PANTONE Conversion RGB (out-of-gamut)

Similar Questions

• Conversion Pantone in RGB-"web color".

  My client gave me very specific colors for a web version of their logo Pantone -RGB and Hex codes to the right of the Pantone book (I think).

  However when I enter these values in Illustrator CC, they are "out of gamut" and "off-color." web

  Goal of my client: provide my logo to their web developer, so everyone uses the exact same blue.

  Question:

  Can I provide the logo with the specified values to the client, or click 'off-web color' warning and the end to the top with new colors?

  * I guess I asked also uses secure web colors always mandatory?

  j,

  It is quite safe to forget all the colors of web security: they are ghosts of the ancient past where the monitors were very limited.

• I need color is out of Gamut in my files have...

  Hey,.

  I work for a company that uses #EF6C00 as their primary color. We use it in print and web... whenever I go into the color picker and use this specific value, a warning appears telling me that it is out of gamut. Color changes are small but still noticeable. They usually change to one of 3 different oranges. I don't think that the company has had this problem before so I think that my document set up is defective? I have the color of the document to CMYK mode because I'm working on a print ad. Don't know what else I can do to help solve this problem. Any help is appreciated!

  Thank you.

  It is not that you're doing something wrong. It depends on what profiles you work with. You can find the color you want in CMYK mode and use these values if you are systematically managing the conversion of your HEX value. Which currently shows off standard gamut SWOP CMYK, but it may not for the printer/output target that you are handling.

  At the point of Monika. If you can find what your print provider works with you can set your color to their output target profiles and make sure that you are, or not, in the range for the target output device.

  It is especially on the understanding that the measure is based on the source/target profile. So here's a screenshot of your value in three separate documents. But the source range is ProPhoto RGB, sRGB and Adobe RGB. You can see the change of the off values of the range (the cloud) and note also that vary the CMYK values for this spell. This is because what you convert source being another range/space for RGB definition. So out of the gamut is only compared to the RGB space is the measure of.

  

  Yes, under Edit > parameters of color in Illustrator, you can see what jobs you measure with and work with. This will show you what RGB space, it uses to set the value of your color and CMYK engine (or other) that he uses to show how far out of gamut, it is, because CMYK is a smaller than RGB gamut. See below, mine is sRGB and SWOP v2.

  

  In your case, you have a HEXADECIMAL value. But it's always RGB/CMYK. If it was me, I would find none of the other projects you have made and which were considered 'success' for the output color, open the file and find out what the CMYK equivalent and which target for your release in the future. Any project output CMYK uses this value and any output RGB (on screen) use your hex value. This will ensure better consistency in these two types of separate output for projects.

  If they are supposed to be using a value of as a book of Pantone spot color, then you can use that as an aspect of the target to discuss with your printer.

  You can synchronize all your applications through Adobe Bridge to make changes of the uniformity of the profile.
  Creative Suite * keeping colors consistent

  Hope that helps,

  lifebypixels

• I have a lot of trouble recently with colors of the range. My software is updated, my system is calibrated with Datacolor, as in many years with her, but now I norticed much more than before out-of-gamut color images when checking this. Do not print.

  I have a lot of trouble recently with the release of the color range in Photoshop CC. The software is updated. I used to the Datacolor years to calibrate the system, and it worked well always. But now I noticed that I have a lot more images with out-of-gamut colors, and it prints wrong. Is this a problem with Adobe? The rest of my equipment is the same. Any help? I'd appreciate comments. Thank you, Emilio.

  First, the range warning applies to the proof profile that you put in place, under test format. If this is not the profile that you want to print with, there is no relevance.

  Second, range warning is a very large and imprecise indication, and I would just turn off. It shows what is out of range, but not how much. There are better ways, like proofing (even once, test format, toggle with ctrl + Y).

  You can also convert a copy of the file to print your profile and look at the histogram. If you have severe cuts, you can adjust the file accordingly.

  Third, there are people who feel the effect of threshold is best handled by the profile. In other words, doing nothing, just convert and done. I'm not one of them, just thought I would mention it.

  ------------------

  Just to put us all on the same page, here are the basics:

  There are three different color profiles here. The document profile, the profile of the monitor and the printer/paper/ink profile. If all of these profiles are good, the results will be consistent and predictable.

  So to start with the document profile. These are important parameters in the PS color settings dialog box:

  

  It can't be Adobe RGB, but there must be a standard color space (sRGB, Adobe RGB or ProPhoto).

  Then the monitor profile. The Spyder software everything for you, and Photoshop uses this profile to display the file. You don't need to do anything once the software ran - it is all set up automatically.

  You can check in Windows color management has the right profile is configured by default:

  

  Thirdly, the profile of the printer. It's one that refers to the book as "Xxx of Epson Premium glossy", or all that apply. You choose this profile in the dialog box print in Photoshop, and then you go in the printer driver ("settings") and ensure that color management is turned off it. You don't want a double color management.

  If it withdraws, and it still does not seem good, get back with more details.

  Oh, by the way - have you got your NEC monitor with Spectraview calibration software included? If you did, it is greatly preferable to the Spyder software for reasons more than I have space to list here. You can still use the Spyder probe, at least if it's generation 3, 4 or 5. Earlier versions are notoriously few reliable and also not designed for wide gamut displays.

• Color picker out of gamut diferent alert warning of the range image? (CS5)

  I'm confused...

  I'm editing an sRGB image.  My custom proof condition is set to sRGB IEC, preserve numbers not controlled, BY intention or RC, PCBS. The range warning is enabled.

  I add some text and color using the text color picker tool. I have activate WARNING range in that and choose a color of the range e.g. #ff0000 off. I go back to the image and the text is * no * reported as being out-of-gamut.

  In fact * no. * color marked as OOG in the selector seems to be considered OOG, once I go back to the image with sRGB IEC selected, if they are when I select other devices to simulate.

  Why the disparity between the OOG WARNING image as well as the selector tool?  The tool uses another simulation device that I have chosen?  Who should I believe?

  Ian

  I guess the warning of the range Color Picker is against your workspace CMYK in the color settings.

• PANTONE - conversion CMYK Reflex Blue

  I just upgraded to 2015 CC (from CS5), and when I import the Pantone Solid Coated Reflex Blue shade color (CMYK code and) has now changed (old version).

  New = C = 100 M = 94% Y = 14% K = 12%

  Old - C = 100 M = 73% Y = 0% K = 2%

  No idea what happened here?  It's our color logo and I'm trying to understand why he has changed or if I missed something here.

  Pantone libraries have been updated:

  Libraries of colors Pantone Plus in Adobe Illustrator CS6 and CC

• Conversion of out-line of output to a. CSV file

  Hi all

  I was wondering if it would be possible to convert the output of the out-file cmdlet to a .csv file.  When I use out-file it creates a text file that puts each item on its own line.

  For example, the text file would be:

  Server2

  Server3

  Server4

  I would like to convert this .txt file to a .csv file, which would be:

  Server2, Server 3, Server 4, etc.

  I tried to use the Export-csv cmdlet instead of the out-file cmdlet, but I can't seem to make it work, so instead I was wondering if it would be possible to convert the text using a pre-made PowerCLI command or some type of line of the script to remove and replace characters and delimiters.

  Thank you very much for any help or assistance that anyone can give.

  Best

  Oops, my mistake.

  See if it works for you

  (Get-Content 'C:\text.txt' | %{"'$_'"}) - join ',' |) Out-file "C:\csv.csv."

• PSC6 black artifacts Conversion RGB and sRGB on Dell

  Hi guys, I recently changed pc and monitor causing a bloody problem with these color spaces!

  My monitor is a Dell u2412m and by default it is set to:

  

  Now when I open a RAW with ACR file and choose sRGB as the color space, the result is the following:

  

  As you can see, the majority of the photo shows black shadows. If I save the file and open it with the windows image, it is perfect. Indeed, if I choose ProPhoto for monitor and for photo viewing is very good:

  

  I need to change the same RGB or sRGB color space before saving the final image so I really want a real Preview in photoshop to itself instead of saving first. If the problem occurs when I'm recording in RGB (less artifacts) and sRGB (lots of artifacts!). I don't understand this because I use the same default color for my monitor space. Any guess?

  The pc configuration is:
  Intel i7 3770

  Beta driver Ati ATI HD7870 12.11

  16 GB of RAM

  It is probably this problem:

  http://forums.Adobe.com/thread/1093163

  -Christmas

• [LR 5] Soft Proofing - Gamut Warning monitor vary with the profile of the printer?

  Hello

  There is something that I do not understand when you use the function of gentle fermentation in LR.

  The monitor Gamut Warning feature (top left icon of the histogram when Proofing is enabled) is supposed to show us what colors in the image can be reproduced on the screen. Right? If I understand correctly, the warning is calculated by comparing the current image (virtualized by LR in the Melissa RGB color space) to the display range (read active calibration profile).

  Then why LR different show "out of gamut" areas for display when I change the profile of the printer selected when using soft proofing? It's not logical for me.

  I missed something?

  Thanks in advance.

  Indeed, they are vague on this issue. My thinking on the subject comes to converse with people from Adobe here and elsewhere, as I'm sure that I'vce has discussed this issue on the forum before. As far as I know the caution monitor is supposed to be calculated after the conversion to the profile of the printer so that you get an idea if the soft resistant color is displayed accurately. This must be the correct behavior as waterproofing can really take a color either in or out of the monitor range. I'm not 100% sure on it though, but definitely, he explains how he behaves.

  Also, if you calibrate your screen and write a display icc v4 profile, the situation changes once again as today the display profile can actually contain a perceptual rendering intent, making it even less accurate and the assumption of simple linear conversions one-to-one between color spaces is not valid. Some calibration software packages do however, but there are a few exceptions.

  If you want to know if your image is outside the display profile, you can indeed deceive the test to allow you to select a display as the printer proofing profile profile. In principle, you can select a standard workspace such as prophotoRGB it and get results that make sense. But you certainly don't want to have a random printer profile chosen for the reasons cited above. I guess they could add some tricks to detect that you have selected the profile of the current view and not one profile of another to randomly display and then collapse the interface, but it's a case of edge I doubt Adobe would give priority to this. It works very well so simply, you realize that you have selected your profile screen like the printer proof profile.

• Values of Pantone Pantone values vs + Color Bridge Coated Book swatches

  I work with a set of Pantone colors.

  Why CMYK/RGB to Pantone in Illustrator CC values match the values given in the book of most Pantone color bridge?

  J,

  I understand the other threads that the game of RGB values is predetermined by society and not be replaced by something that (same Pantone).

  In addition, when you have the color of a Pantone ink and need to replace it with a set of CMYK or RGB values, it will always out one way or another. And if you need to combine several colors of replacement, they may well be out of different ways with the conversions provided by Pantone, which mean that they are inferior to the Pantone inks as necessary. Something similar may apply to cases with combinations of colors of substituted Pantone ink and CMYK/RGB of origin.

  Thus, at least in some cases it may be a better choice of retraining provided by Pantone CMYK/RGB values.

  In other words: who said that you agree, or should agree with the transformation (latest version) provided by Pantone in each case?

  It may be interesting to note that Pantone themselves have changed their minds about the best conversions more than once.

• Crazy color conversion prodblem

  I'm designing a package using PMS662. I have the color will be used in the process. PS, the conversion in the process I have values of C:100 M:94 Y:31 K:13. In InDesign and Illustrator but I have C:100 M:71 Y:0 values K:18. Now I know that I can simply define values in PS since it will be printed in process, so it's more a curiosity thing I think I should better understand.

  General information - color settings are synchronized between the applications and the color has been chosen among the same Pantone book named (Pantone Solid Coated) in all three applications. I've been doing this for a long time and I never notice any other color be so different between programs.

  Any idea would be appreciated. Thank you.

  MIke

  PS - I've attached a screenshot of PS implementation for reference.

  

  InDesign and Illustrator use Pantone Solid to process default values.

  2 options:

  1. in Photoshop, use the solid to Process library when picking out the color.

  2. in InDesign, the swatch Panel, ink Manager, use the Lab values for spots. Illustrator, swatch, tones, use the lab values

  With option 1 you get Pantone Solid to process book numbers. With option 2 you use Lab book of numbers. These are converted to the CMYK destination. As long as the color settings and document profiles are synchronized, the lab CMYK conversion must match in three applications.

  With Illustrator and Photoshop, you should know that if the documents are RGB, that will change the result. Working with PANTONE to RGB can be somewhat difficult. Let me know if you have any questions.

• PANTONE in illustrator looking for different why?

  Hi all I have a big problem I'm a new designer of this company and they provided me with some pantone codes that is supposed to be good companies codes, but the thing is

  
  

  Yes, something is different with your color management settings, but, if it is currently printing as the authentic tones, who cares? The generation of marking and plate correct is more important than the screen preview, which, for some spot colors will never correct, in any case, because of being out-of-gamut... I guess you have reading to do about it.

  Mylenium

• Colors out of range

  I'm working on something that will only be visible on a computer screen, and I want to use out of the color gamut, but I can't find a color profile that will allow it.
  Y at - it a setting I can use that will allow me to use colors out of gamut?

  Thank you!!

  If by out-of-gamut, you hear the colors that show an exclamation sign in the color Panel and the color picker when you work in RGB documents, here are the colors in the color space of the document that are not in the CMYK color space selected as a workspace in your color settings. Or in other words, it is how these colors will become when you change the document RGB to CMYK.

  For example if you have a RGB document using the sRGB color space and the working CMYK color space is U.S. Web Coated SWOP v2 you a color scheme of the range, but if you change your working CMYK color space within the parameters of color for us newsprint that is much smaller range so much more RGB color will show the out of range road sign.

  Even if you keep your colorspace CMYK to work the same word, U.S. Web Coated SWOP v2 but assign another RGB color space to your document, let's say Adobe RGB or ProphotoRGB which have ranges much wider than the sRGB color space, then also a lot that displays more colors out of gamut.

  If by out-of-gamut you mean generally the colors in a any color space no matter what his color mode RGB or CMYK which do not appear in a different color space, you must specify what two color spaces you are talking about. Examples of color spaces are ones you can see in the RGB menu under workspaces of the color temperature. The color spaces that can be described in a color profiles can be RGB or CMYK.

  Edit:

  tamarasussman wrote:

  I'm working on something that will only be visible on a computer screen, and I want to use out of gamut colors

  Each monitor, not only the brand, but each unit of the same brand, has a certain color space single that can be measured with a measuring device color and a color profile describing the color space that can be created for it. If your document is assigned the color space of your monitor instead of some standard RGB color space as sRGB, AdobeRGB, and etc., then you will have a unique set of colors in the range showing the warning sign. So in your question, you must also specify which RGB color space you talk: standard or device-specific?

• diagram of the outside of the sRGB gamut sRGB values?

  When I sRGB selected as my color in Photoshop (CS6) space, often, I see the warning out of gamut in the color picker.  I expect all possible sRGB color value is the sRGB color gamut, but apparently I was wrong.  I would like to see a diagram of Horseshoe color space that shows how far the values extend beyond the range.

  I guess that's the case with all areas of color - you can select color values that are outside the range.  I'm not sure of what represent the color space diagrams, but I'm guessing that they represent the full range.

  Thank you!

  The release of warning of the range in the color picker said you have a color out of range during the conversion of your CMYK working space. Ignore it if your do not intend to convert to CMYK.

• Print to PDF RGB of Freehand drawing

  Hello world

  I tried to work this point for a while but I'm only a geologist using the software for drafting purposes. I have Freehand MX on Windows XP, with Adobe acrobat 9 installed. When I print in PDF since Freehand it usually converts the colors to CMYK which should, but I want to be RGB.

  Settings on the fly:

  Output options: all by default but I have unchecked "Conversion RGB to deal with."

  The effects of rasterization: rendering Optimal CMYK is checked, but does not make a difference if unchecked.

  Color Management: Kodak digital science

  Acrobat settings:

  I tried to change the printing options of high quality in acrobat distiller "convert all colors to sRGB" and document the intent of rendering for "Colorimetry. RGB is sRGB61966 - 2.1.

  The only way I have successfully to a RGB PDF of Freehand is open the file in Illustrator CS4 and print format PDF after having said that the file is of type RGB in Illustrator. The conversion is not yet perfect, moving text etc... and a pain in the * to be honest but if there was a way to go to RGB PDF of Freehand, that would make my day!

  I hope someone can help! Thank you!

  I found only one way to do it. I'm on a Mac, so it may work differently on a PC. I find that I have to export to an EPS file and distill.

  1. FHMX management of the color set to None. This can be a problem if you usually work with color management on. To move the colors.

  2. ensure that all the colors in the document, including black and white, are RGB process colors. Use no tones, colors, CMYK or Pantone library.

  

  3. export to EPS by selecting the option "convert the colors to RGB.

  4. set parameters of color to distill to 'leave color unchanged.

  5. open the EPS file in Distiller to create PDF.

  6. Open newly created PDF in Acrobat Pro. Color match colors RGB FH.

  Judy Arndt