Animation in After Effects with videos

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• Dance of the Rotoscoping in After Effects with motion tracking?

  Hello!

  How can I copy the movements of real popular dance to a video into a cartoon character using rotoscoping/masking/motion tracking in AE?

  Example:

  Neytiri dance rotoscoping/animation at the beginning still very rough - YouTube

  Tracking and Rotoscoping in After Effects: dance-2014 Jayant Sharma - YouTube

  Thanks in advance!

  in the Express.ypH you have provided there is 2 things and none of them is the cartoon character who is drawn on a video:

  • * the first is a 3D CGI that mimics the movements of dances from the dancing and I think that this has been done from observation. certainly NOT the Rotoscoping.
  • * the second example is a dancing man - a video cutting cutting - perhaps he was dancing in front of a greenscreen, we do not know but is not a caricature but a cutting of a video which has been applied some effects to make it more graphic but still, it's a video and I think that one who was cut by using matte procedure (picture effect) after the dancer was shot in front of a green screen. the face attached to the dancer is a follow-up on the face and securing its position and rotation of the information from tracking data so it will match. This is called the track or the movement of the game and it is a skill that requires time and patience to learn. but it is sometimes easier than rotoscoping. the two can be combined together to make life easier for the ROTO. but it's advanced things.

  On rotoscoping as an Art to cut out an Image of a video (not picture on it):

  There are several ways to make rotoscoping (cutting of the motion picture), and they all need a lot of practice and patience. There is no way to do it easily and it is a skill that takes time to penetrate. different types of techniques are described here: https://www.fxguide.com/featured/the-art-of-roto-2011/

  draw on top of a video (without cutting) is animated rotoscoping and can be done in Photoshop. some do it with "Chronology of Animation Frame" and others with "timeline of the video.

  The main workflow is the following:

  1. you import your video in photoshop

  2. create a timeline of this video

  3. do frame-by-frame on top of the video

  4. export the sequence as a new video

  more on the process of these Roto technical animation can be found in this post.

  Re: rotoscoping techniques: Animation video vs Timeline -there are links and information in the post of different examples. the post is a work in the making. I tried to treat it as an article, but new to the Forum (in terms of contributing content) carried out, once a user posts a comment on my comment - I can't access (which makes sense)

• animated transitions (After effects workflow cp8)

  So I have a PNG of a photoshop project, I created, I use that as my title of Cp8 slide put a button under the word 'Start' which takes me to slide 2.

  Slide 2 is actually a .f4v video created in After Effects, without the skin, with all the elements (text, graphics) of the .png animation off-screen. Slide 1 slide 2 are exactly the same, so when the transitions (fixed image) s1 to s2 (video) it should be transparent.

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  Action button (under the word 'Start') is continuous. Why the discrepancy between the two slide 1 and slide 2. I spent all day on it, reinstalled Cp8, was on the phone to Adobe... aaaaaaaaaarrrrggggh if anyone can help me solve what they can marry my sister!

  Insert the video as the video synchronized several slide

  Select the option of extending the duration of the slide to accommodate the video

  Change the following line in your AdobeCaptivate.ini found here: C:\Program Files\Adobe\Adobe Captivate 8 x 64

  UseWidget7 = 1

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  * Is enough 8 GB RAM or could go for 16 GB of RAM?

  * Can I run 3D effects and more without problem with GeForce GTX 760 2 GB?

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  It is also possible I buy Photoshop...

  Thanks for the replies!

  Lukwin8 wrote:

  I am looking for a new computer for editing in After Effects:

  Bad idea. After Effects is not software editing. You want to Premiere Pro for editing of a film. That's much, much, much better at home because that's what it's designed to do. When it comes to Visual effects, compositing and motion graphics, so you must use After Effects to these tasks.

  Lukwin8 wrote:

  Do I need a processor i7 or i5 processor yourself run 3D effects and more without any problem?

  An i5 will work to launch After Effects. The clock speed of the processor will make a big difference in the AE speed makes things.

  Lukwin8 wrote:

  Is 8 GB of RAM pretty or could go for 16 GB of RAM?

  Get 16 GB or more.

  Lukwin8 wrote:

  Can I use the 3D effects and more without problem with GeForce GTX 760 2 GB?

  What are the 3d effects you plan to use? There could be several things that you hear here.

  If you're talking about ray-traced rendering introduced in CS6 engine, I would advise against using it. She is considered obsolete by the After Effects team and I don't know any people who used it professionally.

  If you're talking about the substitute continually improve the ray-traced rendering engine (the inclusion of Cinema 4 d with your subscription to After Effects), the GPU is not relevant. C4D renders on the CPU.

  If you talk about AE own 3d space (which is technically 2.5 d), the GPU is not relevant AE makes it only on the processor.

  If you talk about third-party plugins as item 3d, 3d Zaxwerks Invigorator, Shapeshifter of the courage, etc., you will need to check on their needs.

  Lukwin8 wrote:

  I have the version of AE called 'After Effects CC 2015' and I can go the feuture uppgrade.

  If you have after effects CC 2015, then you have a subscription with Adobe which includes AE CS6, CC, CC 2014, 2015 CC and next version of After Effects coming out for as long as you are subscribed.

  How to find and install previous Version of Adobe Apps in 2015 CC

  Lukwin8 wrote:

  It is also possible I buy Photoshop...

  If you only subscribe single-app for After Effects, just get the regular subscription to creative cloud. It's cheaper than to make two single-app subscriptions and it includes After Effects, Photoshop, Premiere Pro, Audition, SpeedGrade, Illustrator, Muse, Animate, Dreamweaver and many other professional programs like that.

  If you want to do video editing, you'll want to have Premiere Pro. After effects is ideal for animations, compositing and effects Visual, but it's TERRIBLE editing. Premiere Pro, use for this!

  Hope that helps.

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  First of all, you have optimized your system: Optimizing after effects of performance - Support Adobe

  Second, it looks like you are fairly new to AE and that your workflow is not very effective. Here's the deal. After effects is not an editing application, it is a graphics and compositing designed app to create shots or short sequences. In addition, I would say that more than 90% of my AE projects are less than 10 seconds, because I created shots (with handles - extra images) I'll change in the body or some other NLE. Some of these comps second 10 have a hundred layers or more. If I had to do 12 minutes into a movie I would fuck the cut first in Premiere Pro to understand what was the best way to tell the story, then each shot than necessary effects would become a separate AE comp. At the very least each scene must be a model. In most of the stories that are told, as a film, a scene are only a minute or two. The average is probably less than 6 seconds. I can't imagine putting together 12 minutes in a single model AE, not because I couldn't, but because I would probably change the "timing" of some of the cuts, edit audio or make some other change before I made and changes in the middle of a project of 12 minutes would be a nightmare.

  Here's how a work on almost all editing projects.

  • First installation in a NLE such as Premiere Pro until the story is logical
  • Put the shots in AE requiring animation or effects
  • Inside AE, I first make a test pencil to check the overview and animation timings with the Panel of the model to 50% or even 25%, and automatic resolution scheduled to ensure that the timing is ok
  • Effects are added and critical frames are checked 100% for color and everything else but I rarely to ram preview several frames because I'm already happy with the calendar
  • The model is sent to the SOUL (Media Encoder) or sometimes the cue to render to render in a production format appropriate (usually 10-bit or better, often a sequence of images)
  • If the model is sent to the SOUL I continue to work on the next shot until I finished all the effects work
  • The effects of rendering images are reduced in the NLE to replace shots in the rough cut and editing is polite
  • The project is then added to the hearing for the final mix
  • The final color ranking is made - usually in the category of speed or resolution
  • The final product is made to a production for archiving format and a format of distribution (usually h.264 mp4)

  There are a lot of bounce back, but it's the most effective way to work on any project. Have you noticed that an overview of full resolution RAM full length does not at any time?

  If installation requires only a few short shots or sequences to AE, I will occasionally use Dynamic Link, but most of the time all the effects work is made. It just makes it much more efficient.

  I hope this helps.

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