Exporting DNxHD in 10-bit

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• Export DNxHD with 8 channels audio multi... Problem! the final file only stereo all mixed with 6 empty strings.

  I export DNxHD with 8 channels audio multi... My problem is that the final file all mixed in the first 2 stereo channels with the channels empty rest 6.

  I'm lost on what could be the problem.

  The main audio channel is 8 channels... NO stereo.
  Export, I chose DNxHD and audio 48000 Hz with 8 output channels

  
  What could this be? I need to deliver a film with the 8 mono channels.

  Really appreciate all the thoughts/help!

  Thank you

  Christian

  That's how I would implement mixer in CS6's using a sequence of 8 track with 8 mono channels (mono channels using maintains levels matching, stereo and standard tracks can cause differences in level of 3db). Note the Red output channel selection and the panpot position indicated in blue.

  

• What is the right sequence for dnxhd 220mbs 10 bit s Journal 24 fps setting?

  I had images of DP that saved dnxhd s 220mbs of 10 bit log 24 fps , but when I imported to first Pro CC2014

  It shows me

  DNxHD compression ID 1241, using frame not supported rate 23.976 fps.

  Legal framework for this ID compression rates:

  25 fps (1080i/25 DNxHD 185 10-bit)

  alpha channel of 29.97 FPS (1080i/29.97 DNxHD 220 10 bits), compressed

  So I am confused that sequence setting should I use to keep the original quality until the end of the lock change and gives the colorist.

  DP said they shot 24 fps, but I myself 23.976 fps and a few unmatched codec settings

  Can I use DNX 175 X 24 fps code and maintain quality for colorist or did I miss something?

  Thank you very much.

  Hi thanks for the reply!

  Well, I found out that choice of this RFP to record 'dnxhd 220mbs 10 bits. 24 fps. "was the problem.

  One of my colleague edition access me the released Avid link

  ( https://www.avid.com/static/resources/US/documents/DNxHD.pdf Page 4) and this linked I know that 'dnxhd 220mbs 10-bit' codec only is not supported for the rate of 24 frames per second.

  But looks like the camera that used DP can do this kind of strange settings...

  So the most likely reason why first Pro CC2014 cannot make adjustment of the right sequence is mixed with bad setting.

  Thus, setting camera dnxhd 220mbs 10 bits. 24 fps is could get high-quality production, but add so much false information to the data and ultimately I change the codec and make out to finish.

  for me if they draw with dnxhd 175mbs 10 bits. 24 fps, then I could get correct setting in first Pro CC2014.

  but thank you very much for the reply!

• How can I export DNxhd or DVCProRes in a wrapper on Windows PC .mov?

  Hello world!

  I'm working on a Windows laptop here and need to export a clip as a DNxHD120 or DVCProRes wrapped in a format .mov for a Black Storm system to read in a TV studio. Unfortunately, the clip must be a .mov, not the predefined .mfx that appears in the menu of Windows encoder options...

  As far as I understand, this isn't an option for the Windows of Adobe CC version, but I was wondering if anyone has had success with third-party programs to do?

  I tried to download the AVID codecs, but I can't seem to import the Media Encoder or first (there is no .epr file seen)

  If anyone else has had this problem or found a way to bypass?

  Thank you very much for your help!

  Do you mean like this?

  

  Select

  Format = Quicktime

  Click on the video tab

  Change the video codec: to Avid DNxHD Codec

  Click on settings for the Codec - see the white box and modify if needed - click OK

  Don't forget to change the audio settings as the default is AAC.

  and so on. Just click to view the options.

• 'Adjust settings' is not accurate. And where are the AVCHD and export DNxHD Presets?

  Noise reduction paralyzes my system, so I need to apply it clamps before editing. I then export repaired clips and bring them in return for editing. However, when I check the 'Mail settings' box to the exporter, I never get the same kind of codec or wrapper that the clip was originally. If the clip is originally AVCHD, but first calls. MTS and the parameters of 'match' affect "MPEG overview" at 50% quality. In the presets drop-down, I don't find any AVCHD preset, which is what my images just turn off the camcorder Canon C100. First not recognize AVCHD or it called something else? And not the exporter must exactly match the origin of the film when this box is checked?

  Same thing with images of DNxHD . I also save externally on a blade of Ninja, who is supposed to be DNxHD 220 MB/s, but appears first as a Quicktime movie in a first time. When I click on "Game settings" to export, it assigns 'DNxHD MXF OP1a' 115 Mbps. And when I export it as such, it takes about 24 hours for a 40-minute sequence. And I have a fast enough computer.

  As long as I've been using first, I don't remember a time when this 'Mail settings' feature was never precise. He seems to find the rate correctly, though. You may delete the preferences first might help? And if so, please remind me how it's done on this version of Premiere Pro - CC 2014.2

  There are no avchd export, has never been.

  Matches the sequence parameters means you get the codec used in the sequence which means a codec to preview (usually I frame only mpeg and of lower quality)

  If you want to add the noise reduction (I guess not audio and video) before editing, then use an as Cineform intermediate codec which is now available in PP.

  I don't use dnxhd, so I can't comment on that.

• Choppy video export, DNxHD Codec 1080 p 24 fps

  Hi all

  having a problem exporting my video.  I tried a large number of parameters, but I'll give you a summary:

  in MPEG, h.264, audio keeps get synchronized.  In addition, appropriations twinkle pretty bad (I'm using a Photoshop file and it scrolling to the top of the screen with position keyframes)

  I also tried to export in Quicktime MOV format, using uncompressed YUV and DNxHD codec.  I have been using the project of 1080 p 24 fps downloadable predefined found here.  I got the software codec here.  When I export the video, it plays back very choppy in Quicktime 7 player.  Is this just a problem of Windows?  He would play smoothly on a Mac?

  Toshiba Satellite intel core i3 4 GB ram Edition on a 320 GB internal hard drive, backup on a 1 TB USB 2.0 external drive (edition was in fact run smoother when the source files are on the internal drive).

  images of canon rebel t3i 1080 p 23.98 FPS

  Any help is appreciated.  Thank you

  The biggest problem is that you're editing 1080 p 24, something which is not supported in Premiere Elements. You're very probably see interlacing issues.

  What project settings that you see in the release/project preferences?

  I would say that everything indicates that this plugin preset does not match your video source.

• Avid DNxHD Won´t allow the export of 1920 x 1080

  Hello

  I need to export to Avid DNxHD format. The material has been edited directly from DSLR filmed in 1080 p, 24 (23 976) fps. In the export settings, I select "Quicktime" for "Format" and "Video Codec", the "Avid DNxHD codec". Opening the box 'Codec Settings' I have a whole bunch of preset options. When I select an option that fits my original sequences (1080 p, or 24 fps, or 23 976) and click on 'OK', the output format will be only 720 x 480. In fact, a preset 1080 will be released in 720 x 480.

  How to export at 1080 p?

  Also:

  1. the dialog box for the Avid codec doesn´t show all specs is cuts around the section "xx - bit". The won´t of the box allow expansion. Is - fixable?

  2. what should I choose for levels of colors, "RGB" or "709" (that means "709" stand for?)?

  Thank you very much.

  3770 K I7

  ASUS P8Z77-V Deluxe

  MSI GTX Geforce 660TI Power Edition

  GSkill DDR3 1600 - 8 MB x 2

  Windows 7 Home Premium

  

  Check the blurred messages in this thread for

  everything you need to know about export DNxHD:

  DNxHD make it dark

  http://forums.Adobe.com/message/5331048#5331048

• Export Source 24 Bit WAV as float 32 bits before the conversion in Adobe Media Encoder?

  Hello

  I am exporting movies from After Effects as .avi and I was wondering what I need to do to preserve my audio is close to the source as possible. My audio file of the source is 24 - bit / 48K. I use Adobe Media Encoder to encode audio/video like YouTube Widescreen HD but since After Effects doesn't offer 24-bit export, should I export as a 32-bit float? And is that going to change my audio somehow before moving to Adobe Media Encoder?

  I've read about it on some different forums, but am still not not clear about this...

  Thank you

  Henry

  Sorry, but you've made a fundamental mistake - a non-standard rate.  That's a no-no.  A big.  You will have to use a standard frame rate and come up with another way to get things to work.  You'll foolin' with frame rates.

• How to export the workspace that I put in place in CS6 32-bit for the 64-bit version?

  I grew to accept that workspaces cannot be simply imported and exported from a previous version of the AI in the following. So I've painstakingly set up my workspace in the 32-bit version of Illustrator CS6, all signs put in place on 2 screens in the way I use them more eficiently depending on my personal workflow, thinking that the 64-bit version would have also the same workspace available, once I start it. Silly me! Why should I thought things could be so simple? Well OK, they do share workspaces - so how do I export my workspace I saved to HAVE 32-bit for the 64-bit version? This should be doable certainly - if we need to pass versions of course we want to maintain some consistency. But I can't figure out how. Help, please.

  You must copy your file to workspace manually from the 32-bit version in the 64-bit version.

  It is the location of CS5 mac (I'm at work), and the location of PC should be similar. Or do a search on your drive for the workspace name.

  

  You will need to reboot for it to take effect. Woo will probably have to also export shares of 32-bit and load them into your version of 64-bit as well as popular as setting change paste remembers layers.

• Question of export BMP 8 Bit - cannot force them to use the color range

  I want to export in BMP 8 bit (to save the file from BMP24 space) but Fireworks can be convinced to use all 256 colors and uses only of 80 colors in a smooth gradient, leading to an ugly jerky gradient.

  Here is a video of the show: http://screencast.com/t/Zjk2ZTc4OT

  Any help would be much appreciated. Is this a bug?

  Please be sure to report it to the list of Bug from Adobe: https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

• DNxHD teal'c Strange blocks appearing on the yellow image

  Hello

  I'm new to export DNxHD, but I tried to export a spot of cable with DNxHD MXF OP1a envelope, with a resolution of: 1080 p/29.97, DNxHD (RGB 444) 440 10 bits.

  Everything is great, even better than my usual export Quicktime, Pro Res 422 or H.264. The only problem is that for a single section where I have yellow flashes arise, a strange block teal'c appears on each bolt (image attached). There are not many options when you export directly from DNxHD, but I tried the same export through the DNxHD Quicktime where I played with the color mode, bit depth and the same problem occurred. I really want to use DNxHD, but it will not help for me unless I can fix this and fix this if it continues to offer videos in the future.

  (FYI, exporting through my usual methods does not cause in the blocks of Sarcelles, and they are not visible in Premiere Pro, only to export using DNxHD).

  (I'm using Premiere Pro CC 2015)

  Any advice would be greatly appreciated!

  Thank you

  Wine

  

  I think I found the answer to my own question

  But I'll let him place in case someone is facing the same question.

  Export under DNX 220 X 1080 p 29.97 (1080 p/29.97 DNxHD 220 10-bit) instead of RGB 444 (440 10 bits) seems to have resolved this issue. While the colors aren't as perfect as they could be, it is still an excellent choice of good quality and export quick time. And more this problem does not occur all the time, therefore, for the most part, I'll continue to use DNX 440 X and if I see problems go to DNX 220 X.

• Adobe after effects CC does not recognize key Alpha for the DNxHD imported clips (.mov)

  After the upgrade to Adobe CC, we have faced a problem when trying to import our assets HD (Quicktime .mov Codec: DnxHD 1080i 120). they are imported as a layer... There are no. Alpha key.

  These Clips have such a problem when import us them into Adobe After Effects CS6.

  Please Adobe, we need a quick solution. This is urgent.

  Note that we tried to download the latest version of the AVIDCodecLE package with no results!

  Thanks for any idea.

  After a long day of troubleshooting, we found that this problem is related to the alpha format when you create/rendering/export the source clip.

  Alpha should BE DECOMPACTES is recognized by Adobe after effects CC.

  Thank you.

  ------------------------------------------------

  Format: Quicktime .mov

  Video codec: Avid DNxHD

  Codec setting

  Resolution: 1080i / 50 DnxHD 120 8-bit

  RGB 709

  Alpha not compressed

  --------------------------------------------------

• Noisy video export

  Hey

  When I export dnxhd or cineform, anything is always noisier that what is displayed on the front.

  IM have you experienced something similar, here are some pictures, it is difficult to see in the compressed images, but it looks like bands and noise on a pc.

  What is shown in the first

  

  DNxHD 175

  

  Here are cineform

  

  Select this check box.  This is the only way to get more than 8 bits, pp.

• Premiere Pro - out Bit Max depth

  I export from time to time of FADS that have capacities of 12 bits, and I do it through intermediaries that I tend to export through first and Media Encoder. I found this article online on the export capabilities of first and it is said that the first can export up to 10-bit max.

  How to handle the Bit depth in Adobe Premiere Pro, After Effects, and Speedgrade | wolfcrow

  The article is less than 2 years and I wonder if this changed? For example both Gopro Cineform and Prores 4444 have the ability to export 12 - bit, but if the first fact that 10, I get a true 12-bit export?

  Thank you

  Hi Eric,.

  Plug-in rendering pipeline architecture and Premiere Pro has long supported the 32-bpc export (from Premiere Pro 2.0 in 2006), but it is the format/codec (and it is implemented by a plugin correspondent) what bit depths are supported in practice.

  From first Pro CC 2015.1 (9.1), the OpenEXR plugin is now included for export 32-bit or 16-bit float.  Here is the guide of the user for that:

  http://www.fnordware.com/ProEXR/ProEXR_Manual.PDF (see pages 28, 29)

  Format JPEG 2000 MXF OP1a, added in 2015 CC, also supports the 12 bits.

• How do the layout and export multiple images on a single sheet of paper for printing? [was: Luke H]

  I'm something of a beginner with lightroom (and a little slow with the technology), so my question may seem Basic, but can someone tell me - is it possible to use the print module, then create a page with several photos on this topic for example a model (with different pictures of different sizes on this topic) and then export this whole (with all its photos) page as a file on my computer which means that I can take this single file to the printer, where they can print for me on one sheet? (whenever I do that he sends the photos individually, not on a page, and in their basic format without any changes that I made).

  First of all, I would advise to check with the printer to see if you have understood correctly this requirement for tiff (because most of the laboratories prefer jpg).

  If you really need bring TIFF and do have access to Photoshop or similar, you can use the function Jpg printing option as described above, save the file in jpg with a value of high quality (90 or 100) then import the jpg in LR and exporting in a 8-bit tiff (as jpg is always of 8-bit nothing would be gained by exporting a 16-bit tiff file). Loss of quality would be very small and invisible.