Corresponding volume of Clip of Film Clips of voice over?

Similar Questions

• How can I make all my clips of voice sound the same?

  Hello

  I created a software training video and have put into adobe first pro and exported off Player multimedia adobe, so I can get all the clips of voice-over in a single audio file to edit in adobe audition.

  I have imported the mp4 movie in adobe audition and I got the audio to work with - however, what would be the best way to make the entire audio file sound identical (the voice-over on the same volume and perhaps an effect that can overshadow the fact that some of the voiceover in the file seem to be closer the MIC than others).

  There is a global setting that can be applied to the clamp for all the same sound?

  Thank you

  Mike

  michaelr91909012 wrote:

  -However, what would be the best way to make the entire audio file sound identical (the voice-over on the same volume and perhaps an effect that can overshadow the fact that some of the voiceover in the file seem to be closer to the mic than others).

  There is a global setting that can be applied to the clamp for all the same sound?

  Not with voiceover, I'm afraid. Nothing you can do will leave the clear voice and remove the speaker away from the microphone, or one of the other things that can vary between one session and another. The problem is that humans are very sensitive to any change in the other human voice - minute even those. Sometimes, some listeners may even hear the difference after someone has had the 'wrong' kind of drink between the recording - coffee sessions can be particularly bad, especially if it's added milk. Record voiceovers, while the artist is recovering from a cold can make tasks such as the reorganization of their quite difficult without changes in sound is really noticeable.

  Once you have realized that this may be an important issue, you can take steps to minimize the differences, but it is only the environment you can control - not the artist. What you have to do is to record everything you could possibly want in a unique, if possible hearing, otherwise the audible differences are almost inevitable.

• main volume of clip volume vs

  When I apply a limiter, the volume of the video clips but the volume does not work. I don't hear any sound distortion (I use only my iMac speakers...). Is this right? What happened when clip is "yellow"?

  Rely on the counters, not the waveforms.  Waveforms are a general representation, is not that precise.  The level of a simple clips is specific level of this clip.  But, when you have other clips playing at the same time, even if they are all limited to the same peak decibel level, the overall volume will increase.  Audio is cumulative, as in a source at-6 dB is - 6db.  Two clips at-6 DB will be around in 3db(-ish) or in this neighbourhood.  So if you have two or more audio sources playing at once, the two must be pulled down a bit below what you want the Pb of the resulting overall to be art.  Also, for some reason, I find the limiters within FCPX to act oddly, unlike what is happening inside Logic Pro and other audio applications that use Audio plugins.

• reset the volume in clips or stay at the level that I put them

  I select the full clip; volume control, but when I play the clip that it resets back where it was, I tried using the Panel audio mixer without a bit of luck too. any help would be appreciated. using adobe elements 11 first, windows 8

  ericc

  Let's focus on Audio Track audio 4 it and get volume for her at a constant temperature-5.8 dB or what you want using Palette/Volume expanded setting tab/settings panel.

  We will firstly, click Show/Hide Keyframing controls so that we can have a split view of the Volume Panel sliders expanded and keyframing controls display.

  

  The important point here is the status of the toggle Animation icon. If it is displayed as shown in the next close-up screenshot - with the grey background

  

  Then click the toggle Animation icon to make it look like this and what is in the screenshot above.

  

  Then set your volume to all you want for the duration of the clip.

  Does it work?

  RTA

• Condition corresponding to the clip settings - CS5 project settings

  I want to edit a clip I shot my Canon Vixia HF200 camcorder 1080 p.  The camcorder, Explorer Windows and Premiere Pro manual all indicate that the dimensions of the clip are 1920 x 1080.  Here's how I implemented my project (with a custom preset that I can not find a standard like this for a reason; why are all the presets 1080 wide only 1440?).  When I preview the item in the program monitor, but it display with black bars on the sides.  I've included a screenshot showing the clip in the program monitor and Windows Media Player.  If I change the settings at 1440 x 1080, the bars disappear, which suggests that the clip is actually 1440 wide, not 1920.  Why the contradictory behaviour?  That is, why the first recognize the clamp as 1920 wide in the project Panel, but not fill the prorgram with the clip monitor when using 1920 wide project settings?

  

  First has losts of standard presets for avchd like the one below.

  

• Clip: Problem voice recording

  V02.01.32F (going 35 last now, but not sure it would solve my problem because I was once an older clip v1 without problem of voice recording)

  Problem:

  Stop recording and the Player stops in the middle of recording.

  TIA

  RON

  Maybe you are out of available storage space?

• How to reduce the volume of an audio clip in CC animate to HTML5 output?

  I'm working on a presentation of 2 minutes in CC to animate. There is a voiceover track and a piece of background music, both playing for the entire animation sequence. I'm trying to reduce the level of the volume of the music track that the voice-over track is the center of attention. Unfortunately, when you select the piece of music, the Edit function is grey on in the Properties window.

  I tried to change the original music track in GarageBand, reduce the overall volume, but when imported into the document, Animate, the volume level seems to be the same as the way it replaced.

  What are the options I have to reduce the volume of the music track?

  When you import H.264 then animate on top of it, the video does not get exported. You must use something like the first to combine animation with video exported.

  For sound, look in the publication settings and adjust sound on Raw, stereo 16-bit, 44.1 KHz for the flow and the sound event.

  The noise is in the timeline of your movie, or is he played with the code? If you do anything with the code, worked for how long the entire animation will take in seconds and use it as the length of the export. If it's only the scenario animation, select the option to forward last image.

  Try a shorter export, to see if its exports ok.

  Once you have your video ready for YouTube, take the file in Adobe Media Encoder and use a high quality H.264 preset and upload this new file.

  Put this in a box 1 layer to improve the quality of the video:

  internship. Quality = "best";

• Voiceover first clip of bad quality, after export only. Audio effects involved. How can I fix it?

  All the sound quality is as desired in the timeline panel during the first edition. After export, the first clip in voice-over ONLY, now has a dominant white fuzzy noise. If I delete this clip and export, the clip that was the second, but now first, inherits the problem.

  The video below has the original "first music video" removed, to show that the problem persists in the new video for first, which was previously the second and previously sounded very good. Each "phrase" or an "expression" is on his own audio clip, on the same track.

  Also note that the sound quality of the music is great in each. In addition, the quality of the voice is perfectly fine in all the remaining 3 minutes of video.

  From what I can tell, it's like audio effects have not been applied to the item first, after export. I use DeNoiser, dynamics and Volume of the channel in the whole of the audio track of the set (as opposed to each individual clip) voice. When I apply effects to each of the first 3 clips and place them on a separate track, and export, all 3 clips have the problem of white noise.

  I guess that the effects take some time to 'register' and so when effects are applied to the entire track this should happen only once. But just who does not sense that this is a permanent problem or every video ever made by creating using DeNoiser and dynamics would have this problem!

  What Miss me? There must be a way to solve this problem.

  Here is a screenshot:

  

  I use version creative Cloud, Adobe first Pro CC 2015

  I exported with the following parameters:

  H.264

  Format AAC, AAC Codec (tried MPEG and Dolby as well)

  48000 Hz

  Stereo (tried MONO as well)

  High quality

  320 kbps bitrate

  Bitrate priority

  Make maximum use

  
  

  Thank you.
  

  WORKAROUND SOLUTION:

  I used both your advice to a solution that WORKS. Simply, I moved all the audio on this track 5 seconds back and insert an audio clip arbitrary at the beginning of the track. I then exported audio on one. WAV file. I imported the. WAV file in the project and trim the beginning (with the arbitrary clip) back to what is supposed to be the beginning of the audio.

  The arbitrary clip inherited the problem and the remaining clips are great. They reside on a track that has no effects applied, as the. WAV files retain the proper sound quality.

  Also, I've read just after this operation that checking the box "Freeze" can cause the denoiser to apply instantly. I've never tried, but if it works, it's probably a simpler solution.

  Thank you.

• How can I remove the acute voice distortion?

  Hi people,

  I am completely new to audio fixation. I do a short film, and a voice-over, I recently had to do a telephone interview (the subject lives in a very remote location). In fact, I have used GoToMeeting, we called in the teleconference of our phones feature, and I recorded the meeting in a wmv file. Then I re-encoded using Expression Encoder so I could shoot in Adobe Audition.

  I enclose a short sentence (extracted in the form of .wav file) of the interview in the hope that someone can tell me how to improve the quality of the sound. I have Adobe Premiere Pro and Adobe Audition, versions both CS6 and CC.

  Voice recording short - Creative COW

  1 can. someone tell me, please, how to get rid of the kind 'ringing' acute of distortion that we hear on each of its stronger syllables? In addition, this type of distortion has a name? I kept finding items on the fixation of the sounds, but did not know what I have here, so I didn't know what techniques were likely to work. Tried a bunch and the overall sound is improved, but so far nothing has solved this acute distortion.

  2. once to get rid of this ringing distortion, what are your recommendations to make the voice recording of the sound as rich, soft and full as possible? In real life, this woman has a BEAUTIFUL and rich voice. But the recording of the sounds like a phone flat (because it is).

  Thanks in advance,

  Mary

  
  

  Well, I don't think that there is no miracle to be had here.  As you say, it's a phone call, and I fear that, because telephone lines filter anything over about 4 k, it is impossible to replace.

  I had a look at your file in spectral view and you can see the original material will, as planned, up to about 4 kHz - but, especially, there is a zone of noise.  My suspicion - and it is only a suspicion - is that in your conversion rate double (wmv, then by a party to another third party application thing), one of them added noise additional it your original was optimal bandwidth.

  In any case, better than I could do was use the spectral view selection marquee tool, draw a rectangle around the upper area (you can see a clear limit between the content of the program and the random additional frequencies), then just remove everything above 4 khz, then remove a bit more.

  Like to make a phone call from her rich and full, if there was a way to do it, when I was working in television we would have saved hundreds of thousands per year using phones instead of more expensive channels!

• Clip envelope Pan Automation does not

  Hello

  I tried everything before asking for help!

  Pan envelope automation clip does not work. Let me explain:

  I have a mix to do for a film in a theater with a lot of imported Premier Pro clips (music, voice, sound effects)

  I want to set the pan of the voice clips in order to follow the actors moving through the scene.

  Thus, on each clip, I created keyframes on the pan envelope line and moved the line right to the left and everything works fine, the sound follows the actors.

  Until... I save the project, close the hearing, re - open the project and... all the keyframes are gone! Automation of pan is no longer.

  Everything works fine on the clip volume automation line and on the track (flight and pan) Automation line, so it's a bug or something I've missed?

  For the record, I tried this on a new project with a single track, same problem!

  All tracks are stereo,

  Thanks for help

  Thierry

  Adobe Audition CC 2015 2.1

  generation 9.2.1.19

  Well, I've just had a play and I can recreate it on stereo and mono tracks.  If I mix down the track, pans that result are there but the closure and reopening of the session, the markers of pan envelopes disappears and he turns his back in a straight line.

  I think we just found a bug - I'll file a report, but you might as well (even if the developers are very good on reading these forums).

  '

• Trouble with clips synchronized

  It's certainly a thing 'user error', but I'd like to get an overview of what I might get hurt.

  I have pictures of an event where speakers delivered presentations of slides. The deliverable we produce is basically a PIP type thing where you see the slide, and you have the video of speaker in the top right...

  

  We have also audio microphone. The desire is therefore to synchronize all this and then do the editing. Now, I can get this sync without problem, and I get a compound clip. I import into my schedule and I can 'open in the timeline' to view all components. I can then cut around taking my 3-hour session in a 9-minute film highlights with the look you see here. I also shoot down the camera audio and use the audio desk microphone only... as well as a few voice-over and music.

  But, when I export, I have a video 3 h with black at the beginning and end and no audio. My solution has been to create a new clip of my project, put in a new project and lowering record in a master file. It works, but it does seem like the elegant way to do it.

  Any advice people can have on how CPF handles synchronized clip is very much appreciated.

  Nige.

  You create a synchronized Clip? Or a multicam clip? You say you've got a clip made up, which is similar but not exactly the same as a synchronized video.

  You synchronize the slides and the video presenter? If so, how? Are they captured by a camera as well? (I'm curious about it, because, although it would make their synchronization to the presenter really easy, the quality of the blades would be much better if you had access to the original presentation)

  I think that the problem may be caused by your use of "Open in the timeline", but it is difficult to see without a clearer idea of your workflow. This should be used sparingly or not at all. Normally, you put the clip in a project timeline and edit it. If necessary

• Play the Clip by Ampliifier

  I saw a few posts where people use amplifiers with clip. What kind of adapters, cords, the inputs of the amplifier would use if I wanted to do this? I have a boom box with RCA, stereo amplifiers, amplifiers for guitar line. Thought I would ask before I missed something to try. It would be convenient to listen through amplifier on occasion. I didn't know that a small device like the clip would work through large amplifier.

  bbrev7 wrote:
  I saw a few posts where people use amplifiers with clip. What kind of adapters, cords, the inputs of the amplifier would use if I wanted to do this? I have a boom box with RCA, stereo amplifiers, amplifiers for guitar line. Thought I would ask before I missed something to try. It would be convenient to listen through amplifier on occasion. I didn't know that a small device like the clip would work through large amplifier.

  http://www.cablestogo.com/product.asp?cat_id=2009&SKU=40423&relatedItem=true

  ^^ That's all you need. 3.5 end plugged into your helmet, RCA plugs on the other end of the cable plugged in CD on your stereo or boom box. Just max your volume of Clip with the EQ on the normal and you're good to go.

• Double-click to match the ends of the clip in freeze frame

  Hello

  I want to open a clip in the timeline in the source window (to see the applied filters, for example). I double-click on it - and get a freeze frame of a clip which certainly do not match that I clicked on (and use) in the timeline panel. I have to close the application to get the good clip, but after working for a while I ´ll end in the frozen not corresponding (with audio, funny enough).

  What that?

  (PP 5.5 Mac OS 10.6.8 Octa 2.66 Ghz, 32 GB Ram, quadro 4000)

  If you want a matching frame of a clip in the timeline panel in the source monitor, you must first close the element in the source monitor.

  And then double-click.

  If you use the shortcut M you get a matching frame of the clip in the project bin in the source monitor.

  I like to open the clip in the monitor of souce with frame corresponding to add clip markers.

  Always having the corresponding frame by double-clicking the item in the timeline (without having to first close the clip in the source monitor Panel) used in Pro2 that Adobe has stopped this feature.

  I miss her dearly.

  Unfortunately the source monitor Panel does not indicate the effects added, makes the program monitor.

  If you want to see the effect just press play.

• Just got my Sansa clip +. Made my head. Help, please...

  Hiya,

  I got my Clip + yesterday and I am impressed by the sound, but I really need help on the following please:

  Drag and drop the gel: it does seem like other titles at all. If I try to delete a file Explorer windows (W7 Ultimate) album, it's maybe 2 or 3, then locks up. The progress bar freezes, and eventually it times out. These are quite normal MP3 files.  I can drag some of the individual titles in, but then that he is stuck on everything won't. Why is this? On an album, there are 4 that will not in all.

  Can't delete some folders: I'm going to drag a folder and it works OK, but when I try to delete it, it says that I can not, because it is write-protected, and the only way I found to get rid is to format the clip + and start over.

  Records do not remain separate: I maybe drop 3 files in, but on the music list that they are all bundled together. For example, I dropped 3 metallica album files in (also those who would not delete). Kill Em all, Ride the relief and Master of Puppets. But they are not separated on the clip +. The order in which they will be is:

  01 - hit the lights

  01 - fight Fire With Fire

  01 - battery

  02 - the four horsemen

  02 - Ride the relief

  02 Master Of Puppets

  Etc...

  What should I do? My last MP3 player was about 5 years ago and it's simple.

  I'm not going back, I love the size of it and the sound is quite impressive, but I'm going to need, if I can't get a grip on it.

  Cheeeeeeeeeeeeeers

  Go to system/settings/USB settings and change it to MSC. This should make the Clip act as any other flash drive and simplify slide / move. The other mode is the PSG, which is supposed to work with Windows Media Player and sometimes gets tangled with protection against Scripture and other oddities - to avoid, IMHO.

  If you click on the list of music, on a second page, you will see the folders and you should be able to find your music in the same way as on your computer.

  But like most new mp3 players, the Clip works also by labels instead of folders.

  Lists the Album, artist, etc. you see are not records. These are databases built since the tags ID3 - electronic tags in the files themselves. Album lists each title of the album found among the mp3s. Etc. It looks like your Metallica albums do not have the field filled in the ID3 tag Album or the Clip cannot read this field, so it is to find the artist (Metallica) and the track number and doing the best he can.

  This can be corrected very easily if you keep just with the single explanation below.

  Download the free program mp3tag. http://www.mp3Tag.de/en/

  When you install it let it be added to the context menus (an option during installation).

  After installed, open it and go to tools, Options, Tags, Mpeg and under writing choose ID3v2.3 and ISO-8859-1. (ISO-8859-1, this is how Windows displays the text in the English language).  Make sure that these options are saved.

  Marking is not standardized in particular, and who's going to save the tags Clip how like them.

  Click on an album, and then look at the tags. Click the header file name to put in order - those who seem to work - and then fill in the other fields correctly. You can labelled the album both highlighting everything and put the artist, Album, etc. in the box on the left. Obviously make sure album is in the area of the Album.

  MP3 tag also has some other nifty features. One is assistant tools/auto-numbering. Make sure the files are in order, from top to bottom, reading, choose the option of leading zeros. If an album has 10 tracks and they are labeled, 1, 2, 3, etc., the Clip will play 1, 11, 12, 13, before 2.   Leading zeros fixed that.

  Under Convert, you can convert your files in tag names.  It's pretty obvious, how it works, each field is shown by the artist %, etc.  So in the box to convert you can type Track % - %Title% and complete them for your file names.  This could be your best option, but mp3tag is very flexible, and you should understand something.

  It is best to take off the Clip files problem, fix them on the computer and return. You can just format and start over. If you have not freshly formatted the device, you can delete MTABLE. SYS of the clip - which is the database of the ID3 tags - and when you unplug it will make a new MTABLE. SYS to your new tags.

  Further, it takes about 5 seconds to make sure that the artist and the Album are consistent on the album in full and run the auto-numbering wizard before adding the album to the Clip. Then you can search... and destroy.

• Talked about the day differently audio clips

  Hi there, please help - :))

  I have several clips of creations audio .wav for learning project, that I'm building for online customer. However the clips are sounded differently (maybe because they were recorded each in another room). How can I make the most of the features unifying these audio clips?

  Thanks for the replies and advice.

  Yarik

  I'm afraid you can't. It's a problem for the voice-over since they were invented.

  The problem is the human ear is very sensitive to the way sound people and can detect the smallest differences very easily. So if change you even the slightest thing on the way in which it is registered, it will be its different. And here is the differences that you just can't hide, I'm afraid - some people may even make the difference between someone in an identical configuration before and after lunch - what you eat and drink can alter your voice enough for some people to tell.

  The result of this is that if you want a voice-over for the same sound completely, however, you must save all at the same time and make sure that the person making it sipped anything else water at room temperature while making!

  The way that many people move discontinuities is to use a second voice, interspersed with the first, so that they alternate pieces of it. If there are major differences in the record, then even if it does not work.