I guess this is a question about the codecs?

Hello gods Premiere Pro potentially useful and thank you in advance. I'm on a timeline and Google is not useful.

What follows is on Premiere Pro CS6

I'm doing something that expected to be simple. I know it's possible. For reference here is one of the 1 million examples of what I'm trying to do (this video means not much before you read the rest): burst into starring Me Lzzy Hale - Lindsey Stirling - YouTube

Specifically, I have a video on 5 and a half minutes long (same length as the one above).

The original files (taken using Dxtory / Lagarith codec), before they get exported by PP (below, left) are clear and legible. The exported with the so-called-lossless Lagarith codec (below College) is almost half-decent, but still well below the standards my goal. The 'YouTube HD 1080 p 29.97' H.264 (below, right) is pitiful and unusable. Note: These screenshots are unpublished but drawn from a larger image.

My question is simple: How can I get a 5.5 - minute-long video of (or very close to) the quality of the picture below left of Premiere Pro on YouTube? The video I linked above (professionally done) has realized this, and I'd like to do this too. On that note, how does a long video of 2 hours of crystal clear quality Hollywood perfect 1080 p fit in a 12 GB file, when exporting 30 seconds of my (very basic) folder with sports extreme inferiority of codec Lagarith one half a GB file size? It is a size of 1 GB / min, which would add up to 120 GB for a 2 hour long movie, ten times the space Hollywood takes half the quality.


The second major problem is the following: The rate decreases significantly when the video is exported, regardless of how often I put, and regardless of what codec I use. I need good video as the video linked to above, and as what is in the original files.

Orig.PNGLagarith.PNGYouTube 1080p.PNG

OK, so many questions. Let's go through them. As you are reading this note be sure that you have used a "Preset" without making any changes. And used the wrong preset for your media. Or so it seems. Stay with me and I think I can get you where you want to go. Please don't take offense to this. It's an explanation a little cheesy and unless you studied it a little, this may seem odd.

I do not understand why you recorded at 1280 X 1080. The format of 1.5 pixels is not something that I've even seen registered before. Maybe you just saved the wrong sequence? Or actually record you like this?

Try recording at 1920 X 1080 (assuming that your monitors are of this size and you want to export this size). And save a bit rate constant and use square pixels (1:1). If you can't save in this way, let me know and we can work through what you need to do. But as is the case, your sequence indicates a pixel that is not square, and you ask the software to create pixels square out of it. The quality suffers when you do this. Once you save it like that, create sequence you do a right click on the imported media and selecting new sequence of the clip. This way the sequence will perfectly match the media.

On my PC, when I was only 1920 X 1080 monitors, I had to record the whole screen and then I found myself flush all extra stuff at the top and bottom, then I manually created the sequence of 1920 X 1080 and a black bar at the top and bottom. Now that I have 1920 X 1200 monitors, I don't have this problem. I can record my subject to a perfect 1920 X 1080.

Then, choose a frame rate. If you save at 23.976, export to 23.976, 29.97. If you want to export to 29.97, then save it like that.

Now, to set the encoding settings. I don't remember when the bug appeared or went, but you eventually use in the bug of 2-Pass VBR. Use a 1-Pass VBR and inflate your bitrate over 20 MB/s.  Set the target for 20 and the maximum to 25. The encoder will use what it needs to do the job. Just give him the authorization by placing at 20 and 25. The 1920 X 1080 image size requires really more bits to describe the action correctly.

If you have a lot of movement in a video, the distance between keyframes, executives with all of the information, as opposed to reference information, should be assembled more closely than all three seconds or more. How often you use, put the keyframes that close together. 24 or 30. The current setting of 90 is fine for most things, but not fast action.

Try all this and come back to discuss the results.

-Steven

Tags: Premiere

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