RAW images are "locked" when they are imported into LR

Similar Questions

• Red video and no sound at the end of the clip 3 hours when they are imported into first

  Hi all

  I currently have a problem with first Pro CC when a clip of 3 hours that I recorded (720 p/24 fps) using XSplit loses video and audio in the last 10 minutes when they are imported into first. The rest of the video is perfectly fine, but this section of it does not correctly (it goes forever, one minute or more per image) and will not export the missing without audio recall bias, and the video (export fails at the end). The clip is a created and coded by XSplit MP4 file and is able to normally play outside Premiere.When overview in the first, reading only shows a screen completely red. There is no effects applied to the element, or any change to the it.

  I tried to clear my cache preview and import the clip into a new project with exactly the same results in the same place in the clip.

  Thanks for any help!

  Hi, IPA,.

  You have a video file that has a variable rate, which does not work with Premiere Pro. You can transcode the file, and then it should work OK. Many people use the brake hand or similar.

  Thank you
  Kevin

• Help! Photoshop edited jpg color false when they are imported into Muse

  Okay, so I try to build a Web page of photography (among others) and I change most of my photos in photoshop. All the photos I edit in photoshop and save it in jpg format, look great when printed, uploaded on facebook etc, but when I import them into Adobe Muse for and put them on my page Web, the colors of the photos becomes desatures or distort slightly (so that they appear dull). When I edit images in lightroom and save them in jpg format and import them into Muse, they look fine, but colours edited in photoshop seem to spoil my pictures when they are imported into Muse.

  What I am doing wrong?

  Susan

  You are using some weird color management settings and do not convert to sRGB probably... Check your settings in PS itself and save for Web dialogue box and experiment around.

  Mylenium

• All my songs on my iPhone are disabled when trying to import into GarageBand

  All my songs on my iPhone are disabled when trying to import into GarageBand.

  All of these songs in my music tab before you do my songs in GarageBand are inaccessible.

  The songs are disabled and not able to add or import them

  If anyone can help with this.

  Thanks for the help in advance

  What kind of songs do you have in your Music.app on the iPhone?  You can use any song in GarageBand, with digital rights not assigned, no music Apple or bought songs that have the file protected AAC audio file type. Alos, the songs must be stored locally on your iPhone. If you use iTunes game, download the songs first for the iPhone, before trying to use in GarageBand.

• I just bought a DMC-TZ70 Lumix, but thw RAW images are not supported in the elements.  Is there a way to turn the problem?

  I just bought a DMC-TZ70 Lumix, but thw RAW images are not supported in the elements.  Is there a way to turn the problem?

  According to this faq:

  FAQ: Photoshop Elements will work with my camera, or why does not open my raw files?

  Devices supported by Camera Raw

  your camera requires the ACR 9.0 module which is only available in PSE13 after update (menu help/update).

  If you have an older version of elements, the free solution is to use the DNGconverter mentioned in the faq above with the download links.
  This stand-alone software converts all of a folder of your raw files to DNG format raw that older versions of items can read and modify.

• I am a user of Photoshop CS5.  I have a whole new camera Panasonic DMC-ZS50.  Help Photoshop says that this camera RAW images are supported.  But my Photoshop CS5 can not open these RAW files.  What should I do?

  I am a user of Photoshop CS5.  I have a whole new camera Panasonic DMC-ZS50.  Help Photoshop says that this camera RAW images are taken in charge by Photoshop.  But I can't open these RAW images in CS5.  What should I do?

  This device requires Camera Raw 8.8/9.0, which only CS6 or PS CC can handle. With CS5, you need to use the free DNG Converter.

  Adobe - Adobe Camera Raw and DNG Converter: for Windows

  Adobe - Adobe Camera Raw and DNG Converter: for Macintosh

• I have an HD camera that records on SD cards.  How can I save raw images to a hard drive without import it at the FCC and then share?

  I have an HD camera that records on SD cards.  How can I save raw images to a hard drive without import it at the FCC and then share?

  YYou want to save raw images, but not all? Is that what you mean? When you import into FVP you can select the songs you want and you can set the library in the Inspector to record the files on any player, anywhere.

• How to stop messages that appear on the screen locked when they arrive?

  How to stop messages that appear on the screen locked when they arrive?

  Settings > Notifications > Messages > turn off display on the lock screen. -AJ

• RAW NEF images are completely different (darker) when they are imported into Lightroom?

  Recently I faced a problem for my RAW of NIKON D750 images after imported into Lightroom.

  For example, the brightness of the RAW images I shot in the camera is completely different after imported into Lightroom.

  Yes, the RAW files include more data that can be adjusted backwards in brighter in Lightroom, but it occurs the most noise to the image that I don't really like.

  I just curious is my setting in camera (maybe the screen is too bright perhaps?) or it is common that viewing through the camera LCD screen is brighter than the visualization in Lightroom?

  Behind closed doors (the brightness I want):

  

  Through Lightroom:

  

  If you want to be in non-Nikon raws software processing, turn off the ADL and leave it off.   The same applies to other settings where the camera is something special for lighting or the brightness of the camera jpg.

  ADL will deliberately underexpose the image, then artificially pushed the dark areas while leaving only brighter area.  This more dynamic compress in the camera-jpg, but will make no-Nikon software see the true underexposed image.

• Canon 5 d Mark ii Images with the value of the white balance fixed. When they are imported into Lightroom, the value is different.

  If I take a shot with the fixed value of 5200K WB (5 d Mark ii) and import into LR 2015.2.1, happens to 4850K. No presets or applied adjustments.

  No idea why? How can I solve this problem?

  Rich

  All raw converters use four multipliers of white balance RGGB tinted and embedded in the raw file EXIF data to set the white balance and 'calculate' the temperature values displayed inside the module development LR WB.

  Scroll down to the "White Balance" section of the DCRAW tutorial PDF here: GUILLERMO LUIJK > TUTORIALS > DCRAW TUTORIAL it's all so raw converters all the rest of the white raw file and 'calculate' the temperature and tint values.

  Here is a Canon 5 d MKII CR2 file with the White Balance adjustment 'in the know' behind closed doors:

  (Data EXIF Maker Notes)

  

  The setting "As Shot" WB in LR shows a Temp of 4800 reading, which should produce a slight visual difference that the planned in-camera closed 5134 parameter, correct?

  

  However, with the LR settings file, "As Shot" above the white balance CR2 is the JPEG file in camera perfectly on my Canon 5 d MKII (raw + JPEG file format). It's just that Temp readings do not, because they are "calculated" four RGGB multipliers. Each raw (LR, opening, C1) converter will probably show the values of temperature and tint different, since they are derived by using "reverse engineering" of the manufacturer of exclusive camera raw data structure and camera sensor response file.

  Keep in mind that the spectral response of the camera is affected by changes in batch. A Canon 5 d MKII body can produce slightly different WB as one another using the same exact settings. Rather than depend on private clos or LR presets use a good white balance card or the ColorChecker Passport to 'calibrate' LR white balance settings standard shooting conditions (daylight, cloudy, Flash, etc.). For critical projects draw card of the white balance at least once for each unique lighting condition. You can then determine the correct inside the LR setting and settings of synchronization of the World Bank through all the images taken with this specific lighting.

• When RAW images are needed (if it is stored on the hard drive more slow)?

  I just bought an SSD that will roughly triple my reading speed, but since it's only 160 GB I'cant afford the luxury to keep all my data on it.

  I know there are many threads here about the best hard drive configurations, but just how would keeping that data (files 12 megapixel CR2) RAW affect my LR experience (once 1:1 previews have been returned and stored on the ssd)?

  For example, refinement of development would be insensitive?

  Robert Karlsson

  I'd do it but the LRcat previews and hides on the disc and the actual image on a standard disk performance files. Treatment you just write on the disc were the images are found when you save the changes to the files xmp either external or internall and only this disk reads when generating previews, so the actual performance increase will come from the LRcat and previews being on the disc fast and if space is at a premium (as it will be of course with only 160 GB to play with.

  If you were really organized could import the images particual group, work on the SSD and when you are done move elsewhere... but the time required to do this can defeat the purpose. Try a few game different ups and let us know how it goes as I can consider buying a small SSD if it does not give improvements.

• audio out of sync when they are imported into the first, very much in the original

  I worked with the same configuration for about six months now, but I'll have a new problem - the noise is at the mouth of singers on my original videos (.mov format) but when I import into first to try to change them, it no longer matches. I don't know what to do - should I move the corresponding audio track, or is there another question?  I have not met this before; It's a show, and I thought it was originally an audio delay to be in different places in the public, but it's the same with the two videos.

  Thank you!

  I would use the original film.

  Assuming you're on CC2104 drag an item in the timeline to make a corresponding sequence.

  When all changes are make export to mpeg2-dvd to dvd and H.264 for Youtube.

• Why records are imported into Lightroom remaining gray?

  Remaining files imported into Lightroom 5 gray, why? I am a fairly experienced user of LR5 and have been using it to organize my photos for a few years now, and I've never had this problem before. It happens when I import directly from my card using a card reader and also if I download on the computer and import from there. Same result, so be it: once I have imported the photos folder arrow remains gray. I updated the folder locations and synchronized folders, and there is no change - folder stay grey arrows. What happens and how can I solve this problem?

  Thank you.

  Are the grey icons or the grey triangles? If the triangles are gray dark, it means simply that there is no subfolder in this folder. If they are light gray, it measnyou can check the triangle and see the subfolders in this folder.

• VMware Workstation 6 image shows as invalid when they are imported into ESXi5

  Then, I got two pictures of a colleague who are displayed as images of Workstation 6. I have confirmed that they are working on wkstn 7 (I have workstation 7 and 8 workstation allotted to me), but when I download them via the browser to store data and then make a right click... Add to inventory... once the process is complete the virtual machine to show as no valid in vCenter. What Miss me?

  Thank you

  Jim Odom

  Welcome to the community,

  I guess you used the format of sparse virtual disk to the VM Workstation. It will not work with ESXi 5.0 and you will need to use the converter to "forward" the VM to the ESXi host.

  André

• Why my images are opening in camera raw 8 bit/channel when they are in as 16 bits/channel Bridge?

  When I open an image downloaded from my camera and showing that 16-bit/channel bridge in Camera Raw, does open 8 bit/channel? If I change to 16-bit/channel to work on in camera raw and then save from there as PSD or jpeg in 16 bits/channel fact that always give me the same image quality?

  Only differences so I say is the rough Version of the camera.

  Photoshop CS6 supports ACR version 9.1.1 & taken 9.2 supported by Photoshop CC

  And I agree the windows Workflow is different in the two version of Photoshop.

  Kind regards

  ~ Mohit