Confused about PPP and the size of the final image

Similar Questions

• Help on resizing text boxes and the General image techniques

  Using CS2.

  I have two fundamental questions.  We have to do to get the best images to vector (with text) that I can for placement in InDesign documents.  The other relates to the specificity of work with text in FW boxes.

  The easiest way for me to produce vector images has been using PowerPoint.  I do all the graphic work, and then save it as a gif file.  I don't and then cropping in a graphic (Irfanview, PS) tool insert or place the image.  As long as there is no resizing, things work fine.  I do not know how things like IPR are controlled using this technique but I'm assuming that would be also with the graphical tool.  I know that Irfanview allows the CIO to clarify when resizing.

  The problem starts to appear when the gif object is resized.  Things are distorted and I lose the freshness of the image content.  I'm certainly not an expert on the graphics but I thought either, there is no resizing (just a cropping) or 2) to work in a tool such as FW where (I guess) so I need to make 1) actual size charts PP size of the final image placed there are better abilities to resize the vector images.  My feeling (again, not an expert) is that converts the process I use for vector graphics in PP to a bitmap image in the gif and resizing does not work as well for bitmap images with respect to vector objects.  Don't I have that right?

  Go to question 2:

  Can the text boxes be resized in FW without distorting the text?  Their size is visible when initially drasing them?  Maybe spoiled by PowerPoint, I like to define the width of the vector objects (e.g. rectangle) and the width of the text it will fill at the same size.  (I know that PP has the opportunity to put borders on text boxes, but when you work in FW I need to work with 2 objects, the rectangle and the text box).  I have a wide 81px rectangle.  Can I set a text box to 81px wide without distorting the text?

  I tend to want to control the dimensions of the real object so I can get good spacial alignment.  For example, I tend to set the width of a text to an odd number of px object so that any line that comes out of the text object coincide well with the text.  I must admit that it was perhaps time for me to use a different technique in FW (for example an alignment more than objects multiple vs knowing dimensions and locations seting).  My approach does need improvement?

  Thanks for the tips

  Tom

  As I wean out of PP I started watching FW and Illustrator (I have both).  I did a logo or two in FW and have used it to build simple web graphics (e.g. buttons, menus).  It can, I believe, be a little more complicated than what I need in this case.

  Given that the PP is not a graphics program, its drawing capabilities are very limited. As a result, all graphics applications will have many more features that you are used to see and more that you need for a project.

  I did a little experiment with Illustrator and my first impression is that it will work better for me for this job.  It seems a little more intuitive.

  Is a general rule to use FW for graphics for the web and Illustrator of what I was doing in PP?

  Your suggested orientation is good. Also note that if you make a logo or a vector graphic in Illustrator (saved as .ai format), you can import into Fireworks and work with it as a vector object it. FW can import and use, simply create no, files and .ai objects.

  FW has some vector tools, they are hidden under window > others > Path. Because the FW is intended to produce Web graphics, it is a hybrid, capable of vector and image/photo editing application. Given that she has some of both, it is not necessarily what is Illustrator, nor all that Photoshop has. It has most of the features of the two programs, as long as the feature is useful for a Web graphics designer. For pure photo retouching Photoshop has the edge; for pure illustration, Illustrator has the edge. Both Photoshop and Illustrator supports profiles of colors and other important features for printing which is not the fireworks. All are good programs, but there are reasons to prefer one over the other according to the type of graphics, you need to create or work with and what is your intended use of the work. (But none of them will be greater than PowerPoint!)

  I'm not sure I can unravel the mystery with the resizing of text box.  I suspect theres an option is selected.  Knowing that it's possible, it's enough for me to do some homework.

  Maybe... don't think that text boxes at all. You have text objects. The object has a bounding box which is determined by the underlying definition of the police, but he is not in an text box. (Sometimes swooshs goes beyond area of definition of a character in the police, but that's another question). The bounding box of the text object is similar to the of a circle or a star or an irregular shape bounding box. There is a reference to the dimensions box, but the text is not inside some other independent container.

  To resize it, select the text object and change the font size using the Properties palette or using the tool of the ladder hanging out on a corner of the hierarchy (different from the bounding box, and I don't know why, sorry).

  I think that with Illustrator, you can set text (or other) boxes and fill them with text. * Research * Oh... Like these: http://school.tatoland.com/illustrator/aitype.html

  Cheers!

  Lorraine

• Accidental license of Adobe Stock image and the second image under license, which freezes the screen

  I accidentally under license an image (77794802) and the second image, I have a license (36162545) freezes my computer whenever I try to open it. Help, please! Thank you.

  Hello

  I added a credit to your account in order to replace the image under license by mistake.

  What program do you use to try to open the 36162545?

  Kind regards

  Bev

• I'm having a problem using the slideshow module in LR 6.3. The slideshow contains the background image as one of the images to display. Earlier, I had created a slideshow of practice and the background image was not displayed as an image in itself. How to

  I'm having a problem using the slideshow module in LR 6.3. The slideshow contains the background image as one of the images to display. Earlier, I have created a slideshow of practice and the background image was not displayed as an image in itself. How to make it behave?

  Another approach, perhaps a little more elegant (?). Create a collection that includes images for the slideshow. Include the background image in the collection. Drag the background image in the Panel to designate. Then, remove this image from the collection and create the slide show. I just tried and it works, too.

• When you save an image in PS CS 6 and go into Lightroom 5. The original and the modified image are at the end of the line upward.

  I use a Mac, 5 Lightroom and Photoshop CS 6. I started having a problem with the line up in Lightroom 5 after saving an image in PS CS 6. For some reason when I save the edited image 6 CS form he takes the modified image and the original image and put the end of the line up in Lightroom. If I take the modified image and move it to the right of the original, it will put two of them in the line up where they should be. How can I fix it. I looked at the menu for a kind of framework with no luck.

  Change the sort order. View-> sort

• Confused about replacement of the object style that I can't understand

  Hello

  So I'll try to understand and to clean up a book a bit messy, I inherited (lots of inconsistent style and replacements). There are a bunch of boxes that have a style of object applied to them, but seem to have odd substitutions, which I can't understand how even got implemented Medallion.

  In particular, they have a substitution of "text frame General Options (spacing inset at left; Inset spacing on the right. I can't understand how you can even replace the object for this style.

  Even more strange, the paragraph style has a right of withdrawal. 0625 "and the withdrawal to the left of 0, but on the screen, I see the left indent is also. 0625 ". Even if it is not specified anywhere.

  Inside the style, is the inset spacing. 0.25 "right and left 25" and it's actually how the text is aligned. But it is clear lines on screens as if there is a left and right inset of 0,1875 "and a withdrawal of paragraph 0,0625 on both sides, when styles don't say this.

  Why do I care about all this? Well, I need to convert this CS6, and when I did, I found an extra. 0625 "Indent on the right side causing overset text. This led me down this rabbit hole.

  I know I have to get rid of all completely replacements and I intend to do at some point, but I can't do it right now for reasons of time, and I'm also actually really curious what is happening here. Anyone have any ideas? Thank you.

  You have shown a paragraph style, but not necessarily one that is actually used. I have no way of knowing what calls for the definition of object style (but I see a substitution for the paragraph style), or what style is assigned to the text in this framework.

  Messed up, it is probably a good description of the current state, but to understand what is wrong, you will have to dig into what is really defined as opposed to what the appeal of styles to, then delete the replacements or redefine styles to give you what you want and probably some of both.

  You can use find/replace to find a style and replace it with itself to remove the replacements, I recall.

• Confused about content through the ID CS5 spreads

  Hello:

  I draw a picture of the journal paper of 40 pages (10 x 4 pages) and I am confused on how to manage the content of the page sharing through spreads and numbering. (InDesign CS5)

  The editor wants to design the presentation in the "pull-out" spreads - every company has one or more pages 4 doubles, which seems simple enough, but when the content must flow through pasta spread, or even between the "front" of a spread and the "back side" spread - I am confused on how to know what page number to run the drive to--I mean How do I layout InDesign 4 pages so I can visualize how everything flows? I can see pages easily enough... it would be nice to be able to flow the content between page 1/2/3/4 of a spread, but also know what final page number readers that we have (for the table of contents)...

  I think I'm overthinking this... I mean it's almost like I have to design a hybrid readers/printers are kind of thing and that makes my life and printers more difficult lol

  Thanks for all the ideas!

  Ed

  I have a log of 40 pages with sliding page 10 x 4

  You mean a newspaper that is not related? Then treat you like any other bound document as facing pages, where page 1 is the cover and page 40 is back. If content passes through the gutter on the inside, it will be through the facing pages, IE 2-3, 4-5, 6-7, etc.

  If you provide the printer with face to simple pages and they impose your doc and put the page 2 and 3 where they belong on the press sheet (s):

  

• What about normal and the educational version

  Hi I would like to ask what is the difference between the educational and the other normal version that it's cheaper? I thought I had the version student Adobe creative suite cs4 web premium, but I have a few qns on its subject

  If I buy it as a student, can I use the programs (dreamweaver, etc.) to publish content online (like my own website), or is it just strictly for learning purposes? If I can use to publish content online, then can I still continue to use it when I'm not a student?

  Thank you

  You will have to ask Adobe that it classifies as 'commercial use '. It is a forum for users, while the views expressed here are purely personal. In general terms, however, create a personal site is not "commercial"; But if you derive from advertising dollars, it probably is. Building a website for someone else and get paid for it would certainly count as commercial use.

• Re: specification for parameters of the project and the final delivery of the animations for broadcast HD

  Hi all

  I just finished reading the book of techniques of studio by mark christiansen and I have I have some doubts, maybe, someone working on similar projects can help out me, I hope!

  I live in a PAL country and I especially design and animate the graphics in AE with layers of shape, the illustrator files and psd files. I can work in a proyect for broadcast HD tv and some questions and insecurities had crawled in. I would describe who will be I guess than the workflow:

  1 - setting up the project in AE:

  

  of course, the working color space should be consistent between applications. Linearize is important, but I Don t well grasp the concept.

  (2) my master composition:

  

  Here, the choice of the frame rate should be 25/50 according to the... ? is just a choice if you work with live images of the hd cameras? apply to animations, graphics?

  And last question, which would be the preferred delivery format and the encoding of the file? I know that there is a wide choice, but if you have a set that s works for you and your customers then i´ll be useful.

  Also. If you have an article, you can recommend where there is an explanation very clear be appreciatted, it seems (to me) the deeper you digg I get more confused.

  Thanks in advance!

  You should check with the diffuser. Either they publicly publish their requirements or that they are in a contract. There is not one size fits all here. The best option for the broadcast work is to make a copy almost without loss or loss of your job as a DI (digital intermediate) and then compress the project specifications accurate diffuser using Adobe Media Encoder or another application specifically designed for video compression for delivery. The only time you ever look like an amateur is when you do not ask the specifications. I regularly get the same images different distributors in 6 different formats.

• Compress and the same image quality

  Hi there thank you in advance...

  Oracle Database 10g Enterprise Edition Release 10.2.0.5.0 - Prod

  PL/SQL Release 10.2.0.5.0 - Production

  CORE Production 10.2.0.5.0

  AMT for Linux: Version 10.2.0.5.0 - Production

  NLSRTL Version 10.2.0.5.0 - Production

  I tried this code, unfortunately the image is blurred after a scale. My question is how to scale and compress, but the image is not blurred... I mean same quality with the original:

  / * Formatted on 29/07/2015 11:12:46 (PS5 v5.139.911.3011) * /.

  DECLARE

  obj ORDSYS.ordimage;

  b BLOB;

  BEGIN

  NULL;

  SELECT DOC

  B

  OF ORDMGMT. IB_LOVE

  WHERE CONTRACT_NO = '401000011210'

  UPDATE;

  obj: =.

  () ORDSYS.ordimage

  () ORDSYS. ORDSOURCE

  b,

  NULL,

  NULL,

  NULL,

  SYSDATE,

  1

  ),

  NULL,

  NULL,

  NULL,

  NULL,

  NULL,

  NULL,

  NULL VALUE

  );

  obj.setProperties ();

  obj. Process ('maxScale = 150 150');

  obj. Process ('fileFormat = GIFF, compressionFormat = GIFLZW');

  b: = obj.getContent ();

  UPDATE ORDMGMT. IB_LOVE

  SET DOC = b

  WHERE CONTRACT_NO = '401000011210'; -20976

  END;

  Unless the image is already 150 x 150 pixels, you will rarely be able to scale to this size without some loss of quality. According to the characteristics of the image, you can play with the operators to try to mitigate some of the adverse side effects - contrast, quantification or gamma.may using different image processing. Try something like

  obj. Process ('maxScale = 150 150 fileFormat = GIFF compressionFormat = contrast GIFLZW = "60" "");

  (Note that you can scale and compress in a statement).

  • Is the photographic, or synthetic image (a screenshot or a document scanned, for example)?
  • What is the size of the original image?
  • Is the original color, grayscale or black and white image?
  • Is the result must be 150 x 150? More you get more results.
  • Should the result be a GIF? Photographic images dimensionnera probably better using something like JPG.

  Oracle 11.2 has also added a new operator 'sharpen' which may help, but you're on 10.2 so unless you upgrade that is not an option.

  If fileFormat = JFIF is an option, then you can also play with the compressionQuality operator.

  Kind regards

  Bob

• How to treat the original image and the mask image?

  I have a PDF file that contains an image that contain no filter to decode and mask image (SMask).

  Size of the mask image is much larger than the original image

  For example:

  Original image: width = 2 height = 1

  Image mask: 6 140 220

  How can I ask for the original image masking get the resulting image.

  Hi balasubramanians32220056,

  You can change the images in the acrobat application, edit images or objects in a PDF, Adobe Acrobat DC file. However, for the original image processing & the image of the mask, you will need application like Adobe Photoshop image processing.

  Kind regards
  Nicos

• Can the Win8 recovery drive and the System Image be stored on the same device?

  I intend to create a windows 8 recovery on my USB HDD drive.  Then, I want to create a System Image using the file Win7 recovery tool, but put on the same HARD drive, so that I don't have 2 devices.  Normally, I believe the recovery drive utility fits on a 256 MB USB key, but why not co-exist with the system image files?

  Hello

  Yes, you are right. To store an image of the system, the disc must be in NTFS format. Please refer to the information on the following link; If it's for Windows 7, the information is true for Windows 8 as well.

  Back up your programs, files and system settings

  Hope this information is useful.

• confused about "identified on the outside.

  (Oracle 9.2)
  
  Hi guys,.
  
  I'm a bit confused. I read that if a user is identified to the outside, it means that their password is not stored in oracle.
  
  (1) now is my user's OS on my oracle and oracle database server belongs to the dba group.
  os_authent_prefix =""
  
  I can connect to my Unix like oracle and connect as sysdba. All very well. I expect that. If my os_authent_prefix had been "ops$", then I would not be able, as my unix user will be ops$ oracle. Fix?
  
  (2) now, I want to be able to login as sysdba from a remote machine. So, I set remote_login_passwordfile = EXCLUSIVE lock, and I use orapwd to create my file. I then grant sysdba to myUser and it adds the user to the file. Fix?
  
  
  Now, I see not where him "externally identified" fits in, and I googled and am still confused. I mean, it's the oracle user in (1) and myUser in (2) are identified externally, such as password to or is stored in the database. So what is creates user identified external medium?
  
  Thank you.

  OracleGuy777 wrote:
  Thanks guys,.

  I'm still confused! I'm sorry.

  When I connect to my database server, I use the oracle of the UNIX user, who belongs to the UNIX dba group. I can then make 'virtue sysdba. So, you guys say, > that when I do that, I been connect as SYS? And as the database is concerned, there is no user called "oracle".

  When you go to the Inbox of unix with the oracle of the unix user who is part of the dba group, oracle does not check the file password for the Sys user. Bother me, this applies only to the user Sys. In the database, no user is at the moment, for this scnerio with the name like Oracle.You you connect as user Sys without control of password from the password file.

  OracleGuy777 wrote:
  But if I had a UNIX user, say myUnixUser, and I wanted to connect normally with this user (and not as sysdba), then I could make

  create myUnixUser user identified externally;

  and then the OS authentication would be used for myUnixUser?

  Yes, in this case, you don't have a real user in the database called Oracle who has not any password at all. What is the key point. Here, you are only based on or person dependent on the o/s to ensure the success of your oracle user name.
  That's what I mentioned, in both cases, you depend on o/s only. But in the first case, you have a password, but in the identified externally, it not there no password.
  Re-read my last answer and to read it. It should clear the fog.
  HTH
  Aman...

• Confused about access to the community of MOS

  Hello

  As far as I can make out, the MOS community should be accessible by anyone with an active account of MOS.  that is if they can open a session support.oracle.com, the same user account must be able to access the community of MOS.

  Can someone verify if it is correct, or have I got it all wrong?  I can not find any documentation on this subject and can not access the Community (an "Unauthorized" error when I try to get), but am able to access MOS very well, so I would like to know if I need to make a ticket or if it's just that I have the wrong end of the stick.

  Thank you

  Phil

  I suggest create a non-technical SR.  Which must ensure that someone will look at the problem, with forums, it can be very hard to get the attention of the people you need when you cannot yet access the appropriate community.

  GlenG

• Question [about license and the use of a font]

  I am a representative of a company involved in the production of educational material. We are currently doing books, videos, Web sites and mobile applications.  We have a few questions and a quick response will be a great help for us. 1. If we agree with Adobe CC, can we use the bundled font Myriad Pro for commercial purposes specifically in the production of books, Web sites, mobile applications, videos and as well our company logo? 2. If in the case, we are not allowed to use Myriad Pro, can you please list the situations (or cases) in which we are not allowed to use this font. 3. is it possible to buy a license for situations that mention you in number 2? (We are strongly interested in using Myriad Pro, especially in the realization of the Web site) 4. we intend to use the Myriad Pro in the subtitles of our video clips, but our situation is that we will not make a separate file, but rather, let's do static image in the video. What is your policy (or the license details) for that?  Additional information: we will use Photoshop to our image and Adobe Premiere for our video work.   Thank you very much and a quick response would be greatly appreciated. (I've already sent an email to ) ( [email protected] , but they have yet to respond.)

  [Title edited for clarity... MOD]

  Until an employee gets a read your message, this can help

  Licensing and terms of use | Adobe