Fact in export DV using "Match sequence settings.

Similar Questions

• Why my media wants to export in MXF format when I match sequence settings?

  I did movies with first CC before and never had this problem, I'm going to export, I click on the box to match my sequence settings and it will export an MPEG, and now she wants to export in MXF format. My computer does not recognize the MXF files. Is there a reason why this might happen?

  If your export correspond to the parameters of the sequence is now mxf. Check your codec in the sequence settings. This is what match sequences of uses.

  Why do you want to use the match sequence settings, it's for a quick review of your film with a codec overview of lower quality.

• trying to deform stabilize 4 k images and then reduce to 1080 p before exporting it but error "string stabilizer requires clip dimensions to match sequence settings try nesting.

  I have a 8 min long 4 k sequence where all the video clips are the same size k 4. I can warp stabilize just fun but when I go on change settings for the sequence to 1080 p and then right click on each clip to scale to the framework I get error "string stabilizer requires clip dimensions to match sequence settings try nesting" the reason why I want to warp stabilize the 4 k images rather than 1080 p images is because with 4 k I have a budget of high culture, I can get away with before I got to the bottom of the scale, string stabilizer settings I use are in the jpg I have attached. I tried visualization of nesting videos online and I can't find what I need. As the now the only viable option I must deform stabilize 4 k and export under 4 k and then open a new project and import the stabilized 4 k images exported and reduce the sequence to 1080 p. I'll do that if I have to, but it will take a lot of time coding without a doubt. Any help is greatly appreciated.

  If the images do not match the sequence settings and you want to use the chain, you'll nest.

• Can export you as AVCHD if you use "Matched sequence?

  As far as I know, "Matched séquence" means that you export the file exactly as your sequence settings. Adobe indicates that you cannot export in AVCHD, you can only import from AVCHD , but you will need to export to something like MPEG -2.

  So what happens if I export a AVCHD sequence as "Matched sequence? The final export will be a AVCHD file or something different?

  How can I check if the exported file is an AVCHD?
  

  Where it says 'Format' that would be the exporter that you don't want to use Premiere Pro or SOUL.

  1.YouTube.

  Format: H.264. There is a "Preset" for YouTube 720 p that you can use as a starting point; increase the size of 1080 p, change the frame rate and I put the maximum bit rate at 8mbps target/10 Mbit/s for my 1080 p YouTube uploads. Record what a "Preset" so you can reuse it later.

  2. delivery for TV broadcast.

  It is difficult to answer; each broadcaster will want different deliverables. You will need to check with their requirements. I put back any H.264 MP4s, Avid MOV, DV AVI and MPEG2 HD files - it's kind of a mishmash is not really possible or practical to give you a number of parameters defined for this one.

  3 check-in use on my computer.

  You can use a compressed AVI or MOV (Format: Microsoft AVI/QuickTime, Codec: None), but they will be very large files. Why not just keep the images and the project file? You can also try a codec lossless as the Ut Video Codec Suite or (my preference) Lagarith Lossless Video Codec. Both are free, Windows only and appear as under Microsoft AVI codecs. They are good; they will be as well, but not quite so big that no compressed large files.

  4. If you want to burn to DVD.

  5. If you want to burn to a blue ray.

  Premiere Pro has specific exporters for each of them; Check out Format: MPEG2-DVD to DVD and Format: MPEG2 Blu - ray or H.264 Blu - ray for BD. You can also just send your sequence in still and let him choose the best settings based on your desired output format. Select your sequence, and then go to file > Adobe Dynamic Link > Send to yet.

  6. If you want to download and sell the images on a Web site like shutterstock.

  Like #2 above, you will need to check with the specific stock service what their needs are. They must be stated simply enough, and you can then choose the format and codec based on these requirements. Google search for the service in question and the experiences of other users, would also help.

• Black bars that surround exported video but match my settings all?

  I voluntarily make a video for Youtube.  I shot with a Canon Digital Rebel Ti3 SLR at 1280 x 720 / 30 frames per second.  When I started a new project I chose the DSLR preset editing and chose 1280 x 720 (I also tried others and they all do the same thing).  In my workspace, I had to resize the video a bit, but adapt to all shots in the frame.  When I go to export, I touched the H264, Youtube HD widescreen 1280 x 720 29.97 FPS.  I tried to start a new sequence, copying the old images and place it in a new framework and contributing at the end of my sequence to be enlarged, but the majority of it still has black borders.  The end is full size really threw me because I have no idea what I did do at the end of my video work as I wanted it too.  Help, please!  I tried to read the different forums on this topic and tried a few suggestions, but I don't know why the end of the sequence is very well and most of the video is not full screen?

  Easy way to implement a sequence that corresponds to your images:

  

• Is there any predefined preset file which could be 'fit the sequence settings "?

  Hi guys,.

  When you export by "match sequence settings" selected, first export clip with the current sequence settings.

  If I use the controller to export to export a clip, is there any predefined predefined file that could represent these "match sequence settings"? Or there is a setting that can be serialized in preset file to "adapt the sequence settings"?

  Hi Alex,

  Match sequence settings is probably not exactly what you're looking for, because who uses only the Preview predefined sequence which will usually be an I-Frame MPEG codec.

  In first Pro CC, it has a new option to Match Source for some formats.  Source soccer match is not available for all formats - for example, with AVI or MOV, it is not available, but with H.264 you can use a "Preset" similar to the one here:

  C:\Program Files\Adobe\Adobe Media Encoder CC\MediaIO\systempresets\4E49434B_48323634\01 - Match Source - high bitrate.epr

  For formats which is not supported for game Source, you can use the Suite of sequence information for information on the sequence, as shown in the example of export controller:

  sSequenceInfoSuitePtr-> GetFrameRect()

  sSequenceInfoSuitePtr-> GetPixelAspectRatio()

  sSequenceInfoSuitePtr-> GetFrameRate()

  etc, etc.

  Then, use what you have discovered about the sequence to choose the path preset with your own code.

  Zac

  Post edited by: Zac Lam

• Corresponds to a sequence settings option is no longer available?

  CS6 using, my option on the export to click a "Match sequence settings" box displays more time. How can I return this option?

  Thank you.

  On your screenshot, I can tell you are not encoding

  starting a sequence, but an individual clip:

  

  If you were encoding from a sequence,

  "All music" would not have an option.

  And, as you encode an individual clip, there is no

  "Sequence settings" to debate (because it is not part of a sequence).

  So... any check box.

  "Fit the sequence settings" option is available

  when encoding from a sequence:

  

• Parameters specified by step do not match the settings of the sequence

  I just upgraded from Teststand 4.1.1 to 4.2 and have encountered this

  problem during the review of the existing sequence files.

  When I open a file of sequence, select any stage of type sequence call, which calls another sous-séquence

  in a different sequence file, I learned that the parameters used do not correspond to those required.

  To be more precise, in the settings area of the stage, a red exclamation symbol appears at the side of the

  subsequence called step, and the ToolTip is displayed when the mouse pointer is

  hovered over the exclamation point States:

  "Parameters specified by the step do not match the settings of the sequence."

  The ToolTip goes on to explain how to solve this problem by clicking on the exclamation symbol.

  I find also that by deselecting the "Prototype using sequence" tab in step Settings\Module

  solves the problem.

  When the sequence is executed, no problems occur with execution, the test performs correctly.

  Is it possible to clear this error for each sequence call not in one operation?

  Thank you

  Gary.

  My apologies to attach a file of sequence buggy. I forgot to pass a parameter to the LoadPrototype method to preserve existing settings. I have attached a corrected version of the sequence file. I changed to update SequenceCall not only because of potential problems, reloading the DLL prototypes.

  I would try to explain why you see cela TestStand 4.2. The additional results feature, we added to TestStand 4.1 needs to know what parameters are entered, output and input/output (i.e. what settings is pass by reference). Before TestStand 4.1, step of calling sequence does not store this information but rather dynamically got it and it appears in the column how go. Now that we store the past by reference with the step option, you can have an inconsistency between the option stored in step and the current setting of the sequence called. This inconsistency affects only additional results and not execution. TestStand 4.1, the sequence editor to not warn you on these inconsistencies. We have added the TestStand 4.2 warning so that you will have the correct information for additional results.

  When TestStand 4.1 or 4.2 load a file of sequence from a pre-version 4.1 version, TestStand sets cervical optionally reference true for all parameters in the call sequence steps. This is why you see the warning for any sequence calling step created TestStand 3.5 If no parameters are not passing by reference. You can also see the problem if you change the option collar called a reference parameter in the sequence.

• Error: too big sequence settings. Now: How to export?

  I'm new on the first (and video editing), but I've spent many hours during holidays past learning and producing a short video.

  The first media in that I included was a large image. I think it is the reason why the sequence settings are big: 4928 x 3264 pixels (I didn't know on the sequence settings at all).

  Next, I added my video clips, recorded in DV 720 x 576 format.

  Now I understand why video clips appear to be scaling over 500% to fullfill the frame!

  I saw a video on the sequence settings, and it seems that the settings sequence reduce the CPU usage when editing (Preview in real time). Good to know!

  But my question is: can I export a video of good quality with this settings?

  I tried DV PAL and H264 + DV PAL, producing large files: 250 MB or 2 GB for a 10 min. video, with a horrible video quality.

  I'd appreciate any help to avoid to repeat the entire process.

  Thank you!

  Kin

  If I understand correctly, you want to do is export a video in 720 x 576, in this case, you're better off get the right sequence rather than the intensification of the sequence settings and then back down to export.

  You neglected to declare you what version of Premiere Pro. It's always a good detail to include, especially in this case because the parameters of the sequence becomes editable in CC7.1. So if you are on 7.1 or later, you can change the dimensions of the sequence to match your main content by right-clicking in the sequence in the project Panel and select sequence settings. If you are on an earlier version, then the best way to go is to create a new sequence with the desired settings and copy and paste everything from the old order to the new. You'll then come back scaled to 500% to 100%.

• Need help! Re: Sequence Presets understanding & settings + using multiple sequences!

  Hi, I'm newer to Premiere Pro (using the new version of Pro obtained in March 2010 on a PC) and watched all the tutorials (lots of video) and read a LOT about the subject! And I have answered several questions about mine. But there is one main thing (that I'll probably have to divide it into 2 or more questions) that I just got a complete knowledge & really your expert need help on!

  Thank you very, VERY MUCH! Really...

  I have designed/product audio (music) for a while now and when you start a new session just, you select your sample rate & are locked in for the most part therefore... Pretty simple... Now with Pro, when you start your new session, you choose your Preset sequence. Now for this first project, a video clip (3 minutes), the audio is done (as I said) and for the clip, we use images from several sources including: maybe 55% compared with a mini-camera DV, 40% of the .vob files right & the remaining 5% of some mpeg files + a few YouTube videos (we only have it our preserved images of front on YouTube) + some JPEGs (still images). And we plan to export the final video on YouTube and the internet. And we want also ready to be broadcast on both television (MTV, some media, shows, etc.). And Yes, we will also use it on cell phones (even if it is the least important right now). So 3 main exports (which I believe are all made at the end through media encoder).

  • But to choose the right Preset sequence at the beginning, I am confused, unfortunately.   I

  Believe you choose the one that best fits to of your assets sizes & frame rate [in this case, which is a camera film regular DV; & mediainfo said the .vob file = 720 x 480 (4:3) to 29.970 fps MPEG video (NTSC), one of the shots (of our) YouTube = 480 x 270 (16:9) at 29.970 fps STROKE, a MPEG = 352 x 288 (4:3) at 25.000 fps and 2 examples of jpeg = 300 x 400 (size = 57 KB)] and another = 720 x 450 (size = 100 KB)]. So if I am wrong in my assumption on the choice of a pre-defined sequence just on the best corresponds to the your assets rates & sizes, I would choose (I think): DV-NTSC Standard 48 kHz (the 48 just to 41 over our audio sampling frequency). 

  And if all goes well, it is excellent for our export needs YouTube at the end of the process the video & tv as well!

  .. . Is this correct?

  Can I choose the predefined sequence that best matches most of the sizes/frame rate of your assets?

  * And ESPECIALLY... is CE Preset of the sequence is the BEST for this current music video (based on the sources of our assets & where it will be considered when it is finished - mainly of YouTube, & also some TV [for media and broadcasting] - probably on a DVD, I guess)?

  Or I'm wrong, & it (your Preset Sequence) depends on your final product & the output?

  My friend (who admits that he is no expert in some way) explained that I would probably go with HDV 1080 p 30 as this will give a much better value for my release. But after he saw the results in Pro with this setting for my property, he agrees with MY above conclusion instead. 

  When you use the DV - NTSC Standard 48 kHz preset, I saw the asset in the Source monitor Panel (& then dragged the clips to the timeline) & seen in the finale of "Project Monitor" (I think it is called). And they looked decent in this final screen (where I'll crop & use some shared screens sometimes). 

  And when I used his suggestion of 1080 p HDV 30, assets looked ok in the Source monitor Panel (I think), but very little in the final project monitor. 

  • And led me to another big question - when you use the jpeg format which is 1280 x 960 e.g. (largest

  as the previous ones) in the Standard DV NTSC 48 kHz preset, happening in the Source monitor. But when you drag it down to the timeline and view it in the program monitor, the head was cut off, etc. and of course, when you use instead the HDV 1080 p 30 preset, as larger jpeg even adapt very well in the in the program monitor. Now, I understand that this is because the size of the frame (dimensions) close match those of the HDV preset. I get it. What none of us got was however WHY in the DV - NTSC Standard 48 kHz preset, he looks very well in the Source monitor Panel (but not in the program monitor)? (The two were simply put to 'Fit'). We thought he not would not have looked at well & fit fine and complete source of follow-up at first - but that's the difference between this largest jpeg display when it is displayed in two different monitors that really confused us!

  • And the final main confusion on this topic lies in something, that a technician in Adobe, tell us, informing that

  We can create multiple sequences. Now, I saw How to do this in the project Panel, but it's really the full understanding of the workings that we don't get. The tech said: "each sequence MUST have the good frame rates, sizes of images." Ok, you understand - understood. And he said: we can be: convert the size of the image (of this large jpeg example, say reducing) to match the predefined video frame size. But in this way, we would lose the quality (jpeg - assets). And he says: - or - you CAN use multiple sequences for different sources & when everything is completed (the whole video), I just export it them all as a single project! And I have that a sequence may be getting the DV preset (with the heights of these assets corresponding closely to this preset) and another sequence (in the same project) can be the HDV preset (with the heights of remaining assets corresponds closely to the preset instead). , But he couldn't explain was: how you can view your entire music video (3 minutes) in its entirety in Pro. It seems that when you choose a 2^nd sequence, it obviously creates on the timeline, and assets that you put in the 1^st (DV) timeline is completely separate from the 2^nd (HDV) timeline. And you get no display either at the same time (because they are distinct sequences). 

  So... is this true?

  Are we supposed to use multiple sequences within our project to clip one of the assets with a higher (or other) image size/rate?

  And you export sequences as a final clip?

  And if so, HOW the world watch you your video chats (in the monitor of the project with all of your changes - as you change) when you use more than one sequence?

  Sorry, it seems quite stretched out, but I want to answer your questions you can in turn have for me & be clear so I can finally receive clarity on this topic!

  I know it's much, but if you could address all of the above questions (more background or discussion - is but a handful of issues in there), you have my gratitude... we were afraid to start the part of the video of this project is NOT know what sequence preset start with (as "we don't want to be locked into the wrong choice & waste weeks of editing), let alone a good understanding of the 'why' or the ramifications!

  Thank you so very, very well... You have no idea how...

  Rendering is done on a basis as needed. If we do a complex animation with keyframes, or if they have odd source files, they could do. For keyframe animations, I could make this section of the timeline of a dozen or more times. Otherwise, maybe not.

  Rendering is the production of AV files, just for reading. They take a lot of space and will take a while. It's one of the reasons that a Publisher must familiarize themselves with the WAB (work area bar), so that they do things like rendering for all what they might need. Tip: remember to put this back to the full timeline.

  Good luck

  Hunt

• Transcode all sequences of editing in Premiere Pro for DNX175X? The sequence settings?

  About 30% of my digital SLR 8 bits and AVCHD .h264 turned needs significant noise reduction. So I use Neat Video4 in After Effects to reduce noise and can export images with large bands on issues DNX175X 10 bits to help avoid gangs. Also, for sequences requiring a minor noise reduction I'm considering export as DNX36 8-bit in order to avoid the huge file sizes. Is there a reason that I shouldn't do this? Should I export all as DNX175X?

  Also, I wonder should I transcode all my images on my first pro at DNX editing or is it better to let the images not requiring reduction of noise in its original format? Also, once put in the own DNX images are the parameters of my project sequence? He would remain AVCHD 1080 p or should it be changed by DNX175X?

  Thank you

  Sheree

  Hard drives are fairly cheap.  I generally recommend getting more than better to worry about running out.

  Export all as DXxHD 175 x.  Yes.  (In fact, I convert everything even before editing, as the handles so much better than H.264 DNx.)

  The sequence settings are pretty irrelevant, as long as you have resolution rates and necessary framework.

• Question of sequence settings (Screen Shot attached)

  Hello

  I wanted to thank all the people on this forum who help others.  Someday I would love to do the same.

  I think I can make it easier on those kind people go towards others by attaching the screen shots to my startup issues.

  My question is about the sequence settings.  A lot of the key who are grayed out:

  

  One problem is that I can't change my display of 24 p format.  This isn't on the drop-down list provided.

  Also, I'm shooting in the codec H264 on a Canon 5 d Mark II, but can not change it, nor can I change the size of the frame (I got caught usually in 1080).   Instead, I'm locked in a DV codec and a 'Standard' Canon because configuration that the 5 d does not appear on the menu drop down.

  Matt

  My question is about the sequence settings.  A lot of the key who are grayed out:

  One problem is that I can't change my display of 24 p format.  This isn't on the drop-down list provided.

  Looks like you are trying to change the settings for an existing sequence; You can do that - or more precisely, you cannot change all the parameters that affect the reading and the scaling of a sequence.

  If you are only working with Canon 5 D footage, there is some sequence presets set up specifically for such images. When you create a new sequence, browse the categories of predefined settings in the left pane of the dialog box new sequence; you want the folder DSLR. Find the preset that matches the size and the framerate of your videos and create a new sequence to use.

  Another solution is to drag one of your clips for the button new item at the bottom of the project Panel - is the one who looks like a chipped sheet. First will create a new sequence of the corresponding properties of the element and insert this clip. From there, you can add multiple images.

  Also, I'm shooting in the codec H264 on a Canon 5 d Mark II, but can not change it, nor can I change the size of the frame (I got caught usually in 1080).   Instead, I'm locked in a DV codec and a 'Standard' Canon because configuration that the 5 d does not appear on the menu drop down.

  Don't worry too much on the choice of codec here. Select the preset to the proper order using the appropriate codec, and this choice dictates that the codec used to render the preview files if you have a portion of your order which will not playback in real time.

  Dig in the help documents for helping you roll; most of this is covered in some form or fashion there. Certainly, do not hesitate to ask questions, but the help documents should generally be the first reference to general operational issues. Here are the CS5 documents online: first Adobe Pro CS5 usinghttp://help.adobe.com/en_US/premierepro/cs/using/index.html

• Printer settings do not match the settings of document. Page orientation and size settings do not match the page size and settings in your document.

  I have updated from Windows 95 to Windows XP Home Edition, after that my hard drive crashed on my old computer. I had a rarely used, but more recent computer wiped and had XP reloaded with works for Windows 95.  Whenever I have print in Microsoft Works 4.5 of the window, I get the 'documents and settings of the printer do not match. Size and orientation of the page for your printer do not match the settings in your document and the size of the page.  Looks like there will be a simple way to solve his problem. Please notify. I am able to print. But after 3 weeks of this message, I final received a fatal error of Microsoft works just after printing. I think it came from this problem. Not sure. I'm not a technical person. Please note the computer I'm talking doesn't only do not have access to the internet.

  You have posted to a group of win7, but seem to be using Windows XP

  There is an article about this err, usually caused by the used printer, especially Epson printers drivers

• Workflow proxy: export by using proxies?

  I see that when you use the Proxy workflow, it still uses media export full resolution. It is very good for the final cut, but during the export of crude cuts really makes exports need a whole lot more - 3 x more time on my tests. Would be great if it was an option left to the user to export full resolution - rather than make a workaround solution where to change the location of the original media to force it to export with proxies using proxies of the media.

  Test - export sequence of 3 minutes 4 k with scale 5 k R3Ds (proxy are 1080 p ProRes Proxy)

  Export of proxy (1080 p mp4) - 05:55

  Export of media on the origin (1080 p mp4) - 15:05

  Yes, export uses now always full resolution if full resolution and Proxy clips are online. The other possible workaround solution is to select all the clips in the project Panel or sequence, right-click and select make offline. This will make also all the Full Res clips Offline, which will force the export of Proxy.

  We tried the support workflow features and limitations known in our documentation, understand that we could not possibly cover all workflows in this version. Is there a feature open request to select what you want to export, without using workarounds in offline mode. I'll add your name to it.

  Adobe Premiere Pro help. Ingest and Workflow in Premiere Pro 2015.3 CC Proxy

  Work offline using proxy media | Adobe first Pro CC tutorials

  Premiere Pro editing workflow base

  LIVE NOW! First Pro CC was last updated. Creative blog Cloud by Adobe

• weird bribe to .mxf video in some sequence settings in setting up first

  I have a big project mainly composed of .mxf files saved with a Canon xf100.  An interview in particular do this weird thing when one of the clips are placed in a timeline set as his videos, the video seems normal.  When I copy this video in another fixture with different sequence settings video appears as if the Middle vertical pixels have been stretched to the left and to the right.

  I tried to copy it to the other video content to the sequence with this one interview, and it copies correctly.  However, as soon as I click videos stuck together, I get the error seen in the third picture and closed unexpectedly on me first.

  Please see the pictures below.  All images were shot with the same camera settings and I used Media Info Mac to ensure that color space, rate, codec profile, bit depth, extension, etc. is the same.   If he has no idea why this interview has been damaged please let me know.

  

  Thank you Ann.

  I updated my drivers and nothing has changed.  In the end I just transcoded the original files in Pro Res 422 and replace the corrupted in my project files.  From and to the top!

  If anyone has this problem I'd love to hear a plausible explanation of the suggestions on how to avoid it in the future.