create a mouth rbg

I am fighting with creative cloud and in a lot of pain. I really want just a box of crayons to RGB color.

I used to open libraries of colors provided with ID to search for new colors. Now, Adobe says that I have to create each colour and save it to a new library. But 'library' now has a whole new meaning. I don't want to become an expert in color. I just want to click a color I like. I am lost in the maze huge and confusing support options.

If you want to 'click on a color', try double-clicking on the boxes of proxy of color to the background color or outline in the swatches Panel or Toolbox that should open the color picker. Play to get something that you like, make sure you have your cursor in one of the fields of RGB and click on the button Add RGB Swatch.

Tags: InDesign

Similar Questions

  • How to cut a mobile mouth?

    Dear Forum,

    I have two Motion 5 & FCP X.

    I want to take a video in your face big plan to talk to me and cut my mouth to keep the edge near the mouth.

    I tried a mask of vignetting, but my lips are lost when opening my mouth too wide.

    I know there is a way to do because I've seen in a famous video comedy by Markiplier. Even if I need this effect for another reason to put my mouth on a dog or a cat, the result is exactly what I'm after. https://youtu.be/MujRLvZ61jE

    Can someone give me a step by step guide on how to achieve this effect?

    Thank you.

    James

    This particular technique uses a shape mask or a regular, used shape as a mask image (whatever you use). I will describe using a regular shape, applied to an Image mask.

    Start with the pen tool and draw a rough shape around your mouth on the first image. Define a few feathers if you wish. Adjust the opacity of 80% filling about to begin - you create the mask at the end.

    Go to inspector form > geometry tab and Control Points, when you hover over this line, you will see a disclosure triangle to appear at the right edge. A click on it and select Add. That's all you have to do to set keyframes.

    Move the playhead to the next time - where your mouth is near or at a change of direction (opening or closing). Select the tool change Points and adjust the control points around the current shape of your mouth. Move the playback cursor and repeat the process. Continue to move the playhead in time until you arrive at the end read your project to make sure that everything matches correctly and if you have any problems, simply move the playhead for executives, that you have to make adjustments.

    Reset the opacity of the shape you want 100% fill.

    To the video layer, make a right click on the layer, and the Image mask Add. Drag and drop the shape on the underlayer of image mask.  Export.

  • Mouth synchronization triggers

    For example if I want to create alternatives for a 'clash' 'neutral' and all other forms of mouth, do I have to create a whole new mouth paginate on the value OR can I create subfolders for each group of mouth with a trigger. Example of

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    F

    S

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    By default

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    Sad (s!)

    Snoring (z)!

    -l

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    Yes, the way you show it here should work. Basically, the group gets labeled as neutral and then which key you are (or are not) pressing determines what will be shown inside!

  • Synchronization of the mouth

    Is it possible to get more movement in the lip sync? Instead of just going to 'ah' 'f' to 'L' shape, etc., add some images for each shape to create more fluidity?

    Yes - so let's say you want to grow big/small - W - Oo sound you need to make a group called W - Oo within your group of mouth with all frames of animation you want, then add layers of cycle behavior to it inside CH.

    I found that it looks best if you focus the sound appear quickly, then animation for more info on the mouth to return to a resting phase - otherwise, you get a delayed look. I think I'll cover this in a future video tips - thank you for the idea!

  • How to create smoke / smudge effect

    Hi, I'm looking to create an effect similar to that of Harry Potter:

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    Jess

    Something like that, which was a combination liquefy to enlarge the mouth (honest my daughter's mouth isn't very big). Then 3 layers containing his face dirty each differently and the other had an effect applied to the mask, the other two cloud a round gradient.
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  • Adobe can create a way faster to change highlight colors and framed?

    Our office has strongly uses Acrobat to its ability to change the color of the text boxes and comments.

    Each color means a certain element of action, or the group who needs to work on it. To change colors frequently as changes in status.

    The procedure to achieve this is to right-click on an existing highlight, select Properties, click on the square of color, select the color palate, select the new color, close mouth color and click "OK". This is clearly not optimal, and it was much easier in earlier versions of Acrobat.

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    Mr Bernd soon,Bernd at

    That's great - thanks for the reply!

    I wonder why this feature so deeply hidden in Acrobat...?

    It should not require post on a forum and 3 days to find!

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  • Creating a character from scratch in Photoshop - can not move arms/legs separately in character animator?

    For the first time creating a character from scratch in Photoshop, and I can't do the arms and legs move separately from the body. When I click on one arm and drag, whole body stretches with her. I already copied the structure of exact file of the buddy "photoshop" model, but always without success. The face works fine, I can do blink and make the movements of the mouth. It's just the body with that I have problems. Any thoughts? Here is a screenshot of my layers in Photoshop and below is a screenshot of the puppet character animator properties.

    Screen Shot 2016-04-06 at 12.33.53 PM.png

    Screen Shot 2016-04-06 at 12.36.44 PM.png

    Usually, it's because it's think mistakenly that the arms and body are interconnected like a mesh somehow. Try clicking on 'Show the mesh' in the toolbar at the bottom, and then select the layers - the triangles overlap only in the art of character, or white spots? If it's over white spots, as well as between the body and the arm, so you can check and delete / erase any trace of problem.

    Another thing to try is in the right panel under properties of the puppet, try to set the Mesh outline instead of Auto shape. It's another way to look at the stitch which sometimes does not take into account such issues.

    This part of this video may help: https://youtu.be/H4J9tKuibVk?t=5m27s

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  • Trying to create a new shade but I can't save it with values (RGB) I want.

    Hi and thanks for your help.

    I have a client who has a very precise idea of the colors he wanted for his logo:

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    I developed the logo, everyone is happy and trying to get the colors EXACTLY right. Every time I have create a new shade and apply it in Illustrator, green returns to a different RGB and HEXADECIMAL. Some random number and the green. I checked tones and Web save RGB and overall and still, nothing.

    I have worked with since CS2 CS and now uses CS6 via creative cloud. It's my first time with a Mac for design, and I am really frustrated. I've never had this problem before.


    Any advice is most appreciated. Thank you.

    I really need to rethink these colors. How can I enter my RBG values and keep em!

    I created your question in the screenshots of photoshop, but your information raises more questions for what you let out as 1) what profile you have your Illustrator work RGB value (must be srgb if you set the hex colors), and 2) at what time your hex colors change (in the sample itself, in the object or in the document being saved (.jpg)?

    the short answer is not all hex colors can "fit" exactly within the color space sRGB (or is it the .jpg format) - try record in .png format and by checking the values in photoshop (apply the source sRGB profile when you open) - try google colors hexagonal change vs .png .jpg (this was here before)

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  • How you properly structure layers in Illustrator to create character animator keyboard triggers?

    How you properly structure layers in Illustrator to create character animator keyboard triggers? I was able to trigger several layers are displayed, but after the first layer, I lose the ability to control the eyes, eyebrows, etc.  The tutorials have for example Photoshop, but there is none for illustrator.  I work in illustrator and would not have to move around with Photoshop.

    Thank you, Mark.

    When you configure multiple views puppets (that is, by pressing keyboard triggers to switch to profile/quarter views), you need to adapt the behavior of the Face and behavior of lip sync (if do lip sync), the puppet of top level down to the individual view subpuppets. For your work or any other configured in this way, follow these steps:

    1. In the project Panel, select the puppet.
    2. In the properties panel, remove the face and Lip Sync behaviors.
    3. Double-click the puppet to open it in the Panel of the puppet.
    4. Whirlpool open character > subpuppet Chief (in your example) so you can see the layers view subpuppet.
    5. Select all the layers in view subpuppet (in your case, currently, before and on the right side).
    6. Add the behaviors of face and Lip Sync in the add behavior menu ('+ ') in the properties panel. This allows you to adjust the settings on a view-by-view basis.

    Now, that you trigger different views, your facial expressions and speech can still control the character's face.

    It is also covered in this FAQ: FAQ: why my character's mouth does not work at the outbreak of a default (front) view for a puppet multivue?

    I hope this helps.

  • Batch create .article files?

    Since you cannot update batch files in a folio in InDesign, is - it possible to batch create files .article, preference of mouth book? (Export as PDF does not the possibility, at least in CC 2014.)

    Hello

    You can do this via InDesign scripting.

    This example script you will be asked to select a folder and then generates .article files for all Indd files in this folder.

    You may need to modify this script to your environment and Setup.

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    for (var i = 0, n = srcFolderContents.length; i! = n; i = i + 1) / / for each indd file to create an article

    {

    articleName var = srcFolder + "/" + srcFolderContents [i].name.replace (".indd", ".article");

    var doc = app.open (srcFolderContents [i], false);

    var dpsArticleP =]

    ['assetformat', 'pdf'], / / pdf, png, jpg or auto (auto selects between png and jpg)

    ['showprogressbar', false]

    ];

    app.exportDpsArticle ((articleName) leader, doc, dpsArticleP); export item

    doc. Close;

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  • Associate data to create a view.

    I am currently using a database of Oracle 10.2.0.4.0. I work for the Department of public safety and I am trying to create an Oracle Forms Application that will be used to track information of the mandate. I need to create a view that I can use in my form that will allow me to the warrants list who are associated with each other. In the forms I create these associations in a table by using primary keys for these records.

    I created a few fictitious tables with data that you can use to help me create the SQL I can use in the creation of the view, that I need, I hope.
    CREATE TABLE order_info
    (wp_id             number(12)   primary key,
     info              varchar2(10),
     order_no          number(12)   not null,
     order_name        varchar2(30) not null);
     
    insert into order_info (wp_id, info, order_no, order_name)
    values (1, 'AXE', 123456, 'DOE, JOHN P');
     
    insert into order_info (wp_id, info, order_no, order_name)
    values (2, null, 245645, 'DOE, JOHN P');
     
    insert into order_info (wp_id, info, order_no, order_name)
    values (3, 'SHOVEL', 354654, 'DOE, JOHN P');
     
    insert into order_info (wp_id, info, order_no, order_name)
    values (4, 'PAIL', 432110, 'DOE, JONATHAN');
     
    insert into order_info (wp_id, info, order_no, order_name)
    values (5, null, 514654, 'DOE, JOHN');
     
    insert into order_info (wp_id, info, order_no, order_name)
    values (6, null, 687980, 'DOE, JONATHAN');
    
    commit;
     
    CREATE TABLE associate_order
    (wp_id             number(12)   not null,
     associated_wp_id  number(12)   not null,
     constraint assoc_wp_ip_fk
       foreign key (associated_wp_id)
       references order_info(wp_id));
     
    insert into associate_order (wp_id, associated_wp_id)
    values (2, 1);
    
    insert into associate_order (wp_id, associated_wp_id)
    values (3, 1);
    
    insert into associate_order (wp_id, associated_wp_id)
    values (5, 3);
    
    insert into associate_order (wp_id, associated_wp_id)
    values (6, 4);
    
    commit;
     
    Once the tables are created, the table ORDER_INFO contains detailed information (in real life, it comes to the information related to a mandate). The ASSOCIATE_ORDER table contains the relationships between the records in the ORDER_INFO table. The ASSOCIATE_ORDER table is the one I want to use to create a view that I use in my Application Forms to list all of the warrants that are associated with each other.

    If you look at the data in the ASSOCIATE_ORDER table:
    WP_ID ASSOCIATED_WP_ID
    ----- ----------------
        2                1
        3                1
        5                3
        6                4
    WP_ID 2 is associated with WP_ID 1
    WP_ID 3 is associated with WP_ID 1
    WP_ID 5 is associated with WP_ID 3
    6 WP_ID is associated with 4 WP_ID

    I want to be able to do in the view that I have create is something like:
    SELECT associated_wp_id
      FROM ORDER_VIEW
     WHERE WP_ID = 3;
    And he have all the primary keys for the warrants (orders in this case) come back to me:
    ASSOCIATED_WP_ID
    ----------------
                   1
                   2
                   3
                   5
    The WP_ID of 1 is not included in the ASSOCIATE_ORDER table, because it is not associated with a previous mandate (order in this case), but because it is associated with WP_ID 2 and 3 I think.

    Here are all the commands associated together based on the data that is in the table. There may be 0 to many of these records in the ASSOCIATE_ORDER table, but if they reference a primary key (WP_ID) so I want to include in the view.

    I really hope that makes sense. I tried to play a little with analytics, but I'm not even close to the selection of any of the data that I want, so I can't yet show you what I've tried because it probably doesn't even have sense.

    Thanks in advance - mike

    In order to clean your database if you filled with the scripts above, you can do the following:
    drop table associate_order;
    drop table order_info;

    Hello

    I know right what you want the view to look like.
    Given the example of data you posted, that's what you want to the content of the view?

    WP_ID INFO         ORDER_NO ORDER_NAME       WP_ID_GRP
    ----- ---------- ---------- --------------- ----------
        1 AXE            123456 DOE, JOHN P              1
        2                245645 DOE, JOHN P              1
        3 SHOVEL         354654 DOE, JOHN P              1
        4 PAIL           432110 DOE, JONATHAN            4
        5                514654 DOE, JOHN                1
        6                687980 DOE, JONATHAN            4
    

    ? You will notice that it is just order_info, with an additional column, wp_id_grp, added. Wp_id_grp is the lowest related wp_id. For example, wp_ids 1, 2, 3, and 5 are all related, so they all have wp_id_grp = 1.

    Here's a way to do it:

    CREATE OR REPLACE VIEW order_info_grp
    AS
    WITH     got_pairs     AS
    (
         SELECT     wp_id               AS x_id
         ,     associated_wp_id     AS y_id
         FROM     associate_order
        UNION
         SELECT     associated_wp_id     AS x_id
         ,     wp_id               AS y_id
         FROM     associate_order
    )
    ,     got_relatives     AS
    (
         SELECT     CONNECT_BY_ROOT x_id     AS wp_id
         ,     y_id
         FROM     got_pairs
         CONNECT BY NOCYCLE     y_id     = PRIOR x_id
    )
    ,     got_wp_id_grp     AS
    (
         SELECT       wp_id
         ,       MIN (y_id)     AS wp_id_grp
         FROM       got_relatives
         GROUP BY  wp_id
    )
    SELECT       o.*
    ,       g.wp_id_grp
    FROM       order_info     o
    JOIN       got_wp_id_grp g  ON  o.wp_id  = g.wp_id
    ;
    

    If you want a view which only has the columns wp_id and wp_id_grp, then everything just omit the main request; got_wp_id_grp, it's just what you want.

    I guess that the associate_order relationship is reflexive. In other words, instead of:

    insert into associate_order (wp_id, associated_wp_id)
    values (2, 1);
    

    you have it, could just as well, says:

    insert into associate_order (wp_id, associated_wp_id)
    values (1, 2);
    

    In other words, all that matters is that 1 and 2 are linked. What number goes in which column is not relevant.

    In table assoiciate_order, why is there a foreign key on associated_wp_id constraint, but not on wp_id?

    CONNECT BY is never terribly effective, and NOCYCLE does only make it worse. Depending on your data, in particular how different wp_ids can be in a related group, this may not be practical. You might consider adding a column wp_id_grp in the associate_order table, rather than owning a view and containing a PL/SQL (which would be faster) procedure re - fill this column when associate_order is changed.

    Published by: Frank Kulash on April 17, 2013 18:33

    MLBrown wrote:
    I think I left mouth stumped the Panel...

    Be patient! It's true that the median time for a first response on this forum is less than 10 minutes, but it's because the first response often only pointed out that we need more information. When you provide all the sample data, and a good explanation of the problem, as you did, then people can begin to solve the problem instead of complaining, complaining is so much faster than problems.

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