right to After Effects, first, SpeedGrade workflow

Hello world.

I have a big question about how to use the dynamic links between After Effects, first announcement SpeedGrade expecially to make the color.

I usually start with a pre cut first, without any color (speaking of lumetri) and then I export images in ae.

I usually import fotage in Ae doing a simple copy and paste from Pr chronology to Ae.

I don't like the links dynamics because big nested comps. After that I usually have to redo some cuts (because of last-minute client changes) so if I use the dynamics it just does not work because the comp is locked.

Also, assuming that the same thing happens if I create a dynamic according links for the first I present the nested compositions. So if I want to do some color extended on the front lumetri I am having the same problem.

So, why we cannot get a dynamic link 'open' smart?

My workflow is probably wrong, but you must understand that I do all my work on my own, so I'd go back between the two after and first. Generally, I applied my color at the end of my work process, after having put graphics, stuff on caterpillars, etc. 3d.

I don't see any use for these dynamic link. They seems to be quite difficult.

Can someone explain a workflow that is not to destroy the dynamic process of back and forth between Pr, Ae, SpeedGrade and so on?

Thank you

You don't want the Dynamic Link option. More like file > import > Import Premiere Pro Project

Tags: After Effects

Similar Questions

  • What systems the Pros use for the first, After Effects and SpeedGrade?

    I bought the complete creative cloud in the hope of a career for me in editing audio/visual. The problem is my system doesn't seem to be able to manage the software, especially when changing back and forth between the three programs mentioned above. In addition, my first project cannot export correctly. In addition, throughout its development the offbeat bad system. And that's after following all of the recommendations of preferences available under tutorials Adobe and elsewhere on the Web.

    Here is my system:

    SYX-P67A-C43: Intel Core i7 2600 (a unit of 8 strands) to 3.4 GHz with 8 GB of RAM (which will be soon 16) with a NVidia GTX 550 card, 1Gig of RAM.

    As you can see, it's well beyond what Adobe claims to be the minimum requirements. It is obviously NOT the case.

    What systems the Pros use (like the guys in the tutorials) for the first, After Effects and SpeedGrade? Give me accurate machines with all the specs so I can a price upward.

    Right now X 99 with DDR4 gives best performance for media applications of particular content with GPU acceleration. I suggest an I7 5960 X, 32 GB of DDR4 2666, 980GTX video card and Asus X 99 board with storage depends on the media. Far, who will perform the 2600 is old of 2 generations at this stage, which is only a Quad core with HT. The same X 99 tips can also manage the Xeons V3 if you upgrade the processor in the future for a larger load in real-time.

    Eric

    ADK

  • First, After Effects, unavailable SpeedGrade

    I do not have first, after effects, or speedgrade as an option available for download.  My Adobe Application Manager displays only 13 available downloads.

    Hello

    If you use a 32-bit machine then it will be unavailable.

    These applications are available to the general public for 64-bit machines only.

    Thanks and greetings

    Yannick Thomas

  • I bought Adobe CC through my University, but once I started to install update 2015 yesterday, he said that I only had trials for programs like After Effects and Speedgrade. I am unable to redeem a subscription, because it was a unique thing going

    I bought Adobe CC through my University, but once I started to install update 2015 yesterday, he said that I only had trials for programs like After Effects and Speedgrade. I am unable to redeem a subscription, because it was a continuous single thing of educational personnel. What should I do?

    Thank you for your help. I spoke with one of your customer service representatives, and the question seems to have been based on accounts. I think it is resolved.

  • Best After Effects - Premiere Pro workflow

    Hello world

    I want to create more videos like this:

    Essen Motor Show 2014 Highlights - YouTube

    The difficult thing is to synchronize the video with the music.

    The best way to do it is when I use Premiere Pro. I'll put markers and drag-and - drop the footages to the markers and I'm done.

    BUT: I want to insert cool transition effects and other things for the final film. This is the point when Premiere Pro is not the right choice.

    What I did until today:
    I created a model for each single report and correct colors. Then, I created a "Film Final" composition and drag all the unique compositions in this model "the definitive film.

    I inserted the sound file und adjust the compositions of the music video. I've always had to hold down the Ctrl key to hear what is on the way of the music.

    This is a really complicated in After Effects workflow.

    I would like to have the Premiere Pro compfortability with respect to the correction of color and adjustment-music-video and the benefits of After Effects to make cool transitions and other effects.


    Is there anyone out there who knows a best workflow?

    Greetings,
    Daniel

    Why not assemble in first and Hotlinks to AE when you need effects?

    Using After Effects | Dynamics and After Effects links

  • Where CS2 Production Studio, After Effects, first, hearing and files yet?

    I'm trying to reinstall my CS2 Production Studio Premium. Adobe no longer has the activation servers, so I have to download out of the Adobe site. Where is still, hearing, Premiere and After Effects?

    Information is available about absorbing CS2 products can be found at the following link:

    l http://helpx.adobe.com/x-productkb/Policy-Pricing/Creative-Suite-2-activation-end-Life.htm

  • Broke the first / Speedgrade Workflow

    All updates for first CC after the 2015 base version is no longer a link button dynamic between the SpeedGrade project, which is the program I use for coloring. I advanced and downloaded the old version of first so now I have a version by 2015 and has installed separately 2015.3. I create my projects using 2015 and can then export to SpeedGrade very well, but there's a catch. Now, every time I save my coloring in SpeedGrade and try and it works at first, it records in the 2015.3 version, so it will not be open by 2015. While I open it in 2015.3, but the dynamic link to SpeedGrade disappeared, so if I want to update or add color through SpeedGrade, I have to save my sequence for Final Cut and then open 2015 and import everything and it is not always cooperative. The simple solution would be to destroy 2015.3 in an abyss of fire since the only noticeable update is they removed a key element, but the problem is that I have a lot of stray project files that require to open again and the only way to transfer via completely would be to check each my hundreds of files of project and export the timeline and re - register in 2015. The simple fact of the matter is that SpeedGrade integration literally deleted without reason after the 2015 version is completely unacceptable. I try to use a CC Adobe product with another product Adobe CC, it shouldn't be rocket science here.

    Adobe: for the love of God, can you PLEASE put SpeedGrade integration back in? Or at the very least, update SpeedGrade to NOT save projects in the bad first version that does not support yet? If you don't make changes on this in the next 30 days, I will be forced to change to a different program of color.

    Community: If anyone has any suggestions of workflow, I'm all ears. It's absolutely ridiculous. And does not suggest another color program, it is quite distinct to try something.

    Ah yes... There are a number of users (like me) in a similar situation. The official declaration that is the link directly between PrPro and Sg & return has been ignored because it did not seem as there were many users who still use it. UM. So the only way to register your disapproval of the choice with the people who actually make the decisions is to use bug/feature request report Adobe form. Higher level people don't come to that within Adobe system, this is considered as support to users. Declaration forms are tabulated and sent to all the right people.

    Which may or may not do what you & I prefer, but it's the way to get your feelings for them.

    https://www.Adobe.com/cfusion/mmForm/index.cfm?name=wishform

    There are several discussions about this... situation... some with... on the SpeedGrade solutions forum.

    SpeedGrade

    Like this...

    PrPro/Sg 2015.3 solution Hack

    And a user has created an application (for a small fee) which seems to work well enough to change a 2015.3/4 PrPro project to a compatible Sg2015.1 header to work this project within Sg via drag & drop the file to the project on the application on your desktop (PC, I don't know if there's a Mac version). If you drag & drop a file 2015.1, then recorded off Sg on the app, he mods the header back to compatibility 2015.3/4 PrPro 2015.4 use.

    NOTE: THIS APPLICATION IS NOT CERTIFIED BY ADOBE. (They seem to like having this note; I tried it and for me, it works as hoped).

    Project of creation/Speedgrade conversion tool

    So... do not hesitate to join the discussions on the forum of SpeedGrade also.

    Neil

  • Dynamic links - first After Effects - spoil the composition

    Hi guys,.

    We send a simple sequence to After Effects first. Some of the images a rate extends over it. When we open it in AE, the sequence is almost unrecognizable. Some of the clips are in the right place, but some are not, including additional excerpts that are long 0 frames. We believe that the stretch of rate it confuses somehow, but we have not had a problem like this in the past. Any help would be appreciated.

    AE.pngPrem.png

    Thank you very much

    Rob

    Oh, to play with on images H.264 liaison and dynamics to AE.  There is a recipe for evil.

    The reason: the H.264 codec contains imageTER, as MPEG compression.  There are key images from time to time with information to frame complete, but middle managers contain only partial information framework.   Playing with time with these first images is confusing AE - he wants to see comprehensive framework of information for each image, but it becomes incomplete AND distorted information framework a lot.

    Without knowing the details of the project, I encourage you to transcode the H.264 videos for something repeatedly or without loss. I love Qt Photo JPEG for this or ProRes 422, if you.  Both are inTRAframework codecs, with information of full frame for each image.

  • After effects CC corrupt Illustrator file?

    Hello!

    I worked on sequels with animation, but after doing with animate and make the .mov and .mp4 file, part of one of the illustration files became corrupted? You can see here below, with the cat.

    Screen Shot 2016-04-15 at 21.52.02.png

    Is that the back of the legs of the cat, the rest of my animation still works as before. I got messages showing that my hard drive was almost full lately, but everything in the animation works as before (the .mov file looks like perfectly) except when I did a .mp4 file.

    I'm only a beginner with after effects and I looked in forums everywhere to find answers, but nothing explains my problem.

    did anyone of you knows what to do? I need to change a second time to improve my animation, but this surely isn't an improvement.

    You have moved the layer with the puppet pin applied. You can't do that.

    Puppet pin defines a mesh of the alpha chanel of the layer when you place the first pin. When you are using puppet pin, it is important to turn on the mesh, so you can see what parts of the image it is covering. If you had a puppet like this and the expansion was wet too wide mesh cover the arms and the body so that you can not move arms independently.

    Move the arm gives you this:

    Change the extension of 5 pixels mask solves the problem completely:

    If you to scale or move the layer after applying a puppet pin that the mesh is going to stay in it is original position and the effect will be broken.

    Any decent tutorial on using the puppet pin should have covered these basic rules for the workflow. The solution is to make your puppet using only the pins of puppets or make your puppet move, call before you move all attributes to the new model and then move the entire layer.

    For instructions on the use of the pin type puppet 'puppet ' corner in the search help field in the upper right of After Effects, and learn about the resources of the community.

  • Kan iemand mij of adobe after effects leren van law. Commitment respected good natuurlijk. Den Haag,

    Kan iemand mij of adobe after effects leren van law. Commitment respected good natuurlijk. Den Haag,

    [Personal information by moderator - you really don't want your email in public on the forums for spammers to enter]

    Start here: Basic Workflow

    Then, if you want to do something specific like animate the text just type animate text in the search field help in the upper right of After Effects and learn about the resources of the community.

  • How to change the resolution of the After Effects project rendered in Adobe Media Encoder for an overview of H264?

    I want to make a 1080i computer at half the resolution or third resolution in the SOUL to speed up rendering for previews times low resolution. I just got a glimpse of H264 low-resolution take 5 minutes to encode in AE and 28 minutes in the SOUL.

    It's easy to do in After Effects rendering parameters. However, the option "video" in the SOUL seems to imply that is encoded at this resolution, not made at home.

    I went into AE and changed the setting in the composition to "half" window, but when I queue it in the SOUL, the 'Source Match' button still shows 1080.

    What is the right method to get the results I want?

    I am currently using AE CC and CC SOUL on Windows.

    Short answer: the feature you are looking for does not currently exist in the After effects-of-SOUL workflow.

    When the SOUL is coding a mock-up of After Effects, it doesn't have the ability to affect the way in which the model of After Effects is rendered. The model will be always made its intrinsic properties. Even when you resize the encoding settings in the SOUL, the full model is made and scaling only during encoding.

    Caution: SOUL CS6, we began work to enable this feature to exist. When you right-click on a computer in the queue of the SOUL and click the Source settings, you can control the rendering of After Effects settings: Guide layers are visible or not. Our intention is to extend this feature, although the addition of parameters affecting the properties of the model (as opposed to the visibility of the layers) is much more difficult and remains on our to-do list.

    In addition, the composition Viewer settings do not affect the properties inherent in the model itself, it only affects the way in which the model is seen.

    As you correctly deducted the differences between rendering and encoding, I expect you have also already considered workarounds to get what you want (a model made faster which is coded in the SOUL), but summarize these ideas even when:

    (1) makes an intermediate file without loss of After Effects and which encodes your delivery with SOUL format, possibly using spyware files to automate the side of the SOUL of the process which is what I would recommend.

    (2) nest your scale model in a model more small that corresponds to your desired settings and encode this model in the SOUL.

    As always, please send us your thoughts on how you want to see the After effects-of-SOUL improved workflow: http://adobe.ly/feature_request

  • After effects CC running very slow with El Capitan!

    Apple and Adobe, we have to answer you as soon as possible! We need this fixed number like yesterday. Since we have updated to the new os El Capitan after effects, first CC and encoder render times doubled. Our workload is now saved, and we need a quick repair. Help, please

    I found the solution smh... Adobe originally had the Mercury Playback accelerated GPU (OpenCL)-updated rendering engine after having upgraded to the new operating system and Adobe CC the default rendering engine update affects the MERCURY PLAYBACK ENGINE SOFTWARE ONLY. Just change the rendering engine to Mercury Playback accelerated GPU (OpenCL) and bingo your back in the game will thank me later. Peace.

  • I bought After Effects and downloaded the trial version, which of course requires the serial number, which I can't find anywhere, despite some of the things I read on the forum. Help, please!

    So, yesterday I bought After Effects (first time member creative Cloud and it was the only program that I bought so far through CC) and I got the email about the transaction is successful. I downloaded the installer CC, installed and then downloaded the trial version of After Effects, since it was the only option available. However, even if I went through my account and tried a few other things that have been proposed on the forums, I can't seem to get the serial number, so I can finally put the licensed software. Any help would be wonderful.

    Thank you in advance!

    Meriem, there seems to be some disconnect that the host file should solve the problem.

    Please contact support by calling/chat so that an agent can remote into your machine and solve the problem for you.

    Contact the customer service

  • How can I download the free trial version for After Effects CS6?

    Hi all

    How can I download After Effects CS6 now that after effects CC comes out? And After Effects CS6 is now free?

    I wonder what I have not this system right for after effects CC run on my Macbook.

    Any help would be appreciated as soon as possible!

    Kind regards

    TheAAPlus.

    You can download the demo from Effects CS6 here:

    http://helpx.Adobe.com/x-productkb/policy-pricing/CS6-product-downloads.html

    > And After Effects CS6 is now free?

    N ° why what would you think?

    > I wonder what didn't this system right for after effects CC run on my Macbook.

    AFTE effects CC (12) and After Effects CS6 (11) have the same requirements.

  • Help with After Effects

    I just upgraded to PP Premium CS5 with After Effects and Photoshop CS4.  I'm trying hard to understand things, but I am familiar with these programs and have no idea where to start to learn.  I tried to watch the tutorials, but they skip the basics, and unfortunately, that's what I need.  I have

    Can anyone recommend a good book or video or something to help me get started?  I know there is so much to learn and I am so eager to learn all this.  However, I don't know even how to get the pictures of CS5 After Effects.

    Another question - I'm working on a video now in CS5. The girl in the video has rosacea and I want to take the red on his face.  Is this possible in After Effects?  If so, can someone please tell me how to go about do - or propose a tutorial which deals with this subject?

    Thank you very much

    Jules

    > Do you have any idea what legacy tool I would use, and how, to remove the color of an area on a video and mix it with the surrounding area.  Or if anyone knows a tutorial explaining this process I would so appreciate it.

    You should ask your questions of After Effects on the After Effects forum:

    http://forums.Adobe.com/community/aftereffects_general_discussion

    Here are two video tutorials that show the different ways to selectively apply an effect to a specific area:

    https://www.video2brain.com/en/videos-1501.htm

    http://www.Peachpit.com/podcasts/episode.aspx?e=8822f9a1-93c5-4a00-8697-a54b653c7aaf

    But you really should start at the beginning and he learned the basics of After Effects first.

Maybe you are looking for

  • title bar of Firefox 28

    I noticed here: http://sessionManager.mozdev.org/history.html?oldVersion=0.8.0.8 & NewVersion = 0.8.1.0 you modify menus and get rid of the title bar. I hunted around on your Web site and have not found that a clear explanation of what's going on. So

  • Skype to remember my username and password

    I use Skype 5.5 Windows XP and everytime I open Skype my username and my password are already registered. I can't find a way to disable it. Can anyone hel me please.

  • lgimcden.dll (windows xp)

    To start up I get the message next - window\lgimcden.dll module is not found. How can I fix it? Bill

  • Explanation of the difference between the Sony Xperia Z model no C6602 and C6603

    I bought a phon xperia sony online shoppingindiatimes.com Z 22/04/2013, the model is C6603, service corresponds to the software and hardware of this model is available in India. What is the difference between the models is to say. C6602 and C6603. Is

  • Does resettlement as one of the three licenses with the Windows 7 Family Pack Upgrade?

    I have installed without problem on two computers and you want to install on a third computer in the future after having finished building. If I have reinstall it on one of the first two computers will I have troubles installing on the third? How to