Apple Prores sequence settings Question

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• Export a png sequence settings question

  I'm in 2014 CC, I have a few animations saved as movieclips, if I export 32-bit I get good results with a transparent background. I tried to reduce the size of the file so I tried to go to 24-bit, but I'm losing the transparency. Is there another way to get the size of the file downwards on the png sequence exported?

  RMS

  No Flash. You can export individual images as 32-bit png and then open them in Photoshop and optimize it. Flash gives the option to export, but does not provide much in the way of optimize the files.

• Conversion of image sequence Cineon LOG in Apple ProRes 4444 XQ in Media Encoder CS6

  Hello

  I have a sequence of images Cineon LOG I want to convert to Apple ProRes 4444 XQ, but I'm not sure of the procedure.

  I use Adobe Media Encoder CS6 on a Macbook Pro OS 10.11.2 2012.

  Could you please tell me how to on this subject?

  Also, I find that I don't have the ProRes 4444 XQ Preset codec in Media Encoder... Can I download it somewhere?

  Thank you

  Tiya

  
  

  The problem is resolved. Here's how:

  I bought ' Glue Tools Cineon / DPX Toolkit for Mac OS X and used it with Apple Compressor 4 on my Macbook Pro (2012) running El Capitan.

  I was able to convert Log Cineon sequences of images in ProRes 4444 XQ QuickTime movies.

  Some things to note:

  • After downloading the Toolkit, you must activate it from the system preferences panel and make sure that you select the correct Conversion settings in the Cineon / DPX icon (bottom of the system preferences panel).
  • Glue Tools also have a trial / demo for you to try Mode.
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  • Use "Import a file" compressor 4 and select the first file of the Cineon or DPX image sequence when you try to get the glue tools to read them. Do not use 'Import Image Sequence'.
  • Once you have written the ProRes 4444 XQ, you may still need to correct color, but Glue Tools has excellent support.

  Tiya

• Question of sequence settings (Screen Shot attached)

  Hello

  I wanted to thank all the people on this forum who help others.  Someday I would love to do the same.

  I think I can make it easier on those kind people go towards others by attaching the screen shots to my startup issues.

  My question is about the sequence settings.  A lot of the key who are grayed out:

  

  One problem is that I can't change my display of 24 p format.  This isn't on the drop-down list provided.

  Also, I'm shooting in the codec H264 on a Canon 5 d Mark II, but can not change it, nor can I change the size of the frame (I got caught usually in 1080).   Instead, I'm locked in a DV codec and a 'Standard' Canon because configuration that the 5 d does not appear on the menu drop down.

  Matt

  My question is about the sequence settings.  A lot of the key who are grayed out:

  One problem is that I can't change my display of 24 p format.  This isn't on the drop-down list provided.

  Looks like you are trying to change the settings for an existing sequence; You can do that - or more precisely, you cannot change all the parameters that affect the reading and the scaling of a sequence.

  If you are only working with Canon 5 D footage, there is some sequence presets set up specifically for such images. When you create a new sequence, browse the categories of predefined settings in the left pane of the dialog box new sequence; you want the folder DSLR. Find the preset that matches the size and the framerate of your videos and create a new sequence to use.

  Another solution is to drag one of your clips for the button new item at the bottom of the project Panel - is the one who looks like a chipped sheet. First will create a new sequence of the corresponding properties of the element and insert this clip. From there, you can add multiple images.

  Also, I'm shooting in the codec H264 on a Canon 5 d Mark II, but can not change it, nor can I change the size of the frame (I got caught usually in 1080).   Instead, I'm locked in a DV codec and a 'Standard' Canon because configuration that the 5 d does not appear on the menu drop down.

  Don't worry too much on the choice of codec here. Select the preset to the proper order using the appropriate codec, and this choice dictates that the codec used to render the preview files if you have a portion of your order which will not playback in real time.

  Dig in the help documents for helping you roll; most of this is covered in some form or fashion there. Certainly, do not hesitate to ask questions, but the help documents should generally be the first reference to general operational issues. Here are the CS5 documents online: first Adobe Pro CS5 usinghttp://help.adobe.com/en_US/premierepro/cs/using/index.html

• Apple ProRes workflow in first pro?

  Final Cut Pro X must be the most beautiful thing that ever happened to Adobe Premiere!  People throughout the community pro flee apple, and I'm one of them!

  But it raises a lot of questions about a new workflow with premiere pro.

  We edit and output, all of our material in Apple ProRes, but how does first?

  When I import images ProRes, I can't match sequence settings as I would in FCP?

  
  Do I have to re - encode all my images? (That would be a huge problem for us!)

  And then export to ProRes?

  THX!

  Rasmus Pilgaard

  By the way: I guess that under the name of your video in the screenshot you posted (MVI_ #) you work with pictures that was originally shot with a Canon DSLR and then converted to ProRes. As a point of interest you would like to know that you can work with excerpts from the DSLR in Premiere Pro, without the need to transcode. In fact, you will get probably the BEST performance to not do (in the future), since DSLR clips are managed by importers of 64-bit-first born; convert ProRes clips requires the use of QuickTime to decode, which is 32-bit, even on the Mac.

  Be sure to try this out - I think that you will like it!

• Mounting Apple ProRes Footage in CS5.5

  I got some pictures of another customer who was shot with JVC's HD camera - using the XDcam codec - but they no one converted the video to Apple ProRes 422.  I have these clips on an external hard drive.  What is the best way to import these files into first and edit with them?

  Apple QuickTime ProRess 422 LT 1920 x 1080 29.97 FPS.

  It seems the XCCam HD422 1080 p 30 a similar video settings - it would be the best way to bring it?

  As long as you have installed QuickTime, simply import the files - Premiere Pro will be no problem with them.

  Strictly speaking, you can edit your videos in any predefined sequence that has the same general parameters like images without problem; in fact, you can edit your images in any order, but suppose you want to match at least of things like the size of the image and the pace. You can use one of the existing presets (like XDCAM preset), you can create a custom preset (click the settings tab in the dialog box new sequence and set the "Custom" Editing Mode), or you can simply drag your film to the button new item at the bottom of the project Panel. This will create a sequence that corresponds to your images.

  Like this:

  

  On a side note, if you can get the original film, Premiere Pro will handle natively - is not serious if he was MP4 or MOV, Pr will be important and works perfectly fine with both.

• Sequence settings

  I've seen the videos saying not to worry about the sequence settings - just drag the new icon of the sequence and start. But what of this situation?

  My project will always contain images of two thirds of the clips: usually psd, 6000 x 4000 when cropped, 3:2 aspect ratio. It will be 1/3 video clips, 1920 x 1080, native 60 fps. So if I have a drag the icon of new sequence to begin, I have a sequence with 6000 x 4000, 29,77 fps, and if I start by dragging the video on the new icon of the sequence, I work in the sequence format of 1920 x 1080, 59,97 fps. These two have square pixels format.  Each sequence must the stills and video clips - mixed. To make a high def product over for Projection on a computer screen (or USB stick) or maybe Blu Ray, I probably want to a final product to 1920 x 1080 - is that correct?

  So if I work with a video sequence of size, videos naturally adapt to the screen, but most of the clips, still images, must be scaled down to 27% to fit the screen. (However, which now leaves a lot of space to enlarge and reposition the parts of the image when desirable ("Ken Burns effect").) And if I worked with a sequence of 6000 x 4000, I scale videos to more than 300%. Here are a few questions:

  1 should I set the sequence with still video and mixed media not best for 1920 x 1080, give me leeway to blow and reposition the stills?

  2. start with 'Set to the chassis' when displaying of full image fixed - before that it has blown up or repositioned?

  3. I suppose that my output will be H.264, but am unsure of the preselection: (29.97, 1920 x 1080, etc. - or maybe H.264 Blu - ray). Suggestions?

  4 am I wrong don't not downsizing first stills (at this point, that would be quite annoying and time consuming)?

  Thank you very much

  KDOC (Keith)

  1. 1920 X 1080

  2 NO.

  4. you will take a performance hit if you do not reduce the stills.  Use resize a selection in Photoshop.

• Is it possible to change sequence settings after you start a project? Also, how can I know what sequence of parameters are best for clips that I have?

  Is it possible to change sequence settings after you start a project? Also, how can I know what sequence of parameters are best for clips that I have?
  The clips I have are HD and .mp3. MTS files.

  In the latest version of Premiere Pro, it is possible to change the settings for the sequence.

  You know what settings are best knowing what you are doing.  (Personally I'm fan of formal education for this.)  I know that sounds sarcastic, but, there is no right answer to the question whose parameters are the best.  There are many variables here, then... you really need to know what you're doing.

• When you create a new project, the "new sequence settings" step doe appears not automatically, what to do?

  Hello

  I have a question I make videos of product for a company that they would do that to me in a 16:9 format and in HD. Because they do not know on which channels they want to publish, but it is certain that they will publish on youtube I wanted to do it in the settings HDV and DVCPRO HD 720 p 24 or even 1080 p 24. I bought the license to create online and for some reason that I don't have the option at the beginning when I create a new project to change the settings for the sequence. They do not appear, and then I can not change. Guys do you have any idea what can be done in order to access this setting before the project opens in the end?

  I'd appreciate strongly any help in this matter!

  See you soon,.

  Mascha

  This option is no longer available in the current versions of first. Once you click OK in the new project dialog box, you can then create some sequences that you like new sequence in the dialog box. You can also return to any order and change them through the sequence settings.

• Is it possible to ingest 1080 p, video AVCHD 60 p in Apple Prores 422 while keeping 1080 p?

  I just finished a shoot which consisted mainly of filmed at 60 p, 1080 p.  I'm shooting AVCHD on a Panasonic GH3.  I am looking for transcode my footage in Apple ProRes 422 LT while maintaining my resolution and 1080 p 60 fps frame rate.  However, the only 60 p option I see is in 720 p.  Is there a way to keep my footage 60 p in 1080 p as Apple's Prores?

  I usually shoot in 24 p without problems swallowing, then this company 60 p is alien to me.  All advice is appreciated.

  Thank you.

  If you open Adobe Media Encoder and click on "RESET" then "create Preset" you can create your own custom preset ProRes. Simply choose "QuickTime", then a presets ProRes that's closest to what you want (Apple ProRes 422 (LT) - HD 1080 p 29.97 for example). Then go down to the "basic video settings" and change the pace at 59.94 or 60. This new preset will appear the next time you open prelude. I hope it works for you.

• Error: too big sequence settings. Now: How to export?

  I'm new on the first (and video editing), but I've spent many hours during holidays past learning and producing a short video.

  The first media in that I included was a large image. I think it is the reason why the sequence settings are big: 4928 x 3264 pixels (I didn't know on the sequence settings at all).

  Next, I added my video clips, recorded in DV 720 x 576 format.

  Now I understand why video clips appear to be scaling over 500% to fullfill the frame!

  I saw a video on the sequence settings, and it seems that the settings sequence reduce the CPU usage when editing (Preview in real time). Good to know!

  But my question is: can I export a video of good quality with this settings?

  I tried DV PAL and H264 + DV PAL, producing large files: 250 MB or 2 GB for a 10 min. video, with a horrible video quality.

  I'd appreciate any help to avoid to repeat the entire process.

  Thank you!

  Kin

  If I understand correctly, you want to do is export a video in 720 x 576, in this case, you're better off get the right sequence rather than the intensification of the sequence settings and then back down to export.

  You neglected to declare you what version of Premiere Pro. It's always a good detail to include, especially in this case because the parameters of the sequence becomes editable in CC7.1. So if you are on 7.1 or later, you can change the dimensions of the sequence to match your main content by right-clicking in the sequence in the project Panel and select sequence settings. If you are on an earlier version, then the best way to go is to create a new sequence with the desired settings and copy and paste everything from the old order to the new. You'll then come back scaled to 500% to 100%.

• Adobe Media Encoder CC: Is that I can export to Apple ProRes 422 on a Mac?

  Hi people,

  I tried to find some information about it, but couldn't really find a definitive answer on this.

  Unfortunately, my Mac is set where we are talking, I can't try this either...

  I want to convert the mxf files (XDCAM HD 422 1080i 50, 50 Mbit/s with multiple Audio channels) to Apple ProRes 422 using Adobe Media Encoder CC.

  Simple question: is that possible or I need to look for another workflow/converter?

  Thanks for your help!

  Jens

  PS: The OS is Mavericks...

  Sure.

  Use the QuickTime exporter, and then choose the ProRes422 Codec in its drop-down list.

• Download Apple ProRes 422 Presets first

  If anyone knows anything about downloading presets Apple ProRes 422 first, so you can actually use them in a project as a parameter of sequence?

  I can download them here: http://www.Adobe.com/support/downloads/thankyou.jsp?ftpID=5411 & starts = 5030

  
  

  But I don't know how to actually get in first?
  

  The files that you downloaded is pertinent to CS6. If you are using an older version of CS6 of Adobe Media Encoder then:

  1. download and unpack desired predefined packages

  2. start SOUL

  3. in Panel Preset browser, click on the button import Presets and select desired presets (excerpts)

• Fact in export DV using "Match sequence settings.

  I'm VHS and Hi8 video capture using a Canopus ADVC-300 and Premiere Pro CS6.  The output is DV, approx. 14 GB/hour.  Most of the catches are unattended (have a 4 TB drive, supported of course, but space isn't a big concern at the moment).  I would get everything imported before any serious editing, so I capture each strip twice: the first time, the video itself; then I go back, turn on the indicator timestamp overlay and capture again with the camera works at speed x 2.  This way I can quickly find after a particular segment of a band recorded without winding the Ribbon around the camera, looking for the scene and the time is not superimposed on the image.

  I have two questions:

  (1) given that the catches are unattended, I need to cut the blue screen at the end of each captured files to save disk space.  I want to confirm that if I cut a sequence and export with game "Match sequence settings", this first reencode the DV except the parts that I've actually changed (I sometimes use the dip to black around damaged segment of tape).  Based on the speed of export, I don't think it's recompression and quality looks the same but I want to check a second time.

  Premiere Pro CS6 always mark the timeline with the color bar if treatment is required?  "Dip to black" parts get a yellow bar, but the rest has no bar.  That would be a clue.

  Also, the export dialog box has "Use rendered maximum quality" unchecked by default.  I check it - does it matter?

  (2) what is the best way to permanently associate a DateTime with the captured video? I don't see anyway to bake in the DV for each segment.  I use comments in sequence marks, established at the beginning of each clip, but the sequence markers do not move if I have ripple - delete, let's say 10 seconds of noise in the middle of a track.  I can't figure out how to get the markers attached to the video track instead of the sequence.  I found a few videos that say how to do this, but they do not seem to apply to CS6.  I found that if I export the sequence, the markers can get supported in DV.  But I need them to stay if I ripple-edit.  Is this possible?

  (3) my plan is to add a title overlay second 3 or 5 at the beginning of each segment to say what it is and where it was captured, but only for the final export.  Is there something I could use to create a heading for a spot?   This isn't a big deal, but it looks like a useful feature.

  Sorry if the answer to these questions is obvious - thanks for your patience.

  1. on a Windows machine PP will make a copy of simple file for executives not corrupted when you make the DV, DV without transcoding.  You need not (and should not use) sequence settings to Match for that to happen.

  2 clip markers are defined in the Source monitor Panel, not in the sequence.

  3. copy/paste is about it.

• Self-fit image sequence settings?

  Hi people,

  Just a question:
  I teach students how to work with Adobe Premiere Elements. In this way I experienced a small nice auto-message. If a user uses a projectsetting which does not correspond to the images he or she is important, APE9 give a nice little warning. Chained with the question to automatically adjust the project settings for the parameters of the film. Not only it works very well, but projects that have a red bar ontop of the scenario now seem to have problems of rendering at least, therefore, the system works a lot faster.

  Now:

  I understand that when shooting with a professional camera and editing with Premiere Pro, most users know what sequences corresponds best with the sequence settings. But sometimes (.. .and maybe it's just me who experience this), I get images from strangers. Knowing exactly what the parameters are. Even though I know that the user has shot the film using a Sony XDCam format, there are a lot of options to choose from.

  That guys would tell you, if there was an OPTION (so, not itself), to have a standard sequence, then put the pictures in it and then click on the option (context menu-> Auto adjust the image sequence).

  I like it, but good, maybe there already is a better way, in this case: I'd love to hear from you!

  ... maybe there is already a better way, in which case: I'd love to hear from you!

  He is a. drag a clip to the button new item at the bottom of the project Panel (it's the button that looks like a chipped sheet). This will create a sequence of parameters of the element and place the clip inside.

  You can also right click on a clip and select new sequence Clip - which is in CS5.5 only, however.