Develop gets another color profile with GPU speed

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• Where Photoshop CS5 Gets custom color profiles for?

  Photoshop CS5 is not to see my new color profiles customized for my scanner when I try to "Assign profile" or "convert the profile. He sees my old profiles that I used in CS4. I made sure to copy profiles the following directories:

  / System/library/ColorSync/Profiles /.

  / Library/ColorSync/Profiles /.

  myuseraccount/library/ColorSync/Profiles /.

  where else CS5 does not draw the color profiles of? Furthermore, these profiles old color DO NOT exist in the directories above. your help is greatly appreciated.

  I am under Photoshop CS5 12.0.1 x 32 on mac os x 10.6.4.

  All these places are verified by Adobe applications for color profiles.

  But it is possible that your scanner profiles are corrupt and ColorSync or Adobe applications refuse to use them.

  Try to open them in the ColorSync Utility and see if they might have a problem.

  And make sure the ColorSync Utility has in its list of available profiles.

• Get erroneus color pixelation with RAW D7100 files

  LR5

  LR4.4

  Blue also on darker areas.

  Cost of installation of the LR5 but have I managed to inadvertently change something?

  Very new to LR.

  Thank you!

  Here are the indicators of clipping, not color. You can turn them off by pressing J

• Separation color space - get another color (depending on type 0)

  Hello

  I'm trying to retrieve the value of the other color to a spot that has a function of type 0. In fact, I just want back the result of the function when the shade is 1.0.

  How can I do?

  Thanks in advance,

  Joe

  I do not have the SDK details in front of me now, but I remember it being a set of APIs that can load a function and allow you to run against her.

• What is the disadvantage of savings WITHOUT color profile for the web?

  I have discussed this issue in another thread and a clear argument against saving jpg files * without * a color profile must be performed.

  I'm very annoyed with how much more red and saturated, all my jpg files appear in IE (which does not read the sRGB embedded profile) compared to FF (which is the case).

  I tried to save the image even with the inclusion of unchecked color profile, and of course, IE and FF are showing the same image.

  It seems to me that including color profiles with jpg are just an invitation for different browsers interpret the image differently.

  Why not just save them all, WITHOUT color profiles?

  The downside to this, what exactly?

  mjyeager wrote:

  Emil, please do not confuse what follows for stubbornness...

  No worries, I never had such thoughts

  mjyeager wrote:

  ... IE does not read color profiles. The fact of FF. ERGO, in situations where a color profile is involved, the JPG will be different in each browser.

  True, without color managed programs and management the colors may not display an image in the same way. Except in the situation where the color profile describing the color of the image or the color values of an image without a color profile, by an extraordinary chance match the display capabilities of color of the device used by the program managed without colors.

  One of the problems that the addresses of color management is that all monitors will display the same color differently. Color management will make colors appear the same or as close as possible.

  A color managed program will send the RGB values of the color of the video card corrected to compensate for the differences between how your monitor displays color values and how they are perceived.

  For example, to help my Monitor wide gamut, when I create an image in Photoshop, with a red color pure R = 255, G = 0 and B = 0 and then do a screen capture, I can check how Photoshop sends these values to the video card. The result is R = 222, G = 65, B = 0 when I'm simulating an ideal sRGB display. So I can see how my colors appear on the screens of ideal sRGB. However, in reality, it is very likely to have a monitor displaying space sRGB color ideal without a color management, so to complete the color management chain, the other monitors that display my image must also have the appropriate color management to compensate for the differences in screen and display correctly RGB numbers representing the color that I see on my screen.

  mjyeager wrote:

  ... However, if the JPG has no color profile, image shows exactly the same way in both browsers...

  Who will most likely be a bad smell, which means not repoducing the expected color which is always the case with the browsers managed without colors.

  mjyeager wrote:

  ... Now, let's say this image - which looks the same in both browsers - is too hot. I can load it in Photoshop, change its hue and re-save is more what I'm looking for. The resulting image will then out - in the two browsers identically - the way I want to...

  Yes, the image will be the same in both browsers on your and any other monitor but the colors that you create (edit) will examine the way which only see you them on your monitor.

  mjyeager wrote:

  ... Now, what I think you are trying to do, is that I have no control on what are the conditions of viewing on the OTHER end (i.e., visitors to the site). They could range wide monitors, cheaper monitors, running MAC or PC, etc...

  I don't remember talking about this earlier, but yes, it's true.

  mjyeager wrote:

  ... It's true. I have no control over that. However, how including the color profile sRGB with the JPG would give me more control over these things I would not include? Unless you had to tell me that browsers arbitrarily apply a random color profile when in the absence of one, I am simply not understand how including the color with the JPG profile performs one another act that ensure that the picture is completely different in FF it does in Internet Explorer.

  You who are absolutely wrong. Color management is not to have any control over how other devices are setup, calibrated, etc.. As I said earlier make sure you communicate the colors scheduled correctly or as close as possible, as long as you and the destination use the proper color management. This means that the embedded profile FF will display correctly the planned colors while IE will not. If you do not include a color profile with your image both FF and IE will not display correctly the planned colors but they will be equal in that.

  mjyeager wrote:

  ... I understand the need for color profiles to print. In fact, my printer insists on the details when it comes to color profiles.

  But for the web? I'm still not understand where the downside is to omit the color profile. It's not like the browsers get CONFUSED when it is not included. Or that the colors will start randomly from refreshing one page to another.

  I am really trying to understand what you are saying here, but still haven't.

  In addition to what Marian said:

  If you create the colors using an sRGB display ideal (given the color management on your system works properly, it can be simulated by color of Photoshop on your range management widescreen when you assign the profile sRGB color to the image) and then on any ideal sRGB display, it will look the same you see on your screen regardless if it's with or without embedded sRGB color profile. However, in reality, it is unlikely to have a monitor, sRGB, display of the ideal space of sRGB color without color management. Now what does this mean in practice? Assume that users interested in, using the IE managed without colors on a PC with the Windows default color management. In other words, color management programs are told by the system monitor displays the ideal sRGB space, which is very likely to be the truth. Then users with this configuration with sRGB monitors will not see a difference between IE and FF when viewing your image with or without sRGB profile, the colors are not very likely to be the same that you see on the screen, but with the difference that is more likely to be accepted depending on how close to the ideal color space sRGB these monitors are. If some of these users with this configuration have wide range monitors, then the image will always be the same with or without sRGB profile, but with a very unacceptable difference of how you see it on your space to sRGB sumulated - strongly supersaturated.

  For users that have the color correctly managed systems, when the image is saved with a sRGB profile, it appears color managed programs such as FF the same or as close as possible to the way in which you can see on your monitor. Programs run without colors the case remains the same as that described above.

  A little history on how standard sRGB was created. It is a standard, including more things, but above all defining an abstract color space. It was created sometime after that the market was already flooded with computer monitors, and the creation of ideal sRGB color space was based on an average PC monitor display capabilities over time. After that the manufacturers used this standard sRGB as a target to create monitors.

  UN-color of programs run on PC have been created and tested using sRGB monitors so that they can't be considered reliable for showing intended to display colors if the images they use have been created using an sRGB they will be in the stadium of this range of sRGB.

• How to incorporate the color profile?

  I read the link of color management which concerns color ICC profiles, but I'm still a little confused.  I wanted to prepare my Photoshop document for the download of clean room to print a canvas.

  1. I installed the ICC color profile in my library > ColorSync > folder profiles

  2. I have tested I went to the test format to see to see what she looked like.  Seemed fine.

  I want to save the file in jpeg format with this color profile for them to print... in other words, I wanted to incorporate the color profile.  At least that's how I understood what I should do next. However, I can not understand how do.  I went to file > save as > and choose jpeg but sRGB IEC61966 - 2.1 profile is checked.  When I uncheck, I cannot select another color profile.

  Abandon this idea, I thought I would try another way to incorporate the color profile, so much so I thought I should go in Edition > assign profile but it won't show the cleanroom color profile from the drop-down list.

  How to integrate the ICC color profile in this file so that I can upload it to White Hall for printing?  I would really appreciate the help!

  Thank you!

  "Abandon this idea, I thought I would try another way to incorporate the color profile, so so I thought I should go in Edition > assign profile but it won't show the cleanroom color profile from the drop-down list."

  Edition > assign profile is the correct procedure to incorporate a specific profile.  The reason why you can't find "White Hall color profile" in the menu drop-down is because it is a profile of the printer.  There are two profiles involved: 1) profile picture to color mode (usually applied in Photoshop, InDesign, and Illustrator applications); (and 2.) printer profiles (the profiles are created when the print provider calibrated their printer on a special paper, vinyl, or vellum support.)

  It seems that your print provider has asked users incorporate an sRGB color profile that can be done easily in any application you happen to use to create your particular file.  They will then print your profile incorporated using their printer driver or RIP file to process and print your file using their 'color of the White Hall profile' in their process of RIP and Print.

• How Lightroom handles images with a color profile in fact?

  Since the relevant help page:

  Lightroom simplifies color management by displaying colors using the device independent color spaces. This means that all you need to do before working in Lightroom is to calibrate your monitor. Then, when you're in Lightroom, choose color or color profiles settings when you are ready to output your photos. (In Lightroom color management )

  So. What actually happens? If a picture has, say, a Nikon sRGB profile not LightRoom it converted Adobe RGB (for the library module) and ProPhoto RGB for module progress? This seems to be the implication of the documentation, but it says nothing about a conversion.

  Basically, my question is - it recognizes the supplied profile?

  justinw86398615 wrote:

  Thanks by.

  While SHIPS go as you seem to say that indeed there is no color profile. Lightroom is just reads the raw data and assigns the ProPhotoRGB profile? There is no conversion. Values in only digital pixels?

  Right, there is no color profile. But something must be used to interpret the NAVE while converting from a raw file (just a bunch of values of levels of grey) typical, to become a recognizable RGB image. Read the digital pixel values is not enough without some sort of reference, and an ICC profile does not work on a raw file, so what happens is:

  Lightroom processes the raw numbers thanks to Adobe by default camera profile for your Nikon camera model. A profile of the camera is not the same as an ICC profile. This camera profile determines the initial appearance and the colors of an image raw before other development parameters are changed, so if you don't like the default look, you can choose a different camera (if available) profile or create your own. You can change the profile of the camera in the tab Calibration of the camera at the bottom of the right side of the develop module. Adobe camera profiles produce a look that is close, but not exactly what you would get showing the NEF in Nikon software or the raw file JPEG preview.

  After this initial conversion based on the camera profile, Lightroom will apply other settings default development module. In Lightroom, the result of this exists in the built-in color space Lightroom (ProPhoto RGB with curve of tone as sRGB) and then, finally, you see the end result through your (if all goes well to date) display the ICC profile.

  Thus, how your look of naves in Lightroom before editing it is affected by camera Adobe profile + default develop settings.

• B & W image with color profile > true B & W?

  I have a 10 MB B & W saved as RGB visual. It is 10 MB which is too big.

  I changed it to grayscale, and it comes down to 3 MB. Still too big.

  Otherwise, how can I change a picture n & B with RGB color profile in plain B & W? Or is the lowest, I get 3 MB?

  OR how to do just that the smaller file? Change resolution from 300 to 72 but is remained to 3 MB.

  Thank you.

  Dropbox - loading page portrait@2x~ipad.png

  Dropbox - b & w.jpg

  Nothing else then use the parameter use saving png files. To use the compression... Save for Web would automatically use the compression and the meta-data and change the DPI setting and let the number of pixels the same and also have an option to convert to sRGB which can be used.

  

• Color profile selected for new photos of 'Clipboard' wrong with CS6

  I gave up trying to find the answer myself.

  Steps to reproduce:

  1. take a screenshot of something in your web browser (macintosh CMD + SHIFT + 4) to the Clipboard.

  2. Select file > new from the menu. Clipboard should be the selected preset.

  3 notice how in CS6 the color profile under 'Advanced' is 'View' and NOT 'sRGB' - in CS5 that is sRGB.

  4. Paste from the Clipboard into your new document and get color profile set-match WARNING If you're to CS6.

  It is either not picking color space the Clipboard correctly as it will be in CS5, or I'm missing something somewhere.

  I nothing doing to try to resolve this problem doesn't work. I have sRGB as my default profile in the color settings and nothing I do changes this setting for the 'Clipboard' preset.

  I'm sick of forgetting to manually select "sRGB" each time, opening a new document size to my Clipboard and getting the profle incompatibility WARNING color when I paste in the contents of the Clipboard.

  I take a lot of screenshots I'm developing sites, it's a problem CONSTANT I create constantly new documents from the Clipboard to check the alignments, zoom in to get samples of color and many other reasons.

  Post edited by: DrunkCyclist

  Is your display profile sRGB?  If not, then what you describe is correct - the operating system adds the display profile to the screenshot and Photoshop acknowledges this profile (which is not sRGB and the result is a mismatch warning).  Photoshop CS5 has had some trouble recognizing patterns in pasted content, depending on the version of Mac OS.  If no profile is detected, it uses default workspace profile (sRGB in your case).

• Trouble with color profiles?

  Since the installation of photoshop, I had no problem. A few days ago I hit accedentally an access key that changed a few color profile settings, but I can't understand those who. Now, when I save a jpg or gif, the colors are much brighter and more vibrant than my work of colors. If I turn on the preview of the color test, I get the true picture. However, I had never put forth and there not together now. Anyone know what is happening? The colors of evidence are set to "monitor colors.

  I have attached a sample of the same image open in photoshop and saved jpg image open in preview. I'd appreciate any help you can give me!

  This has been discussed ad nauseam here, and there are many existing threads on the topic.  This type of thread can get very long without delay.  I suggest you just take a peek.

  In a Word, you need to calibrate and profile your monitor with precision, choose a working color space, honor this tag (color space) in all the files that you open and tag all of your files with the color profile in which they were created.  Then look at the image in an application of color management.

  If you choose not to embed the color profile in a JPEG image, which means that you end up with a JPEG file is not marked, be prepared to see the differences in color between the appearance of the image in some applications, more especially if you have a Monitor wide gamut.  For example, Photoshop and Firefox 3.0.8 (the latter with color enabled, management that is not default) will assume sRGB for all unmarked images correctly.  However, applications from the Finder preview, Safari, iPhoto and Aperture, Apple, simply throw all unmarked images screen profile.  Who exactly will have the effect that you show.

  Similarly, if you let a created image, say ProPhoto RGB, not identified, it will look like it's fire in Photoshop and Bridge, as well as in the Finder, etc.

  To beging learn color management, start here: http://www.gballard.net/psd/cmstheory.html

• Can I get another copy of the installation discs to use with my product key?

  I bought a copy of XP Media Center in 2008. Recently, I tried to install it for the first time and received a message that windows needs to run the files are missing. He installed windows and ran for a few weeks now to start it flashes a blue screen for 1 second and then tries to restart again. Can I get another copy of the installation discs to use with my product key?

  Unfortunately, Windows XP Media Center has been removed and the installation of replacement discs are no longer available.

• How to have different color profiles on screens cloned with color management

  Hello

  I have calibrated two monitors (in fact, one is a standard monitor and the other is a projector that is connected to my computer) using the third-party program. I'm so done with ICC profiles two different, one for my monitor and the other for my image to the projector.

  These two are connected to a card double head (Quadro 4000).

  I am able to use my two different color ICC profiles with an extented of office using the color management settings in Win7 without problem. I can't disable them without problem also.

  But I can't do it with a clone view (dual display). Even if I am able to select two different profiles for each of them in windows color management settings. Alone can apply for each of them. In fact, when I'm in an office clone, even when I tried to deactivate the profile of each color, nothing changed. Color management doesn't seem to update more as soon as I'm in a clone desktop mode.

  Anyone know if there is a way to apply TWO different colors on monitors CLONED profiles? In my case, I can not use extended desktop and I really need to apply the calibration profile two different.

  Thank you very much!

  Edith

  Hi Edithosaure,

  It is better suited for the IT Pro TechNet public. Please ask your question in the Forum on TechNet Support. You can follow the link to your question:

  http://social.technet.Microsoft.com/forums/en-us/category/w7itpro/

  I hope it helps. If you have problems in the future, please let us know. We will be happy to help you.

• Migrate from SQL Developer to another machine with all parameters

  Is there a documented way to migrate from SQL Developer to another machine? I want that all my preferences (format sql, shortcuts etc.) history of sql, user, etc. connections reports are available on the new machine.

  I know how to export/import connections. But for the rest, the pointers appreciated. I'm moving from a Win 7 32 bit to Win 7 64-bit machine. SQL Dev version is 4.0.2.15.

  Thank you

  Manish

  Move your user defined reports in folders. You can save each of them with a single click in this way - to the folder level.

  We have a permanent application in the JDev team to build in the IDE, the ability to export/import settings.

  You can retrieve the directory systemX.X.X.X on the application data directory and must have almost everything.

• How can I get Adobe Color Printer Utility to print with the Matte Black ink cartridge?

  I am running PhotoshopCC on OS 10.10.5. I need to print a target color no color management with the Adobe Color print utility. I was able to print a book brilliant without problem. But when I tried to change the print setting in black for another matte paper, there was no set... grrr... mast helpppppp!

  You can try to reset your printer by following the link below.

  Mac OS X: How do to reset the printing system - Apple Support

  It will be useful.

  ~ Mohit

• When I click on to develop, a blue rectangle appears, with two lines connecting opposite angles.  I was able to get a picture in this window.  Can anyone help?

  When I click on to develop, a blue rectangle appears, with two lines connecting opposite angles.  I was able to get a picture in this window.  Can anyone help?

  Hello

  Please open Lightroom and click on Preferences.

  Once the preferences window opens, go to the performance tab, and please make sure 'Use graphics processor' is unchecked.

  After unchecking the option restart Lightroom, and it should deal with the issue.

  Please let me know if it helps.

  Kind regards

  Tanuj