and commercial that assumes that you want to transform the whole of the project. Tap the transformation (5th icon from the right upper-right) and then click the appropriate command. (for example, if you want to return either horizontally or vertically, these icons are on the left in the dialog box.)

  If you want to transform a selection, these tools are available via the icon selection in the upper left corner options (4th icon from the left > "Transform").

• My mouse cursor disappears behind the image, I work with!

  While I was working on an image in Photoshop, my mouse cursor disappeared. No line of sight (I already tried to turn the caps lock). He had just disappeared. I was moving my mouse and it appears each time I chose a new tool or when I work with layers or when I use something in the drop-down menu, the mouse is there when I did open in Photoshop - just at the moment where I have the program open - but whenever I start to work on an image or a blank canvas disappears that's going under canvas (I found that I can still draw and erase on the canvas, I can just say where because the cursor has gone). It's frustrating because I use Photoshop to create my digital work and my drawing pad is small, so I need to know where my cursor to shoot accurately.

  (I use Photoshop CS6 and I use it on HP EliteBook with Windows 8)

  Things I did to solve the problem so far: I downloaded the current update of Adobe, I tried to adjust my settings to properties on my computer, I tried to adjust my cursor settings in my preferences, I tried to reset my presets - thinking I might have Miss clicked on a key combination to achieve - I also tried closing and go into Photoshop, even turned off my computer , let rest and then back on. But my mouse cursor continues to disappear under the canvas.

  I intend uninstalling and then reinstalling my software Photoshop - I hope it works. Otherwise, if it is not, someone knows how to fix this?

  Post edited by: Nelson Keely

  Okay, so I figured this out how to solve this problem, a few days after the publication of my question. If you have the Nezumi Pro plugin for your Photoshop there is an option in settings of Nezumi to hide your cursor which can be easily activated by Miss simply by clicking F6. Once I understood this and changed my cursor back to normal settings, my mouse reappeared.

• work with several pictures in layers

  When I do a few pictures in layers, I can't get that one picture appears both on the layers panel. The tool used to exist - would like to know the name of it - is gone. It's a rectangle with 3 squares that it contains that allow me to show several pictures at the same time, so I could work with them. I lost several hours trying to understand this fundamental problem.

  I think you need to "Fix" under the Windows menu, then select one of the display options - assuming you're talking about separate photographs in Photoshop-like here where there are three open images. If you are talking about the images on separate layers in a single document, then only the visible surface layer will be displayed as it is 100% opaque and underlying layers are so hidden...

  

• Maintain performance when you work with several shape layers (~ 50)

  Hey guys, I worked on a few recent projects where I need to animate a large number of shape layers cascading, adorning it, with different properties of the animation. When I arrived at the point of use of 30-60 shape layers or more, and they all sort of scale, position, animations etc, my computer slows down to a complete analysis. Then forces me to use a single shape layer and Repeater functions. These can work well, sometimes and not cripple the flexibility too, UNTIL you need to incorporate various colors. At this point, I usually spend my shape layers to masks and place a layer underneath with different colors according to the needs. Animations of form then show these colors, but it does not work for a complex object, which, in itself, requires a lot of colors. so...

  What type of workflow you all to work with more complex semi both objects? I say to myself that I must be missing something, because it's become really limit. Everyone works only with 256 GB of memory RAM?

  FYI, my computer specs are:

  
  

  6 core Intel Xeon 2 x 2.66 GHz

  32 GB 1333 MHz DDR3 ECC

  ATI Radeon HD 5870 1024 MB

  OS X 10.9.4 (13E28)

  
  

  Thank you!!
  

  Motorhomes can accelerate your insights if you use the disk cache, but there will be nothing to expedite your first ram preview or a ram preview after a keyframe to change except a better optimized system. All that it takes to slow things down is an effect or film file that causes the AE to begin to use the power of CPU and memory.

  As test I just created a gradient filled rectangle, added keyframes rotation, duplicate the layer so I have 64 copies on my Mac Mini and tried a preview ram from the same model with 1 single layer. Almost no difference in time it took to get an overview of 10 seconds. Thrown into a processing of scale for all layers and once again, not a lot of difference between the layer shape and 64. To make things much more difficult, I change the rectangle a polygon and animated everything in the transform properties starter, put in place a composition with 128 duplicates and a model with a single layer. 2.5 seconds for a ram in the quarter preview ground for a single layer, 10 seconds for a RAM Preview to 128 layers. It is more than acceptable for me for an old Mac Mini for two years with 16 GB of ram. Increase in the factor of 50% zoom with resolution set to Auto double the ram preview duration that was still acceptable.

  This makes me wonder what is happening in your composition. All the effects or other things going on? You have optimized your system for maximum performance? There are links with suggestions to do throughout this site as well as the recommendations of Adobe available here: after effects performance optimization

• Data sheet for work with 3D layers

  Hey guys

  I was wondering what computer all the people you use to work with 3D layers?

  My PC is a sort of good, but sucks with the 3D layers.

  Sucks even with a 426 size Composition width and height 240 with 3 layers of 3D text animated with camera.

  RAM Preview takes too long and the record is time.

  

  That the addition of graphics one help?

  Concerning

  First, 8 minutes isn't a time long remder for a movie that lasts several minutes. People working in 3D are used to make the time of several minutes per image for some work.

  For the traced the beam 3D rendering engine, you definitely want to make aure that you have a GPU that can use CUDA to accelerate this converter. See this page for more details:

  http://blogs.Adobe.com/AfterEffects/2012/05/GPU-CUDA-OpenGL-features-in-after-effects-CS6. HTML

  If you do not use the traced the beam 3D rendering engine, then times the speed of the clock of your CPU and the number of their processor cores is much more important, amount of RAM.

  See this page for resources to make After Effects work faster: http://adobe.ly/eV2zE7

  See this page for more information on material for After Effects: http://adobe.ly/pRYOuk

• Anyone who works with the CAF (Caltech intermediate Format) files in LabVIEW?

  Hey everybody,

  Anyone who works with the CAF (Caltech intermediate Format) files? These are files that are generated by IC layout programs, such as TannerEDA L-Edit, that define the layers and arrangement of the masks used in VLSI (Photolithography) of processing semiconductor device.

  I would like to analyse these CIF files to generate a map of wafer of devices for use in the-plate test. Currently, a plan of shooting is made and then I manually switch and define coordinates of line and column for the edge of a plate and various places of drop-in. I would like to automate this process, and I don't know if it is possible by playback of these files from the CAF. However, I don't really know how to read them, and I can get as much information from the Wikipedia page and the original article.

  So I ask: anyone has an easier set of screws that make reading CIF file? Or someone working with them can help me with my problem? I can describe it in much better detail once someone comes...

  Here is one of my notebooks CIF of Mathematica (remove the .txt extension obviously).  I used it to create a new CIF file with four instances of the object in a file.

  You can load a file with the following text:

  symName = loadCIF;

  You can see the layers:

  CIFlayers [symName]

  You can view layers:

  Show [{viewCIFlayer [symName, #, color of layer]}]

  (if you wish, add multiple layers to the list)

  If you have a file of type CIF I can also test to see that it recognizes the objects you use, I am generally to polygons and boxes.

• Problem with layers

  Hi all

  I'm having a problem with layers and have been racking my brain trying to figure out all day. Here's the thing:

  I have a widget of particles on a single layer. The layer above it, has my Gallery thumb nails. The particles are still show if they are on the top layer.

  Is there a fix, something with the widget, or is there a step I'm missing?

  Thanks in advance

  I do not use the widget but guess it keeps track of your cursor to work... the life of cursor over each layer

  How to add an interactive particle effect to your Adobe Muse Web site | Adobe Muse CC Widget | Muse - YouTube

  You can try to put the widget on a master pager and the other images on the homepage... in code terms a master page is lower, but this is my only idea.

  Good luck

• VideoCopilot 3-d element to work with AE 3D environment.

  When I put them in a 3-d element object (that looks like 3D sound) in a 3D environment, that I just made (by clicking on the layers to make them 3D) why the object element becomes flat?

  How would the object object a true 3d 3d element to work with my 3d environment, I created in legacy?

  Please help, thanks!

  Hello!

  After effects is not a real 3D application, in which there is no support for models and 3D geometry.  Rather, there are 2.5 D - 2 dimensional, flat Plans which can move in 3D space. For this reason, 3D is not able to put its 3D geometry in AE 2.5 D environment native.  Instead, she manages all its calculations internally and place the resulting images on a solid flat 2D (do not set solid like a 3D After Effects layer unless you have a specific reason to do so).  Think of it as an incredible scene painted on a flat Canvas 3D.  You can put this canvas behind your images live, in front of your live images, or both.  Given that you can bind elements 3D to the comp camera camera, your images will move in sync.  Not sure if that explains it well, but if all goes well, it puts you in the right direction.

  I published a short 3D film Thursday that I created almost entirely in 3D of the element.  I mixed in the live footage (projected green) in the 3D element using the basic concept I described above - a sold with 3-d element applied, on a layer of live footage, rather than another solid with applied 3-d element.  Here's the trailer (the film will be there Thursday as well): http:/// www.youmustconform.com

  I don't know that there are a few decent tutorials on youtube.  I post a topic my short here soon.

  Good luck!

  -Taz

• Trying to save the Fireworks file as a .psd with layers... when opened in PS, it is a flat file.

  What the devil I'm doing wrong?  Fireworks said it is registered with layers in .psd format when I completed the function "save under".  But when I open PS, the layers are gone.  It's so frustrating.  I bought PS because Fireworks is currently abandoned and I need to start moving my files to PS at this point I could use any application because I'll have to start over with a large part of this work if I can't translate.  So frustrating.  I go back PS if it does not work.   Can someone tell me what I need to do so that the function "save under" work as it says it works?  I am running Mac OSx and the CS6 for Fw and Ps - CC 2015.

  You might do better in the Fireworks forum.  Keep this thread and start a new one there.

  Fireworks

• work with the PS inside LR

  Hello

  I know how to edit in LR and open an cr2 in PS of in LR and save this file in LR.

  My BIG question is how can I record a PS file back to LR SO THAT I CAN OPEN IT PLACE AGAIN in PS (of in LR) AND HAVE IT SHOW THE LAYERS?

  Whenever I have save a psd in LR to PS and then try to change it again in the PS, psd is flattened and I can't go back to the layers.

  Am I missing something? How to save a psd in LR with the possibility to open it in PS (from inside LR) upward so that it will show the layers/history etc?

  Is this possible? Otherwise any workaround?

  Thank you! I was wondering this years!

  Shannon

  After you save the PSD, when you choose to edit in Photoshop, you need to make the choice to edit the original. Opens the file with layers. If you choose to edit a copy with Lightroom adjustments then a new PSD will be created with layers. So once you have started working on your PSD image you need to refrain from making some adjustments until you are finished using Photoshop in Lightroom.

• Pathfinder does not work with some GIS product cards

  I am trying to unite these two objects (Illustrator CC). As you can see on the layers palette, they are both simple (non-transparent) routes, and they overlap. Nothing happens when I try to unite them into a single object. Happens to me quite often when you work with files that WERE out of ArcGIS. Sometimes unit works, sometimes it doesn't.

  I also have problems with divide them items below or Pathfinder > divide with GIS maps. But it's probably a problem for another post.

  

  Well, what I've found, it's that you have too many points in the objects that you are trying to Union. I used object > path > simplify with a value of 100% accuracy of the curve. The number of points in the two outdated railways 33 000 which is very difficult to treat the AI. The simplified version has only 6 400 or more points and can be worked with. Here is a link to a version redone to show that this can happen

  Dropbox - map_redo.ai