Clip marker comments

Similar Questions

• Question of clip marker

  Hello

  I am currently evaluating PP CS6 on my laptop (Win7) and'm liking everything up to the exception of the removal of the Jog/Shuttle controls transport, but which seems to be a moot point now. I have played with JKL and the shift key and I'm trying to get used to.

  in any case, I can't find how to add element marks. New sequence markers are very cool, and like the fact that the comments can be posted on the sequence. However, in my workflow I add a large number of markers directly to clips, so when I do a trim ripple ripple with the clip markers and do not get out of sync as markers. For the life of me I tried to figure out how to add a marker to a clip in CS6. I work at 5.5 almost every day so I'm pretty stumped on how to add a marker to a clip in CS6. I hope I went next to a keyboard shortcut or in a menu or something somewhere and that fea ture has not been removed.

  I watched the video of marker and see how they can be added to the clips as a prelude however I would add to clips in PP.

  Thank you

  Shane

  Double-click an element in a sequence or in the project Panel, add the clip in the Source monitor and add a clip, or go in the keyboard shortcuts dialog box and assign a shortcut to the item in the timeline panel, add a Clip marker.

  Jeff

• 'Add a Clip marker' gone?

  Hi all, in the latest version of Premiere Pro I do not see 'Add Clip marker' as a shortcut option. It was available in Premiere Pro 6 and there is a tutorial on using it here: using Adobe Premiere Pro | Working with markers

  ***

  Add markers to clips

  The marker is added to the item. To add a marker to a component in the Assembly, follow these steps:

  1. Set up a keyboard shortcut to "Add a Clip marker" under editing > shortcut keys (Windows), or Premiere Pro > shortcuts (Mac OS).
  2. Select the item.
  3. Place the cursor where you want to place the marker.
  4. Press the keyboard shortcut, you just create to "Add Clip marks."

  The marker is added to the element.

  You can inspect the marker dialog box by double-clicking the marker in the Source monitor.

  ***

  Thanks in advance for any light on this question. If this option is missing that I would use all the time, it would be a shame for me. I need to apply markers to the components of the package (not in the source monitor) and not to the entire timeline.

  See you soon

  Do exactly what you wrote.

  Select the item in the timeline

  Set the playhead to the position

  Hit M

  If I open a clip in the SM and the struck M I can see the marker on this clip in the timeline panel.

  Edit: Make sure that the track is a bit enlarged.

• Using marker comments 'Jump to' on the Timeline?

  Hi all

  I'm publishing an interview which cuts several B-roll footage etc. in Adobe Premiere CC 2015.

  My calendar has 3 tracks. CAM A and B of the Cam and Audio.

  I use the function of marker on the audio track to put markers on the interview.  In the comments, I will write what the person was talking about.

  I was hoping that there is a keyboard shortcut that fuck me from the comments to the track to hit M and brand, but I'm fine with using the mouse.

  My problem is to know how to navigate in this once markers have been set.  I thought for sure that if I clicked on the marker to the left in the marker window that he jumped to the marker in the timeline, so I could play back on the timeline and read it again.  But this isn't the case.  Double click it leads to the detail of the marker window.

  There must be a way to see a comment I wrote and jumping to it on the timeline, right?

  Thanks for your help!

  

  Feature request/Bug Report Form

• Increase the size of marker comment

  In the markers Panel, it is not possible to increase the size of comment out box by dragging horizontally. For the long comments, these are almost impossible to read. Is it possible to increase the size of comment box?

  I find that particularly limit running the beta version of Wipster where the Wipster comments are synchronized to marker's comments. of course, these can be quite long. BTW - if you haven't tried Wipster, this is a fabulous review and the comments system!

  There is no option other than what you have seen.

• Why am I wasting my marker comments in Premiere Pro CS6?

  I'm working on a project that has a ton of interviews.  Generally, I go through them and set markers for each answer to a question.  I'm going to type notes for each marker in the 'markers' Panel in order to easily go back and know what was said without having to re - watch.  When I'm done for the day, I'll save my project (which I do quite often throughout) and close.

  When I go back and open my project, my comments are completely missing.  And my marker and exit points are reset.

  Has anyone come across this issue before?  I tried to save it under a new project, but still have the same problems.  Please let me know.

  I'm under Premiere Pro CS6.  The film is Canon 5 d Mark ii.

  This is a bug.  Always with us in the CC, too.

• Marking clips as Favorites IN timeline segments?

  I know we can score selections of clips in the browser as Favorites.  And then create a list of keywords / project amongst these selects 'F'

  I find it very very slow.

  I like to browse clips in the timeline.  Just wheeled aligned segments I want and rock out to them until the next 'track' (arrow Alt Com upstairs).  X'cuse, I know that we have more titles... but up out of the main plot.  Once I get through a set of clips I delete all clips of scenario isn't the job offer and bring my selects down to the plot.  Or lasso just copy all the upper clips and bring them to another calendar (project).  And then start working with them.

  I wonder if there is a way to do this more effectively?  If I could choose "Favorites" in the story and translate them somehow to a new timeline project /... I know I can't.

  So perhaps I wonder if there is a more effective way to make selects IN the timeline?  Without the help of the browser?  Something I have not come across but in the tutorials.  Who all seem to promote the browser / Favorites method.

  All ears and curiosity...

  Ben

  I would use the keyword Editor:

  

  Entry/exit points in the desired clips mark then in the browser.  With the R button, you can easily drag a range or even leaving the toll range WE.

  Because a Section of Clip wanted in the first box to know all the shortcuts do you is now press 1 for each additional clip range control.

  To summarize the process is simple, select a clip - drag a range - control 1.

  Once this is done for all of the desired clips, select the event where clips and right click to create a new Smart Collection:

  

  Name it something like:

  

  Notice the icon is a flower looking thing which means that it is a Smart Collection.

  Double-click the Clip Wanted event and the filter window appears.

  Tell him to find only keywords then uncheck everything except wanted Clip Section.

  

  The browser displays only items that you previously selected by using the beaches or in & Out points with a keyword of wanted music video Section when 1 control was entered.

  Use Command-A to select all the clips and then press W to insert them into a cool timeline.

  This is how I could tackle the job.

  Al

• How the clip markers can be promoted in chronological markers?  I cut a clip and rearranged the order of the pieces in the timeline panel, so now I want a set of benchmarks that reflect their position in the timeline panel.

  Clip markers have as their frame of reference of the timeline, they came.  If you create a new brand of element in a new timeline, the marker in time is measured from his original script, not the new timeline where he is.  Currently in CC 2015 organization there is no way to translate the clip marker references 'Local' in the 'World calendar"in which they now live.  I captured on video a 8mm film that is chronologically jumble of short scenes.  I placed the chronology of chapter for each scene markers, export the list of markers and finally understood the rearrangement of pieces of scenes he needed to put everything in chronological order.  Thank God for the ability to export the list of markers, just as I needed!  So the whole sequence has 85 chronological markers, dividing the sequence into 5 pieces and rearranging puts them all in chronological order.  Obviously, I don't want to have to restore the scene boundries 85 times, I did as a necessary step to solve the puzzle.  I think you might meet one day some of these problems:

  1. the most obvious thing is located in the calendar for a piece, lift it and 'paste insert' where it belongs on the timeline.  Problem: Lift or excerpt from don't lift or extract chronological markers with it, so when "Insert you a block", the piece inserted in the timeline has lost its bearings, they were left.

  2. How about you make a sous-suite of the segment to move?  Yes, it carries all the tracks, but not the chronological markers whence he came.

  3. ok, I'll export the calendar together with chronological markers and reimport - ah, Yes, success, the chronology of the markers are now item, marks on the imported clip (the entire chronology).  That's great, because the clip markers are sticky with the clip, I can it chop, rearrange to put markers in chronological order without returning any info title marker.  Feeling beat with the reorganization completed five segments of the original timeline, everything is in order, nothing was reinstated, the timeline with its clip of chapter markers is ready to export to still make the DVD!  Yes, you guessed it, element chapter marks are not exported in yet.  The chronology of imports still with a marker, Chapter 1, at the beginning.

  4. There must be a way, stacked the timeline with the time markers on it on the icon for "New"... ', it is the same as #3 above, but simpler.  Historical markers are now the clip markers that don't export in yet.

  From my experiences, it is therefore impossible to solve my problem without completely restoring scene boundries and type chapter titles.  There are two repositories coordinated, clip) 1 local and 2) global chronology; and there is no way to go from one to the other 'mass'.   There is the glove, I'm sure someone has a way to do this without returning the title of chapter 85 markers.

  I have not found an automatic way to do this, but here is an efficient manual method that requires no titles of chapters Overtype.

  Either drop your timeline that has mounted the icon "Create New" brands, or export the timeline and import it back.  You now have a new timeline and markers are now on the video clip.  Now, chop and reorganize this video clip, it is in the best new order, and the clip markers stick with the sections of the clamp.  Now this procedure migrates the markers of the clips to the timeline (promotion):

  Start at the beginning of the timeline, select the video clip. (The video clip must be selected for M to open the marker editing window)

  1. type change M to find the first element brand, type M to open the editing window of clip marker, select the marker title and copy (control-C), hit Cancel

  2 hit the icon of reference in the program monitor pane, which puts a green marker on the timeline at the same time as the brand of element,

  3. double-click on the Green marker, paste the title of marker by control V, select the radio button of chapter markers, click OK.

  Repeat steps 1-3 to promote all the markers of clip of historical markers with the same marker titles.  Since we cut the timeline to reorganize, there are several video clips.  As you progress, make sure that the clip that you are working on is selected, otherwise M will not open the editing window, instead, it will place a chronological marker.  In short, follow this procedure exactly, it works.  It's a stupid job, but it does the job with without having to retype marker titles.  The chronology chapter titles now think time on the new timeline and they will export in yet.  Hope someone finds it useful at some point in the future.

  Perhaps team first see the usefulness of this and add a command 'Promote the clip for mounting marks markers' and "retrograde chronological markers for the clip markers" (conservation type, title and comments).  It would be a powerful addition.

• Can I do a rough cut of some comments/Tags?

  I have a project with several clips marked with comment markers. I want to take all similar comments (say all the tag named "John") and string them into a rough cut easily. Is there an easy way to do this? I swear I've seen before but can't remember where or how do.

  Thank you.

  Scott

  Hey Scott.

  There is a way to add markers to comment in a Rough Cut for a clamp open, but currently no way easy to search in several clips and then only add markers of commentary to multiple clips in a tough don't cut at the same time.

  To do a single item:

  0 open a Rough Cut (or create one)

  1. open the clamp (double click in the project Panel)

  2. in the markers Panel, enter the string you are looking for in the SEARCH field (for example John)

  3. only the markers with JOHN in them will now appear in the markers Panel

  4. Select the markers in the marker Panel you want added in the Rough Cut (use CTRL + A to select all markers)

  5. go to the menu at the top of the application where you will see the option to add markers to the open cut rough Rough Cut: 'Add selected markers '.

  We are looking for possible ways to improve the workflow of prelude to allow you to search for markers across multiple clips in the project Panel. The set of markers resulting would be selectable and ideally be able to be added in the first edit. But it's still on the drawing board with a targeted release date yet.  Looks like this can help, Yes?

  Thank you-

  Michael

• Using clip markers for synchronization in multi camera CS6 edit

  I am trying to find a way to synchronize video clips to edit in camera multi window. The problem is that I have a clip is the length of the video (1 h). the second continuously camera stopped and started during the filming that he wandered around to take pictures from different angles. I thought I could use the clip marker function to synchronize these. the problem is that I have placed a "comment marker" on each sequence of clip at the right time in each of the two clips and appoints them using the same name. I then open the movie camera to create multiple source.  But the ability to synchronize with the clip markers is grayed out and cannot be selected. I tried to modify the markers to make chapter markers, but it still does not work. I don't see an option to make them numbered or I would have tried that too.

  How do you get the CS6 to allow me to use the trademarks of element, or how to set the clip markers that will be recognized by the camera multi function?

  Thanks for your help

  Add take longer to V1, and then add the shorter clips to V2 and synchronize them manually.  Then nest this sequence in a second, right click and select Activate Multicam.

• First CC multi clip - adding markers for each camera.

  I use the latest version of first CC 10.3

  I'm editing with a sequence of the multi clip and when I add a marker in the window of my multi source clip marker seems common to all cameras.

  I want to add markers specific to each camera.

  Anyone know if it is possible for the markers to be visible only to the camera selected in the multiclip? (or for the selected camera view a collection when the marker is relevant for her?)

  The only work-around I have found so far is to color markers, a color for each of the cameras - which is a pain and time consuming.

  Thank you very much for any thoughts.

  First of all, Premiere Pro has no capacity multi-clip.  It is the CPF.  You work in Premiere Pro now.

  Premiere Pro has blocking abilities, but it uses some sequences nested for the work.  And since the sequences and elements behave differently for certain things, including markers, there is a difference over a simple semantics.

  If you want to apply markers for the original clips, you must open the Multicam Source sequence.  Right-click on that in the tray, and then select open in the editing.

• Why does first add an extra frame when I/O marking?

  Why would I ever intentionally remove a supplemental box after my brand? I constantly have to go all the way and save a frame out an appropriate brand.

  Selection the clip gives good I/O brands... so why this happens when you go to the next edit and define? It is completely incoherent and pointless behavior.

  Hi Jonny,

  jonny9091 wrote:

  .. .but setting of the brand in incorrectly an image in the next clip.

  But, if you select this item and use "mark selection" set I / O... it would be exactly 5 seconds.

  It is a common misunderstanding. If you use the playhead to frame Cup, you will be cut 1 frame in the next clip. This is why when you use the read head to mark an out point go left frame, then mark Out to be correctly. Although it may seem wrong, it isn't. Scoring of the selection properly functions, but even better is to use the Clip mark because you do not have to select the clip, simply the targeted track.

  NLe ALL this. Media Composer has an option if you press a modifier key when you mark an exit with the reading head, it will have the same effect as the move left one image, then marking. If you do not see this, make a request: http://www.adobe.com/go/wish

  It is good that you found this little quirk. I don't know there are a large number of editors who never discover this are continually edition counts a handful every time without even realizing. When I taught edition in different schools of commerce and the Bay area, it was a thing I made sure all my students had to their credit.

  Thank you

  Kevin

• Trigger a pulse of a marker on a different layer opacity

  Layer 1 has several markers labelled 'hit' as the marker comment. The name is important because I could add more markers to do other things.

  Layer 2 is at 0% opacity default.

  Every time the time indicator hits a 'hit' on layer 1 marker, I want 2 layer to instantly go to 100% (not melted) and fade back to 0% for 2 seconds.

  Anyone has any idea how I would go do something like that?

  So far, I have something like that, but it only triggers on the first 'hit' marker and ignores the rest:

  if (thisComp.layer(1).marker.numKeys > 0 && time > thisComp.layer(1).marker.key("hit").time){ 
  linear(time,0,2,100,0);
  }else{ 
  value 
  } 
  

  Ah yes, sorry - missed that part. Try this:

  m = thisComp.layer("Layer_1").marker;

  n = 0;

  If (m.numKeys > 0) {}

  n = .index m.nearestKey (time);

  If (m.key (n) .time > time) n -;

  If (n > 0 & .how m.key (n)! = 'hit') {}

  n-- ;

  While (n > 0) {}

  If (m.key (n) .how == 'hit') break;

  n-- ;

  }

  }

  }

  If (n > 0)

  Linear (Time - m.Key (n). Time, 0, 2, 100, 0)

  on the other

  0

  Dan

• Clip markers are gone?

  Before CS6, I would use the clip markers (on each video clip - no marks of sequence) to synchronize multiple cameras in a sequence.  Now in CS6, they are gone.  Can someone tell me where I cam find element marks to CS6.

  Thanks in advance,

  Mel

  Theres no reason to fill out an application form.

  But if we want that all the other features missing clip marker back, as the ability to move or delete a clip marker in the sequence, or the opportunity to go to the next brand item in the sequence.  All these functions have been removed completely, and I personally want to return.

• Icon to go to the next on the source... but not on the Timeline marker?

  Am I missing something here?

  I'd love to be able to use an icon to go to the next on the timeline marker

  Is this possible? Can I add an icon?

  Or I don't know that there is a keyboard shortcut

  CTRL + left or right will go the next sequence marker.

  CTRL + SHIFT + left or right will go to the next clip marker in a selected clip.

  Edition > customization of the keyboard... will show you what shortcuts are mapped, allow changes, etc.