Elimination of the effects of colored faces disco lights

Similar Questions

• Change to the Question of the effect of color

  Hi This is only my second year really using after effects and I've not really used this feature before. But basically, I want to make the color of the water kettle. His white origin. Now, I don't expect the change of color to exactly match the kettle. But when I use the function to color the kettle from white to pink (a bright color), it works pretty well actually. But when I try to color as a darker color, that it does not work. I need to change the hue, brightness and Sam for this has no effect, but it is not fully complete as the rose. How can I change the color of a brown colour only. Ive has messed around with it for a couple of hours now and I'm kind of stuck. Is it possible to do what I did for the pink kettle for the Brown kettle. I hope it's clear. Let me know if something needs to be clarified.

  I recorded my workflow here. As you could see the brown color change is very wet and does not work with only the hue. While the pink kettle has functioned very well. I don't understand how I got the pink color in the video, but I just enabled the effect on this clip.

  2016 04 04 16 01 42 669 - YouTube Bandicam

  Any help is appreciated thank you.

  There is nothing to do. In: it's all just a bad workflow and you wait too long. You answered your own question already in part: use other effects, use several layers manually create masks and hiding.

  Mylenium

• Lumetri slows down the encoding of color correction more "obsolete."

  Based on my own informal tests, I notice that Lumetri effects on an element in a sequence slows down the process of encoding significantly compared to the same general objective realized with effects of correction of the so-called color "obsolete". Other messages on the forum seem to confirm this.

  I guess the older "out-of-date" color correction effects are far from obsolete. Looks more Adobe innovates and push this crowd of material premium to their last, Lumetri, but that the older effects are more obsolete than obsolete, probably to be there for a long time... iow, use them as you wish for you will hit all compat issues in the foreseeable future.

  Is that what that sounds right?

  My goal by asking is to better align myself as a user of first... my tendency is to take the final product as user recommendations, but that can be a trap when it is really a big innovative push who sometimes material/performance hits that make it unrealistic for all users.

  I have a portable old 5 year, the Sony Vaio VPCF215FX w/6 GB RAM, NVIDIA GeForce GT 540 M, 1 TB SSD.  I am able to do, but I really need to think intelligently avoiding external USB drives, using smart rendering, etc. When I tried an experiment with older color effects, I saw a significant reduction in the encoding time (General of my test described below). For this reason, I'm stepping back and thinking that the push 'use Lumetri' everything is beautiful for those who really need, want, and also have the material that can reasonably be taken in charge, but maybe not for someone like me, at least if I can avoid using older effects and with all the same. I just can't justify Lumetri in some cases where it slows down encoding medium.

  It is not that my hw is unable to use it but when I can use older effects and get a nice discount time coding for my not pro use, seems useful to avoid the Lumetri currently, until the upgrade hw or something. I wanted to just check-in here on the forum because everything above is me in a vacuum, I felt ready to hear some voices from the community on my point of view.

  Oh, my test...

  Create two sequences, each with the same single element from the same ~ 60 second clip of Canon EOS 70 d (ALL-I, 1920 x 1080, 23.976 FPS, MPEG-4 AVC / H.264, VBR in.) Container MOV), where each sequence has the following effects of color...

  Seq1-UsingLumetri uses the following color effects:

  • Lumetri #1 (primary): globally adjust contrast/tone/WB Correction of basic and secondary HSL to affect parts of the installation image.
  • Lumetri #2 (secondary): none other than the Secondary to affect an object moving on tracks with a circular mask.

  Seq2-NonLumetri uses the following color effects:

  • The fast color corrector: adjust overall contrast/tone/WB (identical to what Lumetri No. 1 above is without its Secondary).
  • #1 RGB color corrector: Color Correction secondary only to affect certain parts of the image (the highest Lumetri #1 only secondary HSL what).
  • #2 RGB color corrector: secondary color Correction only affect an object moving on tracks with a circular mask (what does the #2 above Lumetri).

  I coded then everyone if above with such parameters as input media, none made smart (because I want to see encoding time with effects) and out of type, etc. The result was that Seq1-Lumetri took about 225 seconds, while Seq2-NonLumetri took about 150 seconds, about 50% more time when using Lumetri on the same ~ 60 second clip entry.

  Note, part of the reason why I'm here is to ask my question above one, sort of general/summary, but it is also based on my not not having seen a single Lumetri color correction tutorial that describes these nuances... check in shades that seem to be essential for efficient use of the product by someone like me. I want to know about Lumetri, that's fine, but I also really want to know how to use the product together more effectively... to do this, seems to me, should not take account of the effects of color more older 'obsolete '. I want to at least know if there is agreement, or if I could be missing something here.

  Thank you!

  "Legacy" color tools more elderly are simpler "peripheral" in the code if I understand and don't work... especially... but as has been clearly established by colorists, especially if you do anything with the "" range"in the young or 3-way controls, you can get weird and very... results not correct not...

  That said, if you stick to their tools without using the modifiers of the range and not to push things too far, they work for the most part, kind of like what you would expect.

  Thus, on this laptop old of yours, stick to the Legacy tools is probably a good thing. And works very well for you. If you move up to a more recent material, you probably want to look more like the Lumetri Panel.

  Currently, I am working with the help of a mixture of Lumetri for the 'main' ranking, but using 3-way & RGB secondary additional & such.

  Neil

• Want to return to the default color, so I can stop seeing the Green and purple faces borders

  I only had my computer for two months.

  I'm playing with the colors, and now I can't go back to the default colors. I managed to get rid of the purple text, but cannot get rid of the Green faces with everyone, stories in my own personal photos.

  I SEE everywhere is purple and green.

  I took many choices by going to "customization", but all I want is to go back to normal / default. I don't want text and colorful faces!

  I've been in Control Panel > appearance and personalization > personalization.  I don't want this COLOR; I just want what it was when I bought it.

  Thank you, Bill, but the instructions in the link you gave said I must have an administrator account; I don't.

  I called Dell tech support today and this guy couldn't have known what to do after an hour of playing with it remotely. He wanted to send me a label and I could box it upward and send it to them.

  He put me on hold, and I just hung up.

  Then, I took it back where I bought it.  This store asked me to leave it for a week.

  So I went with the computer and sales one of the guys to let me use his computer to get onto a chatroom with their own technical support.  Their tech support guy had me do an uninstall of graphics and then reinstalled.

  It worked. Yay!

• When using an adjustment layer to change the hue/sat (to make the fall colors), how to change hue/sat off the clothes clients and faces?

  When using an adjustment layer to change the hue/sat (to make the fall colors), how to change hue/sat off the clothes clients and faces?

  Choose the mask on the layers adjustment layer and paint in black in the areas that you don't want the adjustment layer to change

• After the effects of automation Script - color key formats WMV Files and return automatically?

  Hello

  I'm pretty new in the Adobe After Effects automation script, but I was wondering if it is possible to open multiple WMV files (each file has the same background color) and use an automated script to apply the same effects of parameters of color key for all the files and then automatically rendered all the files as FLV, RGB + Alpha and select the audio Bitrate 96.

  Any help would be appreciated. Thank you.

  I have in fact you have a waste of time and managed to put it together. There are a lot of comments to help explain what does what. You will need to change a few things for your use.

  Line 9 # will need the path to your preset file.

  Line 12 # will have the name of your preset OutputModule. It is case sensitive.

  Line 31 # can be changed if you want that different file extensions. Right now he's looking for more specifically '.wmv' or '. '. WMV channels"in the name of the file.

  {
    /*Choose a folder with WMV files*/
    var chooseFolder = Folder.selectDialog("Choose folder.");
  
    /*Choose render to folder*/
    var chooseRenderFolder = Folder.selectDialog("Choose folder to render to.");
  
    /*Set your animation preset name here*/
    var nameOfColorKeyPreset = File("/Users/gtm_osprey/Documents/Adobe/After Effects CC 2014/User Presets/MyColorKeyPreset.ffx");
  
    /*Set your Output Module preset name here*/
    var nameOfOutputModulePreset = "MyFLVOMPreset";
  
    slash = ($.os.toString().indexOf("Windows") == (-1)) ? "/" : "\\"; /*Determines the slash format for files paths*/
  
    /*Gather process into an undo group*/
    app.beginUndoGroup("ImportKeyThenRender");
    /*Validate folder object*/
    if(chooseFolder != null && chooseRenderFolder != null){
    /*Get files from folder*/
    var files = chooseFolder.getFiles();
    var filesLen = files.length;
    /*Declare variables*/
    var io, curFile, asset, myFiles;
    /*Create an AE folder for files*/
    var myWMVFiles = app.project.items.addFolder("WMVFiles");
    /*Loop through files and import them*/
    for(var f=0; f		   

• Morph effect causes the change of color on background, help

  I'm trying the new morphing effect, but I feel a change in color with the background color cache.  I have my images with a white background, try after effects color in keyed it classified in the speed category, added a color matte in first to the track video below and then applied the morphing effect to hide a jump cut.  My background changes to a more bluish color for the few images morphing effect is applied.

  I had to update the rank of speed as well, and that solved the problem of color change.

• How do I avoid the accumulation of color / opacity where two brush strokes overlap?  In other words, I want to use more than one path with the Paintbrush tool, but see no additive effect where strokes overlap.  What Miss me?

  How do I avoid the accumulation of color / opacity where two brush strokes overlap?  In other words, I want to use more than one path with the Paintbrush tool, but see no additive effect where strokes overlap. 5 Lightroom

  I use it all the time. Turn your opacity, density and traffic all 100%.

  Benjamin

• No image color after you have applied the effect "graphic pen.

  I opened a .dng file which was in black and white. Then he converted to RGB. Apply the graphic pen effect. Add a new layer, fill it red, changed the mode of Overylay, and when I tried to merge down or save it in jpeg format, it converts the right on the image back to B & W, I even tried to change my red brush and overlay mode, it just won't let me the image of color at all. I tried to hue/saturation, and when I try to save the setting, it converts right back to B & W. Any help? Here are a few screenshots.

  

  It's after the merger down.

  

  The overlay mode don't effect pure black and white pixels.

  Try to view your image at 100% view (actual pixels) (double click on the Zoom tool in the Toolbox)

  Views others 100% cannot give you a vision accurate of your image especially when it comes to blending modes how to interact between the layers.

  I would suggest using a solid color fill layer and raise the blending Options dialog box, where you can scroll through the different blend modes

  to see the effect on your image, your image is 100% view (actual pixels)

  

• Change header font color using CSS is not the effect

  Hi guys,.
  
  I tried to set the forecolor of header in 'red' using CSS, but no effect.
  
  Any alternative?
  
  Thank you.
  
  Criz

  Criz,

  We cannot use the names of color in CSS, you must use predefined names
  For a red header use OraErrorHeader, more balance of styles of fonts.

  http://download.Oracle.com/tech/blaf/specs/textstandards.html

  Thank you

  With respect,
  Kali.
  OSSI.

• Effect of color in the properties lost when used to break apart.

  Flash CS5

  How does one change graph then have the possibility to choose in the properties of color effects options such as alpha or luminosity or hue in properties?

  Integrate a file .ai library and then creating a MovieClip of it, I can change alpha of the color or brightness or hue etc. in properties through the option of color effect. Use break hand to remove a simple box of a part of the work and just applied aspects of the color disappear, back to its original appearance. Try the work but still not grouping options now. It is even if I just place the image on stage or open the graphic in the library.

  Try it out bring it a different way and to break, then alter the work group then to see if the properties has color effect option for this but still no joy.

  Try to convert graphic after editing and giving it a new name, he Faints, nothing visible even if I select this chart in the library.

  It seems that the only way to apply color effect in the properties of a chart or a MovieClip is NOT to change its content when placed on the stage. I can't do without needing to modify the program making the AI. In fact adds a box that I don't need, border of the page in this program.

  Envirographics

  Color effects can be applied to an instance of a movieClip or button or graphic symbol. When you separate an instance of movieClip, you actually spend this movieClip into its different parts, similar to the edition of the original symbol in the library. These parts, lines, and fills, no longer a movieClip, and so any changes applied to the movieClip will no longer apply.

  You can select all the individual parts after your installation of these parts and then using the Edit menu, the value of this new group of lines and fills as a movieClip and reapply the color effect.

  Alternatively, if you double-click on the movieClip on the stage, you will be in the editor. Any changes you make in the editor will be displayed in the movieClip when you return to the scene. The effect color will remain.

• I USE COMPUTER WITHOUT DISPLY DRIVER, MAYBE THE EFFECT OF EYES?

  I AM RAMAKRISHNA, WORKING UNTIL A SYSTEM ADMINISTRATOR, I HAVE A QUESTION, WE USE THE COMPUTER WITHOUT A DISPLY DRIVER, MAYBE THE EFFECT OF EYES?

  PLEASE SEND YOUR ANSWER

  THANKING YOU

  Hi Ramakrishna,

  No, it won't affect your eyes but your system! you will not be able to see all the colors!

  What do you mean by no display drivers? Any installation of windows will load the default VGA drivers. You will need to install from the cd of drivers display drivers, otherwise you will face color problem appears is not on some applications / websites, graphic files slow response, slow to display as the refresh rate would not be appropriate.

  I hope this helps!

• How to do the effect "through the red window"

  How to do the effect "through the window of color"

  pictures under

  

  

  

  thx a lot

  useYbrain

  \

  1. open the image.  Image > adjustments > black & white

  2. Add a blank layer and Edition > fill with a color

  3. set the blending Mode to multiply

  4 return the image layer and use curves or levels to reduce the dark end of the tonal scale

• Problems with the brightness and color in a motion tween + canvas

  Hello

  As the title suggests, a simple (html5 canvas doc) motion interpolation of an instance (let's try a pink square) which will become red, works perfectly in animate CC but not in the browser?

  The same happens when I use the brightness with or rather the color.

  I use the classic motion tween.

  Any idea?
  Etirod (French language)

  The top color effects or filters are likely to cause the image is cached bitmap, and you lose the effect. When you perform a test of Animate, look in Control Panel output for all warnings.

  You can often get a similar effect by having both variants you need on top of the other, then simply change the alpha of the forefront one.

• I need to put the effects dropdown in my control panel to work item.

  I'm obviously a newbie and maybe then a frenzy by clicking on, but I lost the drop effects in my workspace of the Assembly. Apparently for me on the effects toolbar on the top menu with/Assembly/Color/audio editing.

  How can I fix my workspace have the effects?