best way to transcode red footage of res pro

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• Best "workflow" for Sony A7sii and GH4 - Res Pro or DNxHD?

  Hi all

  I'm filming a documentary of 90 minutes on a Sony A7sii like Cam 1 and a Panasonic GH4 camera 2. 23.97fps to 3840 x 2160. We need to have 4 k options for future use. We will very likely use a certain amount of purchased both action sequences. I am currently working on what happens to be the best workflow with final export to the spirit. I need to export the final movie in Res Pro Apple or DNxHD - and I'm trying to figure who is going to be the best from start to finish.

  I'll be transcoding footage in function in order to make the workflow on the timeline as fluid and less tax on the processor as possible but also ensure final best made possible. I found that editing in the formats of native files (4 k) of each camera - even when the parameter/scaling to the size of the image - is very heavy on the processor and he staggers scouring or reading. So should I choose HQ or DNxHD pro.

  Also - on this basis, should what sequence settings I use? Creating a sequence of the clip with a Res Pro first clip gives me preset film Arri. Seems the timeline without effort on playback and scrub.

  Thanks in advance!

  ProRes 'was' standard in the Apple world, so became very common. DNxHD/R/HQ options are really become as well or better for most uses, it is just newer. On my PC, DNxHD cut almost as quickly as Cineform and a little faster than ProRes. They are sorta close... and is the guarantee of a your mileage MAY vary!

  So do a few quick tests. A few hours transcoding in two or three choices, then to the same projects, applying the same effects (while taking note of reading), then export on and schedule exports will give you an answer for you.

  Neil

• What is the best way of transcoding AVCHD high-quality archive?

  I have a bunch of images of different events on a SD card and want to ingest them in different folders by event. What format and preset should I use to ingest these AVCHD files? I use a PC and to maintain the best possible quality for long term storage. Thank you.

  UH... Just transfer the files instead of transcoding them. The files directly from the cam usually are the highest quality you can get.
  You could transcode DNXHD or ProRes depending on your operating system, but there will be no increase in quality.

• What is the best way to comply with footage of 60 fps 24 fps without slowing down?

  So I understand how time remapping and reinterpret the cadence of the 60 fps footage to slow it down, but I'm at a loss as to how I can do 24 fps without just which establishes it as such, giving a jerky export.

  I'm shooting on a Rebel t3i that only allows me to shoot in 720 p at 60 frames per second. Is it possible to drop the frame rate without changing the duration while preserving quality?

  Thanks for any help in advance!

  Shiraz

  Drop your 60 p clip into a sequence of 24 p. Cliquer click with the right button, and then select frame Blend. It's about as good as you will get in Premiere Pro.

  If you need 24 p, why not shoot 1080 p? The T3i plans to 23.976 (24 p) mode 1920 x 1080 p. You can always scale the clip 1080 p to 720 p.

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  Best way to improve skin overexposed in Premiere Pro tones?

  Just uncheck the 'Clamp Signal' and see if there is anything above 100, or if there's just stable.

  PrPro, there is an intriguing situation in the Lumetri Panel..., they're trying to uh... well think you want now... "user-proof '... UM... so the "Basic" tab won't let you push anything above about 98 or less than about 2. And... you won't bring back something over 99 or lower to 1.

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  Hi Sheera730,

  Please take a look at the following article, it should be useful: https://blog.udemy.com/photoshop-replace-color/

  Kind regards

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• 27gig upside down footage, the best way to change? Flip export then re edit or what?

  Hi guys, I went on a ski hol recently and have 27gig down on a helmet camera footage, I'm really stuck on how best to modify, it is filmed at 60 frames per second at 720. Not sure if reverse all export and import the correct path upward and start editing from the source and, if that would be the best way of setting export to keep the out put to the same settings. Thanks in advance

  To .avi I would try uncompressed (none), UT or Lagarith.
  All them is likely larger than your original files,
  but that's the price to pay for shooting backwards.
  I favor uncompressed (none)... the files are a little smaller.

  For Quicktimes, component or uncompressed without loss.
  The Avid DNxHD codec becomes good review of quality depending on the size,
  but I don't have any direct experience using it.

  You could experiment with high speed I-frame only MPEG files.
  and modify your own encoding settings to get what you want.

  First, I'll start with a short clip and experiment with your results.
  Some formats can read for you more easily than others,
  and you don't want to encode alone to find reading
  is not what you expected.

  Good luck and happy flipping file.

• Best way to import images

  I'm looking for the best way to import pictures to my Mac. I currently use iMovie to import my images, because I come from the end of 'consumers users', but I'm looking for more professional way.

  All of my cameras use SD cards and put all the images in a folder/quicktime file called "PRIVATE". It's all my research, AVCHD. When you import into iMovie, it seems what I push in 60 fps down to 29.97, that's why I was looking for another way. -Another question is also, when I import iMovie, which makes the 'Mac' images only until his change, that sucks. I need a good way to import images in case I ever need to use a Windows machine. iMovie puts the icon (AIC) on the files.

  One of the cameras with which the footage was shot was a JVC GZ-HM35BUSD. (Some cheap Wal-Mart camcorder), but the other (same AVCHD Formate) images were shot using a really expensive sony camcorder. ($600). (Not sure of the name)

  Thank you

  David

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  I would not go and delete unused items after I'm done editing, just to save space. Also, if it's projects, I don't care, I sometimes export final movie into something easily playable outside the Organization (like mov or mp4) and then delete all the media source. This is NOT recommended if you work in a professional manner. In this case, you must check in all. But for prosumers, there may be a lot of projects where you just want to put together a quick edit and then export it as a final movie for viewing online or elsewhere. In this case, you cannot hold on to all your layer to always source footage.

  It really varies by user, but like I said, if you work professionally, or aspiring to, you'll need a way to archive and back up these archives. If you work from the band, then comes the labelling and store the tapes are an acceptable backup for the media associated with a certain project (of course, you will still need to save and save the project itself). But if you work from tapeless formats, then you will need several hard drives with lots of space, archive and everything back up. The good news is that hard drives get less expensive, bigger and stronger all the time. I had two lacie 1 TB hd for a few years now with zero problems (before there 2 lacie 500 GB for many years, also with 0 problems). But I'm still parnaoid that #1 will go while #2 is still in the Act of saving. Or they'll both go at the same time. Ouch.

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  The basis of the lean mixture comes even to the root where I 'hot' securities, (orange and red)

  I guess by now you understand my question and I am open to a favorable opinion.

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• Apple "final cut pro 7", high res Pro 422lt 1920 x 1080 (odd) clips, is this gradual?, no 1080 progressive setting sequence, how can I ensure that I have the best setting of the timeline for my clips

  Apple "final cut pro 7", high res Pro 422lt 1920 x 1080 (odd) clips, is this gradual?, no sequence definition 1080 progressive

  How can I make sure that I have the best setting of the timeline for my clips. I did all the settings of Mount clips but there is no progressive setting for 1080 p. Images originally dslr Nikon that I used mpeg streamclip to convert to prores. Thanks for your help!

  The frame for you size source of material is HDTV 1080i (16:9). That only sets the size of the image, not the domination of the field, it's what makes progressive or interlaced. The reason it's labels with the 'i' is that when FCP7 was abandoned by Apple, they have never updated the software in order to take account of 1080 p contents.

  To make your progressive sequence, set the dominant field to None.

  gerforce wrote:

  Images originally dslr Nikon that I used mpeg streamclip to convert to prores.

  In your screenshot of the properties of the element for your clip to the source, the material is interlaced. At the original camera file interlaced or progressive?

  Also, the fps footage was actually 30 original and 29.97 not standard?  30 images/s is very limited its use.

  MtD

• What is the best way to use the Y50-70 battery please?

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• Best way to convert H.264 to ProRes for FCPX

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  Apple has a converter for ProRes? FCPX has the ability to convert (If Yes, please explain how and where to do this), or is the only way to do this conversion through a third-party software?

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  There is a full trial that you can download and see for yourself how your Mac handles your images.

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• Best way to store all the pixels in the layer of the CBC?

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  (x * sizeof(PF_Pixel))) ;

  }

  Also, while I'm here, what is the best way to debug the plugin using Xcode? I put the path to the executable to AE, but I don't know how to debug with AE mode. I appreciate any help anyone can give me.

  Hi timode! Welcome to the forum!

  If you use the following iteration you have given PF_EffectWorld pixels for

  the buffer in and the output buffer, as well as their coordinates x, y.

  You can't the rest of the iteration put you anything else automatically.

  You can pass a pointer to any data you like, get this pointer in the

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  to create an array of int of any size, use of the MemorySuite and lock the

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  table. (you cannot use push_back, of course for reading.)

  or proposed methods are the best performance, but I guess that when

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  in regards to debugging in xcode, if you have set the path to the executable, just hit

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  www.bristolequestrianservices.co.UK \sales.html.

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  Thank you.

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