Exchange Image in the sequence?

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• Button "Exit", used in several images of the sequence

  I hope that there is a more elegant way to do...

  See the VI attached for a much simplified program that is typical of what I am trying to accomplish.  Basically I have a button that I want available in several images in the sequence.  In this case, I used a button "quit".  When you press on, the program passes by remaining sequence frames until it ends.  The last image "unclicks" the button "Exit".  This last image is necessary because I had to put the mechanical action of the Exit button for "switch when released" because I used local variables in all the images in the sequence after the first.

  Is there a way I can accomplish the same functionality of this program without using local variables and/or during the definition of the mechanical action of the 'exit' switch to ' lock releasing?  Specifically, I'm looking for solutions that will work in several images of a structure of stacked sequence (I realized there are ways for the three lights without using a structure of stacked sequence, but I'm not interested in doing).

  Any help would be greatly appreciated!  Thank you!

  Something where you're looking at a sequence of steps, you really recommended using a state machine architecture.  (Search the forums for examples).

  Having several structures event with cases duplicated in different settings of a structure of stacked sequence (it would be a little better if you used a structure rather flat sequence), only to request trouble on the road.

• When I insert an image in the sequence. the photo that it is expanded

  I am currently using Adobe PREMIERE PRO CS6. And I'm doing a video for school. I tried to insert an image of the main sequence. but the image were bigger so big that only part of the picture is visible. This is because the size of the image were too big. How can I solve this problem. same thing with the video, when I insert the video, the video was really small. and with a black space around it. I change the size of the screen adjustment of 100%, but the resolution of the video no longer so clear. I tried to do the same with the image, such as change the adjustment to certain % screen size. but it does nothing. the image remains on this certain task was be amplified. and if I spend 20%, only got smaller image with black spaces around it. How can I solve this problem. I do the video for school so it is really important that I get this fixed a problem.

  Smilyfrowned wrote:

  Thank you very much. I did what you said and it worked. Is there a more effective way instead of scaling? as the photo would automatically put the scale itself

  Put scale by default to fit the size of the image in the preferences, its general slot.

  If nature does not have the same proportions that the sequence you will have small black highlight and then you will always have to scale.

• Whenever I visit the timeline, the video starts playback of the first image in the sequence.

  Is there a setting that stops that happen?

  In Edit > Preferences > general, uncheck the box play after Tiimeline, or similar syntax.

  Good luck

  Hunt

• Why the last image of the exported image sequence is sometimes black?

  I get sequences of images in Photoshop and then exporting them to a file mp4 video.  For some reason, Photoshop sometimes decides to put a black frame at the end of the video, no matter what I try settings.  Sometimes it leaves aside the black frame.  I can't understand why he did this.  If anyone knows how to get rid of this?  When I import the resulting sequences first, I need to change all the frames of black.  Not impossible to deal with, but it is kind of a pain.

  Adobe Photoshop Version: 2014.2.2 20141204.r.310, 2014/12 / 04:23:59:59 CL 994532 x 64

  Operating system: Windows 7 64-bit

  Version: 6.1 Service Pack 1

  System architecture: AMD CPU Family: 15, model: 10, Stepping: 0 with MMX, entire SSE, SSE, SSE2, SSE3 FP

  Physical processor count: 6

  Processor speed: 3200 MHz

  Built-in memory: 8191 MB

  Free memory: 4507 MB

  Memory available to Photoshop: 7154 MB

  Memory used by Photoshop: 70%

  Graphics card: NVIDIA GeForce GTX 470 (with the latest driver Version 347.88)

  Adobe Bridge 6.1.0.116 x 64

  Use, file-> open and checking the box 'Sequence of Image', I am loading a sequence of JPGs I've cropped in Photoshop (using a script to automate this process), and I specify 23.976 fps. I checked all the JPG files, and they are OK. I play the animation in Photoshop, and it looks good.  I then export the movie using the file-> export-> made video, I use Adobe Media Encoder, h.264 format, high quality, 1920 x 1080 (the original document size), 23.976 fps.  It automatically selects the zone selection to export work.  That seems correct.  In a sequence of images of N, it is said that it will export images 0 to N-1, which I think is OK if it indexes starting at 0 and not 1.  I tried to export (frames) checked, and the result is the same.  The last image is black.  I also tried to change the work area to remove the last image and the last frame of the rendered video is so dark, but the last image of the sequence, I opened is missing.  I checked the image sequence that was exported with the area of complete work (or frameworks) selected and all managers are there - with just a framework black, added at the end, which is certainly not in the work area.

  No error message.

  I checked the help, also I tried searching the forums, but I don't know what I'm doing wrong.

  The problem has been around on and off for a few years.  He had disappeared with CC, but now he's back, even though I'm not aware of what I'm doing differently.

• First Pro CC you can manipulate an image in a sequence of images at all?

  

  The Earth above is part of a sequence of images second 10 with the yellow line (representing a satellite) is progressing on the Earth.

  Is it possible to CHANGE the Earth on the LEFT SIDE of the chassis using the tools in the first?      Or should I use Photoshop first using "batch file" feature of Photoshop to re position images of the sequence on the left (using shift) then re import back in first sequence?

  Thank you

  Mike Koziniak

  [Left the forum Cloud/Installer generic for program specific forum... MOD]

  Select all the images and the 'nest', their movement add to the nest.

• [CS3] In Adobe Premiere, the clips are much smaller in the Assembly of the sequence in the source window?

  I use Adobe Premiere Pro CS3 to edit a whole portfolio. I downloaded my own videos to YouTube that I had lost the raw files, then diverted to .avi and imported in APP, which worked well. However once I started to put the clips on the timeline of the video image in the sequence window is about 1/4 the size of what it was in the source viewer! I'm having a lot of trouble with what I'm used to editing on Avid and Final Cut Pro, and it is the only program of editing that I have, as I have a portfolio in a few days. Any help is appreciated! Thank you

  In CS3 and above, the screening of the project is larger, because you can configure the different sequences. This is the sequence that you want to watch. We choose a preset, they do it with new sequence, or they can check by going to the toolbar and choose the sequence, then settings (or similar syntax).

  In regards to the files converted, I think that John T. related to point G and MediaInfo. Two of these utilities can give you all the details, and here's what you will need to match.

  Good luck

  Hunt

• Automate the exchange of two images in the document.

  Good afternoon! A friend here can direct me to a nice script to automate the exchange of two images in the document, E.g.: when you select two layers A and B would look like this: picture A to picture B by changing the image B for the "Inversion of images' image and, if possible, keep the same report. Thank you!

  I found an old version that I changed and now it works with CS5 and CS6 lets hope it work in CC.

  Wikisend: free file-sharing service

• correct the settings of the sequence for my a7s sony images?

  What is the parameters in the correct sequence for my a7s sony images? I turned it to 1080 p 23.976 FPS using the codec internal xavc of cameras.

  I havet always has a yellow 'making' line above when I fall into the sequence?

  Meaning of yellow bar:

  

  It is not an indicator of a problem, or is this something to worry about. It's just a status indicator.

  This means that in the estimation of workstations in the file source and current hardware configuration, it 's going to be most likely to be able to reproduce the material in real time, but this is not certain.

  This is because the XAVC codec is highly compressed, which means that Premiere Pro to "decompress" each image - in the Group of pictures (GOP) it is stored in - to display 23.976 times in one second everything by getting both audio and video streams, as well as follow-up of the unsolicited user entries.

  MtD

• What is the difference between the sequence #, # and # total in LR to images?

  Hello

  For custom to name what is the difference between the sequence #, # and # total in LR to images?

  Thank you

  Jason

  Read this article.

• export the sequence with numbers of real images

  Hi all

  I made my activities all projects once in a complete png sequence!

  Now, I changed a small part and wanted to make this part in the folder with the sequence already made.

  PROBLEM is that it always starts with 'ZERO '. How can I say first to do it in real framenumbers?

  Or is there a nother workflow that is similar to this technique?

  Thanks to you all

  Michael

  Found a solution, because I don't know how to do this first:

  Rename the lot in the bridge.

  117 is a simple number that I selected for the first image.

  

• Feature Request: Please allow us to merge audio with sequence of images in the SOUL.

  So far the only programs that allow this (that I'm aware of anyway) are the old version of QuickTime Pro and Apple Compressor. I just want to add a sequence of images to the SOUL and combine an audio track to this sequence of images for export. This would save me one step further. 80% of my work starts and ends in After Effects. I do video editing very little, so most of my export is made of EI and then exported Quicktime or compressor all apply for my clients (most often ProRes for a major version and h264 or x 264 Quicktime files for the web).

  It is possible, we could see this feature added anytime soon? Thank you!

  It is a good application and should be presented here: Adobe - feature request/Bug Report Form

  The team reviews all requests coming in via this form. It's a guaranteed way to get your request so that we do not always see everything that is posted on the forums.

• Import a complete sequence of images to the first (or consequences)

  I shot a few lapses multiple segments time-is this past weekend on a borrowed GoPro. I evaluate the camera for its ability of timelapse and far sequential shooting is great, but my workflow fails miserably.

  I really need some advice on what to do.

  My first problem ignore about 80% of the pictures in the 3000 + taken. It seems to be very sensitive to changes of scenery, if things do not match up between my sequences, Pr will import it, which defeats the purpose of what I'm trying to do.

  I can sort and import manually, but that will do for a very long day...

  The question is exactly the same in AfterEffects and GoPro software as well. So, on the entire suite CS6, GoPro software, which is a kind of Hyperlapse program, what adjustment is needed to import each image of a folder for a sequence of images.

  Also, my ultimate goal is to make a hyperlapse of the sequence that I have, so if you have any tips on how to do all this, please inform accordingly.

  If you import images as a sequence of images, file names must use sequential numbering. Otherwise, Premiere Pro does in that it determines for me the sequence starting with the first selected item.

  Perhaps if you gave a detailed explanation of exactly what you are doing to import them, step by step. And maybe after a screenshot of the file names.

• Recommendations on the use of images in video sequences

  Hello

  My current workflow is to use 3ds max for the rendering of sequences of images to animation, then to Media Encoder allows you to convert mov files using the Quicktime Animation codec. The problem is that the use of these clips on the front keeps me scrub the timeline of the sequence with fluidity, when well even all files are accessed from a drive of lightning on a Macbook Pro. Even open them in Quicktime player causes a slow reading. The rendered images are 1280 x 720. Because of the animation being founded, I need the derived video to not drop the images as do some codecs, so Quicktime Animation codec prevents this and it preserves the alpha channel in the image.

  So my question is, what can I do to improve it, so that the timeline scrub becomes fluid?

  THX

  I think I found my answer... ProeRes with Alpha codec. I used that and lived without loss of images, alpha channel, left untouched, and rub the time slider in the first is super fast. Message from Joe made me remember I had this codec on my Mac and had simply never tried, so I started reading about it and found that it is designed for what I want.

  Sequences of images that I found can be imported directly into the first, but first wash chronology is slow with them. First I think is happiest when playing a video codec compressed any.

  Rgds

• the sequence does not match my image size

  Hey,.

  I start the new project choose standard PAL video as below:

  Video settings

  Image size: 720: 576v (1,0940)

  Frame rate: 25.00 FPS

  Format of the pixels: D1/DV PAL (1.0940)

  Fields: Bottom field first

  Then I did in Photoshop framework of ornament size 720 x 576 and 300 DPI and the import of my project but I discovered the sequence window does not fit my frame. And I have no idea why, when sequence and framework of ornament are the same size.

  It looks like in below:

  

  Does anyone has an idea what I am doing wrong? In the past, I've already done similar things, and there is no problem at all.

  Peter

  The pixel formats are different. Your ornament PS is registered with you and square pixels video use 1.0940 paragraph use film to set the IRON to your ornament.