Export of bit rate suggestions

Similar Questions

• Export failed to achieve the required bit rate and colour care space - ProRes 422 in MPEG2

  With the help of first Pro CC v7 I exported a ProRes 422 (HQ) MPEG2 file and selected the HD 1080 p 23.976 preset.  I needed the finished file to have a minimum of 50Mbps flow and the color space to be YUV422.  I was under the minimum flow rate and the color space is incorrect. Can someone please instruct me on how to get my desired results. Thank you!

  MXF OP1a XDCAM options are hard wired for the correct settings for each preset - in the case of 422 @ 50 mbit, it already uses a preset CBR (constant bit rate).  The main codec Concept always Compress contents, so it is quite possible that your source material will eventually take less space than 50 Mbps, depending on the complexity of the images.  There is nothing to replace it, you can change, it's just the codec do its thing.

  I don't see how the color space was incorrect, unless you take what you think that you have chosen.  Make sure you're one of the presets that has 50 in the name, picking, and other (18/35) VBR and space colorimetric 420.   You can check the presets under the video tab - if you have a 50 mbit preset selected, the video codec should list something like "XDCAM HD 50 NTSC (4:2:2)".

  Wil

• Target and maximum bit rate...

  Not finding much info on target and Maximum bitrate that is under video settings during export > Media.

  At the highest quality, my camcorder records to about 24 Mbps.

  I export to Youtube. I know that all of the settings to use.

  
  I wonder if I should choose the bitrate at which it was recorded, for my target and maximum.

  I am aware that higher the value, the larger the file is large.

  What are your thoughts?

  On another note. My HD camcorder JVC GZ-HM300, manual stipulates that all class 4 or higher SDHC card will work.

  I see some of the higher ranked cards higher bit rate transfer.

  Do I need to get at least a transfer rate of 24 Mbit/sec SDHC to get all the benefits of the record of 24 Mbps bit depth.

  Because I have got a standard 16GB class 4 Kodak SDHC for $20 Meijer's, here in Michigan (Meijer is pretty much just like Wal-Mart)

  http://www.Meijer.com/s/Kodak-16GB-class-2-SDHC-memory-card/_/R-187776

  Said description class 2, but he of the symbol of class 4 and works with my camcorder.

  What are your thoughts?

  A larger file or a less compressed file or a file with high throughput (those that are functionally equivalent) does not necessarily mean a more beautiful once downloaded video. In practice, a video that has the best eyesight will be better once YouTube through the ringer. My additions in 1080 p YouTube typically hover in the range of 10-12 Mbps, but they tend to be low movement videos, so they provide a compression well. If you have an animated video, it may be necessary to crank the bitrate up to what you keep most or at least more of the fidelity of the image. However, you will get to a point where you will just make an unnecessarily large file, with no perceptible difference as soon as YouTube do its dance on your video. I would guess that 25Mbps is unnecessarily high; the recommendation to use 15Mbps or thereabouts is probably sufficient. Test is the only way to know, as there are has no strict rules when it comes to video coding - and YouTube accepts all the accepted general practice and pouring them on their head.

  Re: target and the maximum flow: these come into play when using coders who use encoding variable bit rate (VBR). Rate target - as its name suggests - is the rate you want the encoder to pull to and use as an average relative. Flow binary maximum - no points for guessing - is the largest flow you'll let the encoder use in segments (usually in divisions called GOP or groups of images) where there is movement or a visual complexity (very detailed models, or fog, for example). If the encoder were to run full tilt boogie, the maximum bit rate would determine the size of the file; It is roughly equivalent to the use of the CBR or constant bit rate encoding. However, because you have selected a target bit rate (in general, a minimum below the maximum bit rate), the encoder will try to maintain this bitrate or lower throughout the video. For example, my 1080 h.264 encode for YouTube usually have a maximum rate of 15Mbps all about, but I put the target at 10 Mbps or less. Using 2-pass VBR, and given the nature of the videos I encode more often, my files usually average around 6 Mbps. That's what I have to deal with each separate code as its own entity - you can apply some principles, but in practice, anything goes.

  These Wikipedia articles could offer interesting ideas in different encoding, at least from a perspective of bitrate methods:

  Variable flow

  Constant flow

  Average throughput

  PS: No WAY is Meijer as Wal - Mart The Mitt, reprazent!

• How to extract the same song, several times using different bit rates or formats and store all the digital music files in WMP 12 default on the same HDD music library

  Using Windows Media Player 12 (w/under Windows 7), "can I ripping the same song, several times, using different bitrates & and/or formats and store all the digital music files in the music library by default WMP - 12, on the same hard drive?

  1.) #1 goal: tear up the same song repeatedly, w / "different rates" as a WMA file.

  2.) #2 goal: tear up the same song repeatedly, w / "different rates" as an mp3 file.

  3.) #3 objective: NOT to each subsequent copy (version) of the song, deleted & and/or replaced by the previous version of the song [even].

  4.) question Bottom Line Up Front--> is Windows Media Player 12 (included with the Windows 7 operating system) are able to achieve '#1 objectives; #2; & #3 above?

  5.) details/example: I want to tear the piece "Maria Maria by Carlos Santana" to my laptop as a Windows Media Audio [WMA] file.  In addition, I would like to rip the song 'Maria Maria' three several times with 3 different bitrates in format WMA; and, as an MP3 file.  Therefore, my final result wished (after the extraction process), will take place the four 4 audio files split up as follows: (a) 'Maria Maria by Carlos Santana'--> Format: file WMA; Ripped @128 Kbps bitrate.  (b) ' Maria Maria by Carlos Santana'--> Format: file WMA; Ripped to the "Variable bit rate; (c) ' Maria Maria by Carlos Santana'--> Format: file WMA; Ripped commissioning "Lossless." and (d). 'Maria Maria by Carlos Santana'--> Format: MP3 file. Ripped @256 Kbps bitrate.

  6.) my preference: I do NOT want to rename the file (s). {for example, 'Maria Maria by Carlos Santana' renamed/changed for--> "Maria_Maria_by_Carlos_Santana_128kbps.wma",...} 'Maria_Maria_by_Carlos_Santana_256kbps.mp3 '; etc.}.  In addition, I am not concerned about the additional disk space that will be consumed after multiple copies of the same song with different speeds of transmission and different formats.

  7.) my experience w / Windows Media Player 10 (w / the operating system of Windows XP): using WMP - 10, my goal (s) described above is not a problem at all.  Simply insert the CD purchased by Carlos Santana, containing the song "Maria Maria"... Select the desired Format (WMA; WMA VBR; WMA Lossless; or mp3)... Select the desired flow rate (WMA... 128/160/192kbps_mp3: 128/192/256/320 kbit / s; etc.) ; and click on the "RIP" button to start the copy process on the hard disk of of Carlos Santana's "Maria Maria".  This process (w / WMP-10) would result in having the same song, copied on the hard disk, with levels of quality different "audio" (via the different bit rate settings); regardless of the format (MP3/WMA) which was chosen.

  8.) my experience w / Windows Media Player 11 (w / the operating system of Windows XP): using WMP 11, to described above of my objective (s) could not be reached e-a-s-i-l-y.  The problem with WMP - 11 - in short - which was after the desired selection "Rip settings" tab 'Options' of WMP - 11 (i.e., Format & Bit Rate) and heart-wrenching piece wanted to {'Maria Maria by Carlos Santana'} a moment later/second, WMP11 remove / would crush the previous version of the song [even].  Therefore, the program would NOT allow the user to have multiple copies of the same song on the hard drive of the PC; which obviously restricts a user to have the freedom to choose what level of quality digital audio, they prefer to listen to.

  9.) the ability to have multiple copies [at my descretion] of the same song (on my hard drive) with different bitrates and formats in my music library, is important for me because it has a direct impact on "how I enjoy MY music ', and in what form (audio quality), I choose to listen to my music.  {For example, when I exercise and listening to my camera, digital audio player (Zune), a song ('Maria Maria by Carlos Santana'), will usually be torn off at a lower rate due to the unit of capacity reduction of storage - compared to the storage capacity of notebook PCs/desktop/external hard drives PC.}  However, when I listen to my music through my home cinema or entertainment system (which contains a hard disk dedicated with a large storage capacity), I prefer to load the entertainment system with digital music files that have been ripped to WMA... with the bit being rate-setting is for the: settings "WMA Variable Bit Rate" or "WMA Lossless.

  10.) there you have it.  This is my first post in this forum.  I hope that [detailed] explanations, will be sufficient to encourage these "with knowledge & the hands on experience" using Windows Media Player 12 (as well as with WMP-10/WMP-11 respectively), by providing a [step] "How-to"... "solution to my situation.  It would be highly appreciated.  I'm looking forward-'the solution' - and relevant suggestions & and/or community feedback regarding my request for assistance.

  * Thank 'All' (that would) in advance... For your time & Assistance *.

  Certainly, you can, but I would say that they be in different folders, for your convenience as well as Windows.  You can create one for each debit/format, then you will know who is who.

  In Windows Media Player, on the toolbar, select Tools, Options, Rip, and then select the flow you want first, rip music, then change the folder (higher on the same tab) and rip again... and so on and so forth.

  When you are at home on your home theater, you can use the 320 bitrate folder, when you transfer to the Zune, you can use one of the lower bitrate files (although I personally tear it up to 320 and let the Zune reduce as he wants, even with the iPhone via iTunes, hard drive space is not really a problem here) my server has several hard drives, and I can always add more if and when space is low!

• What is the best bit rate to use for files WMV to DVD?

  I shoot with a low point and shoot digital camera.  I take the files AVI-video from the camera, which are quite large, and edit them in Windows Live Movie Maker 2011 and then save them as WMV files that are typically much smaller.  I like to create DVDs with better videos using Windows DVD creation or another program video.  My question is what bit rate to specify when I publish the films completed as WMV files?

  My camera AVI files can be played in Windows Media Player.  They have little of rates which vary from about 3 Mbit/s to a little more than 5 Mbps.  Is STANDARD DEFINITION 640 x 480 VGA quality video.

  Movie Maker default bitrate for the option "burn to DVD" is 2.99 MB/s.  I do not notice a difference in quality between the 2 MB/s I usually use and.  (I chose 2 Mbps, because in the past, I've used Windows Media Encoder and it defines "DVD quality" like 1-2 Mbps transmission speed and quality "HD" as 5 Mbps.)  Bit rates below 1 Mbps up to 500 Kbps have been defined as "Quality VHS" and below which has been 'QVGA quality'.

  With important videos, I publish movies with a flow rate of 5 Mbps.  Default speed of movie Maker for videos "to be played on my computer" is 7.69 Mbps, but it's more than the AVI from the camera, then how is this possible?  How can save the file with a bit rate higher than the bit rate of the input file?

  Is another experiment, a good way to decide on the rate of good bit for my projects?

  Hello

  Thanks for joining us out on Microsoft Community Forums. I understand that you want to know the best bitrate for video files Windows media burn on DVD.

  I suggest you check out the link to check the bit rate and resolution.

  The movie settings: frequently asked questions.

  http://Windows.Microsoft.com/en-in/Windows-Vista/movie-settings-frequently-asked-questions

  Refer to this video file formats can I choose to publish my movie in windows movie maker? The link above.

  If you face problems more while working with Windows Mail on Microsoft Community Forums, we will be happy to help you.

  Thank you.

• Choose a target bit rate

  Greetings.

  My source material is M2T 1920 x 1080i 25 and has an average flow of about 18,000 kb/s and I wondered: when to choose flow target for export is no sense setting higher than the flow of raw?

  Improve the output quality actually still when flow target is larger than the original transmission speed?

  And if that's the case, what would be a good bitrate choose for my project (it of a holiday video and is supposed to be archived, high quality certainly wished)?

  Thank you very much in advance,

  TB

  TB

  Thanks for the additional information.

  What I read online, I'm going with your video source from the mode of FSH with a throughput of 17 Mbps (megabits per second).

  I assume that your source video is 1920 x 1080 @ 25 frames per second interlaced.

  Look at it please publish + share/computer/AVCHD with Presets = M2T - H.264 1920 x 1080i25

  Then under the Advanced tab of the preset button/video

  

  First try the default Adobe flow target (Mbit/s) = 25 and Maximum Bitrate (Mbit/s) = 30. If it looks great and the size of the file is OK with you.

  Continue with these settings for Bitrate.

  If you want to work with the original file = 17 Mbps Bitrate, then change the target bit rate = 17 Mbps and maximum bitrate = 22 Mbps and assess the quality of her as well as the size of the file.

  He'll get to a point where increasing the transmission speed does not better, just increases the size of the file. You have to balance the quality and size of the file in your export bitrate settings.

  Please let us know if everything above worked for you. In this type of inquiry, exploration and experimentation are the keys to success.

  Thank you.

  RTA

• Download a higher version of purchased songs bit rate?

  Hello.

  I think that in the settings of iTunes I can choose a standard rate for music, which will then apply to all my future purchases. While the quality is free to choose without any effect on the price, I wonder if iTunes allows me to Exchange/update titles to a higher version of the bit-rate of days or even years after their purchase on iTunes.

  I know that I could just convert them at a high sampling rate. But as you squeeze more information about a file such that it contains are origninally, it would not improve the sound quality. If sharing downloading files, respectively it again from iTunes, is what I'm looking for. Is this possible? Perhaps via iTunes game?

  Thanks a lot for your help!

  Cheerio

  Martin

  All the iTunes music store is downloaded in 256 Kbps, which is not editable.

  The button import settings edit > Preferences apply to music that you copy/import in iTunes from other sources (for example copied from CD) or to convert existing tracks into your library, it does not apply to downloading.

• WET610N Bit rate issue

  Under the 'Status' and then 'Wireless Network' menu, there is a "flow" indicator.  What is - it really tell you?  What is the potential flow based on the quality of the signal and the network that you are connected (for example 300 Mbits/s to N) or is it flow based on current usage?

  Here is my experience.  My WET610N reports static 13.5 Mbps bit rate if there is no traffic.  However, if I start downloading something on the device connected to the WET610N then the bit rate jumps up to 162 Mbit/s.  Is this indicator totally * beep * or is there actually something worthwhile for us about the performance of WET610Ns?

  WET610N

  Firmware - 1.0.0.3

  Connected to: WRT610N, 5 GHz, N-channel only, width channel Standard of 40 Mhz, wide channel 159, 161, WPA2 Personal.

  Thank you

  The WET610N has rate limiting, depending on your network traffic.

  When there is no traffic, it will come down to the base rate of your router (in this case 13.5Mbps).

  Once you start the stream, the rate will increase.

  If you want a good measure of rate, try to download a large file from a local computer and watch this screen.

• Video receive activated automatically the bit rate optimization

  Hi all

  The MCU software version 4.3 (2.32), "video receive bit rate optimization" and "flow control video errors" is automatically activated when MCU is in one of the HD, HD or Full HD modes.

  But our client must disable 'Video receive bit rate optimization' in these HD modes.

  (On the 4.2 version of the software, we could turn off the setting in HD mode)

  Is it possible to disable the parameter in these HD modes?

  Any advice will be welcome.

  Best regards

  Kotaro Hashimoto

  Hi Kotaro.  This setting is enabled by default now in 4.3 mcu and go in HD mode.  This setting runs only the speed of transmission being received from the point of termination and that the MCU is does not send endpoint.  This will save bandwidth video and the MCU will flow this user up to its rate of channel if necessary.

  If the participant is very important, the MCU will endpoint to send video to a high bandwidth. If the participant is not being viewed at all (or only viewed in the components of the very small view), the MCU will ask what the video is sent at a lower rate to save bandwidth network.

  This only affects what the endpoint is sending and don't receive not.

  Hope it makes sense.

  VR

  Patrick

• What is the best setting for H264 Blu Ray bit rate, which will play OK on most / all blu ray players.

  What is the best setting for H264 Blu Ray bit rate, which will play OK on most / all blu ray players. When you use CBR and VBR. What are the benefits of progressive and interlaced with regard to playback on all players.

  You don't need to worry about compatibility with Blu - ray playback.

  I prefer a variable bitrate for its effectiveness.  (Not necessary spending 25 MB on a framework in need of 10 right?)

  Using interlaced or progressive will depend on what you shot.  (Take note that 30 p is an atypical, so do not pull that.  Pull only 720 p/24, 720 p/60, 1080 p/24 or 1080i/30).

• Way to check the stats on listened to bit rate versions?

  Does anyone know if Flash Media Server has of a function which allows to display statistics on which particular streams is delivered?

  Seems this would be a handy tool to determine flow rates are important to continue to provide, and which are superfluous, and is it time to try encoding at higher bit rates.

  
  Thank you

  Mike

  You would like to check the access.00.log file to see what streams are made by FMS what time.

• First export in Encode Bit rate will not change

  I export video clips of Adobe Premiere use encoder. The client wanted a higher quality than the standard preset for h.264. One went great. Before the high sampling rate, the file size is 3MB. After he was 120MB with an image including crisper.

  Then I tried to export a second. I can adjust settings, but encode only exported to the lower speed of transmission, the file size and quality. Now, not to watch this clip I try to export, it will only export the setting below. I use the latest versions of first and encoder.

  I think I saw a message on my first period that up, that has no meaning because I had to pay monthly fees of $50 + since the beginning of the year. I've updated my payment in case information where. However, all other functions seem to work. Any ideas?

  Never mind. He works after installation.

• Setting bit rate in Wav format?

  Something odd came on my desk this week, my manager came to me with a request for me to look at an audio file (society for our telephone hold music) and he complies with the required parameters. I finished this task even a year ago but I don't remember how I was able to export the files meet the required parameters. I am familiar with audio, as I work with video on a daily basis, but I'll be the first to admit that ive spent a lot less time on audio and visual media, so I'm sure that many of you will know more about what I have.

  Could someone guide me on how I could adjust the bitrate to a Wav file. Currently I only see sampling rate when you export a Wav in Adobe Audition CC and CC of the SOUL.

  Here are the conditions: (the bitrate is the only thing that seems off to me)

  

  Flow is just sampling rate x Bit depth x No.Channels of uncompressed wav PCM file. 8000 x 16 x 1 = 128000 = 128 Kbps. Then save your .wavs under 16-bit 8 kHz Mono.

• switch to a different bit rate?

  Hello

  I worked all the time with 32-bit float. Now, I want to use 24 bits, because this is the most widely used standard.

  But there are only 8, 16 or 32 bit float visible. How can I get 24 bit?  It is not possible on hearing (2).

  And that means 32-bit 'float '?

  Thank you

  ARIOS

  Arios_H wrote:

  I worked all the time with 32-bit float. Now, I want to use 24 bits, because this is the most widely used standard.

  But there are only 8, 16 or 32 bit float visible. How can I get 24 bit?  It is not possible on hearing (2).

  And that means 32-bit 'float '?

  It's depth that you're talking about, not the rate. The rate is the sampling rate - 44.1 k, 48 k, whatever.

  32-bit floating point is a special form of registration that is lossless, even when the severely dealt with 24-bit - he uses the bits scaled service to store the amplitude of the signal and has a longer range than the entire 24-bit recording. But essentially, it is 24-bit - just stored in a slightly different way. It is also the internal hearing format works to-it does not at all in the native format of int. 24-bit (lower). Who is registered for inferior applications like ProTools...

  So the correct thing to do is to work at the hearing in 32 bits, and when you want to save a 24 - bit copy you select the menu 'options' box on the screen recording and select 24-bit int. Type 1 and you're done. You can do this from a 32-bit file - it will not save the 16-bit files this way unless you up-conversion them first.

• Question about the possible television series total bit rate discrepancy

  Hello, I started recently to buy some from Itunes TV shows when I noticed something I was curious about. I noticed that when I look at the "total sampling rate" for none of them via "My TV Shows" in Itunes, they tend to be a little higher than the sampling rate total on the physical files that I have. For example when you look at the an M4V file that is lists the total flow as being '5257' but must I go to my tab TV shows from Itunes and watch the news for that same file, it shows the total flow is "5663." I'm just curious as to why they are apparently different when the size of the two files are apparently identical.

  Also as a note on the side of something else that I've been curious to know is why is the size of physical videos always slightly more small then what is stated on the page of the show? For example, the first episode is 968 MB but the file is only 923, however after that, in the peripheries, it shows (968,071,723 bytes) Does this mean that it is actually the same size, it's just that how M4V are compressed it occupies less space because of its format or something?

  Any help would be appreciated, I'm relatively new to actually buy things via Itunes so I want to just make sure I know all the details, for example I just found out the other day, after downloading an entire show, I had to set it manually to download 1080 p, otherwise you end up with 720 p instead, which means that I had to re - download it all again.

  * BRACKET