Installation of After Effects 7.0 Pro on MacBook Pro

Similar Questions

• Problems with the installation/opening After Effects 7.0 Pro

  Good morning/evening. Can someone help me get my copy of After Effects (7.0 Pro) to run? When I try to run the program, in a first step, the screen goes black, causing me to have to use the Task Manager to close. When I do that, I get the error message that:

  "After that the effects cannot continue: Sorry, After Effects broke down." See /http:www.adobe.com/support/products/aftereffects.html for known issues. If you can't always solve the problem, contact Technical Support of Adobe (2).

  (0: 42) »

  On the second attempt, I am asked to enter my serial number (my name and my organization is already automatically registered) but when I hit ENTER, told me then:

  "After effects error: your serial number is not valid."

  (0 :: 3) »

  I tried to enter my serial number with and without a hyphen after each number 4 (ie: XXXXXXXX-XXXX-XXXX-XXXX etc.), and I tried the uninstall and repair the program, but to no avail (I am invited to insert the disc by repairing, even if the disc is already in the drive and the seconds after the start of uninstall AE, I get the prompt "the wizard was interrupted before After Effects 7.0 could be installed completely (even if I try to UNINSTALL).") Your system has not changed. To complete installation at another time, please run Setup again. "Since my product does not give me the opportunity to talk to someone on the phone, I have to post on the forums. If anyone has experienced the same problem and knows how to fix it, please help!

  FYI: I have a HP Pavilion 2000, Windows 8. If the additional pc specs are needed, let me know.

  If it's cs2, error: "Activation Server unavailable". CS2, Acrobat 7, pass a hearing 3

• After Effects and Premier Pro cs4 installation

  I have a computer that is running on a 32-bit system. As such, I can't use the cs6 to After Effects and Premier Pro cc versions. I successfully downloaded the cs4 versions and have the files on my computer. I unzipped the files and tried to run the application. I wonder to extract the files (again) to run. I do, but after extraction finished, diolouge box closes and nothing happens.

  I tried several times, I completely stop my computer, but this continuous loop that occur.

  Once the extraction through, Setup may need to be initialized manually with the setup.exe installation files / in the folder that was extracted...

  Mylenium

• Adobe After Effects and Premiere Pro install question.

  Hello! I have a problem with some of my creative Cloud programs install. So the thing is I'm working with a Windows 10 operating system and I have tried several times to download Adobe After Effects and Premiere Pro, but it doesn't always let me. Premiere Pro appears as "up-to-date" but with no button to open - it is not on the programs on my computer! And with After Effects, it seems just constantly with the ' we have a problem, please come back later "without giving any code error or something like that. I already tried to uninstall and reinstall all my creative cloud Adobe programs and even the creative application of the Cloud itself. It just keeps ennuyer bored with this, could you please tell me how to fix? Or has anyone of you had the same problem before? I hope you can help! Good day!

  for the first problem, try solution 2, Adobe Creative Cloud desktop application uninstalled Adobe apps as up-to-date lists

• After Effects or Premiere Pro not available as tests?

  I downloaded Adobe Application Manager and it lists 13 programs, but it does not list After Effects or Premiere Pro as options to install. These are the two that I had to try more than anything. Help?

  They are available in tests, but your system does not meet the requirements. This is why they are not in the MAA. Refer to the card tech on the product pages.

  Mylenium

• Advice needed - graphics card for After Effects and Premiere Pro

  Hi all

  I did research of PC in the hope of making an investment in the most powerful PC, I can afford without breaking, and I need some advice.  According to my research online, it would seem that the best configuration for video editing would include an Intel i7 processor and an nVidia GeForce GTX 590 graphics card.

  The problem is that each computer I see who has this combo is significantly more expensive than other computers that have an Intel i7 and GeForce GTX 570.  The best bang for my money, I found was HP - he had an Intel i7 processor but only use a GeForce GTX 550 graphics card.

  You all have my question is this: how much difference do these graphics cards in terms of actual speed and reduce the working time & time in After Effects and first Pro CS5/CS5.5 rendering?  Is - what value the extra $300 - $400 to get the GTX 590?  Or who would only drop a tiny minutes rendering time / performance of the software?  In addition, could get away with high speeds and times of rendering with a GTX 550?

  To give you an idea of what I use this software for: I'm working on wedding HD DSLR video, sometimes with several layers of courses on the effects and transitions; I'll work on videos ranging from a few minutes in length of more than 45 minutes in length.

  I appreciate any input anyone has.  Thank you in advance and Kindest regards!

  -Michael

  Beware of HP systems. In general, they are unperpowered from a perspective of power supply, they use custom PSU which can not be exchanged for something else that HP, they use custom for the power supply dimensions, so it is impossible to replace one yourself and they are anything but attractive from a perspective of RE-ENGINEERING. They are very hard to overclock or not at all and are nothing more than mediocre artists or performers.

  Specifications you gave shows that he is a misconfigured system. An i7-2600 system should have 8 or 16 GB of memory, not 12 GB. It must use the 4 DIMM connectors, not 3. The power supply is low in power for this video card. Primary drive is too much for OS & programs and a complete waste of space. On a well-tuned system 150 GB is more than enough. 2 TB is not appropriate. You miss the 3rd and 4th hard drive, you will really enjoy for the performance.

  In short, these specs look like a waste of money.

• Tent installation of After Effects and it just says "the wait".

  Hello, I'm on a macbook pro under el capitan, and I it does not start the download after effects na indicates just constantly pending.

  Have tried to reinstall the cloud,

  force quit programs adobe and re-opening the cloud to install,

  but none of them have worked.

  Any help would be appreciated.

  Thank you

  Activity Monitor and the force quit all the configuration / Adobe related as launch process

  • Creative cloud
  • Adobe CEF Helper
  • Service Office of Adobe
  • AdobeIPCBroker
  • Installation of Adobe
  • AdobeUpdateService
  • AdobeServiceInstaller
  • CreativeCloud (URIHandler)
  • AAM updates notifier
  • CCLibrary
  • node
  • CoreSync
  • Setup
  • PDAPP
  • Install... etc.

  Then try again.

  Always the same? Follow the procedure below:

  Again make you not above listed are running in activity monitor.  At the launch of the activity monitor , ensure that the display is set to Aprocess of ll.

  
  

  
  

  (1) right-click on the icon in the Finder, then select the ' Go-To Folder ' option.
  (2) you will get a text box, type in the following command and then press the 'return '.

  / Library

  It will open the folder System Library.

  (3) then navigate to Application Support > Adobe.

  Open the Adobe folder, and then locate the folder named Caps.

  Rename the folder of old hats caps.

  
  

  Then again Adobe Creative Cloud app and try to install again.

• After Effects and Premiere Pro for 32-bit system

  Adobe has a solution to allow installation of the Premier Pro and Adobe After Effects on a 32-bit system?

  There is no 'solution '. AE and first since 64 bit CS5 only. Sorry, but you're late to the party and better upgrade your operating system or hardware in its entirety.

  Mylenium

• Cannot import and export MPEG2 files in After Effects and Premiere Pro.

  I don't know when, but a few days ago my Premiere Pro and Adobe After Effects do not recognize the MPEG2 files.

  When I try to open a Premiere Pro with a MPEG2 file in it: "this project contained a sequence that could not be opened. There be no preview sequence preset or codec file associated with this type of sequence.

  FAQ: Why some codecs and sequence presets missing my Premiere Pro installation?

• best way to work between after effects and first pro - for titration?

  Recently, I went to Vegas and get the long ok with Premiere Pro. But I'm now ventured into After Effects, in an attempt to import certain models of text.

  First of all, what is the best workflow for using patterns of text effects. I would first of all the video, rendering and import the video into Ae where I can fine tune titles?

  Or do I have to import, sort, the work that I do in Ae in my project of Pr?

  The problem I have are in both cases.

  When I visited the titles of EI, of high quality, the returned product has major flaws, suddenly white fuzz as an old TV on an analog antenna.

  Or well, when I try to import the Pr Ae project, the Pr is in 1080 and 720 is the text in the template and so it seems smaller than is it supposed to be.

  Any help or advice would be much appreciated.

  Michael

  There are exceptions to every rule, but in the great majority of cases, unless it's a great project short, keep your first sequence in first and do not send it to AE. Design your titles that separate compositions in a file of After Effects project, then you can import these compositions in first without any made on whatever it is. You can even update the text inside the first without having to return to the AE. Performances are sometimes doubtful during playback, but it depends on your system and you can always create a preview of a file. More info here:

  How to use Live text of After Effects templates in Premiere Pro | Adobe first Pro CC tutorials

  and

  Use text templates live in Premiere Pro CC

• REC 709 color is different in After Effects and Premiere Pro

  Can someone explain to me why the same piece of video shooting Rec 709 color looks differently in Premiere Pro and After Effect?

  The left image is After Effects with workspace of the project set to HDTV (Rec. 709) color setting.

  The right image is the same piece of footage come falling into a sequence in Premiere Pro.

  Why the color look completely different? Am I missing a setting in After Effects?

  

  Hi Aubrie,

  Have you tried to open the item in the source monitor in Premiere Pro where you get an extra tab in options to effect called "Master * clip_name.mov' where you will see a LUT Lumetri that can be disabled or removed?

  Vinay

• Which is the latest version of After Effects and Premiere Pro. Can you tell me the exact Version number please

  Thank you!

  The current version for both is 2014.2

  Exact version numbers

  After Effects 13.2.049

  and

  First Pro 8.2.0

  But this info will probably outdated very soon...

  The best way to check if you have the most recent version is to open your application client creative cloud and see if there are updates available.

• Installation of After Effects need help please...

  Hello. I am a student and I am taking a class on After Effects. I am trying to install the free trial version, but when I click on 'Run' or 'save', a box appears that says it's the installation followed by an another box that says ' we encountered the following problems: Please connect to the internet, then try again. " My internet is established and run fast and the computer is connected directly to the modem. I also tried using another browser, but nothing has worked. Is there something else I could try?

  http://helpx.Adobe.com/x-productkb/policy-pricing/activation-network-issues.html

• Should I make a film looped in After Effects or Flash Pro?

  Hello. I use Flash Pro CS6.

  Right now I'm doing a simple SWF file that can play the three clips per individual loops will play buttons.

  I did three movies FLV in After Effects. They are 80 images, clips of 30 frames per second, but these clips have many of the same executives. I mean a clip is something like that.

  AAAA BBBB CCCC DELALANDE AAAA

  DAVIS CCCC ABDELKADER BENCHAREF ABDELKADER

  AAAA BBBB CCCC DELALANDE AAAA

  AAAA EEEE FFFF BENCHAREF ABDELKADER

  It contains only 6 images (A, B, C, D, E and F). As you can see there are many of the same executives.

  I want to make it as small as possible SWF, so to do little, I should import still images and make a new timeline in Flash pro and make them as SWF inside? If I import still images (images ABCDEF) bitmap into Flash Pro and make a SWF file in Flash Pro can do better compression than AE? If so I'll turn the timeline. I really need better compression because I need to submit a SWF with a limit of 5 MB.

  If I need to make my small SWF, which is the best choice? Make a FLV in AE and import it into Flash Pro and publish, or make a film with those who are still images in Flash Pro and publish? Give me your advice. Thank you in advance.

  import bitmaps 6 and create your 3 movieclips by adding the appropriate sequence of bitmaps to each mounting clips.

  do not use one of the flv movies if they are part of your size limit. If the FLV files are not part of your size limits, you can leave the external FLV files in your swf file and create a swf file play FLV files using progressive download.

• After Effects, Photoshop, first Pro CS6

  I'm new to CS and have been a little different apprenticeship programs in recent months about the post-production.  I am mainly using Premier Pro, After Effects, and Photoshop.  I noticed there are tons of different ways to work both within and between these programs through the CS package.  Because there are so many ways to achieve a result in the end, I was uncertain, what is the right way to modify or manipulate video footage.  For example, if I intend using consequences to color correction using the fineness of the color, or Matt paint and rotoscoping, should what order I open the files and modify them?  Should I start first and then use AE or do I change in AE, export to a rendered file format and then import them into first?  I noticed that not all changes to EI are accepted at first, which would force me to return in AE first OK? Same question goes with all edits to images in photoshop as well. Always makes downgrade the quality a bit and at the time I did apply the effects and last edition, I don't want to neutralize not my project to be made two or three times before the final. Any advice would be great or at least a direction to look for resources to help you with my workflow problem.  Thank you

  We first define some terms:

  1. Shot: A continuous block of the new images from a unique point of view. Also called a plug.
  2. Sequence: Two or more plans that have been trimmed or cut together to tell a story.
  3. Scene: A continuous block of the tale is set in one place or as a result of a particular character. The end of a scene is usually indicated by a change of location, style, or time.  A scene can be shot, a simple sequence or a combination of several sequences.
  4. Film: A completed project that tells a story. A movie can be 10 seconds of time or 10 hours (re: Andy Warhol)

  The best use of After Effects is to work on a shot, scene or, sometimes, a sequence of composite elements, add graphics or adjust the appearance (color timing) of a shot or a sequence. After effects is probably the tool more difficult than you could ever choose to edit a movie in long form.  Dynamic link is very useful in the early stages of the development of sequences. Once approved, the sequences I have will make generally the sequence for a codec of production for use in the NLE. I'll talk more about codecs later.

  The best use of Premiere Pro (or any NLE) is to organize the shots in a sequence or a scene, then to organize scenes in a movie. Most fans try and cut a long form film (more than 10 minutes) in a single calendar. Professional editors organize each sequence in their own timeline (notice that Premiere Pro calles chronologies sequence 01, 02 etc. sequence) and then combine these sequences into scenes or movie by combining sequences in the final movie in a single calendar. In the end, it's a more efficient way to work on any project involving more than a few shots.

  Photoshop can be used to work on the shots, but it is quite inappropriate as an editing tool. Photoshop and Illustrator are mainly used to create items such as graphics or backgrounds used in After Effects or Premiere in history.

  The best workflow is one that puts you at the end of the project with the smallest number of steps in a minimum of time. In almost all cases, this means that you cut your shots into sequences in your NLE. The next step is to edit photos or footage in a software like After Effects compositing. If you are working on individual plans in After Effects, it is almost always a good idea to give them handles. I handle is a few additional images at the beginning and at the end to refine the change in your NLE. Good rule is to add 30 to 60 frames.

  Let's talk now, just for a second, rendering. You are slightly misinformed on the rendering.

  There are two types of codecs used for production. The first is a codec of production. It would be something like ProRez, Animation or even JPEG 2000, higher quality settings. To qualify as a codec for production rendering files must be lossless, or almost without loss. Production codecs take much DriveSpace. Some of them even will not play back in real time on any system. Many production houses use image sequences as their standard production format. You can make, do not forget then that either again go to production without loss of quality codecs. All you need is enough storage space to hold the files. Each production codec I use is at least 10-bit color depth.

  The second type of codek is called a delivery codec. These are highly compressed playback in real time on the low-cost systems and should never, I repeat never be used in the production pipeline. Anything either in the class-MPEG codec is a codec for delivery and should not be used in the production pipeline.

  Come to think of it, there is a third type of codec video. Here are the codecs of the acquisition. They are the codecs used by various aircraft factory to record videos. AVCHD, is a codec of low data rate used by cameras. Other cameras from the level of consumption at the pro level can use various forms of MPEG encoding. These "acquisition codecs" are not at all suitable for use downstream in the production chain. I mean, in other words, you must never make some turned to the initial acquisition codec. The only exception to this rule are professional cameras and recording systems registering in lossless formats or raw from the beginning.

  One last thing. Don't forget sound. Polished professional productions use always specific sound editing programs to complete the audio track. While you can do a job just in most NLE, you can do a much better job in something like Adobe Audition. Cutting, mounting or setting sound and AE should be limited to reference audio tracks and scratch not only. After made will do a good job of making an audio track without loss of an own original, but it is a audio more heavy and inefficient, editing tools ever developed. Oh, wait, AE is not a tool for audio editing, so it's OK with me.

  I hope this helps you on your way.