Animation of typography (using damage)

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• Trying to recreate the old animation SWF/Swiffy using animate CC

  I have an older swf animation that has a few Fireworks flashing around a graph (can be seen at the www.drexelfair.com)

  It was created by me a few years before using swish4 (to create the SWF file) by bringing together several little animated gifs. It worked well for a while, and a couple of years I have "improved" the graph by placing the SWF file in the Google Swiffy process, creating a file of html5.

  but now I use the creative cloud, and I want to learn how to do it properly!

  Then... I have a bunch of small gifs animated, a SWF file that will not import and a desire to create a simple animation header.

  Is it possible to import moving in CC GIF images Animate?

  Can I make the background transparent?

  How should I export it so I can use it on the web page?

  Create a new movieclip > click file > import > import to stage (or library) > move your animated gif.

• Embedding audio and animation in DPS using edge animate CC

  Hi all

  I use all programs CC.

  I've created an animation animate on board I would like to put in my InDesign for DPS doc.

  Activities coincide with the audio file I imported into my file EA. I tried to use the buzz.js script (step by step), but to no avail.

  Is there a way to place/integrate the animation with sound for DPS?

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  LV

  Yes, I do (see my latest posts)

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• With the help of jq waypoints to start the animation if you use the file oam

  OK so y at - it suggestions on how I can use jq waypoints to start various animations when I reached in some places on a page if I have embeded animations using the oam with dreamweaver file?

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  Well I thought about it I itself.

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  var loadedComps = {};

  {AdobeEdge.bootstrapCallback (function (compId)}

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  })

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  the object is injected into the dom window by window key [0] [1] a window [2], etc...

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• Animation on DVD using workflow HD2SD

  Hello, everyone. This is my first post here and I hope that someone can help me with my problem. Let's get to it.

  I've created an animation in Toon Boom Studio 5 on Mac. The animation project has a resolution of 1440 x 960. Toon Boom has a variety of export options. I chose to export as an image sequence using the PSD format because I want to do my production in Windows 7 and this seems to be the most compatible format between the two operating systems.

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  If you don't mind re - make the animation, then I recommend 1920 x 1080 square pixels.  In this way, you get to drop into a corresponding sequence of Pr * and * have hd2sd resize it for you.

  If you decide to try it, then eliminate the widescreen-2 = your AVS script parameter.  You should get a file of 720 x 480 screen very nice to VirtualDub, ready to be coded and is the author of DVD.

  -Jeff

• I use 8 Captivate and can't operate animation text!

  I haven't used the Captivate since 3 and text Animation was so simple.

  When I go to the text and try to choose the text Animation it is gray.

  When I click on my text box and you try to add an effect, I have to go.  When I find my text Animation file, it is empty! HOWEVER, the strangest thing is when I navigate manually via my computer to this folder, it is full of all the animation files I expect.

  How something so simple... seem so DIFFICULT?

  Thanks for the thoughts on why I can't add a text animation.

  Sherrie

  Text animations are not compatible with HTML output, could this be the problem?

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• Animation LOOP when I use SPRITE?

  Hello world

  For some reason any, that I can't understand, my animation will not loop now that I'm testing with sprite images:

  example of

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  This time, I also tried the parameter 'start' to frame 0 and have it jump to that via: sym.play(1000) ("begin");

  Is however not of the above, have no success...

  Anyone else have this experience? And someone even better at - it a solution for me?

  Thank you

  Eddie

  More details here: API JavaScript Adobe Edge animate CC

  playAll ==> all is a shortcut for "all symbols.

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  SYM. Play (aLabel) ==> he goes to the label and play the current timeline.

• Using shake on Animation projects in AE CS6 - problems

  Hello

  I have version CS6 AE 11.0.4.2 on Windows 7 Home Premium 64 bit 12 GB of RAM, Nvidia 3 GB on a Toshiba Qosmio laptop.  This isn't a technical support issue, it's a problem that I have with camera shake preset, I have also the effect of agitation no longer works with my animation projects.  My first project used camera on a ball animation here is the opinion of video, the trees moving (shaking) and the ball is perfectly stable and seems to move slowly in the sky:

  Ball - YouTube

  The video above was a tripod from the sky, and a picture of a hot air balloon to appear to move in the sky.  Vibration of the device has been added to give the illusion that it was a helping hand.   It worked perfectly.  Now, all my other animated projects cannot use the pre-set camera more, the ball now shakes with the original film.  Please see this YouTube video that explains more in detail and you'll see what I mean:

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  What I'm doing wrong or what I just do the first time?  I spent about 3 hours on it and does NOT know what is happening. Why the first animation of project work and the other now will not work?  I am at a loss, no idea which continues.  Can someone please help?

  Thank you

  Ron

  I must not understand something here. In your first video, there wasn't a cloud in the sky while the ball looks like it is stable and it is stable. In the second example HELP with camera shake problem - YouTube , there is no clouds in the sky there features around the ball. The ball is still moving smoothly into the sky (drag a guide line in your comp and see for yourself), but the moving clouds give you a very strange appearance in the video because the query does not match. The ball moves smoothly over tremulous background, he would not have done if the camera was shaking. Your problem is not the added preset shaking shake the ball, it is that he does not. There will be a small change in Parallax between the ball and the clouds, but it would be probably enough to notice. If you're simply making the video a relative of the ball, then the shot will look more realistic. It seems to me that you are asking to produce something that would not exist in true direct visually, and your brain knows that it is not good, so you interpret things correctly. Go buy a toy, take it outdoors on a cloudy day and let go and shoot with your smart phone and watch the movement.

• Animation - what Illustrator, I should use?

  I have Illustrator as part of master CS6, I bought for InDesign, Photoshop, and first. While using the first, I had to draw regularly on yet and Adobe After Effects, Audition, but I have yet to open Illustrator. I hope someone here can save me time advised me if Illustrator is suitable for my purposes. I'm not a professional, just a passionate amateur, but I don't want to use software quality and the equipment to do the best job that I can.

  Background

  I use first mainly to convert my audio-visual presentations to the HD format. In the 1980s, I was just in slideshows of three screens. It will be a challenge to transform a 4.5:1 16:9 format, but as my partner says it will keep me out of mischief. As part of the transformation, I will be the introduction of a small number of video clips (where my need of creation) and also short animation sequences, probably 10 seconds maximum. I have little idea of what software to use for the animation, but all the software in my collection of what Adobe illustrator seems at least to have the right name, so here I am.

  A few thoughts

  I have a friend, Steve, a watercolor and sketch artist, and he's very anxious to get into the animation. Showed me a few short films he did on his iPad with his finger. I told him: 'we can do better than that. " My idea is:

  1. Buy a Wacom Cintiq 22HD with all the fancy pens, plug it into an iMac and open the appropriate software.
  2. Sit Steve in front of the Cintiq and let it go.
  3. Steve wields the pen to generate the outline of the first image. No coloring in, not background at this point, just a "test in pencil" kind of thing. Something like the sketches of Chuck Jones for a Road Runner cartoon, except best (I can dream, I can't?)
  4. Steve could generate 24 fps for smooth movement, but we could decide to take only 12 (or 8) per second and software have interpolated for missing executives - if possible.
  5. When we are satisfied by the "pencil test", the background and coloring are made.
  6. When finished, the project is imported to the Prime Minister to be part of the audiovisual sector.

  Illustrator or something else?

  Illustrator is suitable for what we want to do? If this is not the case, what would be the most suitable software? We won't make things complicated as the 3D animations, simple - a character in motion in a context that may also be moving.

  Illustrator is not suitable for it.

  According to the style of the last animation, you can use illustrator to build assets to animate in another program like flash. but of the adobe family, flash is what you are looking for.

  I haven't used in a while so I don't know how the sketch is good about it. will touch you with vectors so there not all the charm of a pencil test. but there skins chronologies and onion and twin animated for animations of transformation as something that cross the screen, rotation, morphing, etc. scaling.

  Flash animations tend to look very steep in my opinion. the best example I can think of a flash animation, which is not without a soul would be 2d sequences in kung fu panda.

  There are programs that are better suited for traditional animation (at least in sensation). Totally forgot that I used at school. I mean flipbook. anyway. for pencil tests in my opinion really improtant is the drawing of the sensation. There are a lot of animation 2d there software but they are for the most part any vector and offer not bitmap of good drawing tools.

  at school, we used to draw on paper and photography. Some people spent about things like toon boom, which I do not remember if it is the only vector drawing.

  I chose to photoshop which is very heavy for animation because of the configuration, but fantastic for natural drawing. everyone in class thought I hosted with pencils and markers of China.

  I say that the configuration is painful because your executives are about layers. If you find yourself with hundreds of layers. I then changed the opacity of my layers of onion.  the timeline was also a pain because you really do a bit of math to get the right images per second. I ended up losing a few images in the final product. as you build your layers, the preview of the animation slows down.

  anyway. My 2 cents. FlipBook has bitmap drawing tools such as photoshop, but as I remember, they were not that great. It also allows access to photoshop to draw you into photoshop and updates of fram inside flipbook. It would have been ideal, but at the time, it kept crashing on me when I tried it. I don't know if they fixed.

• How do I configure firefox to open a gif animated in outlook 2010 - it's just 'new tab' s on

  After changing the associations .mht, and .mhtml for firefox (from IE), when I click on a gif image animated in an e-mail message and select "Open in browser", firefox opens, then just "tabs" away (as is the opening each frame separately). How can I get firefox to display the animation as IE used to?

  An add-in to open the type of file may help: https://addons.mozilla.org/en-us/fire.../mht

• Vivienne Tam Butterfly animation

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• By using WPF effects on graphs

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  I'm trying to recreate an oscilloscope with animated controls and use the reflections and effects to make the "glow" signal, making it almost more aesthetic blur.

  Any help on that would be great.

  As integrated rendering engines can draw from multiple render targets, the converters do not expose the many options of specific WPF vector effects.

  Instead, you can use a converter customized for generating WPF visual effects with fuzzy arbitrary settings and effects, as combinations attached example line.

• help choice of icon that had Windows 2000 animation: can I download it somewhere?

  When I used windows 2000 in that I could get an animated icon to use instead of the regular help button to ask a question.  I now have windows vista and it doesn't have this feature.  Can I download it somewhere

  Vista does not have them, but there are MANY choices part 3.  Check out some of the following:http://www.bing.com/search?q=animated%20icons%20for%20vista&mkt=en-us&FORM=TOOLBR&DI=6244&CE=14.0&CM=SearchWeb.

  I hope this helps.

  Good luck!

  Lorien - MCSA/MCSE/network + / has + - if this post solves your problem, please click the 'Mark as answer' or 'Useful' button at the top of this message. Marking a post as answer, or relatively useful, you help others find the answer more quickly.

• NO character animation

  When the AE CC2015.3 software installation is complete, I don't see everything about Adobe character animation. I used Win10 64-bit. And I downloaded from the official website of AE. What can I do if I want to use animation character Adobe? Character Animator !

  You must have also installed CS6. CS6 is 2012 and includes no character animator.

  You can launch applications directly within the creative cloud app by clicking "Open" next to their name in the section "installed".

  or

  Look in C:\Program Files\Adobe

  There should be a folder named Adobe after effects CC 2015.3

  Inside of this, double-click Adobe after effects CC 2015.3 and you will use the correct version of the AE.

  That said, you need not EI running for the character animation. To do this, look in C:\Program Files\Adobe

  There should be a folder named Adobe character animation (part 4)

  Inside of this, double-click Adobe character animation (part 4)

• Problem with animation line flicker/aliasing

  Hi I was wondering if anyone had any suggestions on trying to get this smoother animation and a little crisper.

  I know that the quality will be slightly less good in a gif format.

  https://S3.amazonaws.com/uploads.hipchat.com/115279/3089179/b6GFClDGSBHAucu/lines.gif

  Thank you

  Let me give you a few basics. These are things that are not considered by almost everyone that starts working in the video, especially those who come from a print or web design background. Photographers are also victims of a flaw in their knowledge which is understandable because they have never had to deal with things like this before. Here are the facts.

  First Point:
  Video (and everything that comes from digital displays) are always arranged on a grid of pixels. No exception. You can never put a line width of single pixel on this grid of pixels and do appear as a single pixel line, unless it lines up perfectly. Nothing that is not precisely aligned to the pixel grid is interpreted. It is called Anti-aliasing. This means that if your 1-pixel thick line is to halfway between grid display will be the average of the values in this row and you end up with a broad line of two pixels on the screen with each line taking half the value of the color of the original line. In other words if you are not precisely aligned on the grid of your 1-pixel wide black line becomes a 2px wide gray line.

  Second Point:
  Video is composed of images that reading at a particular rate. Your screen also has a refresh rate. Display rate standard in countries that have 60 Hz electricity usually have a refresh rate standard 60 Hz or multiples of a whole number of this rate divider. In countries where electricity is 50 Hz (Europe), the refresh rate is usually 50 Hz. The video frame rate for video in NTSC countries (most of the world) are normalized to 29.97 FPS (there's a reason associated with the problem of broadcasting TV signals in color, but I won't go into that right now). The Standard in PAL countries video frame rate is 25 fps. When you choose a frame rate for your video project which is not the frequency of standard images for your area, you may rate for your video come into conflict with the cadence of your screen. This can cause perfectly smooth motion judder and there is nothing you can do about it, except change the refresh rate of your screen or lift it up with a new high refresh rate capable display or change the frame rate of your video.

  Third Point:

  The average human eye and brain have a property called retinal retention. These effects how we perceive motion. No matter what you do, most people perceive incorrectly flexible movement across their field of vision. Most of the time the brain tries to iron out things and your eyes automatically try and follow this movement. This effect is well understood by the great directors when they block shots and the great directors of photography when they put cameras if your eye is directed to the part of the frame where they want that to get you to understand the history.

  Fourth Point:
  There is a strobe effect that applies to all the movements. For example, if you watch an old movie on TV western, you will sometimes see the wheels of the car rotate backwards. Smart of an airplane propeller video phone can show you that strange Sword-shaped blades turn slowly or even backwards. It's the interaction between pace and movement. The only way to create videos that shows the movement correctly and in the right direction is to match the query of the cadence.

  Fifth Point:
  Work around the fine lines, turning it into a thicker lines is to disable interpolation. You can do in After Effects by selecting quality draft. With quality lit project, you will always have a thick black line of single pixel. This solves a problem, but worse the other. The problem of the stroboscopic effect. To make your single pixel with black line SOUPLESE you must match the query of the line to the frame rate. You move 1 pixel by image or 2 pixels per image or 3 pixels per image or 4. You cannot move to 1.4 or 2.8 pixels per image. It won't wok, it would never work.

  Sixth Point:
  Even if you perfectly fit the pixel grid movement, you can still run on the retinal retention problem and frame rates. Every Director of professional photography with a value of his day rate knows that there are critical speeds of Pan - speeds during which you can not move the camera in a scene and offer a scene that doesn't pan and look terrible. Jerking can be so bad that it gives people headaches and worse. The frequency of images the more cautious, be with the camera. When the video cameras of 24 frames per second were introduced a whole bunch of people came back with horrible images. Shots that run at 29.97 work at 24. Cadence, retention of the retina, strobe effect and your brain combined with no fixed focal point for your eyes to focus on and track combine to fault up to the shooting and of the query.

  The solution:
  When you want to animate a thin line, you're better off at 29.97 frames per second that anything slower. 30 is OK if you go never broadcast or DVD to watch on a TV. You can use an expression to control the movement, so that your line moves exactly an even number of pixels per image. If your design requires that go you faster you must hide the problem with motion blur. If you want to lighten in and clear it of movement then you must hide the problem of aliasing with motion blur. Smooth long moves must be exactly to an even number of pixels per image. You have more options of speed at a higher speed. Even at a higher speed, you will encounter the problem of the sixth Point.

  The evidence:
  Any problem of smoothing by giving you the discount gray lines load the rendering of your lines animated in AE and step as part of an animation at the same time. Baring any cache image and to make the issues I bet that your animation will run without difficulty from one image to the other. It is only when the video plays back at speed that your eyes and your brain will tell you that the movement is uneven.

  Certain standards:
  Go to a cinema and watch the end titles. It takes about 7 or 8 seconds (depending on the height of the frame) for securities to roll from the bottom of the screen upwards. The second seven rule is pretty standard. With 29.97 FPS 1 video per image pixel, 2 pixels per image and 4 pixels per image work well enough for most applications. When you find a speed frame rate works for your video, it's the frame size and it is write it down. Use it again and again.

  This is an expression that works at the speed of the animation and allows blur to apply to your image. You can do the movement meet the markers if you want to start and stop. I have a bunch of preset animations that I use all the time for that style of animation.

  Bottom-up:

  t = time;

  en = t/thisComp.frameDuration;

  x = value [0];

  s = 4; Speed in pixels per image must be an integer

  y = value [1] - (fr * s);

  [x, y]

  Left to right:

  t = time;

  en = t/thisComp.frameDuration;

  y = value [1];

  s = 4; Speed in pixels per image must be an integer

  x = value [1] - (fr * s);

  [x, y]

  If you wish to reverse the direction, you can add a sign less in the final table or apply the term of anchor instead of position. These expressions take the initial starting position of the layer as a starting point. Both are moving to 4 pixels per image. To start and stop the movement, the simplest method is to split the layer, add the expression, let the layer move, then divide the layer again and delete the expression. If you are handy with expressions, you can bind the movement to layer markers, and then just move the markers for start and stop, or even reverse the direction of a single layer.

  If you don't want to mess with all those unbreakable rules then jack up motion blur and uses a higher cadence with thicker lines and hidden defects. There are no other solutions.