Ghosting chronological marker

Similar Questions

• Why my point chronological marker highlight / select the clip that it is parked?

  Cannot find anything else online to anyone with this glitch.  I can't find a preference that could put out of service.  Is this a bug?

  When I play through the timeline, whenever I stop, the clip on which the chronological marker is parked gets highlighted / selected.  Also happens if I rub it or simply click somewhere back in the timeline bar.  The clip below that it gets highlighted - usually the video clip in the foreground; otherwise it'll hit the audio clip in the foreground.

  Running Pr CC2015 9.0.1 (36) on a new Mac Pro with 64 GB of RAM.

  It's not a big deal, but it's boring and since I couldn't find someone else with the issue, I thought I would bring.

  Thanks for all help!

  A

  Check/uncheck this option: sequence > selection follows playhead

• How the clip markers can be promoted in chronological markers?  I cut a clip and rearranged the order of the pieces in the timeline panel, so now I want a set of benchmarks that reflect their position in the timeline panel.

  Clip markers have as their frame of reference of the timeline, they came.  If you create a new brand of element in a new timeline, the marker in time is measured from his original script, not the new timeline where he is.  Currently in CC 2015 organization there is no way to translate the clip marker references 'Local' in the 'World calendar"in which they now live.  I captured on video a 8mm film that is chronologically jumble of short scenes.  I placed the chronology of chapter for each scene markers, export the list of markers and finally understood the rearrangement of pieces of scenes he needed to put everything in chronological order.  Thank God for the ability to export the list of markers, just as I needed!  So the whole sequence has 85 chronological markers, dividing the sequence into 5 pieces and rearranging puts them all in chronological order.  Obviously, I don't want to have to restore the scene boundries 85 times, I did as a necessary step to solve the puzzle.  I think you might meet one day some of these problems:

  1. the most obvious thing is located in the calendar for a piece, lift it and 'paste insert' where it belongs on the timeline.  Problem: Lift or excerpt from don't lift or extract chronological markers with it, so when "Insert you a block", the piece inserted in the timeline has lost its bearings, they were left.

  2. How about you make a sous-suite of the segment to move?  Yes, it carries all the tracks, but not the chronological markers whence he came.

  3. ok, I'll export the calendar together with chronological markers and reimport - ah, Yes, success, the chronology of the markers are now item, marks on the imported clip (the entire chronology).  That's great, because the clip markers are sticky with the clip, I can it chop, rearrange to put markers in chronological order without returning any info title marker.  Feeling beat with the reorganization completed five segments of the original timeline, everything is in order, nothing was reinstated, the timeline with its clip of chapter markers is ready to export to still make the DVD!  Yes, you guessed it, element chapter marks are not exported in yet.  The chronology of imports still with a marker, Chapter 1, at the beginning.

  4. There must be a way, stacked the timeline with the time markers on it on the icon for "New"... ', it is the same as #3 above, but simpler.  Historical markers are now the clip markers that don't export in yet.

  From my experiences, it is therefore impossible to solve my problem without completely restoring scene boundries and type chapter titles.  There are two repositories coordinated, clip) 1 local and 2) global chronology; and there is no way to go from one to the other 'mass'.   There is the glove, I'm sure someone has a way to do this without returning the title of chapter 85 markers.

  I have not found an automatic way to do this, but here is an efficient manual method that requires no titles of chapters Overtype.

  Either drop your timeline that has mounted the icon "Create New" brands, or export the timeline and import it back.  You now have a new timeline and markers are now on the video clip.  Now, chop and reorganize this video clip, it is in the best new order, and the clip markers stick with the sections of the clamp.  Now this procedure migrates the markers of the clips to the timeline (promotion):

  Start at the beginning of the timeline, select the video clip. (The video clip must be selected for M to open the marker editing window)

  1. type change M to find the first element brand, type M to open the editing window of clip marker, select the marker title and copy (control-C), hit Cancel

  2 hit the icon of reference in the program monitor pane, which puts a green marker on the timeline at the same time as the brand of element,

  3. double-click on the Green marker, paste the title of marker by control V, select the radio button of chapter markers, click OK.

  Repeat steps 1-3 to promote all the markers of clip of historical markers with the same marker titles.  Since we cut the timeline to reorganize, there are several video clips.  As you progress, make sure that the clip that you are working on is selected, otherwise M will not open the editing window, instead, it will place a chronological marker.  In short, follow this procedure exactly, it works.  It's a stupid job, but it does the job with without having to retype marker titles.  The chronology chapter titles now think time on the new timeline and they will export in yet.  Hope someone finds it useful at some point in the future.

  Perhaps team first see the usefulness of this and add a command 'Promote the clip for mounting marks markers' and "retrograde chronological markers for the clip markers" (conservation type, title and comments).  It would be a powerful addition.

• Audio saturated in Timeline

  Hello

  Sorry, my English is not very good.

  Why in chronology marks the saturated me and audio key indicators level does not reach 0 dB?

  Thank you!

  The waveforms of the timeline are not 100% accurate and intended as a general guide and not as an indicator of level.  I see this from time to time, bug.  Fill in the form of feedback and report.

• Keyframes lost with the new 2015.4 update

  I've just updated to 2015.4, build 10.4.0 (30)... I work with the original 4K 30 p on a 1080 p/30 timeline material.  I placed several keyframes in a particular shooting and non of them appear in my effect control window.  Basically I'm cropping a 4K shot after a harvester.  Here is a screenshot of my window controls in effect on a clip that has 4 key frames.  Does not show my chronological marker, nor do all my KeyFrames and function so I can change auto Bezier or whatever.

  Am I missing something really simple here?  Or is there a problem with this version.

  

  THX... Jim Watt

  Mac (retina 5K, 27 inches, end of 2014)

  4 GHz to CPU: Intel Core i7

  Graphics card: AMD Radeon R9 M295X 4096 MB

  Memory: 32 GB 1600 MHz DDR3

  Boot disk: Mac HD/3 TB Fusion

  Graphics card: AMD Radeon R9 M295X 4096 MB

  Video players: Raid 6 to '0' in OWC Raid housing

  Write speed: 328 MB/s

  Reading 333.7 MB/s

  4 TB G-Raid

  Write to 245,9

  258.0 read

  2 additional HDMI monitors

  Black Magic box Ultra Studio Mini Monitor

  Clearly missing something simple.  I've never used this button, nor apparently accidentally hit.

  Thank you... it's great to learn something new every day and sometimes every moment... .JW

• Noob question: reading

  I'm composing a sequence of 16 bit dpx returned by application 3D images. I imported the first rendered little frameworks (1920 x 1080) in Premier Pro. I dragged the sequence above the time line, and that it appears as expected. But when I press play, I see the chronological marker moving to the right, but no animation is displayed. All I see is the first celebrity.

  How can I Pro first read my animated sequence dpx?

  I have read the quick start guide, but it was no help in this case.

  Thanks for the tips.

  First Pro CC 2015.0.2: Trash MacPro, OS X 10.10.5, 32 GB of RAM, etc.

  Ah, nevermind. I thought about it.

  Unlike After Effects, you must select the FIRST image of the sequence, or PP CC only loads the image that you select. DOH!

• Fastest way to export a Jpg/PNG/TIFF image in After Effects

  I was wondering if there was a faster way rather than to use the render queue, it would be great just the chronological marker position and export!

  Composition > rendering > save image under the name or something very close to that. Sent from my phone.

• Stop the sound of back/forward

  I was wondering if there is any way to stop the rewind and advance fast sound you hear when you move the back or front chronological marker along your videos. Or is there a better way to quickly navigate through videos? I know that his happens because music, I added its annoying me...

  

  Céline

  Thanks for the reply. Just as I suspected.

  14 elements of first (the most recent version and just came out) has undergone changes in its mounting Panel. Especially ones involving audio tracks.

  Please refer to point 2 at the top of my blog first elements 14 First Look details ATR first troubleshooting items: first items 14 First Look details

  If you have the first 13 items, you do not have the muting of the audio track to which you were referred. In the first elements 13/13.1, these icons to the left of the track name are for display only - style for videos, 4 display styles to select from and for audio 2 display styles to choose one (with as wave and no waveform). But nothing of what I just wrote will influence your elements first 13 base want to silence the audio when you scroll the contents of the timeline.

  A possibility to explore

  1 video 1 video track with audio related on the Audio 1 track. And you want to scroll the timeline without the sound.

  2. open the Audio Mixer (mixer Audio/Menu Tools table) and put a check mark next to the button Mute for 1 Audio track. Resize the Audio Mixer Panel, it is out of your way, but you always silent access to the box.

  3. put the box of Mute, when you do not want sound. Remove the check mark for mute when you do not want sound.

  

  I'll think about it even more.

  RTA

• Video won't play in the Source Panel or program

  When I press on play in both, I can hear the video and the chronological marker moves, but the video is blocked.  Sometimes, he'll catch up, but rarely.

  Video: 1080 p mp4 recorded using OBS

  Software: First Pro CC 2015 (but also did it in 2014)

  Fact in the new project or a project migrated from 2014

  Have you tried: switching to software rendering engine, change audio output to speakers, etc.

  Windows 7

  GeForce GT 650M

  12 GB OF RAM

  OBS is Open Software diffuser

  My video uses a constant rate.

  I managed to find a solution by browsing the entire clip Handbrake - I guess that the new packaging has played nice with the first.

  Here's the info from MediaInfo for the sake of posterity:

  General

  Full name: C:\CapturedVideos\capture (03) .mp4

  Format: MPEG-4

  Format profile: Base Media

  Codec ID: isom

  File size: 234 MiB

  Duration: 2 min 9 s

  Overall bit rate mode: Constant

  Overall bit rate: 15.2 MB/s

  Encoding date: 2015 UTC-08-20 13:59:04

  Marking date: 2015 UTC-08-20 13:59:04

  Write request: Open Software diffuser v0.651b

  Video

  ID                                       : 2

  Format                                   : AVC

  Format/Info: Advanced Video Codec

  Format profile: High@L4

  Parameters of the format, CABAC: Yes

  Parameters of the format, Reframes: 1 frame

  Multiplexed mode: container [email protected]

  Codec ID: avc1

  Identifier of the codec/Info: Advanced Video Coding

  Duration: 2 min 9 s

  Source duration: 2 min. 9 sec.

  Bit rate mode: Constant

  Bit rate: 15.0 Mbps

  Width: 1 920 pixels

  Height: 1 080 pixels

  View picture format: 16:9

  Frame rate mode: Variable

  Frame rate: 30.000 fps

  Minimum frame rate: fps 29,412

  Maximum frame rate: 30,303 fps

  Color space: YUV

  The chroma subsampling: 4:2:0

  Color depth: 8 bit

  Scan type: Progressive

  /(pixel*Frame) bits: 0,241

  Stream size: 231 MiB (99%)

  The source stream size: 231 MiB (99%)

  Encoding date: 2015 UTC-08-20 13:59:04

  Marking date: 2015 UTC-08-20 13:59:04

  Color range: limited

  Primaries: BT.709

  Characteristics of transfer: sYCC

  The matrix coefficients: BT.709

  mdhd_Duration: 129166

  Audio

  ID                                       : 1

  Format                                   : AAC

  Format/Info: Advanced Audio Codec

  Format profile: LC

  Codec ID                                 : 40

  Duration: 2 min 9 s

  Source duration: 2 min. 9 sec.

  Bit rate mode: Constant

  Nominal flow rate: 320 Kbps

  Channel (s): canal0

  _Original of channels: 2 channels

  Position of the channels: Front: L R

  Sampling: 48.0 KHz

  Compression mode: lossy

  The source stream size: 3.04 million (1%)

  Language: English

  Encoding date: 2015 UTC-08-20 13:59:04

  Marking date: 2015 UTC-08-20 13:59:04

  mdhd_Duration: 129109

• How can I increase my sound using Audio Mixer?

  I needed to increase the volume of a clip that I had in my project of Premiere Elements.  Somehow, I managed to do it.  When I play, open the video with the Audio Mixer Panel, I see how the bar slider at the top to a + 3 which is optimal for the clip that I have.  I have another clip from the same event and I also need to increase the sound to a + 3.  I thought THAT I had chosen the clip and then everything just slid the bar upward.  I made this a few days ago.  Now I am trying to increase the volume on another element by dragging the bar to the top, but it has no effect.  I can edit the beginning and the end of the clip, but I don't think that would have an impact.  I think any change in volume could make a clip ready.  Someone at - it ideas?  Thank you.

  It was perhaps not the best way, but I managed to do work by sliding the bar as the video played.  Seems to me that there should be a way to have the chronological marker at the beginning of the clip, and then move the bar down so when the clip starts, it starts the sound to the lowest position, but I couldn't get this to work.  (For me, it would have been the easy way to do it, but I'm used to Pinnacle on Windows).  I could also select the clip and adjust the gain which also reduces the volume at the beginning of the clip.

• Time line disappears...

  Captivate v5.5

  Win 7 Pro

  From time to time, I find that when I'm working in the calendar view - the chronological marker is not displayed.

  This is how it should look with the chronological marker at the top

  

  But from time to time, this is what I see (or don't see) - the market of the timeline in the upper part is missing

  

  The only way I found to get new to save the project, close Captivate and open it again.

  What is the sign of a problem serious or maybe something else?

  Noel

  It is a sign of a minor bug.

  Next time that happens, try refreshing your work space.  That usually brings it back as well.

• Workflow and issue composition

  I have images of 22 cameras, GoPro, mp4, I imported natively into AE (11,02, OS 10.8.3 Mac 2.66 mhz Quad tour 16 g of RAM) in 1 composition.  I intend to achieve the desired effect and exit then a codec production, prores 422 for inclusion in my first project timeline.  Is this a valid workflow?

  Following the issue of membership:

  Most of the 22 cameras (in a table) recorded two or more files of the 16 mintes of execution, (there are 6 a separated in that time).  Before, I wrote these film files (after aligning a slate and for each layer continuous playback) to neaten up upwards and make more compact my calendar of EI.

  The effect I'm trying to achieve is a time-Slice/Bullet Time where I can "cut" one camera to the other throughout the Bay, thus freezing the action, but having the 'camera' move topic - and then the last layer/camera continue to play.  Specific I want to freeze, I set the opacity of each layer 0 successively to preview it help "freeze point" However in my ram only the first layer plays images.  Without the transformation of opacity to each layer, I can make a rough version of what I'm trying to do this solo ' ing each individual layer and I can't understand why making it each opacity of layer 0 successively does not work.

  Also once I have finished all the transformations of the opacity, the lower layer must be visible 1 framework after the layer above it goes to the opacity of the O, but actually, it's BLACK!  What the devil?

  Should I drag each image layer 1 forward in reading an image so only 1 of each layer?  Once again "turn on and turn off" each layer with an opacity?  I found the answer to this question, at least for now.  Each successive clip gets cut to the desired picture, then slipped a picture in front of the upper layer (save the top layer, which is reduced to the image).  In this way the same frame plays again and again with each camera along the Bay.

  I made a mistake using the comps pre mixed with the film 1 - taking?  In other words, my main computer now includes preliminary comps of the 2 files produced by most devices, as well as the original footage from these cameras mp4 that has recorded only a single file for the action.

  And further; Once I have the visible images in the correct sequence would be I before dial again and apply a sfx as displacement of the pixels to interpolate between the difference/door frames due to the difference of the position of each camera?  Please suggest another stream of work or layout composition!

  I hope I was clear, I am here and ready to clarify if I omitted no details.

  I would be forever grateful for the answers to questions pending if someone has an entry for me.  The question now is: remapping time or timewarp (which one?) front Displacement of the pixels - and displacement of the pixels is better for image interpolation smooth all this?

  http://i1218.Photobucket.com/albums/dd402/jessedavidharris/ScreenShot2013-03-30at31603PM.p ng
  Thank you very much
  Jesse

  Let me comment on one thing here:

  Also once I have finished all the transformations of the opacity, the lower layer must be visible 1 framework after the layer above it goes to the opacity of the O, but actually, it's BLACK!  What the devil?

  Here's the deal. The CTI is at the beginning of a frame. This means that if you look at the value for this image, you will see the actual values for this image. If you set 0 then it is the value of the image, you are on, not the next image. If you have a top to the frame 105 layer opacity 0 value and the layer directly beneath it also set to 0 then the two frames are 0. It's logical.

  I think that you go about it the wrong way. You do a lot of work for yourself that you don't need to do. If you have all your synchronized layers and in the left right order to the right and you want to make a gel frame 200 then set the CTI to frame 200, divide all layers, then move all the new layers to the top of the comp and select them. This can be done with three keystrokes. [Ctrl/Cmnd + A to select all the layers, Ctrl / Cmnd + D to split all selected layers, Ctrl/Cmnd +] to move all layers to the top.

  Now, use Ctrl/Cmnd + right arrow to move an image to the right and repeat the procedure. An easy way to mark these executives cut for easy selection would be to define a color label group. Select all the layers above the initial allocation (your layers of the image and the upper layers) and choose Animation > keyframe Assistant > sequence layers. Now the first layer above the layers of single frame, snap the CTI to that layer by pressing on the I have key, put a chronological marker, select all the layers above the layers of the unique image and press Shift + Alt/Option + the home line up on the first image and then catch them and hold down the SHIFT key to align ICT while dragging.

  That's all. It takes about 10 seconds. Now you can compost before this lot all over and put in place any interpolation or the time-remapping that you want in the precomp.

• The tracks window moving flex time marker move

  LPX 10.2.4, running I have the main window showing my pieces and, below, the editor, which I currently use for set Flex time markers.

  For some reason, in the last 15 minutes he began to behave differently in a way that has seriously slowed down my work: whenever I changed the position of the marker Flex - either through each dragging methods, either via Undo/Redo - the following two things were different from the usual behavior:

  • the waveform in the window of the tracks do not have a 'ghost' wave form which moved to reflect my drag in the editor, I did not see how the edit line non-sinusoidales wave the other tracks
  • the window of the tracks jumped at the beginning of the partition. He didn't budge from the read head, so pressing space twice more quickly got the rear window of the playhead near where I just changed, but it was confusing.

  This has solved the problem of the window mobile tracks:

  • clicking outside the audio region in the window tracks, to deselect the selected region
  • clicking New in this region to reselect it

  However, I still don't see the ghost waveform by dragging and I have no idea what was causing the odd behaviour.

  If you have any ideas of what could happen, please let me know.

  Sometimes, when the arrange window accurately displays the changes that I made to flex markers in the editing window I change flexible to bend the ground, then again for repeatedly bending and which allows a refresh of the region and flex markers and corrects the flex display in the region.

• Photos of Ghost in picture 1.1 with El Capitan

  Hi people.

  There is a curious problem happening with my Mac Air with pics 1.1 and el Capitan OSX: I have a long backup of photos upwards since 2002 up to today and always followed the improvements suggested Apple, including iPhoto migration into Photos some time ago.

  Now, I realized that a specific set of photos taken in 2014-2015, with an Iphone 5 and imported from a Canon EOS digital camera seems to be there, but is missisng. I mean, they appear in the photo files, have all visible metadata, but the placeholder for the image itself is empty. You can mark them as Favorites, see the metadata of each of them, include them in a slideshow, but they are single spaces. And if you try to export, Photo said that they are not there.

  There are a lot of precious moments of trips that won't again in these photos, and I'm struggling with the idea of losing it for always.  Anyone know the trick to get back them? I have TIme Machine backups since about 2013, but since I don't know when it happened, I can't go back all my stuff for 2014 just to retrieve those pictures. I use the machine to my daily work...

  

  Everything is ok, except for the missing images! Ghost photos!

  Help!

  Carlos Nobre, Brazil.

  You can update the pictures of the current 1.5 version.

  If you have enabled iCloud photo library, they could not synced to your computer. They sow upward when you double-click one of these images to see full resolution?

  You can also try to repair your library by pressing Option + command keys.

• Display task bar ghosts are left behind

  When I visit a wedsite, usually via a bookmark page, ghost of a part of a menu of a site visited drop-down images linger on the well of the screen after that I left the site.

  I have recently quadrupled my RAM ande has also added a new graphics card.

  The only way I was able to get rid of him is set to zero.  I use Microspft Suite 2010 Pro.

  Anyone else have this problem or know what are the causes?

  Hi KathyMcGrath,

  1. what browser you use to access the site?

  2. not the problem only occurs when the access to Web sites book marked?

  3 when was the last time it was working fine?

  It is possible that some third-party programs installed on the computer is causing the problem.

  I suggest that you put the computer in a clean boot state and check if it helps.

  To help resolve the error and other messages, you can start Windows XP by using a minimal set of drivers and startup programs. This type of boot is known as a "clean boot". A clean boot helps eliminate software conflicts.

  See the link below to learn more about how to clean boot.

  How to configure Windows XP to start in a "clean boot" State

  http://support.Microsoft.com/kb/310353

  Reset the computer to start as usual

  When you are finished troubleshooting, follow these steps to reset the computer to start as usual:

  (a) click Start, type msconfig in the search box and press ENTER.

  (b) If you are prompted for an administrator password or for confirmation, type your password or click on continue.

  (c) under the general tab, click the Normal startup option, and then click OK.

  (d) when you are prompted to restart the computer, click on restart.