Broke the first / Speedgrade Workflow

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• right to After Effects, first, SpeedGrade workflow

  Hello world.

  I have a big question about how to use the dynamic links between After Effects, first announcement SpeedGrade expecially to make the color.

  I usually start with a pre cut first, without any color (speaking of lumetri) and then I export images in ae.

  I usually import fotage in Ae doing a simple copy and paste from Pr chronology to Ae.

  I don't like the links dynamics because big nested comps. After that I usually have to redo some cuts (because of last-minute client changes) so if I use the dynamics it just does not work because the comp is locked.

  Also, assuming that the same thing happens if I create a dynamic according links for the first I present the nested compositions. So if I want to do some color extended on the front lumetri I am having the same problem.

  So, why we cannot get a dynamic link 'open' smart?

  My workflow is probably wrong, but you must understand that I do all my work on my own, so I'd go back between the two after and first. Generally, I applied my color at the end of my work process, after having put graphics, stuff on caterpillars, etc. 3d.

  I don't see any use for these dynamic link. They seems to be quite difficult.

  Can someone explain a workflow that is not to destroy the dynamic process of back and forth between Pr, Ae, SpeedGrade and so on?

  Thank you

  You don't want the Dynamic Link option. More like file > import > Import Premiere Pro Project

• convert a file from .cube (resolve) in Speedgrade to fall in the first

  Trying to convert a file .cube (cube has been created at will) in 2015 Speedgrade to then drag the file on my video editing in first 2015.

  Anyone who has knowledge of this?

  The workflow I think that it had carried out since the first 2014, lumetri import in the first in the effect controls panel > video effects > color correction > lumetri snd which would open browser operating system for guide way to ' select a glance / LUT

  Who changed the first to import the first LOOK in 2015. lumetri > color > creative > look > pop-up window > [custom] or click Browse that launches the operating system file browser

  As to convert the cube - it just will be important in first by guiding the file as above States?

  Or

  as for Speedgrade, can you just save as a glance in your path of the selected folder, and then guide your look in the first?

  EDIT: other then that I paste link to associated message, I read once all the time and that it cannot absorb it currently adding of LUT to color Lumetri?

• How can I transfer windows license to another PC if the first broke down and will not start?

  My office with detail Win7HP broke down and will not start. I intend to buy another PC and want to use the Win7HP license on it.

  If this computer came preinstalled with Windows 8.1 or Windows 10, you may not be able to install Windows 7.

  If she can't, then you should be installing that it as you did on the first computer.

• What systems the Pros use for the first, After Effects and SpeedGrade?

  I bought the complete creative cloud in the hope of a career for me in editing audio/visual. The problem is my system doesn't seem to be able to manage the software, especially when changing back and forth between the three programs mentioned above. In addition, my first project cannot export correctly. In addition, throughout its development the offbeat bad system. And that's after following all of the recommendations of preferences available under tutorials Adobe and elsewhere on the Web.

  Here is my system:

  SYX-P67A-C43: Intel Core i7 2600 (a unit of 8 strands) to 3.4 GHz with 8 GB of RAM (which will be soon 16) with a NVidia GTX 550 card, 1Gig of RAM.

  As you can see, it's well beyond what Adobe claims to be the minimum requirements. It is obviously NOT the case.

  What systems the Pros use (like the guys in the tutorials) for the first, After Effects and SpeedGrade? Give me accurate machines with all the specs so I can a price upward.

  Right now X 99 with DDR4 gives best performance for media applications of particular content with GPU acceleration. I suggest an I7 5960 X, 32 GB of DDR4 2666, 980GTX video card and Asus X 99 board with storage depends on the media. Far, who will perform the 2600 is old of 2 generations at this stage, which is only a Quad core with HT. The same X 99 tips can also manage the Xeons V3 if you upgrade the processor in the future for a larger load in real-time.

  Eric

  ADK

• Poor performance of Speedgrade, using the first Direct link

  I'm having a problem my project in Speedgrade using the ranking first Direct link.

  My project is in total 7 min 30 sec long consisting of MP4 video from my Canon T5i / 700 d. Video had a slightly higher rate (CBR) than the usual (1.4 maybe?). First, I made a little stabilization using legacy (warp stabilizer) and denoising (magic bullet denoiser II). All these I used the option "replace with after effects composition. These plans represent about 1/6th of the total sequence. All my project files are found on my SSD (I thought pass them it would help.) This isn't). Note, I also use a custom LUT designed to CineStyle which I use on my canon.

  My problem is the speed. It is not yet a little slow. It is unusable. Let's say I select the midtones and want to offset a little bit. I click on the slider and slowly move my hand upward. Then I have to wait about 10-15 seconds for speedgrade to even begin to recognize the change. If I released the mouse this means I have to wait much longer before you change it once more. It is the same for all other cursors (temperature of color etc..)

  I grew up to love using Speedgrade color correction, but now it takes much too long. That should take about 20 seconds per sequence takes about 5-10 minutes. Also as a result my correction and grading is obtained bad enough (it was not good start). Restarting does not help, because it is just too slow when it starts like an hour later.

  Everyone knows about this problem? Any ideas?

  As I'm in a bit of a rush for this project, I will try simply to classify in the first. I never did rank in the first CC version, isn't so that any new color someone might recommend tools?

  Thank you.

  Creative cloud: updated 13/01/2015

  OS: Win7 pro

  CPU: i7 930 OC'd

  GPU: Nvidia GTX660 x 2 (SLI) enabled for the adobe engine

  RAM: 1800DDR4 32 GB

  SSD: Samsung 840 Pro 512 GB

  Looking through your equipment for a quick idea... it seems that you use two (separate) video cards? You could try a rapid deactivation of a single card and see if the Sg works better. I suggest this because 1) some computers at certain times had hurt ongoing enforcement matched vid cards SG and 2) there's something quick & easy to test.

  Another thought, I did some denoising on a 02:39 clip in Ae just by using its own noise integrated, and he ran s l o w after this, until I have done a full rendering of it. Even in this case, any modification that I did and he was back to s l o w motion. When I have commented here, I got a few responses to the effect that denoising is so focused on the material that most of the time they have left that at the last round of things before exporting it.

  Hope that there are other answers...

  Neil

• Problems with masks after the sequence first SpeedGrade back (CC)

  Hello

  I'm color ranking a clip in SpeedGrade CC using the new direct link function. For calibration of the colors I used masks and also the different layers. Once I'm done, I sent my sequence back to first Pro CC.

  I see, first shows me exactly the color correction, I did in SpeedGrade, except for one thing:
  The places where I used the masks in SpeedGrade to illuminate their for example a little until now are filled with lines pixeled...
  I thought it's just a problem with the preview, so I exported it. Slept pixeled lines.

  Once again: in SpeedGrade is all fine, but when I send the return sequence to the first there are those pixels.

  It's really irritating because one day before it worked fine with no problems and I was virtually the same as now.

  Please help me if you can! Thank you!

  Ok.

  The GPU acceleration is turned on?  Have you tried to turn it off?  You have a card AMD or nVidia?

• Error when connecting on the generator of workflow after the installation... for the first time!

  Hello
  
  I installed Oracle Workflow Builder 2.6.3 recently on my system and after installation, when I'm trying to connect the generator of workflow (using the name of this particular instance database username/password), it throws me the following error message:
  
  220: cannot set NLS_LANGUAGE.
  210: oracle error: ORA-01403: no data found
  . SQL text: SELECT FROM WF_LANGUAGES WHERE NLS_LANGUAGE: l IN (NLS_LANGUAGE, CODE)
  
  In previous discussions when I searched for the same problem, I found that if
  Select the value from v$ nls_parameters
  where parameter = "NLS_CHARACTERSET";
  Returns the value of other WE8ISO8859P1 then, then that is what I should change my Builder NLS_LANG entry - i.e. AMERICAN_AMERICA. < character set >.
  
  But I don't get where should I change the NLS_LANG, located where... a file any? I'm new to workflow.
  Please help me. I tried a lot of things. Any help will be much appreciated.
  
  Thank you
  Khadi

  Khadi,

  It is windows server? You can try this

  Set NLS_LANG as an operating system environment variable:
  
  1. Select Start - Control Panel - System
  
  2. Select Environment 
  
  3. Set NLS_LANG parameter to AMERICAN_AMERICA.UTF8.
  

  Or try this

  1. define NLS_LANG Environment Variable on your PC, following below navigation :
  
  For Windows
  Start / Settings / Control Panel / System / Advanced / Environment Variables
  Define new "System Variable" NLS_LANG and assign it the value AMERICAN_AMERICA.WE8MSWIN1252
  
  Save
  
  2. Bounce the PC
  
  3. Try again database connection from Workflow Builder
  

  Concerning

  Published by: OrionNet on January 2, 2009 03:28

• Do not start after having been arrested in the menu "alt + f4" in win7 64 bit for the first time

  I always stop the laptop from the start menu. But now when I stopped it for the first time by the "alt + f4" - menu, it does not restart. Or rather, it starts, but looks like the HARD disc spins down after a second or two, and he did not get past the first screen of boot of Lenovo. I can hit the ESC key to see the detailed (with RAM-tests and other) boot screen, but then nothing happens. I can't go in the BIOS or boot menu. And it does not start on a dvd of Win7. Any ideas?

  Sorry, apparently, that was my (Corsair F-Series 90 GB) SSD that suddenly broke down. I'm back to Corsair.

  Problem solved I guess.

• Media of first import workflow in DOUBLE LOCKED

  Hello ladies and gentlemen!

  The day where I found my inspiration to do my travel diaries has finally arrived! After two days of searching for the right music I want to make a few quick rough edit of the trailer for the complete series. Unfortunately, due to the huge amount of GoPro files, I have a problem with the navigation on all files. Bridge won't since it's not access SNS. Decided I will give the first a shot, I was doing when working with smaller projects. I love the novelty with proxy, but again - can't be a chosen which files can I import.

  The files are located on DS415 + Synology NAS and I want so I could choose the one which copy/do proxy to consult. The problem exists in the thumbnails. Is there a way to "conform" all files at once? At the present time the vignettes show that when I click on the specific file. As you can see on the left lane structure, there are a lot of files in several folders it would take forever. Any ideas on that?

  

  Also - what is your workflow when working with files located on the SNS? Copy them into the SSD are not an option, especially when there's half a terabyte of media in folders. (work on the new iMac with 500 GB SSD).

  Kind regards

  Paul

  Please, don't post duplicate questions... go to the import of media from the NAS - working with MANY files

• How to go from Premiere Pro to the first Clip

  Is it possible to do a reverse flow of starting a project in Adobe Premiere Pro and exporting an XML to a sequence and related media in the first Clip?

  Hey Amir,

  Right now it is not really a workflow back in place. You can export your Premiere Pro editing and save on creative cloud. From there, you can import the export sequence in Clip via 'my files '.

  I hope that this workflow will help you.

  Best,

  Peter Garaway

• Rendering of the beginner Speedgrade CC2015 problem. File parts result slow return.

  Hello.

  I used to the Premiere Pro for a number of years and started using Speedgrade.

  Initially, I used the Direct link functionality between the two, but when I got to export I don't think that my computer could process instructions (despite me having 16 GB of RAM and a top of the line mac book pro.) So, I decided to tackle the problem in a different way making the changes directly in Speedgrade before you export the file, and then import it into Premiere Pro for the final touch.

  The problem I have is the "Render" tab When I export the resulting .mov plays back in the slow movement, similar to the speed of the preview window in the tab "color." It looks like its about 5 frames per second!

  I'm sure it's a rookie mistake, but I don't see how to export at full speed? My original film is 25 fps.

  Ive looked for lynda.com and youtube, but to no avail...

  Help, please

  Chris.

  

  I'm able to do, but the result is always a slow video... which I suppose means that somehow make it has reduced the FPS.

  The origin of the source footage is great and fine pieces in first... the audio was not recorded outside, so no need to worry about this for now.

  First can be used as a tool to show how your rendering output is interpreted. I've seen a lot of problems created with the installation of the sound card and audio. Audio for me in Speedgrade is intermittent. At the time current Speedgrade does not allow me to hear the audio, however, Speedgrade even not load for me just know, I had to kick open. When the playback speed is slow or fast in the first, I look in the settings of the audio hardware. So if similar problems with Speedgrade, I look in Speedgrade preferences > sound > engine + device + frequency of mixture. Things like that, but I can't simulate, because of my rendering limits and no audio in Speedgrade myself problems.

  First can be used as a tool to show how your rendering output is interpreted. Yes, your source is playing very well, I ask for your interpretation of the rendered version.

• is there a cancellation fee if you cancel before the end of the first year?

  is there a cancellation fee if you cancel before the end of the first year?

  Hello

  Now, you can cancel your subscription in your Adobe account page.

  Follow the workflow auto cancellation: cancel your Adobe Creative Cloud membership

  Hope that helps!

  Kind regards

  Sheena

• Prelude no appearing markers do not in the first

  I added a few markers to video files in prelude and I do not see these markers appear in the first (where I use the same files in a sequence).  Anyone know how to get markers appear?

  Hi Jon-

  Yep! I see the markers of the speech.  I forgot to mention the particular case second marker of handling which differs between the prelude and first Pro - and it would be with markers of speech.

  Premiere Pro is a powerful workflow in their metadata Panel. There is a section of discourse analysis in this Panel that displays your discourse markers. The workflow of marker of transcript of speech that had been originally designed for Prelude and Premiere Pro was based on execution of Automated Speech-To-Text service. This generates individual markers for each word.  When this is done, you will be able to see every word to highlight in the metadata Panel as the video comes to this part of the clip. You can also set IN and out points and edit clips based on the spoken words. Very cool.

  In your case, it seems that you have used the markers of speech as placeholders for entire sentences. While this still appears in first Panel metadata words pro will not so much be in sync (because each word is not assigned a time code, only the beginning of the sentence has a timecode).

  I suggest to use COMMENT markers to organize your transcribed sentences manually spoken by your players. They will appear in Premiere Pro as standard markers in all the places I mentioned above.

  Let me know how do you on these trips.

  Kind regards

  Michael

• Import a complete sequence of images to the first (or consequences)

  I shot a few lapses multiple segments time-is this past weekend on a borrowed GoPro. I evaluate the camera for its ability of timelapse and far sequential shooting is great, but my workflow fails miserably.

  I really need some advice on what to do.

  My first problem ignore about 80% of the pictures in the 3000 + taken. It seems to be very sensitive to changes of scenery, if things do not match up between my sequences, Pr will import it, which defeats the purpose of what I'm trying to do.

  I can sort and import manually, but that will do for a very long day...

  The question is exactly the same in AfterEffects and GoPro software as well. So, on the entire suite CS6, GoPro software, which is a kind of Hyperlapse program, what adjustment is needed to import each image of a folder for a sequence of images.

  Also, my ultimate goal is to make a hyperlapse of the sequence that I have, so if you have any tips on how to do all this, please inform accordingly.

  If you import images as a sequence of images, file names must use sequential numbering. Otherwise, Premiere Pro does in that it determines for me the sequence starting with the first selected item.

  Perhaps if you gave a detailed explanation of exactly what you are doing to import them, step by step. And maybe after a screenshot of the file names.