3D perspective mode

Similar Questions

• How can I change the units in perspective mode in Adobe Illustrator?

  When I do a drawing for example, one rectangle on the left grid, the dimensions of the rectangle are shown in points (pt). But I want that these dimensions in inches. How can I change these dimensions. I tried the form Edit > Preferences > units... but nothing changes. My size on adobe Illustrator are given in pt and not like the following picture.

  

  Display > Perspective grid > Define grid

• Zoom in iOS 10 wallpaper

  Cannot set a photo as wallpaper in perspective mode without to zoom out. No option to disable wallpaper zoom. Please help me how to disable the zoom of wallpaper.

  Feature:-iPhone 5 s

  OS:-iOS 10.0.2

  1. automatically wallpaper is zoomed in when I choose option Perspective.

  I have

  2. when I try to pinch in to zoom out the wallpaper, the rocker is still shifing point of view. No option to turn it off.

  

  Note:-this problem is only with normal pictures of film. Not with Apple's default screen.

  Hello Bobby.

  Thank you for using communities Support from Apple. I know have a problem with the wallpaper on your iPhone, it's not what you expect. The good news is that the next step will be useful to solve your problem by activating the Motion option reduce, as suggested in this article:

  Reduce the screen on your iPhone, iPad or iPod touch resolution

  Note: The prospect of working on a normal photo to zoom somehow (to provide space for the image of "move" when you tilt your device). This zoom can be disabled individually or to reduce the Motion, but you won't have the Perspective option.

  See you soon!

• scale layer

  I have imported a Photoshop file with layers in motion but have a problem when moving from a layer of the Z axis. As you'll see in the example file 2 figures on the moved layer have increased in size. In all the tutorials example I've seen on this subject when you return to the view of the camera, after the move a layer, it seems that nothing happened, it's only when you switch to perspective mode you can see the change you made. I have accumulated my brain on this one, can someone please tell me what I am doing wrong and why the displaced layer is scaling upwards.

  Work in 3D group, move the layer more close to and longer away from the camera, using Z axis.  When something gets close to you, it looks great.  Further away from you, it looks smaller.  It's exactly what it is supposed to do.

• Speed category masks don't align

  Hi guys I'm new to speedgrade and can't find answers online on why the mask itself and the widget are never aligned. Almost like a perspective view in a camera, it remains relatively attached to the center of the shot and does not correspond to the area of the shape mask that I specify but remains smaller and offset.

  

  in all the tutorials and examples I've seen online for all masks happens to align themselves with the region, they are inspired to encompassing but mine seems to be in some kind of perspective mode or something. Any help would be appreciated.

  This has been a problem for years, so I don't know when (if) we can expect a fix.  Here's a post on the forum on the same subject which is well over a year.

  SpeedGrade masks are off and ignore keyframes

  I met the same problem, my problem, I was like doing a project where I mixed images 1080 p with 4 K images.  Images of 1080 would mask with precision, the 4K images would emerge as you've demonstrated here.  It was a project of creating dynamic link, and I found that if I nested the 4 K shot in first then for some reason any mask would work as you would expect.  It's a pain, and not much of a workaround if you have a ton of shots. Luckily, I just had a few who needed masks.

  I hope that Adobe solves this problem.  You will get probably just the line "File a feature request" which - coupled with $5 - you'll get a cup of coffee.  I was still the same as all the people who have been doing for more than a year.  All in good time, we can hope.  All in good time.

• Photoshop CS5 does not properly

  Hey all,.

  Since yesterday my photoshop cs5 is truly weird.

  Here's the situation:

  I have photoshop startup and now it asks for a disc to work? I never had that before...

  so I say, my hard drive. then photoshop starts.

  now, I'm in photoshop and now I can't do guide horizontal lines...

  When I use the marquee selection tool, it acts like im using ALT so he drags a centered position?

  When I use the cmd + t transformtool normally I do drag the corners, but now its like im doing perspective mode

  but it clearly says free transform mode?

  and other tools act too weird.

  so I stop and restart photoshop and now it asks for a disc to work once again!

  my hard drive you have 500 GB free space? as is not enough?

  I also re installed photoshop and updated it, but I'm still having the same problems!

  He continues to ask each time a work disk.

  Nobody knows what the hell, I can't work in photoshop more than cause!

  IM using the imac 27 inch i5 with snow leopard 10.6.latest

  4 GB of ram

  You see this bug caused Apple:

  Delete the Adobe Photoshop settings file? Start / tools are acting strangely.

  There is a link to a non-official fix from Adobe.

  Any word of Cupertino when it could get addressed?

  Edit:

  10.6.7 is in sixth beta. I HOPE, it addresses the bug affecting Photoshop:

  http://www.AppleInsider.com/articles/11/02/22/apples_sixth_build_of_mac_os_x_10_6_7_beta_c ontains_no_known_issues.html

  Post edited by: charles Badlands

• The tilde is equivalent to the Spanish keyboard?

  Hi everyone, I am working with the perspective grid and I know to drag your work 90º of the active plan you must press the tilde everything by dragging. Now, my Spanish keyboard doesn´t have such a key, therefore: can I change the shortcut for this task anywhere in the menu of keyboard shortcuts customize?

  Moreover in order to write in fact the tilde character I can press "alt + ñ" in my Spanish keyboard, but this work doesn´nt when dragging in perspective mode...

  You're welcome, mrfriki.

  There are countless different keyboards, and I believe that it is only the tilde key (combination) in two of them, including British and AMERICAN.

  And thanks for sharing your discoveries.

• By clicking on a layer of processing, etc.

  Another great feature, I'm bored of Corel PHOTO-PAINT is the ability to click directly on a layer with the tool move once just for selected layer, 2nd to transformation mode, once 3rd perspective mode and a 4th time to go to a kind of warp mode where you can move the corners where you want. Click once 5th and it just goes back to the transformation tool. Click on a different layer or the background outside the document to deselect.

  This allows me to twist a layer without the help of the keyboard shortcuts, either! I can kick my feet and just use a hand making lazy design work if I want to! Sweet!

  Thanks for listening

  Adobe Photoshop (with the ' Automatic Selection: layer "and"Show transform controls"checked):

  1. Click on the layer.
  2. Press CTRL + T to transform (perhaps it is considered 2 markets?)
  3. Right-click on the layer.
  4. Select the channel.

  Corel PHOTO-PAINT (without any special options checked on the move tool):

  1. Click on the layer (resizing, squash, stretch and flip mode).
  2. Click on it again (way of Center of rotation, tilt and relative).
  3. Right-click again (mode of deformation).
  4. One more time (view mode).

  As I have such a thing as an OPTION would not take away anything. It is a fair enough feature request.

  The only drawback to this idea is that it encourages a destructive change. In order to leave would make it a lot of designers to destroy their original without knowing material on that option was, or what they were really doing. Of course Photoshop now allows non-destructive transformations with dynamic objects, and there is no option to transform elements in objects smart before applying these "click several ' transforms.

  Another thing that I asked for some time which I repeat here - is an option ignore adjustment layers when a self-selection . A checkbox additional in the movement of the tool may be.

• Flash websites behave strangely, and then do not help some - mode without fail & full reset

  Two days ago I spilled on a few options - impossible 3rd party cookies and tell sites I want to be the subject of a follow-up. I have since then automatically stops these options, tried to start in safe mode, try < reset Firefox >, update flash, uninstall flash, uninstall/reinstall FF, reboot, various combinations of the above... all to nothing does not.

  Whenever I restart FF, several sites are now asking me re - connect, even though I continue to clicking on "remember me".

  Several incomplete loading flash sites, the more amazing are sfgame.us, which loads the thirteen heads of dragon pointing to the right and nothing else, no more than whatever it is clickable.

  Someone has an idea of what a change might be that persistent?

  jvenezian said

  FOUND! Just started randomly poking around and right click on the page. Parameters - local flash (settings) and it seems that set local storage to zero is pushed out. And survived a reinstall flash both a FF reinstall - and other browsers on the same box did not have this setting. No idea where it hides other right click menu, or how it has persisted through the resets and UN / reinstall...

  I have reset it to this page and BOOM, back to normal.

  Thanks again for your clear and detailed instructions. Would not have got this resolved w/o in your post, that made me sit and think from a different perspective.
  COR - el said

  Clear the cache and delete cookies only from Web sites that cause problems.

  "Clear the Cache":

  • Firefox/tools > Options > advanced > network > content caching Web: 'clear now '.

  'Delete Cookies' sites causing problems:

  • Firefox/tools > Options > privacy > "Use the custom settings for history" > Cookies: "show the Cookies".

  Yo0u can also check the cookie settings.

  You can control and manage permissions for the domain in the tab currently selected through these steps:

  • Click the address bar onthe Site identity button"(globe/lock)
  • Click on 'More information' to open ' tools > Page Info "with the Security tab is selected
  • Go to the permissions tab (Tools > Page Info > permissions) to check the permissions for the domain in the currently selected tab

  Cleared out a bunch of cookies - nothing listed for this site or anything like that around. Still no joy.

  My other two comps (same OS, same version of FF, same version of Flash) work perfectly - as it seems it is * one * local option. But what the devil survives troubleshooting | Reset Firefox, more manual deletion of cookies?

• Cover my 600EX-RT flash LINK is still red in slave mode

  Hi everyone, I hope someone can help me here.

  I got my Flash Canon & T5i recently, these two works great when the flash is mounted on the camera, but when Iam using the flash in the mood of the slave with the camera the cover link turns red indicating no connection between both & do not come to green at all, here are my settings:

  T5i camera:

  Flash shooting Enabled

  E - TTL II measuring device to assess

  Built in flash set to Cust wireless

  Wirless Func value for the two flash fires (on camera & external)

  Shooting defined group at ALL

  using Channel 4 for communication with flash

  Flash 600EX-RT:

  Wireless Radio slave

  ETTL

  Channel 4

  Group A

  How can I get both to work via the wireless radio signal, please help thank you.

  600EX-RT can work wireless or via radio - or - optical trigger.

  The native ability to the _only_ T5i is to trigger an external flash via optical... not radio.  To do radio, you must either add the camera ST-E3-RT trigger... or put another 600EX-RT flash camera to act as the master of the radio.

  You can, however, pass the 600EX-RT in 'optics' slave mode  To do this, hold the link button until the screen backlight is yellow (not green) and the symbol in the upper right corner shows lightning (not the antenna of the radio).  The link light goes out in optical mode (since there is no radio activity).  Also the Red accent-assistance LED beam will be impulse/Flash on the front of the Flash to tell you it is active (you can turn off if it's distracting.)

  Note that perspective requires line of sight.  Support of the 600 who hides behind the red lens on half lower 600EX-RT.  You may need to rotate the lower part of the 600EX-RT to face the flash on the camera so that it can 'see' the flashover on the device; the flash head rotates so you can always point it where you need - independent how half lower faces.

  Note that (and it's confusing) even if you "disable" the on-camera flash because you don't want there light in your pictures... you will ALWAYS see it fire.  But he fires the flash instructions for the remote control while the shutter is always closed.  The shutter opens, and only off-camera flash goes off (if you have disabled the on-camera flash).  All this happens so fast that you would think that both flashes have been used for shooting.  Thorough image will reveal that the light of the camera was not present in the shot when the shutter is open.

• Secondary ASA with IP transparent mode on the router

  Hello

  I have

  Router - ASA (Transparent) - switch

  and wonder if it is possible to configure the secondary IP on the interface of the router that is connected to the ASA

  So there is plenty of room in terms of range of LAN IP addresses.

  Or do I have to implement this, change ASA in context mode and to change the configuration on the SAA?

  hope I don't have to change anything on the SAA.

  Thank you

  ASA mode transparant works as L2 device

  so, what ever u ips use dosent matter

  u don't need to change anything in the ASA where the mod transperant

  But beware of what is allowed to be passed through the firewall

  It can be controlled by ACL

  the router and switch you will be OPERAT in L3 as your connected directly or nothing between them of three routing and layer perspective

  so they must be in the same subnet VLANS, and so on

  good lcuk

  Please, if useful rates

• DISABLE perspective distortion?

  How can I activate my mode of deformation of Perspective? I've already converted my object to a smart object and still no luck.

  Here is my screenshot.
  

  
  

  It seems a problem with the graphics card.

  Please make sure that the drivers for the card are far from the manufacturers Web site.

• Perspective Warp grayed out?

  I know this has been covered before, but I tried all the suggestions.

  If I go to preferences / performance / advanced settings / graphics processor use I am unable to ACTIVATE processor chart use to speed up the calculation as it is also grayed out.

  Here is my system info...

  Should I update my graphics card? I seem to have the necessary minimum 512 MB of VRAM.

  Thanks in anticipation...

  Adobe Photoshop Version: 2015.0.0 20150529.r.88 2015/05 / 29:23:59:59 CL 1024429 x 64

  Operating system: Mac OS 10.10.5

  System architecture: Intel CPU Family: 6, model: 26, Stepping: 5 with MMX, entire SSE, SSE, SSE2, SSE3, SSE4.1, SSE4.2, HyperThreading FP

  Number of physical processors: 8

  Number of logical processors: 16

  Processor speed: 2260 MHz

  Built-in memory: 24576 MB

  Free memory: 7995 MB

  Memory available to Photoshop: 22998 MB

  Memory used by Photoshop: 71%

  Space design: disabled.

  Work plans: enabled.

  Multi-frequency 3D printing: disabled.

  HighBeam: enabled.

  Tile image size: 1024K

  Image cache level: 4

  Overview of fonts: medium

  TextComposer: Latin

  Display: 1

  Main screen

  Limits of the display: top = 0, left = 0, low = 1440, right = 2560

  OpenGL drawing: enabled.

  OpenGL allows old GPU: not detected.

  OpenGL drawing mode: Advanced

  OpenGL allows Normal Mode: true.

  OpenGL allows Advanced Mode: true.

  AIFCoreInitialized = 1

  AIFOGLInitialized = 1

  OGLContextCreated = 1

  NumGLGPUs = 1

  NumCLGPUs = 1

  glgpu [0]. GLVersion = "2.1".

  glgpu [0]. GLMemoryMB = 512

  glgpu [0]. GLName = "NVIDIA GeForce GT 120 engine OpenGL"

  glgpu [0]. GLVendor = "NVIDIA Corporation".

  glgpu [0]. GLVendorID = 4318

  glgpu [0]. GLRectTextureSize = 8192

  glgpu [0]. GLRenderer = "NVIDIA GeForce GT 120 engine OpenGL"

  glgpu [0]. GLRendererID = 16918028

  glgpu [0]. HasGLNPOTSupport = 1

  glgpu [0]. CanCompileProgramGLSL = 1

  glgpu [0]. GLFrameBufferOK = 1

  glgpu [0] .glGetString [GL_SHADING_LANGUAGE_VERSION] = '1.20 '.

  glgpu [0] .glGetProgramivARB [GL_FRAGMENT_PROGRAM_ARB] [GL_MAX_PROGRAM_INSTRUCTIONS_ARB] = [1638-4]

  glgpu [0] .glGetIntegerv [GL_MAX_TEXTURE_UNITS] = [8]

  glgpu [0] .glGetIntegerv [GL_MAX_COMBINED_TEXTURE_IMAGE_UNITS] = [16]

  glgpu [0] .glGetIntegerv [GL_MAX_VERTEX_TEXTURE_IMAGE_UNITS] = [16]

  glgpu [0] .glGetIntegerv [GL_MAX_TEXTURE_IMAGE_UNITS] = [16]

  glgpu [0] .glGetIntegerv [GL_MAX_DRAW_BUFFERS] = [8]

  glgpu [0] .glGetIntegerv [GL_MAX_VERTEX_UNIFORM_COMPONENTS] = [4096]

  glgpu [0] .glGetIntegerv [GL_MAX_FRAGMENT_UNIFORM_COMPONENTS] = [2048]

  glgpu [0] .glGetIntegerv [GL_MAX_VARYING_FLOATS] = [60]

  glgpu [0] .glGetIntegerv [GL_MAX_VERTEX_ATTRIBS] = [16]

  glgpu [0] .extension [AIF::OGL:GL_ARB_VERTEX_PROGRAM] = 1

  glgpu [0] .extension [AIF::OGL:GL_ARB_FRAGMENT_PROGRAM] = 1

  glgpu [0] .extension [AIF::OGL:GL_ARB_VERTEX_SHADER] = 1

  glgpu [0] .extension [AIF::OGL:GL_ARB_FRAGMENT_SHADER] = 1

  glgpu [0] .extension [AIF::OGL:GL_EXT_FRAMEBUFFER_OBJECT] = 1

  glgpu [0] .extension [AIF::OGL:GL_ARB_TEXTURE_RECTANGLE] = 1

  glgpu [0] .extension [AIF::OGL:GL_ARB_TEXTURE_FLOAT] = 1

  glgpu [0] .extension [AIF::OGL:GL_ARB_OCCLUSION_QUERY] = 1

  glgpu [0] .extension [AIF::OGL:GL_ARB_VERTEX_BUFFER_OBJECT] = 1

  glgpu [0] .extension [AIF::OGL:GL_ARB_SHADER_TEXTURE_LOD] = 1

  clgpu [0]. CLPlatformVersion = "1.2 (May 10, 2015 19:38:45)" "

  clgpu [0]. CLDeviceVersion = "1.0".

  clgpu [0]. CLMemoryMB = 512

  clgpu [0]. CLName = "GeForce GT 120.

  clgpu [0]. CLVendor = "NVIDIA".

  clgpu [0]. CLVendorID = 16918016

  clgpu [0]. CLDriverVersion = "" 10.0.35 310.90.10.05b12 ""

  clgpu [0]. CUDASupported = 0

  clgpu [0]. CLBandwidth = 5.82327e + 09

  clgpu [0]. CLCompute = 7.64033

  Type of license: subscription

  Application folder: Applications/Adobe Photoshop CC 2015.

  Zero Photoshop has async I/O active

  Scratch the volumes:

  Startup, 3.64 T, 2.01 T free

  Required plugins folder: / Applications / Adobe Photoshop 2015/Adobe Photoshop 2015.app/Contents/Required/Plug-Ins/ CC CC

  Main Plug-ins folder: / Applications / Adobe Photoshop CC 2015/plugins /.

  The usual answer is that the Drawing Mode must be set to advanced for Perspective Warp at work, but which is already the case with your system (thanks for the info system BTW).  I just read your post once again, and I see that graphic processor use is also grayed out.  You seem to be the kind of person to know that your video card driver is up to date, and I'm out of my depth on Mac systems.  Having a trawl through the GPU troubleshooting guide while you wait for a Mac user join the wire

  Adobe Photoshop CC GPU (graphics processing unit) and card FAQ video

  

• Replace screen green Mocha &amp; follow-up with perspective problem

  So I have these images;

  https://www.dropbox.com/s/tqtfcg5m7rw35wd/phone%203.m4v?DL=0

  1. which requires the phone to be tracked and replaced the screen. I am familiar with mocha AE and can easy follow up but lose track completely when the phone is off the hook in the beginning and when the top left of the phone turns off the screen. No idea how I can solve this problem of follow-up? I have actually some more shots like that have the perspective and thumb-finger obscuring the phone, so none of the shots are very frank. I can't find any tutorials on the topic in depth.

  2 I used Keylight for touch on the green screen (workflow; Color touch - switch to the status display, black clip adjusts the gain of the screen, white clip) but I had to cut the white as the images on the guys hand now dances autour, as is the noise. That is almost like the layer's mode "dissolve the dance." Well, I guess it's because I cut so white... A few tips on this would help me lot too!

  Any help would be appreciated!

  Thank you!!

  I took your film and brought in After Effects.  He was very small, so I doubled the size of the model, and then added some exposure compensation and detail preserving high-end to give me more pixels to work with. I then exported a sequence of images to use in Mocha. The sequence of images was imported from AE and a new created model which corresponded to it. I selected Track in mocha.

  After analyzing the images, I realized that I had problems in the first few pictures because of the motion blur and depth of field. There is a black bar at the top and bottom of your film and which would also cause a problem. The solution is to create a spline X first to act as a grip on the tracker.  The second step was to create a set of X grooves on a new layer covering the sides, top and bottom of the phone. I started on a frame that shows most of the phones. The layer was on top, the tracker below layer. I followed with interest, then repositioned the CTI for the start of the track and followed back until the track began to fall apart.   Backup of the last tract good framework I have change to set track and completed manually tracing. It took only about to keyframes. Then I adjusted the surface and refined the track using the 16 x 16 in a super grid.  The track was closed and I've added a new X spline to use as a Roto for the thumb. I have isolated the part of the thumb covering the screen only.  The layer of Roto was locked to the track and then adjusted and fringes of edge has been applied.

  When this was complete I first exported mocha for the layer of Roto shape data.  Back in AE I duplicated the layer of film and pasted Mocha shape data to the copy that gave me a perfectly hidden copy of the thumb.

  The last step was to take the replacement screen image and add to the timeline and then secure the composition and then before dialing. Back to mocha, I copied code confidential from corner of the layer and glued to the replacement screen demo data.  By arranging the layers with the original film on the bottom, replacing the following screen and thumb on top of the implementation of the composite for final adjustments. Setting of the motion blur and focus on the replacement of the screen to complete the project. Total duration of approximately 15 minutes.

  Your film would, in fact, a good tutorial because of his problems. With your permission, if the sequence is yours, I will when I have time. The point is that you should analyze your film and then decide on the best technique to achieve your goal. Same horrible images can be used. You must analyze the images and then decide the best technique to achieve your goal. Any film can be tracked manually in a reasonable amount of time using the proper technique. He really successfully complete your film was enough to improve the contrast and exposure to follow up and do a bit of work by hand.

• Modes of image and adjustments grayed out in photoshop CC2015

  Hello

  I know I have used CMYK and adjustments because I upgraded to CC2015, but now it is grayed out. When I upgraded, I noticed that I was getting the black boxes, which disappeared when I zoomed in and out, but still annoying. I found a fix for this, but change my treatment of graphics settings in preferences. Then my perspective string is grayed out, so I went to normal and that fixed, but now no matter what I do, CMYK is grayed out. I can convert to CMYK using an action that I put in place, but I would still like to use my settings.

  It is in fact a false alarm, I had a ton of doc. Open in PS and restarted PS and Modes are back. I would have thought to do this first.

  Just make my poor IMAC tired I guess!

  Well good if you found the solution and sure, depending on the RAM and how loaded your MAC is, some functions may be set aside. Sometimes my PS and 3D in order not to feel alone