What is the right sequence for dnxhd 220mbs 10 bit s Journal 24 fps setting?

I had images of DP that saved dnxhd s 220mbs of 10 bit log 24 fps , but when I imported to first Pro CC2014

It shows me

DNxHD compression ID 1241, using frame not supported rate 23.976 fps.

Legal framework for this ID compression rates:

25 fps (1080i/25 DNxHD 185 10-bit)

alpha channel of 29.97 FPS (1080i/29.97 DNxHD 220 10 bits), compressed

So I am confused that sequence setting should I use to keep the original quality until the end of the lock change and gives the colorist.

DP said they shot 24 fps, but I myself 23.976 fps and a few unmatched codec settings

Can I use DNX 175 X 24 fps code and maintain quality for colorist or did I miss something?

Thank you very much.

Hi thanks for the reply!

Well, I found out that choice of this RFP to record 'dnxhd 220mbs 10 bits. 24 fps. "was the problem.

One of my colleague edition access me the released Avid link

( https://www.avid.com/static/resources/US/documents/DNxHD.pdf Page 4) and this linked I know that 'dnxhd 220mbs 10-bit' codec only is not supported for the rate of 24 frames per second.

But looks like the camera that used DP can do this kind of strange settings...

So the most likely reason why first Pro CC2014 cannot make adjustment of the right sequence is mixed with bad setting.

Thus, setting camera dnxhd 220mbs 10 bits. 24 fps is could get high-quality production, but add so much false information to the data and ultimately I change the codec and make out to finish.

for me if they draw with dnxhd 175mbs 10 bits. 24 fps, then I could get correct setting in first Pro CC2014.

but thank you very much for the reply!

Tags: Premiere

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