best method to adjust brightness of film clips?

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  Is there a 'best' way to adjust the lighting conditions in a video clip?  I have a clip with terrible lighting conditions and can not remove the scenario.

  While I don't expect a perfect solution, I hope that there are approaches better than those I serve.  If the recommendations include third-party plugins, I would appreciate hearing about them, as well.

  I have been using the corrector, gamma and luminance correction filters.  Adjustments of corrector gamma in higher values, but seems to only work by discrete steps.  So, if the gamma should be entered upwards or downwards in a clip, there is a very visible and sometimes jarring visual effect.  The luma corrector seems to only be able to increase the brightness level (thanks to a combination of all the variables of 5 or 6, including brightness, gain, gamma, etc.) before the clip appears washed out.

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  Steve

  All the CC and grading should begin with 'levels '.

  You could then enter the 3 - Way Color Correction.

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  I have a clip of a movie which I included in an educational video in virtue of law applicable fair use.

  The rest of my audio is the voice talking to me. I works to ensure all this audio voiceover to an average Loudness Radar-24.

  What is the best way to adjust the volume of the video film - 24 on average Loudness Radar? I must:

  • Apply Audio Gain-> normalize Max peak?
  • Apply Audio Gain-> normalize all peaks?
  • Another approach?

  Thank you very much in advance for any info!

  I mix it manually until it sounds right, then change the master level to match the desired intensity. Through the final mix loudness radar and set the master volume to get - 24db, you may need to do a couple of times.

• How to convert a jpeg sequence in a film clip sequence?

  Hello

  I love the first and I have this problem.

  How to convert a jpeg sequence in a film clip sequence?

  I have a slideshow to JPEG, but it is best to have as video clip in the timeline. so I can work well.

  Sorry for my English

  So you're on the right track.

  You have a video on video 1 to talk to you, and then, on the Video 2, you superimpose pictures of the things you're talking about. It also seems that you try to image effects in the image with the photos.

  If this is the case, try to drag the pictures in the active project on the monitor window, rather than the timeline. This will add pictures as picture-in-picture on your main video.

  If that is not accomplish what you are wanting to do, you will need to place and size the photos one at a time.

• Bright Red Film/light tones on the photos when editing

  There is a bright red film or a nail that appears on most of my photos that change I change the settings (contrast, highlights, etc.) while I'm editing them. He isn't here after that I have record, but it makes editing them rather difficult because I don't clearly see the photo. Any ideas on how to solve this problem? Thank you!

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  This method works, but it is rather abrupt. He suddenly stops and takes up all of a sudden.

  Many people prefer the easing in the gel just a little and then acceleration out of it just a little. To do this requires the time remapping effect.

  You might want to invest some time with this seminar. I watched it live and it's pretty good.

  emiere-Pro-CC-and-after-effects-CC/ http://blogs.adobe.com/creativelayer/Ask-a-Pro-Webinar-Series-Controlling-Time-in-Adobe-PR

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  gerforce wrote:

  Images originally dslr Nikon that I used mpeg streamclip to convert to prores.

  In your screenshot of the properties of the element for your clip to the source, the material is interlaced. At the original camera file interlaced or progressive?

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