Color picker out of gamut diferent alert warning of the range image? (CS5)

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  Hey,.

  I work for a company that uses #EF6C00 as their primary color. We use it in print and web... whenever I go into the color picker and use this specific value, a warning appears telling me that it is out of gamut. Color changes are small but still noticeable. They usually change to one of 3 different oranges. I don't think that the company has had this problem before so I think that my document set up is defective? I have the color of the document to CMYK mode because I'm working on a print ad. Don't know what else I can do to help solve this problem. Any help is appreciated!

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  It is not that you're doing something wrong. It depends on what profiles you work with. You can find the color you want in CMYK mode and use these values if you are systematically managing the conversion of your HEX value. Which currently shows off standard gamut SWOP CMYK, but it may not for the printer/output target that you are handling.

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  It is especially on the understanding that the measure is based on the source/target profile. So here's a screenshot of your value in three separate documents. But the source range is ProPhoto RGB, sRGB and Adobe RGB. You can see the change of the off values of the range (the cloud) and note also that vary the CMYK values for this spell. This is because what you convert source being another range/space for RGB definition. So out of the gamut is only compared to the RGB space is the measure of.

  

  Yes, under Edit > parameters of color in Illustrator, you can see what jobs you measure with and work with. This will show you what RGB space, it uses to set the value of your color and CMYK engine (or other) that he uses to show how far out of gamut, it is, because CMYK is a smaller than RGB gamut. See below, mine is sRGB and SWOP v2.

  

  In your case, you have a HEXADECIMAL value. But it's always RGB/CMYK. If it was me, I would find none of the other projects you have made and which were considered 'success' for the output color, open the file and find out what the CMYK equivalent and which target for your release in the future. Any project output CMYK uses this value and any output RGB (on screen) use your hex value. This will ensure better consistency in these two types of separate output for projects.

  If they are supposed to be using a value of as a book of Pantone spot color, then you can use that as an aspect of the target to discuss with your printer.

  You can synchronize all your applications through Adobe Bridge to make changes of the uniformity of the profile.
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  Get a close look at your screenshot of your color picker is 8-bit, selected just to watch the red channel and you typed a very strange number for green. I can get the same thing:

  

  The gradient editor allows you to type anything. If you use the selector, you will get the normal values. If the display is 32 bit, the values would look like this:

  

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  The color that is transferred to the second rectangle using the color picker is here R = 252, G = 52, B = 27.

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• I have a lot of trouble recently with colors of the range. My software is updated, my system is calibrated with Datacolor, as in many years with her, but now I norticed much more than before out-of-gamut color images when checking this. Do not print.

  I have a lot of trouble recently with the release of the color range in Photoshop CC. The software is updated. I used to the Datacolor years to calibrate the system, and it worked well always. But now I noticed that I have a lot more images with out-of-gamut colors, and it prints wrong. Is this a problem with Adobe? The rest of my equipment is the same. Any help? I'd appreciate comments. Thank you, Emilio.

  First, the range warning applies to the proof profile that you put in place, under test format. If this is not the profile that you want to print with, there is no relevance.

  Second, range warning is a very large and imprecise indication, and I would just turn off. It shows what is out of range, but not how much. There are better ways, like proofing (even once, test format, toggle with ctrl + Y).

  You can also convert a copy of the file to print your profile and look at the histogram. If you have severe cuts, you can adjust the file accordingly.

  Third, there are people who feel the effect of threshold is best handled by the profile. In other words, doing nothing, just convert and done. I'm not one of them, just thought I would mention it.

  ------------------

  Just to put us all on the same page, here are the basics:

  There are three different color profiles here. The document profile, the profile of the monitor and the printer/paper/ink profile. If all of these profiles are good, the results will be consistent and predictable.

  So to start with the document profile. These are important parameters in the PS color settings dialog box:

  

  It can't be Adobe RGB, but there must be a standard color space (sRGB, Adobe RGB or ProPhoto).

  Then the monitor profile. The Spyder software everything for you, and Photoshop uses this profile to display the file. You don't need to do anything once the software ran - it is all set up automatically.

  You can check in Windows color management has the right profile is configured by default:

  

  Thirdly, the profile of the printer. It's one that refers to the book as "Xxx of Epson Premium glossy", or all that apply. You choose this profile in the dialog box print in Photoshop, and then you go in the printer driver ("settings") and ensure that color management is turned off it. You don't want a double color management.

  If it withdraws, and it still does not seem good, get back with more details.

  Oh, by the way - have you got your NEC monitor with Spectraview calibration software included? If you did, it is greatly preferable to the Spyder software for reasons more than I have space to list here. You can still use the Spyder probe, at least if it's generation 3, 4 or 5. Earlier versions are notoriously few reliable and also not designed for wide gamut displays.

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  Goal of my client: provide my logo to their web developer, so everyone uses the exact same blue.

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