BOM dia galera, estou tentando finalize um projeto, fiz a animacao tudo certinho as nao estou access salvar como video, ele salva imagem como sempre (obs nao appears an option adobe media encoder)

BOM dia galera, estou tentando finalize um projeto, fiz a animacao tudo certinho as nao estou access salvar como video, ele salva imagem como sempre (obs nao appears an option adobe media encoder)

Did you install Media Encoder from the Cloud of Creative application manager?

Tags: Photoshop

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    Corentin Robin wrote:

    First of all, wow. Thank you so much for the depth and quality of your response! If everyone had that kind of mentality, forums would be a very different place...

    No problem! That's why I'm here.

    It is certainly useful that you said your question clearly, with a lot of info and he asked respectfully. Quantity of, "why his does not work u should help me solve this NAOW! 1. 1. ' messages with no information is astounding.

    Corentin Robin wrote:

    I'll try to be to condense my game data on a single disk or both and use the third exclusively for editing. Or I could buy a new one, if the budget allows.

    This would be ideal. In my freelance studio, I have three separate units

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    It will probably not help much for the rendering speed, but it should help when you're interacting.

    Corentin Robin wrote:

    Before moving on to something else, I want to explain what I'm doing with text. I add text and overlay video, with sometimes a few very basic motion tracking (I can't forget this feature if I need). To the best of my knowledge, PE lets just add a black screen with text over time, like on a Blackboard for example. No text overlays/over-the-video (if it has no meaning...). So respect that, Premiere Pro have these features? If so I could make the switch.

    Certainly, you should stop using the Premiere Elements and start using Premiere Pro. Not only it gives MUCH more flexibility in the work, but you can layer objects of type as much as you want on top of your film.

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    Corentin Robin wrote:

    I understand that EI requires much more accurately, and the way you explained it enabled me to understand one of the big question I had with her, which was "why reading in real time is so difficult in AE? You answered that perfectly, cheers!

    There is much more detail in the fact that I could get! Basically, AE must first build a cache, and then he reads. Maybe I should have said that. It is even simpler and shorter!

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    On the issue of compression, I realized that the work of a compressed codec is not ideal. My gross output of Shadowplay file was indeed H.264 because I believe that is the single output file, it allows. I don't think I can do without shadowplay for now because it has unique characteristics which cannot be replaced:

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    Also, to continue on the issue of compression, I got mixed responses regarding this. Some, like you, would say that working with H.264 sacrifices quality and performance, but some say that it is not a problem since the youtube compression will be severely disfigue the file in any case.

    YouTube can recompress, Yes. But if so, it adds ANOTHER layer of compression. That would be an argument even more important to preserve the quality of your side as much as possible.

    Corentin Robin wrote:

    I think my question would be: I would win a much higher quality using Fraps/Dxtory where I can control the settings of the raw images (keeping in mind I lose the comfort of ShadowPlay) even though the compression of Youtube should (I think?) disfigure this film?

    I think that the benefits of ShadowPlay outweigh the concerns that I had about compression in only one step. I still say don't do any other steps in making H.264s again and again that you transmit your project between applications. If you need to make something (you won't have to if you start to use together the Premiere Pro and AE), renders an intermediate codec until you create your deliverable.

    Corentin Robin wrote:

    So, keeping in mind of all of your suggestions and the constraints I have / has chosen to conform to, I should:

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    • Replace PE PP to eliminate the need for the AE and have only a single record
    • Since a single rendition is necessary, it is therefore more a real need for an intermediate codec low compression/lossless

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