Export to sRGB-jpg: way to many color

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• How to create a camera profile that works with a JPG image with my color chart to check inside? [was: color Checker chart.] Really need help]

  I got a color chart to check. It came not with any software whatsoever. I shoot my images in JPG format. I know it's not really ideal but I'm on a tight budget and don't have the money for a digital SLR cameras that shoot raw. Is there anyway that I can always create a camera profile that works with a JPG image with my color chart to check inside? My table also includes RGB values below each color. Maybe I can match each color in the photo these values manually? If so how is this done?

  Thank you

  Bryce

  I've never seen software that does what you ask for JPGs, only RAWs.  The main problem is that any profile or adjustment is calculated according a JPG of a particular chart photo would apply to the other JPG photos with the same white balance.

  Jpg does not use "camera profiles" anyway in Lightroom, the profile is always integrated.

  There is a product that allows to calculate the HSL cursor offset values given a JPG photo their own table owner who looked like a color checker, but had two lines reversed so the software could not be used with a standard-checker color, unfortunately.  Now their table has twice as many patches (48), and looking at it on their site I'm not too sure that it does not always work with JPGs or if she's just raw files, now.

  The graphic and software are called SpyderCheckr of Datacolor.  There are various software that do different things, but none are using a ColorChecker, so having one is mainly a loss until you get a camera that can take raw photos, so keep a humidity and temperature controlled environment as much as possible until you have the right camera.  You can probably use the grey patches to adjust exposure, but that's all.

  Today you need not a digital SLR to have raw photos, well.  My phone Galaxy S6 with the last update of Marshmallow and the software of camera update will take photos in format raw DNG in Pro mode which I can create custom profiles camera to use a ColorChecker, although the camera is really good in itself, so when I found everything first he could make DNG I took a little but now, I usually just use the camera to make the jpg unless the shot is really important and the lighting is not too hard.  I think that S7 phone's camera is even better.

  What kind of camera do you have?  Sometimes, there are firmware hacks that allow the camera to shoot raw format even if the standard camera cannot.

• InDesign file I want to simply export to a jpg file and integrate the jpg (or png) in an e-mail...

  I have an indesign file I want to simply export to a jpg file and integrate the jpg (or png) in an email... no link, just... show all copy appears fuzzy, no matter what I do... what I am doing wrong?

  I agree with you Peter.

  However, when inserting to email, certainly in the office, the format returned from any other format, that is, png or another format of JPEG file.

  I do as Peter suggests, open the PDF file in photoshop - then save to the Web but choose JPEG compression max.

  It is usually the best solution.

• How can I export to PDF for printing Offset, including colors and grayscale of the photo?

  After reading dozens of forum, I not yet found the answer.

  I made a photo album with full-colur and b & w photos for Offset print. I want to be for the b & w grayscale avoid the hues of colors possible. It seems that InDesign does not support the shades of gray, how images become dark. Even with export without any conversion of color or the destination and/or including profiles of original colors, the images are exported to obscurity as a PDF to grayscale.

  
  

  How can I export to PDF for printing Offset, including colors and grayscale of the photo?

  Yes, Photoshop & ID CMYK working spaces are the same

  This can become difficult because 3 programs manage proofing differently.

  Work spaces don't matter, document profiles that handle the preview. So here's the same image in grayscale, placed in the ID on the top and PS on the bottom. I put my info in Photoshop to display the profile of doc in the lower left corner. I can see the profile of my InDesign CMYK Document in my test format (CMYK work is different and is not used). The two profiles are actually the same coated FOGRA39 (Black Ink FOGRA in the case of the PS).

  But the previews do not match because I disabled, so the preview InDesign is Gamma 2.2 or a "screen" media preview overprinting.

  

  If I turn on overprint preview, I get a match because I'm soft proofing for printing:

  

• Exports RAW to JPG lighter they appear in the library

  Hello

  I'm new to the world of photography and have a bit of trouble when using Lightroom.

  I have a new Olympus PEN EPL-5 and Lightroom 4.3 running on Windows 7.

  When I import of the FIRST (.) ORF files) they are dark in general, but when export to JPG format, they are more light, similar to what looks like native JPG of the device.  So if I 'fix' the ORF file in quick develop or develop, it becomes too light/bright/sur-exposée.

  Let me show you what I mean.  Here on the left is file import RAW with parameters develop = 'none' and on the right is an export to jpg "sRGB" color space

  

  Now, if I adjust the RAW format (.) ORF) file in LR, I can get it close to the JPG format to the right above, but when I export, it becomes way too bright

  

  Does anyone have any ideas why the RAW library image is so far off the coast of the exported JPG image?

  This 'problem' of course makes use Lightroom very difficult because I can't tell how the changes in LR will truly turn once exported.

  I'm open to any ideas on how to correct this problem.

  Thank you

  D

  You have a bad monitor profile. It affects Lightroom, but not Picasa Photo Viewer that is not color managed and just ignores the monitor profile.

  The immediate way to deal with to define the generic sRGB as your monitor profile. Go to control panel > color management > Devices tab. It looks like this:

  

  If sRGB is not already in the list, click "Add." and scroll down until you see. Full name sRGB IEC 61966 - 2.1.

  The right way to fix it is to calibrate the monitor.

• ColorSync does not export png or jpg tiff after update to iOS 10.11.3

  Using ColorSync:

  Completed the update to iOS 10.11.3 yesterday, but acknowledged that, after the update, I have one more no *.tiff export *.jpg or *.png files.

  Many options for export has disappeared, that shouldn't be a problem, because the format png and jpg still appear in the list of options. But once I chose one of them I get an error if the name of the original file and the name of the export file are the same.

  Example:

  Open hearst.tiff in ColorSync and choose Save as.

  In the menu next, I clicked on "hearst" to use the name, but now I said "could not export the document.

  Looks like it was already possible to choose a file name by clicking on a file without actually replacing the existing, if the file type has been changed.

  What do you mean "using ColorSync"? Do you mean "color synchronization utility?

  Why would you use to convert an image file to another format? Preview is the default application for this.

  Utility color synchronization is not an image editor; It is intended to manage color profiles to ensure accurate reproduction of colors on different screens.

  Overview of the use.

• Export Illustrator for JPG 60 screens

  Say I need a framework for the jpg quality 60% of Illustrator export using the export feature screens... How do I do that?
  Should I play in the program folder files, and maybe I can find some settings file to change? Or should I just stick with the old record for web feature for now?

  Thanks in advance,

  Luca

  Currently, there is not a way to change the quality settings of default jpg export for screens. Save for the Web, or export to as long as options to always allows you to specify the quality setting for jpg files.

• Export InDesign EPUB 3.0 uses the color settings/CMS?

  Comparing EPUB PDF export vs the EPUB appears as less saturated using JPG/96 dpi for exports. When I change to say absolute or relative color settings there is no difference in EPUB and it is in PDF format.

  Thanks, David

  Unfortunately, CMS support seems only to work with the print files.

  He is also apparently not used on the Internet in General. Web designers do not want to include the information of profile with their web images because it is greatly increases the size of the file and slow downloads.

• Export to PDF and print the same color swatch - different variations of color on printed documents

  I have several documents - they all get to the top in the same way.

  I have 2 or 3 shades in each of them - namely Rubine Red gives me a problem - it's the same shade in all the documents!

  ===============

  The Swatch

  

  ===========

  Color adjustment

  Here's my color settings - exactly the same in each document - I also used profiles 'convert' and made sure all is exactly the same.

  

  =================

  Export in PDF format

  When I export to PDF - export looks great - and all colored frames appear exactly the same - and they give the same exact color read outs in any profile I have watch in preflight Manager

  CMYK reading is 4/20/99/0 in all mailboxes

  ====================

  The result printed

  
  

  

  ==================

  Same color settings

  Swatch even and the same values of swatch

  Same PDF export options

  Same swatch on output values

  Only 1 file prints the correct along the color

  
  

  ====================

  PDF export settings

  Test file

  Can someone help me with this?

  The printer I use is a XeroxColorQube using the PS driver.

  Windows 7

  Adobe InDesign CS5.5

  Fully updated

  Looking at your PDF fills the area is all the same RGB values (so you will never get the 0 | 100 | 15 | 4 process CMYK output value will show you to the #1). The upper area has its overlay set to false and the other 3 have overprint set to true, then it may be that your Xerox printer is not happy with the different RGB overprints.

• Export of difference JPG high or Max JPG?

  I noticed, as others before me, that quality JPG exported files are much smaller than the MAX quality JPG files exported. Can someone explain the differences? I did some tests and to the naked eye (mine) images do not look so different on the screen (retina). But MAX exports are often almost twice as HIGH exports.

  What is happening with this?

  Obviously, the difference will be apparent at higher magnifications.

  All that is good enough for your export venture, but maintain the original file at its original resolution. You never know what you might need in the future quality.

• Acrobat Pro correction controls upstream: how to associate many colors?

  Hello

  We want to map a lot of RGB with CMYK colors.

  Is it possible to import a list of complete mapping?

  I saw once a table to fill in here. But now I see that the questions.

  How can I switch to table mode?

  Kind regards

  Matt

  You can create a profile of preflight in Acrobat that will map the specific colors for you.

  Here are some basic instructions to get you started and a link to the documentation;

  Go to tools > print > preflight.

  Select the icon of the blue key (changes).

  Find "Color of the map with the specified color values", select it and go to Options (at the top right of the window) double.

  The new profile of the new name, select it and choose Edit.

  I've attached a screenshot of a profile example that will search RGB 155 200 200 and change it to 100 50 0 0 CMYK and also search 200 200 RGB 0 and change it to CMYK 75,0,75,0.

  You must add each color individually, select the button + to add additional colours.

  If you want to map color chart with a specific name, you want to start with a different preflight profile, but it will work the same way.

  Profiles to preflight (Acrobat Pro DC)

  

• Conversion of ProPhoto RGB profile sRGB. Major SHIFT of color

  Hello
  Just had a nightmare experience with print lab. Picture a) with Lightroom ProPhoto RGB profile completely different color image duplicated b) from Photoshop in the sRGB profile. When you open the Lightroom file in Photoshop, it keeps the ProPhoto profile. With Lightroom Preferences dialog box indicates that the profile should be ProPhoto not sRGB. If I convert profile after the opening image upward in photoshop for the worse color changes. However, if I change the profile in Lightroom preferences all is fine.

  So what am I supposed to do? Y at - it somewhere where it is explained in easy to understand English and no tec?

  Concerning

  Carl

  carlr64784228 wrote:

  The only time where it changes color spectacular is when you set a profile in the Edit menu.

  Oh my. I thought you said convert?

  No, never give up. This will change the colors. Entitlement is used if you get images without any embedded profile - or, very rarely, if you think that the file has the wrong embedded profile. Entitlement is really an option expertise - leave it alone unless you know what you're doing.

  Convert to profile is what you normally do.

  Oh, and it's always a bad idea to 'play' with the Photoshop color settings. That will lead you inevitably more and deeper problems. Yet once unless you know what you're doing, always keep the color to the default settings. That "works".

• Lightroom - exported too small jpg

  When exporting my images raw in Lightroom I convert them to DNG, which are about 28 000 Ko.  When I export my images in jpg, they are usually only about 4-5 MB is enough but sometimes I need a larger jpg. How can I control / increase the size of the exported jpg images.  I understand that jpg is compressed, but it's a huge compression.

  Help, please

  jadziaK wrote:

  the drawn test example is 3960 x 2640 pixel 13.2 x 8.8 inches, 300 DPI

  Like I said for most of my work is enough, but I wish I had more large file size

  Lol you want a larger size of the image, not a larger file. The size of the image, in pixels or megapixels, determines if you can make enlargements or not, and what will be the quality of these extensions (as well as setting the quality slider). The size of the file is completely and totally irrelevant to the issue of can make you enlargements and does not determine the quality of the image or the quality of any enlargements. To get a larger size image, you can export the photo in Lightroom by enlarging the image in the section of resizing the Image of the Lightroom export dialog box.

• Image quality terrible after export RAW to JPG in Lightroom CC

  Hello

  I have a huge problem, all my images are blurred after export to jpg, won't save the sharpening applied.

  Is this a bug still / again? Help, please!

  You view the image at 100% magnification? When the image does not match the screen, different applications use different algorithms to resize the image, and some seem sharper than others.

  If the image is intended for display of the screen, you must export to the pixel dimensions will be adapted on the screens of most people - like 1000 pixels.

  When you use 2400, you are sure that the image will be resized on most screens.

  Edit: 100% magnification is only can be used to assess the sharpness accurately.

• Why the file .ai portrait orientation export as a .jpg using landscape?

  Hi people,

  I'm new to Illustrator, so bear with me.  I did an 8"x10.5" portrait image mode inches and now I need to export it to a .jpg file to include in the word of another, larger document.  However, when I export the image, I get a file in the view landscape with a lot of white space on each side of my image, but especially on the right.  Weird.  How can I export it's size and shape I want?

  See you soon!

  Andy has

  Did you use artboard checked in the export dialog box?