Clip consisting of cultures in?

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• Maximum length of a clip transfer?

  I plan to transfer more than 3 dozen mini DV tapes on a hard drive through import Final Cut media.

  Since I'm not still on the creation of projects, I wonder if there is a maximum length of time that can be transferred as a single item - bottom line: can't I just let go a full 60 minute miniDV Tape for transfer and wait until later, to work from that single clip 60 (Cup/culture/Edition of him)? The idea behind my question, of course, is that I don't want to sit for 36 hours...)

  Anyone ever done this?

  Thank you

  That is a good question. Many users have reported problems with the capture of band through FCP import feature x. My experience has been very good - via a camera or an IO device... but I have met occasionally capture fragmented clip - sometimes as short as less than a second clips - which is tedious to deal with. My suggestion: some test clips. If they capture well, great. If not, cancel and use QuickTime Player to capture.

  Post back and tell us how you did it.

  Russ

• Do slow to finally stop frame clip

  Hi all

  I'm all new Prime Minister.  I'm doing a simple clip consisting of three sets of stills annimated imported in a rendering program.  I try to control the speed of the clip so that it slows gradually to a stop on the last image (which must match the first frame of the second clip).

  I don't want the duration of the clip-changed significantly for this purpose.  I did experiment with the split speed keyframe, but the clip gets much longer in length. To retrieve the length, I shorten the clip, but then he's not really completely at the last keyframe that should correspond to one another again.

  I've seen a number of tutorials, but none seem to completely resolve what I'm trying to do in a way that I can understand with my limited experience. I want the shot to slow the property locked and not like the camera ran into a glass window.

  Any help would be appreciated.

  Chuck

  Vary changes to speed or direction with time remapping

• Terms of reference within a clip in a movie clip

  This seems to be an issue almost universally confusing because I didn't get the answers from one of the forums that I posted on...

  Is it possible for me to have 1 movieclip consisting of several film clips in a .fla file and reference specific images of clips in a frame of the clip, from an external .as file?

  In a file, .fla I have a clip which consists of several frames, each containing a different clip to perform different actions of a character I want to animate.  The code bases work very well, but now I'm trying to enter more specific aspects of the interactions and the actions of the characters and all the tutorials I've met up to this direct me to add various aspects of the code throughout my animated film which I think would be littering my program as this project develops.  The following is my code base

  hero of the class extends MovieClip
  {
  definitions of variable here

  
  function onLoad()
  {
  Here initialized variables
  };
  
  function onEnterFrame()
  {
  If (Key.isDown (Key.RIGHT))
  {
  _xscale = 200;
  If (Key.isDown (Key.SHIFT))
  {
  gotoAndStop ("run");

  _x = _x + run_speed;

  } else {}
  gotoAndStop ("walk");
  _x = _x + walk_speed;
  }

  to learn more than the other feel carnal of movement of the character...

  
  } else if (!) Key.isDown ()) {}
  gotoAndStop ("stand");
  };
  };
  };

  It works very well.  Beyond that, I have a frame with the anchor lable "Punch" that contains a clip consisting of 5 images.  Is it possible for me to make reference to specific images in the clip in this big movie clip frame?

  You can reference clips nested using the notation by points, BUT the parent movie clip must be on a framework where the child exists.  for example, if the _currentframe parentMC contains childMC, you can reference the frame number of childMC which is a child of the use of parentMC:

  trace (parentMC.childMC._currentframe);

  If childMC is on frame 2 parentMC and parentMC is on its first image, then you will need:

  parentMC.gotoAndStop (2);

  trace (parentMC.childMC._currentframe);

• Rewinding of a project in FCPX

  IM in the process of modifying a project in FCP, the total length is 30 minutes, includes videos, pictures, transitions, titles and a few soundtracks. At the end of the video, I want to set the title 'The End'? and then put the entire project (30 min) 30 sec in reverse, so that after the last title, he returned at the beginning. How can I do? Function rewind in FCP that is impossible, rewind speed is 4 x, and it only works with the video sections, does not include my photis. The only idea I have is to save the entire project in a single file, then re-import him in FCP, increase its speed of 10 x, and insert it after my titles. is there a way that would be faster and more efficient?

  YYou might attempt a compound clip. Make a clip consisting of the entire project. A copy of the copy in the timeline. Use the Retiming to reverse the trend and speed it up.

• Lock the position of the mask in FCPX?

  I have an image I want to move from right to left (I'm trying to simulate someone hit to swipe an image on their phone). But I need to be masked so that when the image is moved, it is not just move from one place to the screen to the other (it must be enclosed in a mask). When I apply a mask in FCPX the mask moves with the image. I have to be able to stop it. Is it possible to do? It seems like the simplest thing in the world, but I don't see how it can be done. And Yes, I tried keyframing the mask but because his move with the image, it is dragged in every sense. If the movement is necessary so how would I do it in motion?

  Thank you

  You don't need a movement.

  Create the animated clip of right to the Center - stop - center to the left. Create a clip consisting of it and add the mask to the compound clip.

• Not 'adapt transform' 'letterbox '.

  When I "scale transform" a clip, the transformation also applies on the effect of the box the letters. How to avoid this?

  Here is a way. Create a clip consisting of the clip you want to scale. Apply the effect box to the letters to the camp. Open the compound and put the transform tool and scale.

  Good luck.

  Russ

• Re: strange dotted line...

  Hello, Im getting a flashing vertical weird dotted through my videos exported? Any help would be greatly appreciated!

  The video of the lady was reduced at all? If so, apply the CROP effect to his right of clip and the culture, can take care of it

  Thank you

  Jeff Pulera

  Safe Harbor computers

• Audio waveform does not show until the playhead passes in CC

  Hi all!

  In first Pro CC, does not display the audio from a clip in a timeline waveform until the playhead closer to this section of the audio. In previous versions, all waveforms on a timeline would be complete as first clips "consistent" with the location of the project.

  I was throughout the preferences and documentation and can find no reference to change this behavior, but I would like to than the waveforms displayed without needing to play or head of reading through every minute of the images of the shuttle.

  Does anyone else know this?

  I found the answer!

  In the audio preferences, I had turned off the "advanced automatic generation of the file" box.  I selected the box and now each element 'meet' importation and waveforms complete immediately on the timeline.

  Thanks for all your ideas!

• remove duplicate in the table items

  I use under the code to two areas of clips. On the left 10 clips consisting of 2 columns and 5 rows. On the right an exact replica. It starts with the clip 1 on the left, as it is duplicated on the right, then clip 2 on the left, as it is duplicated on the right etc. Until the left and right are the exact same 10 clips in the same order.

  Now, I've added an event listener. The way I'd like it works when I click on for example the clip 4 left, not only this clip should be removed, but also his counterpart cut 4 right. And even the opposite effect: by clicking on the clip on the right 4 should remove both the right claw 4 as the left clip 4.

  The way I work now is is that if clicking the clips on the left. Who removes this clip and the clip on the right. I use indexOf to mid-range. By removing the clip on this site indexOf, which would be a clip on the left and the right clip by adding 1 to that indexOf. Since in the table, the clip of law (duplicate) immediately follows the left (foreground).

  Of course this does not the other way, when I click on a good clip first. Because I then have to subtract 1 from the location of indexOf to get the left clip version. But I can't think of a way to determine if the item clicked on is on the box on the right or left. I commented on this second line removeChild since it does not work when you click on a clip to right.

  Can anyone thing of the kind?

  var clipcopies:Array = new Array();

  for (var: lines: uint = 0; lines < 5; lines ++)

  {

  for (var cols: uint = 0; < 2; passes passes ++)

  {

  for (var: Cops: uint = 0; < 2; cops cops ++)

  {

  var character: clips = new clips();

  persona.scaleX =. 5;

  persona.scaleY =. 5;

  persona.gotoAndStop(cols+1+rows*2);

  Persona.x = (COL * (persona.width + 20) + 10) +(cops*300);

  Persona.y = (lines * (persona.height + 20) + 10);

  persona.addEventListener (MouseEvent.CLICK, clickPersona);

  addChild (persona);

  clipcopies.push (Persona);

  }

  }

  }

  function clickPersona(e:MouseEvent):void

  {

  var thisclip:uint = clipcopies.indexOf (e.target);

  trace (thisclip);

  removeChild (clipcopies [thisclip]);

  removeChild (clipcopies [thisclip + 1]);

  }

  use:

  var clipcopies:Array = new Array();

  for (var: lines: uint = 0; rows)<5; rows++)="">

  for (var cols: uint = 0; cols)<2; cols++)="">

  for (var: Cops: uint = 0; cops)<2; cops++)="">

  var character: clips = new clips();

  persona.scaleX =. 5;

  persona.scaleY =. 5;

  persona.gotoAndStop(cols+1+rows*2);

  Persona.x = (COL * (persona.width + 20) + 10) +(cops*300);

  Persona.y = (lines * (persona.height + 20) + 10);

  Persona.Name = line + "," + COL + "," + cops;

  persona.addEventListener (MouseEvent.CLICK, clickPersona);

  addChild (persona);

  clipcopies.push (Persona);

  }

  }

  }

  function clickPersona(e:MouseEvent):void {}

  removeChild (MovieClip (e.currentTarget));

  removeChild (getChildByName (e.currentTarget.name.split (",") [0] + ',' + (1 - int (e.currentTarge t.name.split (",") [1])));)

  }

• Help with track matte animation

  I applied a track matte effect to a clip consisting of 115 images. My problem is that the part I want be visible changes of position. What I really need to set the effect of movement of the matte manually or there is a faster way to do this? Is it possible to move the issue of the track during playback?

  Here's what I do. I want all of them always centered on the circle.

  

  Keyframes in motion/position of the matte effect is the only way.

• no guarantee of progress consistent clip

  Using Premier Pro on a new MacBook with OS X 10.10.4.  When you import a clip I don't have a guarantee of consistent progress displayed in the lower right of the timeline, as does a friend on his desktop system.  Any views?

  Hi Eric,.

  Please check the blog for the same below.

  Compliant files opened each project

  Adobe Premiere Pro help. Importing digital audio

  Vinay

• Warp stabilizer cultures clip off screen - help!

  Adobe Premiere Pro CC - last updated.

  When I apply the stabilizing effect of Warp, it cultures / moves the clip almost completely off the screen in the preview window. He also stays that way when I export.

  I'm downloading sequences dslr with these properties:

  Path: / Users/Braedin/Desktop/Banff trip/Friday/MVI_9850.MOV

  Type: MPEG Movie

  File size: 52.5 MB

  Image size: 1280 x 720

  Frame rate: 59.94

  Audio Format: 48000 Hz - 16-bit - stereo

  Project Audio Format: 48000 Hz - 32 bit floating point - stereo

  Total time: 00:00:10:03

  Pixel format: 1.0

  I then slow down footage to 40% for a look of 24 frames per second (60 fps in the original)

  I then 'nest' images in order to apply the stabilizing effect of Warp.

  This is what it looks like without a stabilizer of the string:

  

  This is what looks like after application of stabilizer in the chain and make the clip:

  

  These are the properties of the "Nested" clip with stabilizer Warp:

  Nested sequence 03

  1280 x 720

  00; 00; 04 22, 59,94 frames per second

  48000 Hz - Stereo

  Finally, here is my current settings for the sequence in which I have the question:

  

  Any help would be greatly appreciated as I suspect his problem with the configuration of the sequence.

  Thank you

  Braedin

  Hello

  Please try to switch the software rendering engine mode, so, go to the Menu file > project settings > General and change the software rendering option engine only mode.

  Kind regards

  Vinay

• How can I stop iMovie 10.1.1 from my clips big screen media cultures when I move them to the component of the project (window)?

  I am currently creating a short reel demo/culmination of a feature-length independent full length on my iMac.  The format of independent film is on the big screen and it appears this way in the media window/pane.  But when I take leave of this wide screen support and move clips / add them to the window/pane project and strengthen so the demo highlights reel, clips no longer appear on the big screen - looks like the clips (proportions?) have been cut.

  How can I stop this from happening?

  Thank you!

  If you set 'Placement of Photo' in iMovie preferences to 'Fit' rather than 'Fill' (which I think may be the default) then all your video content will be visible, but you will have bars on it and if the aspect ratio is wider than 16:9.

  

  For clips already in a timeline, you can change the setting to 'Fit' with the crop tool:

  

  Geoff.

• Culture/resizing clip

  How can I crop or resize a clip in a video? By chance, I captured a few things in the corner of a video I need to crop away.

  Hello!

  At the moment the Clip doesn't have this feature. Is what you can do, edit your project in the video and then press the 'Share' button and select 'Send to Premiere Pro' and make other changes there including the cropping or resizing of your video.

  Keep on the lookout for future versions.

  Best,

  Peter Garaway