Changing the Composition resolution blurs my images.

Hi, I would greatly appreciate any you could throw on an issue that we will have some light.

We have some rendered images of 3DSMax to 380 x 320 pixels, and we have it as a sequence of images. We have about 150 rotations of spinning product already made to this size and these initially sitting in a flash model, so a user could turn product autour. The customer's Web site was redesigned and we must integrate these makes a model of different size, specifically 396 x 297 (which is the size of the new flash player). However, whenever we try to change the resolution of the composition of 380 x 320 396 x 297, the film seems to have been almost "fuzzy" and becomes blurred. It is not very pretty and we lose the images we made out. We do something wrong? We tried to place the pictures (380 x 320) in a composition of 720 p and it looks good, but as soon as we change the resolution to 1280 x 720 to 1280 x 719 it blurs it once again. We also tried to keep the same report that the original film but by changing just the height or just the width and the same issue occurs. Sometimes it's worse. We made sure it's too square pixels.

I made sure that After Effects is up-to-date, and we made sure that OPENGL is off. This vagueness is not only evident in the preview, but also when we make out as a Quicktime Animation. We use After Effects 5.5 on Windows 7, but have also tried this on a Mac without result (for the hell of it).

What happens here? Thanks in advance for any help you guys could offer, thank you. It has been the bane of my life for 2 days! I don't know that it's just my lack of understanding of the functioning of the pixels and stuff. I have read through the help documentation, but maybe I'm missing something?

As long as your film is not resized as long as the position property is on whole pixel values there is nothing about the size of a composition that will change the sampling of pixels void (sharpness) of the sequence.

If your film is an odd number of pixels high or wide, it will be softer in After Effects, it's in Photoshop because that AE will be zero the anchor point in the middle of the sequence and half a pixel off forcing sub pixel resampling. There is no way to avoid this except to manually reset the anchor point to a whole pixel value.

If your film is vector art and this isn't an even number of pixels high or wide, you will have exactly the same problem that you have with rastor images, unless you set the continuously rasterize images. If set to continuous raster and vector art was created in Illustrator with nod to the set of pixels, then a line of 1 pixel (a point) in your vector image, even with the collapse of the transformations on will be rasterized in AE in a width of two pixels line because the line is not aligned with the composition pixel grid. That's a lot of difference if your work has thin horizontal or vertical lines. It's always a good idea to keep all illustrations an even number of pixels high and wide.

If footage only looks sweet when rendering you are facing the same void pixel sampling problem when your publication is an odd number of pixels high or wide. All MPEG (including FLA) films must be an even number of pixels high and wide. This is how the compression. This is how the codec. If make you something to 295 X 333 pixels for a MPEG codec then rendering will be converted to an even number of pixels high and wide. This will soften the rendering. If it's H.264 (movies more flash are returned to the h.264 format) then you're stuck with a frame size requirements even tighter game.

Check the anchor point of your film. If it isn't a whole pixel value, change it. Make sure it is positioned on a whole pixel value.

Now change the size of the model at any number of pair of pixels high and wide, and the images will display exactly the same as long as your model and your film is square pixels. If your film or your composition is set to any other format of pixels then the image will soften. Can't do anything else.

Tags: After Effects

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