Best way to make my SSD works again with a single partition

Similar Questions

• What is the best way to make the uniform skin (not necessarily blur it!)

  Hello

  I have some photos where the skin of the leg of the model is not uniform brighteness. Without this vagueness, I tried the clone stamp, but it is very difficult not to introduce new variations of brightness.

  What is the best way to make the uniform skin of brightness (in fact, the same color!)?

  Thank you

  Juan dent

  I know EXACTLY what you mean.  I was doing something exactly on these lines just yesterday.

  It is not trivial, but it is doable.

  For 'hard points', you can try the Spot Healing Brush first.

  But here is a tip that I use sometimes which may well increase overall finesse:

  1. select just the surface of the skin.

  2. selection a little market and soften the edge, just to make sure that you don't mess the edges.

  3. median filter - noise - and set the RADIUS to be big enough.  Look at the image to see the level of smoothing.

  4. change - bland and knock back effect, while it is not perfect, but makes a subtle improvement.

  

  

  

  Then, for clearing-up soft darkening, try the burn and Dodge tools, at a low level of exposure (and possibly with Airbrush Mode).  Work slow.

  Cloning with low opacity can sometimes help as well.

  -Christmas

• Best way to make new Apple ID it is iCloud address?

  I'll put up an iPad to a parent for the first time.

  What is the best way to make a completely new Apple ID, and have Apple ID to BE a whole new address @icloud.com?

  I think, the best way to do that is when you turn the iPad first and get the opportunity to create a new Apple ID. Fix?

  Hello Ruben,.

  Thank you for using communities of Apple Support.

  If you wish to set up a new Apple ID and iCloud email address, then you can do so at step 6 as shown in the article below.

  Start with the iPhone, iPad and iPod touch

  Once you get the entire installation, when you connect to iCloud and select the mail option, you should then prompt to create an email address @icloud.com.

  iCloud: set an email address @icloud.com

  Take care.

• What is the best way to make the completely white background for the pictures of the products?

  What is the best way to make the completely white background for the pictures of the products?  I just need to show a product on a completely white background.

  Shoot on properly informed white background is easy. Then be tot apply an adjustment layer to whiten the BG, then apply a mask for the domains you want to not so bright.

• What is the best way to make a PDF file several Photoshop images, while maintaining editable layers?

  What is the best way to make a PDF file several Photoshop images, while retaining the layers in editable for later use mode? I tried to do in Acrobat, but it does not keep separate layers. I also tried to automate the PDF presentation in Photoshop, but it combines the layers as well. I need to enable layers from photoshop retain their ability to be edited.

  It is not possible at this time, Photoshop is not a page layout program and pdf is hardly a format suitable to hold several files psd layered or editable page layouts.

  Why would you do that anyway?

• I bought CS6 extended yesterday (yes I did). I have CS4 and many photos in bridge (keywords tag). What is the best way to make my photos in bridge cs4 cs6? Is there a guide how to go about so I do not lose one of my keywords/photos? WH

  I bought CS6 extended yesterday (yes I did). I have CS4 and many photos in bridge (keywords tag). What is the best way to make my photos in bridge cs4 cs6? Y at - it a guide how to: so I do not lose one of my keywords/photos? Who can help?

  Keywords travel with the file, so it shouldn't be a problem. Here's how export you key word of CS4 information and import it into CS6.

  How to import metadata and keywords Bridge to CS6 in CS4 so that I don't lose if CS4 is not

  I hope that your situation is not as complicated.

  Gene

• Best way to make a copy of a virtual machine in ESXi 4 and the free version of vSphere client

  Hello

  I have:

  ESXi 4 Update 1, vSphere 4.0 Build 208167, vmware converter 4.0.1 client build 16.12.34

  VM is Windows Server 2008 R2 Ent

  I'm trying to make a clone of a virtual machine for the purpose of creating one server of another out of it.  I use the converter and still after I have successfully connected to the virtual machine, I always get the error "Unable to get information about the selected machine material" when you click Next.

  My goal is to create a virtual machine.  Put an operating system on it, and then just use it as a model to create other virtual machines.  Is there a way to make that either is not involved or pay for an upgrade order lines?

  If it means order lines, could someone please go through the steps to achieve this?

  It would be great if I could understand why the converter does not work.  I heard I could drop-down list for version 3.0, but I could not find it available for download.

  Thank you!

  Name change is not necessary, as the vmdk files will be isolated in the new VM folder. If you want to rename on the concern of the Organization, you will need the vmkfstools on RCLI user, but I think really is not so necessary, so you do not use complicated distributions of disc inside your data store.

  About converter, I just wanted to know how you use it. Nevermind install again, I had kind of her. Check the settings change VM, on the Options tab, if the guest operating system is configured correctly. Even if this is the case, change to another, click ok and then configure it to the right and test to boost conversion.

  Marcelo Soares

  VMWare Certified Professional 310/410

  Technical Support Engineer

  Globant Argentina

• The best way to make your own lens flares and light highlights/streaks

  I have not money for Knoll Light factory lens flares so I need to make my own flares, splinters, highlights and streaks.  Anyone has any advice on the best way to do it.  Or is there somewhere a tutorial on it.

  Thanks in advance.

  With CS4 production premium on a Mac

  Classic: http://aestuff.myleniumstuff.de/?p=7

  Aside from that, you can generate a lot of light and reflections by stacking multiple effects and working with duplicates of the layer - extract the highlights using levels or threshold, apply the directional blur etc., coloring with Ting, Tritone or Colorama, apply a layer of mixture of modes to the source...

  Mylenium

• Best way to make drawings from scratch line

  Hi and I apologize if one fundamental question, but I created a complex illustration, and I wonder if there is a faster way to go of are first attached image to the second transparent. I feel like I spend a lot of monotonous time, following a model less before and make a compound path to set the black background for a new series of carvings. All black in the picture is a filled shape, encompassing the whole of the back of the hotel, while white is white fill blocking the black space, or other white objects below.

  How can I clean up my Act? Or what would be a better strategy from the beginning to achieve a transparent line drawings?

  I sincerely thank you for your answers, I'm losing too much time here, I know. Happy to clarify any details left!

  Your basic problem is you aren't working methodically and planning as you go. You draw a large number of paths willy-nilly until the whole drawing is "done" just in terms of how it looks on the screen and thinking you look just with how inevitiable decisions it revolves on a technical level subsequently. You discover that you have created a number of unwieldy and confusing objects that you hope to solve in constructions more simple (so predictable) understandable in last step.

  It is much better to have in mind what kind of constructions and General Organization, you want to end up with and work toward that, completely finishing (cutting, Union, etc.) each developed in consequence article you go. This way you avoid the confusion between yourself and creating extra work later when you think you are finished with the line work and wishes to draw the fills. While you work, always keep in mind what type of objects you create: every path is either open or closed, filled or unfilled, striped or contour, simple or compound.

  Drawings like this can be organized in different ways. None are 'good' or 'bad '; but you created frustration are time consuming when you are unable to plan for her:

  • All the line drawings fully trimmed, without resorting to the fillings in a box 'hide' unwanted portions of the book of the line in another area. A stack separated from outline of the objects behind the line work to create the color fill. (This method can greatly simplify the issue of trapping). Some users still prefer to create all the fillings on one or more separate layers (although it is not necessary to do so).
  • The linework drew more willy-nilly, intending to use the LivePaint make adjusting, completing later. Some users live and die by this method. I have not, because all these invariably automated routines create what would otherwise be unnecessary additional anchorPoints, and resulting simply fills "kiss" of their work to the adjacent string, rather than their base. Which may require more elaborate trapping.
  • Work to the chain and shared by the same paths fillings. Sections of the work dealt with in distinct groups (Group of helmet, visor group, etc.) An advantage to work in this way, it is that the overlaps resulting allow the relative position of the parts to be tweaked later.

  Yet once, it is not a method of organization is good or bad; the fact is that, like it or not, the vector drawing is all about creating a battery of independent objects. It is fundamentally different from the "painting" in a raster imaging program. By its very nature, it imposes a need intelligent Organization of this stack. So you are always much better at least generally this inevitable organization planning, no matter which scheme you choose. Unceremoniously to the design approach is antithetical to the nature of the vector drawing.

  For example, consider the designs of the sheet on the visor. You attract them (evident in your screenshot of second and third), spread in an adjacent area where you intend to be partially hidden by a white fill in front of them. There is nothing of strictly 'evil' to work in this way (although I think it is messy), but it suggests that you want to build your drawing according to the third organizational scheme described above. But that conflicts with your tent to correctly solve your line work through automated routines (mode strokes, Boolean path operations plan) later whidh is more suitable for the first method of organization described above. To use these automated features will result in some places, the unwanted portions to re - appear as the stack object changes (as you can see it occurred in your third-party screenshot). So now you have things to cut away. You have created extra work for yourself.

  Where you are, based on your first screenshot, you can try this:

  1. Select all
  2. Object > path > outline strokes
  3. Select all
  4. Pathfinder palette: Merge (unions touch fills with the same color and overlapping objects of a different color in punch)
  5. Make the necessary adjustment and correction of the unwanted stuff that was previously hidden.
  6. Make the necessary corrections of the sense of the trace or winding or mixture to return rule fills voids or vice versa.
  7. Create your objects to fill behind the line work, or use trace to create.

  Due to the number of runaway from the paths that you drew, you have lot to do all of the steps above. If so, try to work in several "sections". for example, with the black marquee pointer select through a half or a third of the drawing, do the steps, then repeat for the other third, and so on.

  And don't worry... After you did this kind of tedious cleaning afterwards on a few projects, you will begin to understand the principles of advance planning in the organizational structure of your drawings and start that keeping in mind as you proceed. We've all been there.

  IE7

• What is the best way to make a certification page using headings to TOC?

  I work in FM11. I need to make a layout of certification with each title (title 1 - Heading7). Certification pages should look like this:

  Date of certification	Section (Headings1-7)	Pass	Do not	Comment

  I have 20 pages of table of contents, and if there is a relatively simple way to create a table with the TOC titles that would go in the column heading, it would save a lot of time. Thank you.

  You could try a two-step. First create a LOP (list of paragraphs) which contain level headings you need (you may need to adjust the Scriptures of reference page to give up things like the page number).

  Convert a table from the list, then add columns and headers as needed.

• Best way to make a custom avatar?

  Hey there ^_^

  I'm making a game that relies heavily on a customizable character that allows to change the user thanks to a dress up game.  I have the entire party dress works well, but looking at it, I don't know anyway to the character over to be used in different scenes and move to different locations on the screen.

  What would be the best way to do this?

  I'm beginning to remake the game, making the doll a clip, with separate internal symbols for her hair, eyes, etc.  However, if I have this code the same, the buttons are all will appear in the clip, as well as all the unused clothes!

  2 questions:

  * What do you think is the best way to do this?

  * Is there a way to call an internal symbol to switch frames?

  (ex), I have the video for "Doll" and all the buttons on the main timeline.  There is within the 'Doll' video clips 'Hair', 'Eyes' and 'Skin '.  How I would change the hair clip frame from the buttons on the main timeline?

  Is there a way to layer instance names, such as: Doll.Hair.nextFrame ();

  There are several ways that you can deal with especially against city not things.  It's a way to control visibility.  Using frameworks for the different elements is a way. Things the Library dynamic loading is a way.  Creating bitmaps for selected parts and asembling them is a way.

  Whatever way you choose you follow some level of control for the things you do and don't want not involved.  Things loading and unloading dynamically will be your best choice if you want or need to reduce to a minimum the bytes - the weight of your characters.

• Best way to make the simulation software

  Hey guys, it takes me faaaaar too long to create my first simulation software and I was wondering if I could get some advice? I came to Captivate because I was using Screenflow, then AE initially to edit my subtitles/audio/intros and video files caused problems with preview/render. I basically want to captivate screenshots railways and the mouse to keep the file size down, so I can easily work on some post production in flash. But... If I export for flash to captivate, click on the mouse and the trajectories are not registered. If I have to 'release' of captivate and import the swf file into flash, it blocks Flash, even with the smallest clip. I've updated to the last version captivate but the same problems. What is the normal way to record and edit a screencast with captivate? Does anyone know why it is not export all data to Flash? Do I have TO use Captivate for post production and then export to the web?  Any information appreciated, thanks guys

  Why do you want to export the Captivate file to Flash? I don't get that at all. Captivate is the best tool to produce a SWF file which is a software simulation (interactive, demo or evaluation), made tons of those of the IMO. But never used Flash for that at all, Captivate takes care of everything.

  Moreover, I think that you posted something similar in another thread, please who is not considered a good practice.

  Lilybiri

• Best way to make a quote to

  Hi guys,.

  Who do you think is the better or more effective way to get quotes on the text run?

  I have two ways, but I'm not very happy with them

  (1) make a white rectangle with the text wrapping and place the above text. Not bad, but I always have to use a different white rectangle for the different lines of text of paragraph 2,3,4. In addition there are 2 elements (the rectangle and the text) I have to move with a possibility more high to make a mistake.

  (2) the more traditional text wraps the text pull quote, but "jump" when it does not affect the baseline grid that ends up in the various spaces above or below quote him to shoot.

  Maybe some more expert users, better to have a more "coherent" pull quote a lot. For example, something like that

  http://www.pixentral.com/show.php?picture=1XhiyskHcPvAFm8fyCMTpFiJhtiJO

  Thank you and Bravo,

  SEBS

  I think that there are just too many variables at work to be able to automate postioning or quote framework to shoot unless you are able to use always the same height of the frame, or a multiple of the value of line spacing as the height of the frame. In this case, you could experience the anchor of an image compared to the line (you'd probably to anchor it in the previous line to get the wrap to work as you wish), then position the premiera manually and not the distance below the line. Add that to the style of the object.

  This only works with text set to this particular attack. Change the line spacing and positions would need to change and if the anchored frame dimensions of change, they would also need to change by the same amount as the leader or the spacing at the bottom would get out of balance.

• Best way to make a chain

  What would be the best way to distribute this link along this way to make it look like a string? Thank you very much!

  Make a scatter brush. Play with the size and spacing and use the rotation relative to the path.

  

• Best way to make a film of many DVDs?

  I have a select scenes montage of 20 + raw images using first Elements 7 DVD.  I can not import all of these DVDs in space, what i've got available on my hard drives.  I would appreciate any recommendations for the best way to select scenes extracted these DVD into smaller files of media that I can then import them into a project for final assembly.

  I can imagine an approach to a single scene in a stage line and making it into a type of importable file, but I do not know what type of use that is not reduced the quality of the image along the way.

  Perhaps there is an any other approach miss me, IE using the archives.

  Thank you!

  JGW

  20 + raw images using first Elements 7 DVD

  If you mean that literally, the DVD contain the raw files, you have not DVD-Video and DVD-Data. In this case, all you have to do is put each disk in your drive, use a program cataloguing such as Irfanview, or the operator in PE, to view these files. Programs more cataloging also have a player e-mail, to allow you to view these files. Select the (s) you want and simply copy this / these courses on your HARD drive. Unless you have several DVD players, it will be both.

  Now, if you did not mean 'raw' files and have videos / DVD (disc that will play on a set-top player, or on a computer via a software of DVD, there is a bit more work involved. Your method to import (get the media) in a single project, extract all you want and then do export - this DV - AVI Type II 48 kHz 16-bit files, would be as good as any. You can see this ARTICLE for other options.

  DVD-videos are a great delivery scheme, but it doesn't take long to discover that they are not well suited as support for archiving and storage.

  With the 20 DVDs, you might want to look into an external HARD drive to store media files. You could then do a project in PE, media access for all, then create subclips of just the data you want. You might find these on your drive external HARD, to keep HARD drive your computer as being free of these files as it is possible. I found that editing to FireWire 800 external systems is quite effective, but you must use a map of FW - 800. Try to change to destination / from a USB 2.0, or external FW-400 is slow, very slow.

  Good luck

  Hunt