Edge animation created with time not showing when they are imported into Muse

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  Okay, so I try to build a Web page of photography (among others) and I change most of my photos in photoshop. All the photos I edit in photoshop and save it in jpg format, look great when printed, uploaded on facebook etc, but when I import them into Adobe Muse for and put them on my page Web, the colors of the photos becomes desatures or distort slightly (so that they appear dull). When I edit images in lightroom and save them in jpg format and import them into Muse, they look fine, but colours edited in photoshop seem to spoil my pictures when they are imported into Muse.

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  Susan

  You are using some weird color management settings and do not convert to sRGB probably... Check your settings in PS itself and save for Web dialogue box and experiment around.

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  Just MTS files are probably very well; First is quite smart to seize what he needs in the other files, as long as the file structure is intact. An even easier way would be to use the media browser; Navigate to the folder containing the AVCHD folder structure, and the MB will flip mode display of AVCHD. It will give you a list of all the files contained in the folder of DATA flow, without having to actually dive into the file STREAM. Select some or all of the files and import them into your project.

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• Red video and no sound at the end of the clip 3 hours when they are imported into first

  Hi all

  I currently have a problem with first Pro CC when a clip of 3 hours that I recorded (720 p/24 fps) using XSplit loses video and audio in the last 10 minutes when they are imported into first. The rest of the video is perfectly fine, but this section of it does not correctly (it goes forever, one minute or more per image) and will not export the missing without audio recall bias, and the video (export fails at the end). The clip is a created and coded by XSplit MP4 file and is able to normally play outside Premiere.When overview in the first, reading only shows a screen completely red. There is no effects applied to the element, or any change to the it.

  I tried to clear my cache preview and import the clip into a new project with exactly the same results in the same place in the clip.

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  Hi, IPA,.

  You have a video file that has a variable rate, which does not work with Premiere Pro. You can transcode the file, and then it should work OK. Many people use the brake hand or similar.

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• VMware Workstation 6 image shows as invalid when they are imported into ESXi5

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• Canon 5 d Mark ii Images with the value of the white balance fixed. When they are imported into Lightroom, the value is different.

  If I take a shot with the fixed value of 5200K WB (5 d Mark ii) and import into LR 2015.2.1, happens to 4850K. No presets or applied adjustments.

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  All raw converters use four multipliers of white balance RGGB tinted and embedded in the raw file EXIF data to set the white balance and 'calculate' the temperature values displayed inside the module development LR WB.

  Scroll down to the "White Balance" section of the DCRAW tutorial PDF here: GUILLERMO LUIJK > TUTORIALS > DCRAW TUTORIAL it's all so raw converters all the rest of the white raw file and 'calculate' the temperature and tint values.

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  The setting "As Shot" WB in LR shows a Temp of 4800 reading, which should produce a slight visual difference that the planned in-camera closed 5134 parameter, correct?

  

  However, with the LR settings file, "As Shot" above the white balance CR2 is the JPEG file in camera perfectly on my Canon 5 d MKII (raw + JPEG file format). It's just that Temp readings do not, because they are "calculated" four RGGB multipliers. Each raw (LR, opening, C1) converter will probably show the values of temperature and tint different, since they are derived by using "reverse engineering" of the manufacturer of exclusive camera raw data structure and camera sensor response file.

  Keep in mind that the spectral response of the camera is affected by changes in batch. A Canon 5 d MKII body can produce slightly different WB as one another using the same exact settings. Rather than depend on private clos or LR presets use a good white balance card or the ColorChecker Passport to 'calibrate' LR white balance settings standard shooting conditions (daylight, cloudy, Flash, etc.). For critical projects draw card of the white balance at least once for each unique lighting condition. You can then determine the correct inside the LR setting and settings of synchronization of the World Bank through all the images taken with this specific lighting.

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  I worked with the same configuration for about six months now, but I'll have a new problem - the noise is at the mouth of singers on my original videos (.mov format) but when I import into first to try to change them, it no longer matches. I don't know what to do - should I move the corresponding audio track, or is there another question?  I have not met this before; It's a show, and I thought it was originally an audio delay to be in different places in the public, but it's the same with the two videos.

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  I would use the original film.

  Assuming you're on CC2104 drag an item in the timeline to make a corresponding sequence.

  When all changes are make export to mpeg2-dvd to dvd and H.264 for Youtube.

• RAW images are "locked" when they are imported into LR

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• Damaged files when they are imported into Aperture. An Adobe tool or function appears 'corrupt '!

  Hello

  I use to work with sweet Apple Aperture for my library photos. As know, or maybe Apple stopped support and update of the opening. Bad news.

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  BAD NEWS: The files are also lost in the opening. No backup.

  Can I have the name of the files I tried what you suggested.

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• Deadline - Portions to 1 second image drops when they are imported into the Assembly or project view

  Unlisted watch Youtube clips the prob in action. Let me say in advance... THANKS for any help in this regard, I desperately need an answer...

  My Max OSX 10.9.5 system

  32 GB memory

  Adobe Premiere Pro CC

  Pegasus 32 TB external hard drive

  My images has a tornado that is lit by lightning in 1 sec and you can clearly see the Tornado and fell in love, in fact in this interval of 1 second you can see a discreet bolt of lightning, and then also a quick illuminated new light of the tornado.

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  I have a deadline to get this off tornado with crush, he's the only one of the images of this particular event.  Images of 2008 and I did a clip on youtube then but with a windows computer and God only knows what crappy editing system, I used then.  I don't have access to one of these files just to remove the watermarks, etc.  You can view the clip from youtube https://www.youtube.com/watch?v=44AorUnqQhg in the first few seconds of the clip, you can see a drain of the frame of the portion of the video that I can't see when editing in Adobe first Pro CC.  Also please do not judge me on the change of my competence, I came a long way since that time, as you can see in this clip https://www.youtube.com/watch?v=kUGwDdzTk4w and other clips on our YouTube's TornadoAlleyVideo channel.  Thanks for any help.

  The HDV 1080i time sequence settings based 29.97 images per second Codec 1440/1080

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• Video input appears tense, when they are imported into Premiere Pro CS6

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  I'm guessing that first interpreter clip homesick. He probably than her video hdv 1440 x 1080, which is equal to 1.33.

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• Conditional and non-breaking hyphen in Word disappears when they are imported into InDesign

  I have a text in Word 2007 with several discretionary hyphens and nonbreaking hyphens. When I import the text into InDesign through 'Place' the dash disappears.

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  You sent me in the right direction, thank you! Word does not correctly soft strokes and that's why teas disappear in ID. To insert a good link in Word: alt + 0173 on the num pad. To do a search using VBA use CharW (173).

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  More information:

  http://www.cs.tut.fi/~jkorpela/shy.html

  http://Word.MVPs.org/FAQs/macrosvba/FindReplaceSymbols.htm