Apple ProRes workflow in first pro?

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• Download Apple ProRes 422 Presets first

  If anyone knows anything about downloading presets Apple ProRes 422 first, so you can actually use them in a project as a parameter of sequence?

  I can download them here: http://www.Adobe.com/support/downloads/thankyou.jsp?ftpID=5411 & starts = 5030

  
  

  But I don't know how to actually get in first?
  

  The files that you downloaded is pertinent to CS6. If you are using an older version of CS6 of Adobe Media Encoder then:

  1. download and unpack desired predefined packages

  2. start SOUL

  3. in Panel Preset browser, click on the button import Presets and select desired presets (excerpts)

• I can't get ProRes work in first Pro CC

  I recently bought a subscription to Adobe Creative Cloud for my 13 inch, Macbook Pro retina end 2013 race, new Mac OS X Mavericks (10,9), after using the CS6 on my old mac. I made sure to install the ProRes codec on my new computer, but I can't get Adobe first Pro CC or Adobe Media Encoder CC to recognize the codec. I installed the version 1.0.3 ProApps QuickTime Codecs and managed to make it work with the Quicktime software many Blackmagic. Both Adobe Premiere Pro and Media Encoder does not give me the option to export to ProRes and try to import a video file using ProRes in one of these applications, it doesn't matter that the audio. I tried everything I could think of and found online, but nothing has worked. Can someone help me get the ProRes for work?

  OK, this problem has been corrected in Premiere Pro 7.1. If you encounter this problem, be sure to update.

  EDIT: Ok, so the importer has been fixed; I can not even export to quicktime. I submit a bug report because the forums were completely unnecessary. Thanks for nothing Adobe.

• First Pro CC with Canon T6s workflow

  My name is Joe Hamm. I'm a jazz musician and become a filmmaker as well. I made a short documentary film which has contributed to my organization and my area sell to potential donors and build boards. I made this film using all material borrowed and learned from watching a lot of documentaries and to spend time on YouTube tutorials to learn editing techniques.

  Most of this was shot with a Canon XA10 I borrowed.

  Beyond the music: soundscapes, El Sistema and the power of music - YouTube

  Since then, I received requests for making movies for similar programs throughout the country. To reduce my costs, I finally bought a Canon T6s and am currently training on the subject. Soon I will start making movies again with the highest quality, that I was never able to accomplish.

  Here's my current workflow. I'd appreciate your comments to help me improve the quality of the image.

  Canon T6s, 18-135mm lens. Shooting at 23.98 FPS, FHD 1920 x 1080

  1. capture video sequences

  2. slide the MP4 files to Video folder on hard drive

  3. import into Media Encoder and convert to ProRes 422 (LT)

  4 import. In first Pro CC MOV files

  5 merge audio recordings and replace audio source

  6 edit

  7. apply the color corrections

  8. export to YouTube 1080

  9 download on YouTube

  Thanks for your ideas and your recommendations!

  You have a good start. I don't know how 'our' ideas will improve the quality of the image, but "we" can certainly help not the time it takes to go from 1 to 9 on your list.

  For your projects, I might suggest using prelude on ingestion... you could navigate to the media card reader, rub it to make sure what you want really... then set up a quick process to rename the clips for a work, copy the renamed original media to archive or backup file, transcode the same renowned media in your folder of work and of course add metadata at the same time you have need. ProRes422 (LT) is a correct choice for transcoding, but I might suggest Cineform 10-bit YUV... it's totally Visual lossless (especially with the media you use) and FLEET through the CPU used when editing.

  The sound that you have on your example is pretty decent... nice work. Most people get obsessed with pictures... and then find that without good sound, you might as well fuhgedaboudit. Good solid and adequate image is ok... Imaging good and bad sound is just useless. Don't know how you have managed this, but it's quite nice. Quite often the process is to get your low edit including say noise belonging to sections of voice-over added separately or used cams, and all the time that you have 'Edit locking' you send sound or hearing to do the necessary cleaning for sound media used.

  At roughly the time this color correction/grading themselves. Once again, only for the media on the final sequence.

  My only thought about the quality of the image... it's the 18-135 lens is convenient, but not necessarily the most beautiful image-creator you can get hold of.

  Neil

• Exports of FCP in Apple Prores not supported in Premier Pro?

  I did a bunch of FCP7 export as Quicktime/Apple ProRes and most of them, not all, is not supported? Any advice?

  All,

  I thought about it! It has been EXPORTED the way I have BATCH files.

  I add an extension 'custom' in my export FCP 7 batch, that replaced the ".mov", so even if files opens in Quicktime and final cut PRO, first recognizes only a certain set of extensions, despite the type of file. "

• First pro cs6 mac import failure prores and dnxhd says format unsupported or damaged

  Hi all

  I am running OSX Mavericks and have sequences video avchd import into my project.  He went all out.  I am an intermediary file and tried to prores and dnxhd formats.  When I created a new project and tried to import a format I get the above error.  In addition, when you try to read the prores file with quicktime it won't play.  I have a Windows virtual machine with an earlier version of the first pro that has the neat video.  I created the file dnxhd on it and was able to import the file into PP on mac and the processing of these int h.264 movies.  What do you think of the error not be able to import a format on my mac?  Could there be an error on the export into media encoder?

  Mark

  It seems that I solved my problem and I wanted to post the resolution.  Apparently, the Avid codecs play nice with Quicktime on Mac and make Adobe QT32 Server crash.  Even if a file has been made, with server QT32 crashing it was unreadable.  The first thing I did was to delete all codecs in MacHD/library/Quicktime.  I restarted my computer.  Then I added the Apple codecs.  Voila, I can now encode to the Prores format.  I tried to add the dn only Avid codec, and I had the same problem.  I tried the version 2.3.7 and 2.3.9 without success.  Looks like I'm not 'be able to encode DNXHD files and read my existing will require adding the codec, export to the quicktime-no format and then delete for any future encoding prores codec.  If anyone has a solution to make the Avid DNXHD codec work please let me know.

• Best workflow - iPhone 6s + film Pro + first Pro CC

  I need advice: a few images on a 6 s iPhone using the filmic Pro application. Need to import it into Adobe first Pro CC; looking for the best "sequence presets." And is it still important?

  
  

  In addition, advice for an entire workflow (including export settings). I know it's findable probably somewhere in the forum, but I'm new here and enjoy the links/departure. Thank you guys!
  

  I found the solution!

  We came back from shooting with the same problem. Fine once in quicktime format, but will not import into first or transcode in the SOUL.

  The problem seems to be that film Pro natively by default to record audio aiff 48 kHz. This play very well with the mp4 stream produced by the app (don't know why!). However, if you assign the audio in pro recording pcm 44.1 khz stream lats (in the audio settings), everything is solved and the audio comes in fine.

  Obviously, this is no good if you have already shot the material. We had to export the audio separately and re-synchronization in first pro to the image to solve for this one. But the following should now work correctly.

  Good luck!

• Conversion of image sequence Cineon LOG in Apple ProRes 4444 XQ in Media Encoder CS6

  Hello

  I have a sequence of images Cineon LOG I want to convert to Apple ProRes 4444 XQ, but I'm not sure of the procedure.

  I use Adobe Media Encoder CS6 on a Macbook Pro OS 10.11.2 2012.

  Could you please tell me how to on this subject?

  Also, I find that I don't have the ProRes 4444 XQ Preset codec in Media Encoder... Can I download it somewhere?

  Thank you

  Tiya

  
  

  The problem is resolved. Here's how:

  I bought ' Glue Tools Cineon / DPX Toolkit for Mac OS X and used it with Apple Compressor 4 on my Macbook Pro (2012) running El Capitan.

  I was able to convert Log Cineon sequences of images in ProRes 4444 XQ QuickTime movies.

  Some things to note:

  • After downloading the Toolkit, you must activate it from the system preferences panel and make sure that you select the correct Conversion settings in the Cineon / DPX icon (bottom of the system preferences panel).
  • Glue Tools also have a trial / demo for you to try Mode.
  • Currently, glue tools Cineon/DPX Toolkit (4.1.2936) supports only compressor 4, but can add features for the Media Encoder and other tools in the future.
  • Use "Import a file" compressor 4 and select the first file of the Cineon or DPX image sequence when you try to get the glue tools to read them. Do not use 'Import Image Sequence'.
  • Once you have written the ProRes 4444 XQ, you may still need to correct color, but Glue Tools has excellent support.

  Tiya

• First Pro CC DNxHR Support

  Hello

  
  

  I just finished a project with images larger than the 1920 x 1080 resolution. Of using a codec that was flexible with resolution. I'm working on a Windows workstation, so my first thought was to use the DNxHR of Avid format. I created proxies to DaVinci Resolve and the images do not work. Extracts have been very well, others are just black screens. I tried both MXF and Quicktime. I have the Avid Codecs installed. I ended up making ProRes proxy on a Mac workstation. Then, I had to do the same thing after the shade of color. It is a bit of a heavy and inefficient way to work. I would largely maintain all centralized on a single workstation.

  Did I miss something in respect to the first, or not yet functionally support DNxHR? I have these greedy codecs installed:

  Avid QuickTime Codecs THE

  Any help is very appreciated because I would like to find a workflow that can work for projects of high resolution on a Windows machine. This includes the work with proxies of the will (I don't have suggestions to work native and the Speedgrade color).

  Thank you!

  Hi Randy,

  Please check the document below.

  Revealing the next version of Adobe first Pro CC | First work Pro area

  Vinay

• First Pro CC 2014.2 frequently crashes when switching between programs

  I started to program frequent crashes in first Pro CC 2014.2 Mac OS 10.10.3 on my Mac Pro 2013. This problem occurs when I switch to another program, say word or Adobe Audion back to Premiere Pro. I have the dialog box "we're sorry" and the application breaks down. About 50% of the time when this happens - when I reopen it the application that it hangs again - and then on the 2nd re - open it is successful. It's really annoying my workflow to worry about a crash whenever I have spend in AE or hearing. I uninstalled all the plugins, uninstalled and re-installed PP, erased the media cache and reset the preferences. Happening every day on this machine. FYI, I have an iMac 2013 running the same operating system that opened the same project files without this issue - it seems that it is specific to this machine for some reason any...

  Hello

  I suggest the following:

  • Hing-while-working-Mac-OS-x-10-9-and-later/ http://blogs.adobe.com/kevinmonahan/2014/09/10/Premiere-Pro-CC-freezing-on-Startup-or-Cras
  • Run a repair of permission to drive on your startup disk, and
  • Reset the folder permissions and ACL error | Apple support communities

  Thank you

  Regalo

• Where is apple prores 422?

  Hi all

  I need your help please.

  I bought a new macbook pro and installed Speedgrade. However, in the output module I can't find the option to export the calendar to Apple Prores flavors.

  Don't know if it's relevant, but I installed SG first, while Final Cut Pro X. should I did it the other way around?

  The problem is that I'm in the middle of the ranking of a project of 10 min and I just realized that I don't have these codecs for delivery to the customer.

  Worst case is that I'll pass the SG in my old Mac Pro and export from there (where everything works well), but I'd rather finish my work on the laptop.

  Thank you

  Diego

  Download the codecs Proapp lasted Apple, update or reinstall, and then try again.

  You have Quicktime 7 Pro or X version only in Mountain Lion?

• Mounting Apple ProRes Footage in CS5.5

  I got some pictures of another customer who was shot with JVC's HD camera - using the XDcam codec - but they no one converted the video to Apple ProRes 422.  I have these clips on an external hard drive.  What is the best way to import these files into first and edit with them?

  Apple QuickTime ProRess 422 LT 1920 x 1080 29.97 FPS.

  It seems the XCCam HD422 1080 p 30 a similar video settings - it would be the best way to bring it?

  As long as you have installed QuickTime, simply import the files - Premiere Pro will be no problem with them.

  Strictly speaking, you can edit your videos in any predefined sequence that has the same general parameters like images without problem; in fact, you can edit your images in any order, but suppose you want to match at least of things like the size of the image and the pace. You can use one of the existing presets (like XDCAM preset), you can create a custom preset (click the settings tab in the dialog box new sequence and set the "Custom" Editing Mode), or you can simply drag your film to the button new item at the bottom of the project Panel. This will create a sequence that corresponds to your images.

  Like this:

  

  On a side note, if you can get the original film, Premiere Pro will handle natively - is not serious if he was MP4 or MOV, Pr will be important and works perfectly fine with both.

• Convert MTS to Apple ProRes 422 HQ to compressor

  Hello

  I started using Final Cut a couple of days.

  I'm considering the purchase of compressor for batch-export out of Final Cut Pro X, but I was wondering if the compressor can also be used to convert the MTS to Apple ProRes 422HQ files prior to importation in FCP for editing, or is it a tool to export only?

  If the encoding cannot be done with compressor, which conversion program are all the cool kids using these days?

  I worked with the native MTS files to FCP. It's not as bad than I expected, believing he was close-on impossible to work with MTS removal a few years at my time of Premiere Pro. However, if I can speed up my work flow AND reduce slightly the size of the file, that would be great.

  Any help would be greatly appreciated.

  Thanks in advance.

  CCompressor could not be opened the .mts files.

  IF you have some .mts files to test, you should try EditReady.

  I don't think that you can reduce the file size more your .mts files are probably, but I guess it depends from whence they came.

• Mac: RemoteUpdateManager first Pro

  This may be more appropriate posted on another forum, but since it is to get the update for Premiere Pro I write it here.

  RemoteUpdateManager option is used to provide updates of Adobe products for a while; However, we are unable to update Adobe Premier Pro. Normally, we use Apple Remote Desktop, but also are not successful with Terminal Server. For example, following Adobe updates June 2016 that several applications were developed to day but Premiere Pro will not update to version 2015.3. Simply, we get all applications are up to date.

  All applications have been installed via the exact same package and updates have worked in the past.

  We tried the following all nothing is Terminal.

  RemoteUpdateManager - action = install sudo

  also tried

  sudo RemoteUpdateManager - productVersions = body #10.3.0

  Suggestions or someone knows why the update command is not picking up the first Pro update?

  Thanks for the suggestion. I deleted the OPM.db by #2 suggestion in the KB. Made no difference. Out of curiosity, I installed the desktop application and it does not show the update as being available for the first, but still using the command RemoteUpdateManager, it does not install the update.

  The problem is I have several Labs who need update, and we generally do not install the desktop app and try to avoid to have to update manually.

  Discovered that if I create a new package with the updated version and install it, it installs it in addition to keep the old version.

  What a waste.

• Switching from first Elements at first Pro CC

  Hello

  Is it easy to upgrade from the first first pro cc items?  I am currently looking for a basic video editor that handles the media well from the point of view of the Organization, but I don't want to pay the cost of the subscription of the cc pro because I don't need most of the features.  If I ever decide I want to upgrade to cc pro, it is easy to do?  Thank you!

  Hi christineo,

  The first Elements to Premiere Pro is as simple as getting a subscription. Your work is concerned, you can open your project file first Elements (PREL) in Premiere Pro [Note that it is a Windows Workflow only]

  Import of footage, clips and compositions in Premiere Pro

  Since you are looking for a basic video editor, I suggest you continue with Premiere Elements.

  Best,
  Regalo