Exported video is shorter than the length of the work area?

I exported a DVD MPEG2 using the NTSC high quality Progressive Preset and it came out more short than the real work of the sequence of about 8.5 minutes area.  The video must be 68 minutes long, but the video is rather only 59 minutes and 11 seconds.  As far as I know, the beginning and the end are the same.  Funny thing is the .wav file that produces the first is the right length (68 minutes), but the .m2v file is 8.5 minutes shorter.  My source of the layer film is AVCHD 1080 p filmed PF30 in a container of 60i (which should be published in an AVCHD 1080 p 30) sequence.

Put the files in again and check them.  Do not trust what Windows Explorer says about them.

Tags: Premiere

Similar Questions

  • If I config ISAKMP (phase 1) duration shorter than the life expectancy of IPsec (phase 2). What's going to happen.

    Since I couldn't find any document from Cisco (Cisco produces only that, the longer life ISAKMP, safer) of the directive.

    I was wondering if I config life ISAKMP (phase 1) shorter than the life expectancy of IPsec (phase 2). What happens when I still have the traffic through the VPN, the ISAKMP his timeout reachs tunnel. Phase 2 would also got laid off, and turn all the negotiation of Phase 1 VPN again?

    Any help will be appreciated.

    -Angela

    Angela:

    We probably need to consider the context of your use of the term "session".

    If you had to define an ACL crypto that consisted of a single access control entry (example: 192.168.1.0 ip allow 0.0.0.255 192.168.2.0 0.0.0.255), which would be generally * lead to the creation of an ISAKMP security association unique and two IPSec security associations. Lets call it a "session encryption.

    As you said, the implementation of the session "encryption" was triggered by a "session" (for example: TCP) between two hosts (each behind their respective ends of the tunnel). Additional meetings (for example: TCP) between different hosts on two sites, do not need other IPSec security associations. Security associations previously established IPSec supports all traffic defined by the ACE in the ACL crypto.

    For each extra ACE in your ACL crypto, you would see the creation of a pair of IPSec security associations (assuming traffic defined by the ACE triggers it) extra.

    If you need to set the layer 4 criteria (e.g.: TCP port 80) in an ACL crypto, that would be horrible. IPSec security associations are negotiated for each combination of source/target port used by a host. For example: A single host visiting a single web site (by the crypto tunnel), would open in general multiple TCP sessions (each with a different source port), and IPSec security associations are negotiated for each TCP session. This would quickly deplete resources on the cryptographic endpoints.

    We generally use P2P GRE or love with IPSec to swap info dynamic routing between sites. Because the traffic between sites is encapsulated in GRE, only a single proxy is needed.

    edg01 #show crypto ipsec his

    Interface: Tunnel0
    Tag crypto map: addr Tunnel0-head-0, local

    protégé of the vrf: (none)
    local ident (addr, mask, prot, port): (/ 255.255.255.255/47/0)
    Remote ident (addr, mask, prot, port): (/ 255.255.255.255/47/0)

    In this case, a single proxy is used. IP addresses are external physical IP addresses of crypto tunnel endpoints. Mode of transportation (where the 255.255.255.255 masks). The '47' is the GRE protocol.

    * Note: Sometimes, each cryptographic peer begins negotiations with the other, causing two bidirectional redundant ISAKMP SAs.

    Best regards

    Mike

  • CS6: export "range of time markers" without defining in - entry / exit point or set the work area?

    Hello

    in CS6, I've defined several "range of markers of time" to get a better overview of my project. Now I want to export each range in a single video.

    The only way to do it is to create in - entry / exit points or the definition of the work area (which is the English translation of "Arbeitsbereichsleiste" (German),...?)?

    Or is it possible to set this selection through the established range of time markers? That would be the easiest way...

    Thank you, Carlos

    I don't believe it.  The markers are a few guides, really.  They do not control a lot.

  • I do not see the 'working area of rendering.

    Gentlemen!

    I work with

    Adobe CS4 AE completely up to date

    6 GB RAM

    Images 1920 x 1080 24 fps

    Windows 7 Ultimate

    Well, if I'm not confused, there was something called 'work of rendering space' as 'area of effect of rendering.

    Evertime I want to synchronize a part of a song with the lip sync, the sound is a little, but I remember there was a way to make a part of the video before you restore the entire clip or there was a short cut like SPACEBAR or enter, but looks like that does not work either any help will be appreciated thanks a lot.

    As Fuzzy says those are commands of Premiere Pro.

    In After Effects, the work area defines how big is previewed during a RAM Preview:

    http://helpx.Adobe.com/after-effects/using/previewing.html#work_area

  • Sequencing to render the 'working area' as a process batch in the SOUL

    I use the latest version of creative cloud (20141)

    I need to restore large amounts of footage of the first both in the SOUL and I need to display the work only area. How can I change this setting on several sequences at the same time to avoid doing one by one.

    Thanks, Moja.

    I have to make the 750 videos this month and don't want to go through each sequence and configure it to display the work area. In the latest version of SOUL, make work was default zone. Let me know how can I set this up as a batch process so I don't have to spend all day clicking on through one by one.

    Thanks, Moja.

  • First Pro CC does not my images using the space bar or the button "play" on the work area.

    First Pro CC is not my images using the space bar or the button "play" on the work area, I can rub but can't play.

    Ok. Downloaded the update of Blackmagic and got Audio and reading! great, now the only thing missing is the fact that display power videos don't go to the SONY's Trimaster of 5 thousand dollars which is connected to the Blackmagic and where I should introduce all the movies to my boss. had this problem on CS6 - returned to FC7 because of that and if it cannot be solved will have to do it again. the preferences panels are no help.

    In fact, im only using the first because my boss wants that the entire Adobe workflow, but the boy is mute first. (always love AF)

  • Pe10: open a project saved previously and made, the work area shows the sections not cooked

    Pe10: when I open a previously saved and made project, the work area shows a majority of the sections not cooked.

    When I opened a project previously recorded and released, the work area indicates the sections not cooked. My project is about 59 minutes and 27 seconds.

    What to do to have a saved and rendered project, reopen when released?

    PRE10, clips with the stabilizing effect that have been made and recorded to be returned again when you open the project again. I haven't met any other situations where this is happening. PRE8 and PRE9 it y to other situations.

    What effects applied to clips to be rendered again? Is there media coming to overlap on the other tracks, and if yes, what type of media is, the image? text? video?

  • Keyboard equivalent to change the work area?

    Imagine that the work area is in another part of the timeline, and it is not nearby. You need to scroll around to drag it to the new settings.

    In After Effects, you type simply on the "N" key and the work area will jump to the wherever is the playhead. "."

    Please tell me that there is something like that in the first. I export a bunch of small segments of a timeline, and I'm tired of hunting and dragging.

    Thank you!

    1. Double-click the time scale.
    2. ALT + [or Opt + [to trigger the start of the space bar to work at the head of reading]
    3. [[Alt +] or Opt +] to follow the end of the space bar to work at the playhead.

    Reference Help: Adobe Premiere Pro CS5 & CS5.5 * keyboard shortcuts

    -Jeff

  • Is there a way to force to render all clips in the work area?

    Is there a way to force to render all clips in the work area? All clips: not only those with horizontal red line indicating that they need rendering! I ask this because videos made preview very well unrolled, but UN-rendered ones are not! My source of the layer film (project and) imply Full HD (1920 * 1080i 25 fps).

    If a Clip has not made, it will not be rendered.

    Basically, what the rendering is to convert the Clips, that don't require not rendered, DV - AVI (DD on a PC projects). This will produce AVI in the media Cache files, make files, and for reading, pre will rely on those. If you look in the folder of files of rendering, you'll see a bunch of files named in the abstract, but these files are now linked in the PREL (project file) and will be used by the program for reading.

    If one were to remove those go files and open this project in the first instance, they would receive a message, 'where's the file 04u434ip0ow. AVI? "[Note: that is just one example of the rendered file name abstract and is not the real name, you'd see.]. Could not ignore those missing now render files, and where they were used, it would be red lines on the clamps.

    As Steve mentions, rendering files are used only for smoother playback. As I use DV - AVI SD projects files on my PC, I have no need of rendering for a reading that is more gentle, until I have changes to the Clips, as superimposition of PiP, effects, titles, etc... I could never restore the timeline, even with these additions, but sometimes, I make a small segment several times, especially with animation effects, that I adjust the settings.

    If it does not receive more smooth playback, then make all the files to be rendered usually reading will greatly improve.

    Good luck and I hope it makes sense.

    Hunt

  • The radial filter guide shows only not in the work area

    I upgraded to Lightroom CC on the release and recently made the last update.  Now my radial filter does not show in the work area.  I can turn it on in the selective settings panel, but there are no guidelines indicating the size/shape of the mask.  The mask shows when I check/uncheck the mask Show Overlay box or the 'o' key (keyboard shortcut), but still no guidelines.  Radial filter appears in the history panel as well.  The selective brush seems to operate normally.  I'm on an IMac using OSX 10.10.2 2013.  I quit and restarted Lightroom CC so that rebooted my machine.  I don't have this problem on my MacBook Pro that has been updated at the same time.

    Help, please!

    Phil

    Press H

  • When I open an image in Photoshop, I can not see the file.  The thumbnail on the right, but I do not see the image on the work area. I use Windows 8

    When I open Photoshop CS6, I can't see the image.  The thumbnail is visible on the right side and the work area shows file information, but not picture.  I've updated PS, my driver. The same goes for the jpg or RAW.

    Make sure that your drivers are up-to-date. Try to disable the GPU acceleration in preferences then restart Photoshop.

    Benjamin

  • How to limit the work area RAM Preview?

    Sorry for the typos, I'm German!

    My RAM Preview is not limited to the area of my work, and I couldn't find a way to change this behavior. Is there a preference to check or any other solution?

    I use (I know not what information is needed, so I'll list what I have in mind):

    Windows 7 64 bit,

    After Effects CS5 10.0.1.19.

    Intel Core 2 Duo 2.4 GHz,

    GeForce 9300M GS

    It would be great a response, so thank you in advance!

    The time in the Preview Panel option replaces the work area. Is - this option checked?

  • How the ITC response to the work area once again?

    Hello

    All of a sudden I have a unusual problem (4 me). I'm working on a project and I noticed today that the CTI dose not act according to my workspace when I RAM Preview. After pressing 0, it goes just after the end of the work area continues to make

    Capture.PNG. (green line)

    And also it does not start to return at the beginning of the work area.  It uses somehow the comp lenght...

    Please notify.

    Thank you!

    I've attached a picture to see what he's talking about.

    Clear the option of"current time" in the Preview Panel.

    Mylenium

  • Imported clips are shorter than the originals (points are configured before you import)

    After you import the folder of clips, some of them are shorter than they should be (from a few minutes). For some reason any the of in and out is already fixed on them and I can't change it. Look at the pictures on my camera (Canon xf100) all images are here.

    * Note that I imported these images on a different hard drive for another project before this current project... it is possible that some meta data has been transferred?

    Well I don't know why he was doing this... However, I have just re-copied the pictures from my camera with Canon XF utility this time. It works now. Thank you for taking a good glance!

  • imported video is smaller than the original

    When I import videos from legacy video is not in the original format.  The video seems to be cropped, not only NOT wide, but the edges are cut off.

    Search for the term, "pixel aspect ratio compensation."

Maybe you are looking for